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Libros sobre el tema "Ballet – 2000-"

Autor: Grafiati
Publicado: 9 de noviembre de 2024

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1

Maggio musicale fiorentino (63rd 2000). 63p0s Maggio musicale fiorentino: 2000. Firenze: Teatro del Maggio musicale fiorentino, 2000.

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2

Fonteyn, Margot. The Dame Margot Fonteyn collection: Tuesday 12 December 2000. London: Christie's, 2000.

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3

Escuela del Ballet Oficial de Bolivia. El Ballet 2001-2002. La Paz, Bolivia: Escuela del Ballet Oficial de Bolivia, Ministerio de Educación, Cultura y Deportes, Viceministerio de Cultura, 2002.

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4

Ferreira, Paulo y Vítor Pavão dos Santos. Verde Gaio: Uma companhia portuguesa de bailado [1940-1950] : 29 de Abril 1999 a 31 de Março 2000, Museu Nacional do Teatro. [Lisbon?]: Ministêrio da Cultura, 1999.

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5

Ballet, San Francisco. 2005-2006 dancer bios. [San Francisco, Calif: San Francisco Ballet, 2005.

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6

Rohejärv, Kai. Vanemuise ballett 70: 1939-2009 = The Vanemuine ballet 70. Tartu: Teater Vanemuine, 2008.

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7

Dimitriu, Calin, ed. Opera Nationala din Bucuresti. Stagiunea 2003/2004: Partea I. Repertoriul. Bucharest, Romania: Editura CNI Coresi, 2004.

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8

Nauderer, Herbert. Herbert Nauderer, Rembrandt-Ballett, 2000 - 2010. Schweinfurt: Kunsthalle, 2010.

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9

Favier, Philippe. Ballets russes & compagnies : célébration du centenaire des Ballets russes à Monaco, juillet 2009-décembre 2010: Celebration of the Ballet Russes' centenary in Monaco, July 2009-December 2010. Paris: Gallimard, 2010.

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10

Nadareišvili, Leila. Tʻanamedrove kʻartʻuli baleti, 1961-2001 c.c. Tʻbilisi: Gamomcʻemloba "Universali", 2002.

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11

E, Lurʹe E., Novosibirskiĭ akademicheskiĭ teatr baleta i opery y Novosibirskai︠a︡ gosudarstvennai︠a︡ oblastnai︠a︡ nauchnai︠a︡ biblioteka. Informat︠s︡ionno-bibliograficheskiĭ otdel, eds. Bolshoĭ teatr Sibiri: Novosibirskiĭ gosudarstvennyĭ akademicheskiĭ teatr opery i baleta, 1945-2005 : ukazatelʹ literatury. Novosibirsk: Novisibirskai︠a︡ gos. obl. nauch. biblioteka, 2005.

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12

Baldini, Lucia. Carla Fracci: Immagini 1966-2005. Firenze: Le lettere, 2005.

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13

Petkovska, Tatjana. Monografski studii za baletskata umetnost vo Makedonija: 1948-2005. Skopje: Print point, 2006.

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14

Colombia, Museo Nacional de, ed. Picasso: Museo Nacional de Colombia, mayo 13-agosto 11, Bogotá, 2000. Bogotá, Colombia: Museo Nacional de Colombia, 2000.

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15

Division, Massachusetts Elections. Statewide ballot measures 1919 through 2004. Boston, Mass: William Francis Galvin, Secretary of the Commonwealth, Elections Division, 2004.

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16

Picasso, Pablo. Picasso: Minotauro : Madrid, 25 de octubre de 2000 - 15 de enero de 2001, Museo Nacional Centro de Arte Reina Sofía. [Madrid]: Museo Nacional Centro de Arte Reina Sofía, 2000.

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17

Turkevych, Vasilʹ. Nat︠s︡ionalʹnyĭ akademichnyĭ teatr opery i baletu Ukraïny imeni Tarasa Shevchenka,1901-2001: 100 rokiv budivli. Kyïv: Nat︠s︡ionalʹna opera Ukraïny, 2001.

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18

Ėmilʹ, Finkelʹshteĭn, Rannev V y Sankt-Peterburgskiĭ gosudarstvennyĭ muzeĭ teatralʹnogo i muzykalʹnogo iskusstva., eds. Peterburg, muzyka, XIX: 1703-2003 = Petersburg, music : 2003-1703. Sankt-Peterburg: Izd-vo "Kompozitor", 2001.

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19

Stanley, Joan. Matamata ballot farms and families, 1904-2004. Matamata, N.Z: Matamata Historical Society, 2004.

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20

España, Ballet Nacional de. El vestuario en el Ballet Nacional de España: 30 aniversario del Ballet Nacional de España, 1978-2008. Madrid: Ballet Nacional de España, 2009.

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21

España, Ballet Nacional de. El vestuario en el Ballet Nacional de España: 30 aniversario del Ballet Nacional de España, 1978-2008. Madrid: Ballet Nacional de España, 2009.

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22

Furmaniuk, Katarzyna y Roman Kuśnierz. Śląski Teatr Tańca 1992-2002: Silesian Dance Theatre. Bytom: Śląski Teatr Tańca, 2003.

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23

Stephanie, Jordan y Grau Andrée, eds. Europe dancing: Perspectives on theatre dance and cultural identity. London: Routledge, 2000.

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24

Belova, Tatʹi͡ana y Valeriĭ Milovanov. Bolʹshoĭ teatr: 225 i︠u︡bileĭnyĭ sezon, 1776-2001. Moskva: Teatralis, 2001.

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25

Magdalena, Faillace y Teatro Colón (Buenos Aires, Argentina), eds. Memoria y presente del Ballet del Teatro Colón, 1925-2005. Buenos Aires: Teatro Colón, Comision Honoraria de Homenaje por los 80 años de los Cuerpos Estables del Teatro Colón, 2005.

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26

Beaumont, Laura, Jan Page y Paul Larson. Angelina Ballerina annual 2007. London: Egmont Books, 2006.

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27

Società per gli studi storici, archeologici e artistici della provincia di Cuneo, ed. Giochi di palla nel Piemonte medievale e moderno: Convegno di Rocca de' Baldi, 30 settembre-1° ottobre 2000. Rocca de' Baldi (Cuneo): Centro studi storico-etnografici, Museo storico-etnografico "A. Doro", 2001.

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28

Colorado. General Assembly. Legislative Council. 2002 ballot information booklet: Analysis of statewide ballot issues and recommendations on retention of judges. Denver, Colo: Legislative Council of the Colorado General Assembly, 2002.

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29

Massachusetts. Office of Campaign and Political Finance. Campaign finance activity for the 2002 statewide ballot questions. Boston, Mass: Commonwealth of Massachusetts, Office of Campaign & Political Finance, 2002.

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30

Craig, Helen y Katharine Holabird. Angelina Ballerina annual 2006. London: Egmont Books, 2005.

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31

Ballen, Roger. Fact or fiction, Roger Ballen: 17 mars - 6 avril 2003. Paris: Galerie Kamel Mennour, 2003.

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32

Maggio musicale fiorentino (66th 2003). 66p0s Maggio musicale fiorentino: 2003. Firenze: Teatro del Maggio musicale fiorentino, 2003.

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33

Maggio musicale fiorentino (65th 2002). 65p0s Maggio musicale fiorentino: 2002. Firenze: Teatro del Maggio musicale fiorentino, 2002.

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34

Maggio musicale fiorentino (64th 2001). 64p0s Maggio musicale fiorentino: 2001. Firenze: Teatro del Maggio musicale fiorentino, 2001.

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35

State, Ohio Secretary of y Ohio Ballot Board, eds. Ohio issues report: State issue ballot information for the November 7, 2000 general election. Columbus: Ohio Ballot Board, 2000.

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36

Maggio musicale fiorentino (70th 2007). Mito e contemporaneità: 70. Maggio musicale fiorentino, 24 aprile-30 giugno 2007. Bologna: Pendragon, 2007.

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37

Electoral Institute of Southern Africa., ed. Engendering democracy through the ballot box in the Mauritius 2005 elections. Auckland Park, South Africa: Electoral Institute of Southern Africa, 2005.

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38

Giornata di studi La danza tra il pubblico e il privato, problematiche, esperienze, riflessioni (2009 Accademia nazionale di danza). La danza tra il pubblico e il privato: Studi in memoria di Nadia Scafidi : atti della Giornata di studi AIRDanza, 2009. Roma: Aracne, 2013.

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39

Vittoria, Crespi Morbio, Teatro alla Scala y Palazzo reale di Milano, eds. La Scala e l'Oriente, 1778-2004. Milano: Electa, 2004.

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40

Vittoria, Crespi Morbio, ed. La Scala e l'Oriente 1778-2004. Milano: Electa, 2004.

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41

Jeanette, Minnie y Media Institute of Southern Africa., eds. Outside the ballot box: Preconditions for elections in southern Africa, 2005/6. 2a ed. Windhoek, Namibia: Media Institute of Southern Africa, 2006.

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42

Minnie, Jeanette. Outside the ballot box: Preconditions for elections in southern Africa, 2004/5. Windhoek, Namibia: Media Institute of Southern Africa, 2004.

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43

Carter, C. Sue y Suma Jacob. Oxytocin and Vasopressin: Mechanisms for Potential Sex Differences Observed in Autism Spectrum Disorders. Oxford University Press, 2013. http://dx.doi.org/10.1093/med/9780199744312.003.0018.

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The effects of oxytocin and vasopressin on the brain and behavior can be sexually dimorphic, especially during the course of development (Bales, Kim, et al., 2004; Bales, Pfeifer, et al., 2004; Bales, Plotsky, et al., 2007; Bielsky et al., 2005a; Carter, 2003; Thompson et al., 2006; Yamamoto et al., 2005; Yamamoto et al., 2004). Given the sexual discrepancy observed in autism spectrum disorders (ASDs), these two neuropeptides, oxytocin (OT) and arginine vasopressin (AVP), have received attention for their potential role in ASDs (Green and Hollander, 2010; Insel et al., 1999; Leckman & Herman, 2002; Welch et al., 2005; Winslow, 2005; Young et al., 2002). Changes in either OT or AVP and their receptors could be capable of influencing symptom domains or behaviors associated with ASDs. Arginine vasopressin is androgen dependent in some brain regions (De Vries & Panzica, 2006), and males are more sensitive to AVP, especially during development. We hypothesize here that AVP, which has a unique role in males, must be present in optimal levels to be protective against ASDs. Either excess AVP or disruptions in the AVP system could play a role in development of the traits found in ASDs. In contrast, OT may possibly be secreted in response to adversity, especially in females, serving as a protective factor.
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44

Ny, Staff Of The. The New York Times Dance Reviews 2000 (New York Times Dance Review). Routledge, 2001.

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45

Un siècle de danse à Lyon: 1900-2000. Lyon: S. Bachès, 2008.

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46

Reminiscences of Ballets Russes dancers: Ballets Russes Celebration, the legacy : New Orleans, June 2000. [S.l: Ballets Russes du Col. W. de Basil, 2000.

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47

Britain, Great. Education (Grants) (Music, Ballet and Choir Schools) (Amendment) (England) Regulations 2000. Stationery Office, The, 2000.

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48

West, Martha Ullman. Todd Bolender, Janet Reed, and the Making of American Ballet. University Press of Florida, 2021. http://dx.doi.org/10.5744/florida/9780813066776.001.0001.

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Martha Ullman West illustrates how American ballet developed over the course of the twentieth century from an aesthetic originating in the courts of Europe into a stylistically diverse expression of a democratic culture. West places at center stage two artists who were instrumental to this story: Todd Bolender and Janet Reed. Lifelong friends, Bolender (1914–2006) and Reed (1916–2000) were part of a generation of dancers who navigated the Great Depression, World War II, and the vibrant cultural scene of postwar New York City. They danced in the works of choreographers Lew and Willam Christensen, Eugene Loring, Agnes de Mille, Catherine Littlefield, Ruthanna Boris, and others who West argues were just as responsible for the direction of American ballet as the legendary George Balanchine and Jerome Robbins. The stories of Bolender, Reed, and their contemporaries also demonstrate that the flowering of American ballet was not simply a New York phenomenon. West includes little-known details about how Bolender and Reed laid the foundations for Seattle’s Pacific Northwest Ballet in the 1970s and how Bolender transformed the Kansas City Ballet into a highly respected professional company soon after. Passionate in their desire to dance and create dances, Bolender and Reed committed their lives to passing along their hard-won knowledge, training, and work. This book celebrates two unsung trailblazers who were pivotal to the establishment of ballet in America from one coast to the other.
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49

Danza!: Amalia Hernández and el Ballet Folklórico de México. Abrams, Inc., 2017.

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50

Danza!: Amalia Hernandez and el Ballet Folklorico de Mexico. New York: Abrams, Inc., 2017.

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