Tesis sobre el tema "Australian documentary"
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Smaill, Belinda 1972. "Amidst a nation's cultures : documentary and Australia's Special Broadcasting Service Television". Monash University, Centre for Comparative Literature and Cultural Studies, 2001. http://arrow.monash.edu.au/hdl/1959.1/8644.
Texto completoHegedus, Peter. "Towards a Model for Autobiographical and Socially Conscious Cinematic Documentary in Australia". Thesis, Griffith University, 2008. http://hdl.handle.net/10072/365761.
Texto completoThesis (Professional Doctorate)
Doctor of Visual Arts (DVA)
Queensland College of Art
Queensland College of Art
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Rogers, Wendy Kaye. "Xavier Herbert". Thesis, Queensland University of Technology, 2010. https://eprints.qut.edu.au/41241/1/Wendy_Rogers_Exegesis.pdf.
Texto completoLaughren, Pat. "Picturing Politics: Some Issues in the Documentary Representation of Australian Political and Social History". Thesis, Griffith University, 2007. http://hdl.handle.net/10072/366409.
Texto completoThesis (PhD Doctorate)
Doctor of Philosophy by Publication (PhD)
Griffith Film School
Arts, Education and Law
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Davies, Llewellyn Willis. "‘LOOK’ AND LOOK BACK: Using an auto/biographical lens to study the Australian documentary film industry, 1970 - 2010". Phd thesis, Canberra, ACT : The Australian National University, 2018. http://hdl.handle.net/1885/154339.
Texto completoLang, Ian William y n/a. "Conditional Truths: Remapping Paths To Documentary 'Independence'". Griffith University. Queensland College of Art, 2003. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20031112.105737.
Texto completoLang, Ian William. "Conditional Truths: Remapping Paths To Documentary 'Independence'". Thesis, Griffith University, 2003. http://hdl.handle.net/10072/367923.
Texto completoThesis (PhD Doctorate)
Doctor of Philosophy by Publication (PhD)
Queensland College of Art
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Hoehne, Craig John. "Forged under the Hammer and Sickle: The Case of Geoffrey Powell, 1945–1960". Thesis, Griffith University, 2016. http://hdl.handle.net/10072/366519.
Texto completoThesis (Masters)
Master of Visual Arts (MVA)
Queensland College of Art
Arts, Education and Law
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Vickery, Edward Louis y annaeddy@cyberone com au. "Telling Australia's story to the world: The Department of Information 1939-1950". The Australian National University. Faculty of Arts, 2003. http://thesis.anu.edu.au./public/adt-ANU20040721.123626.
Texto completoMazzoli, Valentina. "Le tecniche di sincronizzazione del voice-over: analisi della proposta di adattamento per il voice-over in italiano del documentario Utopia di John Pilger". Master's thesis, Alma Mater Studiorum - Università di Bologna, 2018. http://amslaurea.unibo.it/16047/.
Texto completoMacLennan, Gary. "From the actual to the real : left wing documentary film in Australia". Thesis, Queensland University of Technology, 2000.
Buscar texto completoRobertson, Robert Philip. "Ghostwriting Hong Kong : post-colonial documentary and the western tradition /". Thesis, Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20007450.
Texto completovan, den Heuvel Fleur H. C. M. "Muslim women in Australia and the Netherlands: A multimodal enquiry into television documentary representations". Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2018. https://ro.ecu.edu.au/theses/2156.
Texto completoLi, Tingting. "An Analysis of the 4:2:1 Documentary". Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc500078/.
Texto completoBickford, Sophia Anastasia. "A historical perspective on recent landscape transformation: integrating palaeoecological, documentary and contemporary evidence for former vegetation patterns and dynamics in the Fleurieu Peninsula, South Australia". Title page, contents and abstract only, 2001. http://web4.library.adelaide.edu.au/theses/09PH/09phb583.pdf.
Texto completoDebenham, Jennifer Anne. "Representations of Aborigines in Australian documentary film 1901 - 2009". Thesis, 2013. http://hdl.handle.net/1959.13/1038027.
Texto completoThis thesis examines the ways in which Indigenous Australians have been represented in twelve documentary films made in Australia between 1901 and 2009. As historical artifacts, the films examined provide an emblematic visual representation of the scientific, political and social debates about Indigenous Australians that were in play when they were produced. The purpose of the thesis is threefold: to explore the role of documentary film in representing Australia’s Indigenous peoples to a dominant white Australian audience over a long period of time; to trace the ways changes in film and camera technology, policy making and social attitudes have collectively altered the relationship that Indigenous Australians have with documentary film as a medium of communication; and to demonstrate how changes in the process of making documentary films over the past century has been a force for both change and empowerment for Indigenous Australians. Although, some of the earliest documentary films made in Australia were about Indigenous Australians, as a collection they have not been the subject of serious study. Making films about Indigenous Australians initially had close connections with science, both natural and medical. This helped to re-enforce and sanctify the ‘objectification’ of Indigenous Australians as subjects of scientific enquiry within the context of the discourse of Social Darwinism. The visual images contributed to their positioning as the anthropological Other in which they were considered as outside of history; an image that is now under challenge by contemporary Indigenous filmmakers. It was not until the middle of the twentieth century that Indigenous Australians began to emerge from these ethnographic narratives. Documentary films made from that time began to recognise that Indigenous Australians were living in the political and social present. Public perceptions about how Indigenous Australians were coping with the dispossession of their traditional lands and living at the interface of two ideologically opposed cultures were dramatically challenged. As changes in perception continued to shift in the 1970s and 1980s, astute white documentary filmmakers began to collaborate with Indigenous people to make films about their lives. These filmmakers recognised that Indigenous Australians had a lot to talk about and with access to funding available from recently established public instrumentalities, filmmaking about Indigenous Australians reflected the changing attitudes about Australia’s Aboriginal people. By the latter years of the twentieth century, a vibrant and dynamic Indigenous film industry was emerging in Australia. With Indigenous filmmakers and technical experts in control of film production, white Australians have been witness to further shifts in the ways in which Indigenous Australians are represented on film. Indigenous filmmakers with a more intimate understanding of cultural protocols and with a high degree of social investment are taking on the responsibility of representing the Indigenous perspective on film. They have taken the medium that once positioned them as a people on the brink of extinction and are now demonstrating their acuity and skill with the visual medium. Their innovative and dynamic approach to the craft defies earlier preconceptions of a primitive and static culture unable to participant in a modern Australia.
Ogilvie, Charlene Sarah. "The Aboriginal movement and Australian photography". Phd thesis, 2007. http://hdl.handle.net/1885/149690.
Texto completoVickery, Edward Louis. "Telling Australia's story to the world: The Department of Information 1939-1950". Phd thesis, 2003. http://hdl.handle.net/1885/49256.
Texto completoPeters-Little, Frances. "The return of the noble savage by popular demand : a study of Aboriginal television documentary in Australia". Master's thesis, 2002. http://hdl.handle.net/1885/110389.
Texto completoBilbrough, Paola. "Givers, takers, framers : the ethics of auto/biographical documentary". Thesis, 2015. https://vuir.vu.edu.au/26229/.
Texto completoLydon, Jane. "Regarding Coranderrk : photography at Coranderrk Aboriginal Station, Victoria". Phd thesis, 2000. http://hdl.handle.net/1885/147197.
Texto completoLohse, Hardy. "Can introducing collaboration and trade and exchange into the photographic encounter respond to the inherent potential for exploitation, abuse and humiliation in traditional documentary photography? And, will doing this still maintain documentary photography's ability to capture the reality of living in towns in decline in Australia?" Phd thesis, 2017. http://hdl.handle.net/1885/133593.
Texto completoBickford, Sophia Anastasia. "A historical perspective on recent landscape transformation: integrating palaeoecological, documentary and contemporary evidence for former vegetation patterns and dynamics in the Fleurieu Peninsula, South Australia / Sophia Anastasia Bickford". Thesis, 2001. http://hdl.handle.net/2440/21741.
Texto completoxx, 319, [30] leaves : ill. (some col.), maps ; 30 cm.
Palaeoecological records, documented historical records and remnant vegetation were investigated in order to construct a multi-scaled history of vegetation pattern and change in the Fleurieu Peninsula, South Australia over the last c. 8000 years. Aims to better understand post-European landscape transformation and address the inherently historical components of the problems of regional biodiversity loss, land sustainability and the cumulative contribution to global climatic change.
Thesis (Ph.D.)--University of Adelaide, Dept. of Geographical and Environmental Studies, 2001
Dale, Graeme. "'Stepping out of the Shadows': an examination of female larrikins in Melbourne and the influence of popular culture on their behaviour (1878-1888); an Exegesis and Documentary Theatre play, ‘Flash Donahs’". Thesis, 2019. https://vuir.vu.edu.au/42231/.
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