Artículos de revistas sobre el tema "Australian Centre for Contemporary Art"
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Stevenson, Ian. "Sonic Residues 02 Australian Centre for Contemporary Art, Melbourne, Australia, 17 November 2 December 2000". Computer Music Journal 25, n.º 3 (septiembre de 2001): 82–85. http://dx.doi.org/10.1162/comj.2001.25.3.82.
Texto completoVett. "Australian Indigenous Art Centres Online: A Multi-Purpose Cultural Tourism Framework". Arts 8, n.º 4 (26 de octubre de 2019): 145. http://dx.doi.org/10.3390/arts8040145.
Texto completoFosdike, Tahney. "Kader Attia, Australian Centre for Contemporary Art (Melbourne, Australia), 30 September–19 November 2017. Curated by Rachel Kent". Journal of Visual Art Practice 17, n.º 2-3 (29 de mayo de 2018): 230–32. http://dx.doi.org/10.1080/14702029.2018.1426760.
Texto completoAnderson, Margot. "Dance Overview of the Australian Performing Arts Collection". Dance Research 38, n.º 2 (noviembre de 2020): 149–67. http://dx.doi.org/10.3366/drs.2020.0305.
Texto completoTuohy, Ian R. "A Proposal for an Australian Space Astronomy Data Centre". Publications of the Astronomical Society of Australia 7, n.º 1 (1987): 80–87. http://dx.doi.org/10.1017/s1323358000021901.
Texto completoMcQuilten, Grace. "Who is afraid of public space? Public art in a contested, secured and surveilled city". Art & the Public Sphere 8, n.º 2 (1 de diciembre de 2019): 235–54. http://dx.doi.org/10.1386/aps_00023_1.
Texto completoLoaney, Denis. "Australian Indigenous Art Innovation and Culturepreneurship in Practice: Insights for Cultural Tourism". Arts 8, n.º 2 (9 de abril de 2019): 50. http://dx.doi.org/10.3390/arts8020050.
Texto completoFisher, Laura y Gay McDonald. "From fluent to Culture Warriors: Curatorial trajectories for Indigenous Australian art overseas". Media International Australia 158, n.º 1 (11 de enero de 2016): 69–79. http://dx.doi.org/10.1177/1329878x15622080.
Texto completoPorr, Martin. "Art und rock-art of the Kimberley, Northwest Australia: Narratives, interpretations and imaginations". EAZ – Ethnographisch-Archaeologische Zeitschrift 51, n.º 1/2 (24 de marzo de 2010): 173–90. http://dx.doi.org/10.54799/bwdk8871.
Texto completoByrne, Paula Jane. "Tracing a Female Mind in Late Nineteenth Century Australia: Rose Selwyn". Genealogy 7, n.º 2 (27 de abril de 2023): 30. http://dx.doi.org/10.3390/genealogy7020030.
Texto completoBraginsky, Vladimir I. "Rediscovering the ‘Oriental’ in the Orient and Europe: new books on the East-West cultural interface: a review article". Bulletin of the School of Oriental and African Studies 60, n.º 3 (octubre de 1997): 511–32. http://dx.doi.org/10.1017/s0041977x00032523.
Texto completoLey, Graham. "Diaspora Space, the Regions, and British Asian Theatre". New Theatre Quarterly 27, n.º 3 (agosto de 2011): 215–28. http://dx.doi.org/10.1017/s0266464x11000431.
Texto completoRosen, Alan. "Return from the vanishing point: a clinician's perspective on art and mental illness, and particularly schizophrenia". Epidemiologia e Psichiatria Sociale 16, n.º 2 (junio de 2007): 126–32. http://dx.doi.org/10.1017/s1121189x00004747.
Texto completoLindsey, Kiera. "'Remember Aesi':". Public History Review 28 (22 de junio de 2021): 46–71. http://dx.doi.org/10.5130/phrj.v28i0.7760.
Texto completoBrueggemeier, Jan. "Nature in the Dark - Public Space for More-than-Human Encounters". Animal Studies Journal 10, n.º 2 (2021): 19–45. http://dx.doi.org/10.14453/asj.v10i2.2.
Texto completoKuppers, Petra. "Moving Bodily Fantasies: Medical Performances and Modes of Communication". Dance Research Journal 37, n.º 2 (2005): 73–88. http://dx.doi.org/10.1017/s0149767700008573.
Texto completoMcCann, Andrew. "ROSA PRAED AND THE VAMPIRE-AESTHETE". Victorian Literature and Culture 35, n.º 1 (22 de enero de 2007): 175–87. http://dx.doi.org/10.1017/s1060150307051479.
Texto completoAllatson, Paul y Andrea Connor. "Ibis and the city: bogan kitsch and the avian revisualization of Sydney". Visual Communication 19, n.º 3 (24 de mayo de 2020): 369–90. http://dx.doi.org/10.1177/1470357220912788.
Texto completoKITLV, Redactie. "Book Reviews". Bijdragen tot de taal-, land- en volkenkunde / Journal of the Humanities and Social Sciences of Southeast Asia 157, n.º 4 (2001): 903–59. http://dx.doi.org/10.1163/22134379-90003797.
Texto completoShaw, Margaret. "AARTI: Australian Art Index". Art Libraries Journal 11, n.º 1 (1986): 17–20. http://dx.doi.org/10.1017/s0307472200004454.
Texto completoLéger, Danielle. "Le Centre d’information Artexte: Medi(t)ations autour du catalogue d’exposition et de la francophonie". Art Libraries Journal 21, n.º 3 (1996): 34–39. http://dx.doi.org/10.1017/s0307472200009962.
Texto completoNakajima, Makiko. "Contemporary Art and Censorship: The Australian Museum Context". International Journal of the Inclusive Museum 3, n.º 4 (2011): 129–46. http://dx.doi.org/10.18848/1835-2014/cgp/v03i04/44346.
Texto completoGralton, Beatrice, Suhanya Raffel, Aaron Seeto y Stephen H. Whiteman. "Curating Chinese Contemporary Art in an Australian Context". Australian and New Zealand Journal of Art 16, n.º 2 (2 de julio de 2016): 247–63. http://dx.doi.org/10.1080/14434318.2016.1240653.
Texto completoPierce, Imogen Van. "Contemporary Debates: The Hundertwasser Art Centre with Wairau Maori Art Gallery". Back Story Journal of New Zealand Art, Media & Design History, n.º 2 (1 de diciembre de 2017): 5–25. http://dx.doi.org/10.24135/backstory.vi2.16.
Texto completoBest, Susan. "Repair in Australian Indigenous art". Journal of Visual Culture 21, n.º 1 (abril de 2022): 190–205. http://dx.doi.org/10.1177/14704129221088289.
Texto completoGayduk, Vladislava L. "THE HISTORY OF THE CENTER FOR CONTEMPORARY ART ON YAKIMANKA. ARCHIVE OPTICS". Articult, n.º 3 (2021): 81–95. http://dx.doi.org/10.28995/2227-6165-2021-3-81-95.
Texto completoPane, J. B., J. Rilatupa y S. Simatupang. "The development of an arts centre with the application of futuristic architecture". IOP Conference Series: Earth and Environmental Science 878, n.º 1 (1 de octubre de 2021): 012029. http://dx.doi.org/10.1088/1755-1315/878/1/012029.
Texto completoGeissler, Marie. "Contemporary Indigenous Australian Art and Native Title Land Claim". Arts 10, n.º 2 (11 de mayo de 2021): 32. http://dx.doi.org/10.3390/arts10020032.
Texto completoSzulakowska, Urszula. "Electronic Space in Contemporary Australian Art: Practice and Theory". Leonardo 24, n.º 2 (1991): 167. http://dx.doi.org/10.2307/1575289.
Texto completoStone, Paul. "Gateshead: Susan Hiller at BALTIC Centre for Contemporary Art". Circa, n.º 109 (2004): 74. http://dx.doi.org/10.2307/25564193.
Texto completoCarruthers, Victoria y Jaime Tsai. "Surrealism, Counter-Mapping and COVID: Confluences in Contemporary Asian Australian Art". International Journal of Surrealism 1, n.º 2 (marzo de 2024): 65–86. http://dx.doi.org/10.1353/ijs.2024.a922368.
Texto completoThomson, John y Joye Volker. "Australian visual arts: libraries and the new technologies". Art Libraries Journal 21, n.º 1 (1996): 4–7. http://dx.doi.org/10.1017/s0307472200009676.
Texto completoMačianskaitė, Vilma. "Contemporary Lithuanian Artists: Career Opportunities". Art History & Criticism 13, n.º 1 (1 de diciembre de 2017): 88–110. http://dx.doi.org/10.1515/mik-2017-0007.
Texto completoSkilbeck, Ruth. "Art journalism and the impact of ‘globalisation’: New fugal modalities of storytelling in Austral-Asian writing". Pacific Journalism Review : Te Koakoa 14, n.º 2 (1 de septiembre de 2008): 141–61. http://dx.doi.org/10.24135/pjr.v14i2.949.
Texto completoFreire, Mela Dávila y Pamela Sepúlveda Arancibia. "Artwork or document? Latin American materials at the Study Centre of the Museum of Contemporary Art of Barcelona (MACBA)". Art Libraries Journal 37, n.º 4 (2012): 15–20. http://dx.doi.org/10.1017/s0307472200017685.
Texto completoNguyen, Anh. "Photo Essay: “Vietnamese Here Contemporary Art and Refections” Art Exhibition, Melbourne, Australia, May 2017". Migration, Mobility, & Displacement 4, n.º 1 (7 de junio de 2019): 133–39. http://dx.doi.org/10.18357/mmd41201918976.
Texto completoSzafrański, Wojciech. "‘NATIONAL COLLECTIONS OF CONTEMPORARY ART’: PROGRAMME OF THE MINISTER OF CULTURE AND NATIONAL HERITAGE TO FINANCE PURCHASES OF CONTEMPORARY ART WORKS IN 2011–2019 PART 1. HISTORY: FINANCING". Muzealnictwo 62 (13 de septiembre de 2021): 227–35. http://dx.doi.org/10.5604/01.3001.0015.2686.
Texto completoLam, K., M. Savage, D. Murdoch, C. Raffel, D. Walters, E. Shaw y S. Paitry. "Contemporary Fractional Flow Reserve (FFR) Utilisation in a Large Australian Tertiary Centre". Heart, Lung and Circulation 25 (agosto de 2016): S260. http://dx.doi.org/10.1016/j.hlc.2016.06.605.
Texto completoGriffin, Lynn, Steven Griffin y Michelle Trudgett. "At the Movies: Contemporary Australian Indigenous Cultural Expressions – Transforming the Australian Story". Australian Journal of Indigenous Education 47, n.º 2 (21 de junio de 2017): 131–38. http://dx.doi.org/10.1017/jie.2017.15.
Texto completoMarsh, Angela. "Pragmatist Aesthetics and New Visions of the Contemporary Art Museum: The Tate Modern and the Baltic Centre for Contemporary Art". Journal of Aesthetic Education 38, n.º 3 (2004): 91. http://dx.doi.org/10.2307/3527445.
Texto completoMarsh, Angela. "Pragmatist Aesthetics and New Visions of the Contemporary Art Museum: The Tate Modern and the Baltic Centre for Contemporary Art". Journal of Aesthetic Education 38, n.º 3 (2004): 91–106. http://dx.doi.org/10.1353/jae.2004.0027.
Texto completoKiss, Gabriella. "Get involved! Krétakör: Crisis, Part III – The Priestess, 2011". Theatron 17, n.º 4 (2023): 94–109. http://dx.doi.org/10.55502/the.2023.4.94.
Texto completoLloyd, Kirsten. "Art, Life and Capitalist Social Reproduction: Curating Social Practice". Journal of Curatorial Studies 10, n.º 2 (1 de octubre de 2021): 150–76. http://dx.doi.org/10.1386/jcs_00041_1.
Texto completoShevtsova, Maria. "The Art of Stillness: Brook's ‘Impressions de Pelléas’". New Theatre Quarterly 10, n.º 40 (noviembre de 1994): 358–65. http://dx.doi.org/10.1017/s0266464x00000907.
Texto completoRobertson, Carmen. "Utilising PEARL to Teach Indigenous Art History: A Canadian Example". Australian Journal of Indigenous Education 41, n.º 1 (agosto de 2012): 60–66. http://dx.doi.org/10.1017/jie.2012.9.
Texto completoTrotter, Robin. "The Australian Stockman's Hall of Fame and the Australian Legend". Queensland Review 5, n.º 1 (mayo de 1998): 17–29. http://dx.doi.org/10.1017/s1321816600001677.
Texto completoBaltaziuk, Iryna. "DEVELOPMENT OF CREATIVITY WITHIN THE CONDITIONS OF CONTEMPORARY ARTMARKET". Research and methodological works of the National Academy of Visual Arts and Architecture, n.º 28 (15 de diciembre de 2019): 83–89. http://dx.doi.org/10.33838/naoma.28.2019.83-89.
Texto completoBeniakh, Nataliia. "Glass Art Department at Lviv National Academy of Arts: unique centre of contemporary glassmaking". Bulletin of Lviv National Academy of Arts, n.º 41 (26 de diciembre de 2019): 53–56. http://dx.doi.org/10.37131/2524-0943-2019-41-04.
Texto completoGunn, Robert y Susan Lowish. "Australian Rock Art in the Expanded Field: History, Meaning, and Contemporary Context". Australian and New Zealand Journal of Art 19, n.º 2 (3 de julio de 2019): 139–41. http://dx.doi.org/10.1080/14434318.2019.1701383.
Texto completoBlack, Jane. "Beautiful Botanicals: Art from the Australian National Botanic Gardens Library and Archives". Art Libraries Journal 44, n.º 3 (12 de junio de 2019): 124–31. http://dx.doi.org/10.1017/alj.2019.17.
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