Literatura académica sobre el tema "Australian aboriginal artists"
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Artículos de revistas sobre el tema "Australian aboriginal artists"
Franklin, Adrian. "Aboriginalia: Souvenir Wares and the ‘Aboriginalization’ of Australian Identity". Tourist Studies 10, n.º 3 (diciembre de 2010): 195–208. http://dx.doi.org/10.1177/1468797611407751.
Texto completoMason, Matthew J. "Out of the Outback, into the Art World: Dotting in Australian Aboriginal Art and the Navigation of Globalization". ARTMargins 11, n.º 3 (1 de octubre de 2022): 67–88. http://dx.doi.org/10.1162/artm_a_00326.
Texto completoGoldstein, Ilana Seltzer. "Visible art, invisible artists? the incorporation of aboriginal objects and knowledge in Australian museums". Vibrant: Virtual Brazilian Anthropology 10, n.º 1 (junio de 2013): 469–93. http://dx.doi.org/10.1590/s1809-43412013000100019.
Texto completoBradford, Clare, Catherine Sly y Xu Daozhi. "Ubby’s Underdogs: A Transformative Vision of Australian Community". Papers: Explorations into Children's Literature 24, n.º 1 (1 de enero de 2016): 101–31. http://dx.doi.org/10.21153/pecl2016vol24no1art1112.
Texto completoAllen, Louis A. "The Artists and Their Work". Aboriginal Child at School 14, n.º 4 (septiembre de 1986): 54–59. http://dx.doi.org/10.1017/s0310582200014553.
Texto completoMaher, Katie. "Traveling with Trained Man". Transfers 10, n.º 2-3 (1 de diciembre de 2020): 83–102. http://dx.doi.org/10.3167/trans.2020.1002306.
Texto completoPrice-Williams, Douglass y Rosslyn Gaines. "The Dreamtime and Dreams of Northern Australian Aboriginal Artists". Ethos 22, n.º 3 (septiembre de 1994): 373–88. http://dx.doi.org/10.1525/eth.1994.22.3.02a00050.
Texto completoBlack, Jane. "Beautiful Botanicals: Art from the Australian National Botanic Gardens Library and Archives". Art Libraries Journal 44, n.º 3 (12 de junio de 2019): 124–31. http://dx.doi.org/10.1017/alj.2019.17.
Texto completoGibson, Chris. "“We Sing Our Home, We Dance Our Land”: Indigenous Self-Determination and Contemporary Geopolitics in Australian Popular Music". Environment and Planning D: Society and Space 16, n.º 2 (abril de 1998): 163–84. http://dx.doi.org/10.1068/d160163.
Texto completoCameron, Liz. "Australian Indigenous sensory knowledge systems in creative practices". Creative Arts in Education and Therapy 7, n.º 2 (28 de enero de 2022): 114–27. http://dx.doi.org/10.15212/caet/2021/7/4.
Texto completoTesis sobre el tema "Australian aboriginal artists"
Adsit, Melanie Hope. "Caught between worlds: urban aboriginal artists". Thesis, Boston University, 1997. https://hdl.handle.net/2144/27694.
Texto completoFernandez, Eva. "Collaboration, demystification, Rea-historiography : the reclamation of the black body by contemporary indigenous female photo-media artists". Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2002. https://ro.ecu.edu.au/theses/741.
Texto completoRivett, Mary I. "Yilpinji art 'love magic' : changes in representation of yilpinji 'love magic' objects in the visual arts at Yuendumu /". Title page, table of contents and abstract only, 2005. http://web4.library.adelaide.edu.au/theses/09ARAH.M/09arah.mr624.pdf.
Texto completoCoursework. "January, 2005" Bibliography: leaves 108-112.
Butler, Sally. "Emily Kngwarreye and the enigmatic object of discourse /". St. Lucia, Qld, 2002. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe16427.pdf.
Texto completoMcDonald, Michelle. "Selling Utopia marketing the art of the women of Utopia /". Master's thesis, Australia : Macquarie University, 1999. http://hdl.handle.net/1959.14/15101.
Texto completoIncludes bibliographical references.
Introduction -- Literature review -- A brief history of Utopia's art production; its place in the indigenous art movement -- The role of the wholesaler -- The retail sector -- Report on survey of the buyers of indigenous art -- Emily Kame Kngwarreye -- Authenticity -- Conclusion.
Summary: The thesis focuses on marketing art from the Aboriginal community, Utopia, where the majority of artists, and the best known artists, are women. It documents methods by which the art moves from the community to retail art outlets; it includes detailed documentation of marketing in the retail sector and also includes research into the buying of indigenous art by private buyers. -- Emily Kame Kngwarreye is the best known of the Utopia painters. The study proposes reasons for her success and points to further questions beyond the scope of this study. Problems inherent in criticism and editing of her work are raised and interpreted in the context of the marketplace. -- The original thesis plan did not include detailed discussion about authorship. However, in 1997 the media reported controversy about authorship of a prize-winning work. As such controversy must affect marketing, this topic (as it relates to this artist), was included. -- Although possibilities for improvement in marketing methods have become apparent as a result of this research, areas where further research would be beneficial have also become apparent.
Mode of access: World Wide Web.
265, [48] p
Peacock, Janice y n/a. "Inner Weavings: Cultural Appropriateness for a Torres Strait Island Woman Artist of Today". Griffith University. Queensland College of Art, 2006. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20070327.140720.
Texto completoPeacock, Janice. "Inner Weavings: Cultural Appropriateness for a Torres Strait Island Woman Artist of Today". Thesis, Griffith University, 2006. http://hdl.handle.net/10072/365502.
Texto completoThesis (Professional Doctorate)
Doctor of Visual Arts (DVA)
Queensland College of Art
Full Text
Croft, Pamela Joy y n/a. "ARTSongs: The Soul Beneath My Skin". Griffith University. Queensland College of Art, 2003. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20030807.124830.
Texto completoCroft, Pamela Joy. "ARTSongs: The Soul Beneath My Skin". Thesis, Griffith University, 2003. http://hdl.handle.net/10072/367423.
Texto completoThesis (Professional Doctorate)
Doctor of Visual Arts (DVA)
Queensland College of Art
Queensland College of Art
Full Text
Syron, Liza-Mare. "Ephemera Aboriginality, reconciliation, urban perspectives ; Artistic practice in contemporary Aboriginal theatre /". Access electronically, 2004. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20060220.155544/index.html.
Texto completoLibros sobre el tema "Australian aboriginal artists"
Untitled: Portraits of Australian artists. South Yarra, Vic: Macmillan Art Pub., 2007.
Buscar texto completoSayers, Andrew. Aboriginal artists of the nineteenth century. Melbourne: Oxford University Press in association with National Gallery of Australia, 1996.
Buscar texto completoCarol, Cooper, ed. Aboriginal artists of the nineteenth century. Melbourne: Oxford University Press in association with National Gallery of Australia, 1994.
Buscar texto completoPring, Adele. Aboriginal artists in South Australia. [Adelaide]: Dept. of Employment, Education, Training, and Youth Affairs, 1998.
Buscar texto completoRyan, Judith. Colour power: Aboriginal art post 1984 : in the collection of the National Gallery of Victoria. Melbourne: National Gallery of Victoria, 2004.
Buscar texto completoOld masters: Australia's great bark artists. Canberra, ACT, Australia: National Museum of Australia Press, 2013.
Buscar texto completoTimothy Cook, dancing with the moon. Crawley, Western Australia: UWA Publishing, 2015.
Buscar texto completoNicholas, Evans. The heart of everything: The art and artists of Mornington & Bentinck Islands. Fitzroy, Vic: McCulloch & McCulloch Australian Art Books, 2008.
Buscar texto completoIsaacs, Jennifer. Australian aboriginal paintings. Sydney: Weldon, 1989.
Buscar texto completoIsaacs, Jennifer. Australian aboriginal paintings. The Rocks, NSW, Australia: Lansdowne, 1999.
Buscar texto completoCapítulos de libros sobre el tema "Australian aboriginal artists"
Boyd, Candice P. "Creating the ‘Finding Home’ Exhibition". En Exhibiting Creative Geographies, 31–64. Singapore: Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-6752-8_3.
Texto completoAlthans, Katrin. "Aboriginal Gothic". En Twenty-First-Century Gothic, 276–88. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474440929.003.0020.
Texto completoGlowczewski, Barbara. "Lines and Criss-Crossings: Hyperlinks in Australian Indigenous Narratives". En Indigenising Anthropology with Guattari and Deleuze, 281–96. Edinburgh University Press, 2019. http://dx.doi.org/10.3366/edinburgh/9781474450300.003.0010.
Texto completoBest, Susan. "Repair and the Irreparable in Contemporary Aboriginal Art". En Truth in Visual Media, 15–35. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474474467.003.0001.
Texto completoJoyce, Rosemary A. "Interlude 5". En The Future of Nuclear Waste, 192–99. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190888138.003.0011.
Texto completoSumartojo, Shanti y Ben Wellings. "Anzac, Race and Empire". En Commemorating Race and Empire in the First World War Centenary, 169–86. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9781786940889.003.0010.
Texto completoClarkson, Chris, Kasih Norman, Sue O'Connor, Jane Balme, Peter Veth y Ceri Shipton. "Australia’s First People". En The Oxford Handbook of the Archaeology of Indigenous Australia and New Guinea, C9.S1—C9.S20. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780190095611.013.9.
Texto completoFlood, Josephine. "The Rock Art of Aboriginal Australia from Pleistocene to the Present". En Aesthetics, Applications, Artistry and Anarchy: Essays in Prehistoric and Contemporary Art, 59–70. Archaeopress Publishing Ltd, 2019. http://dx.doi.org/10.2307/j.ctvndv846.9.
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