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Libros sobre el tema "Assemblages"

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Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 30 de julio de 2024

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1

Ong, Aihwa y Stephen J. Collier, eds. Global Assemblages. Oxford, UK: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470696569.

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2

Wijaya, Hendri Yulius. Intimate Assemblages. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-2878-1.

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3

Cons, Jason y Michael Eilenberg, eds. Frontier Assemblages. Chichester, UK: John Wiley & Sons, Ltd, 2019. http://dx.doi.org/10.1002/9781119412090.

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4

Banerjea, Niharika, Paul Boyce y Rohit K. Dasgupta. COVID-19 Assemblages. London: Routledge India, 2022. http://dx.doi.org/10.4324/9781003262251.

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5

Duff, Cameron. Assemblages of Health. Dordrecht: Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-017-8893-9.

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6

editor, Hendgen Aude y Musée de l'hospice Saint-Roch, eds. Antoni Clavé: Assemblages. Issoudun]: Musée de l'hospice Saint-Roch Issoudun, 2021.

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7

Matthys, JH, ed. Masonry: Components to Assemblages. 100 Barr Harbor Drive, PO Box C700, West Conshohocken, PA 19428-2959: ASTM International, 1990. http://dx.doi.org/10.1520/stp1063-eb.

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8

Couper, Max. Installations, assemblages and drawings. London: Museum of Installation, 1991.

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9

Verboven, Marie. Verbeke Foundation: Collages & assemblages. [Kemzeke, Belgium]: Verbeke Foundation, 2017.

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10

Riccardo, Francovich, Patterson Helen, Barker Graeme y Populus Project, eds. Extracting meaning from ploughsoil assemblages. Oxford: Oxbow Books, 2000.

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11

Zaven, Sargsyan, Abrahamyan L. H y Karapetyan Kristine, eds. Parajanov kaleidoscope: Drawings, collages, assemblages. Yerevan: Sergey Parajanov Museum, 2008.

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12

1930-, Saint-Phalle Niki de y Michel, Prince of Greece, 1939-, eds. Niki de Saint Phalle: Peintures, tirs, assemblages, reliefs 1949-2000 = paintings, tirs, assemblages, reliefs 1949-2000 = Malerei, Tirs, Assemblages, Reliefs 1949-2000. Lausanne: Acatos, 2001.

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13

Phalle, Niki de Saint. Catalogue raisonne, 1949-2000: Peintures, tirs, assemblages, reliefs, 1949-2000 = paitings, tirs, assemblages, reliefs, 1949-2000 = Malerei, Tirs, Assemblages, Reliefs, 1949-2000. Lausanne: Editions Acatos, 2001.

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14

Hovers, Erella. The lithic assemblages of Qafzeh Cave. Oxford: Oxford University Press, 2009.

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15

H, Matthys John, ed. Masonry: Components to assemblages, STP 1063. Philadelphia, PA: ASTM, 1990.

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16

Barall, Elfriede Michi. Brand New Worlds: Disney's Theatre Assemblages. [New York, N.Y.?]: [publisher not identified], 2020.

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17

Tilroe, Anna. Lucassen: Schilderijen, tekeningen, assemblages 1960-1986. Amsterdam: Art Book, 1986.

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18

Puar, Jasbir K. Terrorist assemblages: Homonationalism in queer times. Durham: Duke University Press, 2007.

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19

Kollmann, Heinz A. y H. Zapfe, eds. New Aspects on Tethyan Cretaceous Fossil Assemblages. Vienna: Springer Vienna, 1992. http://dx.doi.org/10.1007/978-3-7091-5644-5.

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20

W, Ward Lauck y Gilinsky Norman Lawrence, eds. Molluscan assemblages of the Chowan River Formation. Martinsville: Virginia Museum of Natural History, 1993.

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21

Dorine, Cardyn-Oomen, ed. Beeldhouwwerken en assemblages 19de en 20ste eeuw. Antwerpen: Ministerie van de Vlaamse Gemeenschap, 1986.

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22

Gopher, Avi. The flint assemblages of Munhata: Final report. Paris: Association Paleorient, 1989.

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23

A, Kollmann Heinz, Zapfe Helmuth y IGCP Project 262, Tethyan Cretaceous Correlation., eds. New aspects on Tethyan Cretaceous fossil assemblages. Wien: Österreichische Akademie der Wissenschaften, 1992.

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24

Assemblages. Winter, Clark, 2024.

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25

Gunawardana, Samanthi J. Gendered State Assemblages and Temporary Labor Migration. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190644031.003.0006.

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This chapter draws on “assemblage thinking” to understand how the gendered state relates in seemingly contradictory ways to its citizens going overseas as temporary labor migrants. Using Sri Lanka as an illustrative case, the chapter presents the argument that there are three distinct but interrelated gendered state assemblages: regulatory gendered state assemblages, protective gendered state assemblages, and brokerage gendered state assemblages. Thus, migration flows are sustained while acknowledging and attempting to address gendered harm. The particular configuration of power relations within the constitutive elements of the assemblage helps to produce the gendered state, which, in turn, produces and reproduces gender.
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26

Puar, Jasbir K. Terrorist Assemblages. Duke University Press, 2007. http://dx.doi.org/10.1215/9780822390442.

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27

Farías, Ignacio. Urban Assemblages. Routledge, 2012. http://dx.doi.org/10.4324/9780203870631.

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28

Puar, Jasbir K. Terrorist Assemblages. Editado por Inderpal Grewal, Caren Kaplan y Robyn Wiegman. Duke University Press, 2021. http://dx.doi.org/10.1515/9780822390442.

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29

Levy, Andrew. Democracy Assemblages. Innerer Klang, 1990.

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30

Carolan, Michael S. Decentering Biotechnology: Assemblages Built and Assemblages Masked. Taylor & Francis Group, 2016.

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31

Carolan, Michael S. Decentering Biotechnology: Assemblages Built and Assemblages Masked. Taylor & Francis Group, 2016.

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32

Carolan, Michael S. Decentering Biotechnology: Assemblages Built and Assemblages Masked. Taylor & Francis Group, 2016.

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33

Carolan, Michael S. Decentering Biotechnology: Assemblages Built and Assemblages Masked. Taylor & Francis Group, 2016.

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34

Decentering biotechnology: Assemblages built and assemblages masked. Burlington, VT: Ashgate Pub., 2010.

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35

Joyce, Rosemary A. y Joshua Pollard. Archaeological Assemblages and Practices of Deposition. Editado por Dan Hicks y Mary C. Beaudry. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199218714.013.0012.

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Archaeologists routinely describe sites as composed of assemblages encountered in deposits. But what is actually meant by ‘assemblage’ and ‘deposition’? This article explores how these concepts have been developed and considers the implications of contemporary understandings of deposition and assemblage that depart significantly from conventional definitions, many still to be found in introductory text books. Conventionally, the term ‘assemblage’ is applied to a collection of artefacts or ecofacts recovered from a specific archaeological context — a site, an area within a site, a stratified deposit, or a specific feature such as a ditch, tomb, or house. This article further explains in details the histories of archaeological approaches followed by contemporary approaches. The conventional definitions of assemblage and deposition emerged from geological and processual models of archaeological ‘formation processes’ that developed from the nineteenth century through the mid-twentieth century. Analysis the contemporary approach towards archaeological assemblages finishes this article.
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36

Noll, Terrie. Assemblages en bois. EYROLLES, 2016.

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37

Noll, Terrie. Assemblages en bois. EYROLLES, 2016.

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38

Rausch, Christoph. Global Heritage Assemblages. Routledge, 2016. http://dx.doi.org/10.4324/9781315414973.

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39

Cold War Assemblages. Taylor & Francis Group, 2019.

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40

Mackintosh, Janine. Kangaroo Island Assemblages. Blurb, 2014.

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41

Shringarpure, Bhakti. Cold War Assemblages. Taylor & Francis Group, 2020.

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42

Assemblages tubulaires soudés. Paris: Editions Technip, 1985.

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43

Rausch, Christoph. Global Heritage Assemblages. Taylor & Francis Group, 2019.

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44

Noll, Terrie. Assemblages en bois. EYROLLES, 2016.

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45

Covid-19 Assemblages. Taylor & Francis Group, 2022.

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46

Covid-19 Assemblages. Taylor & Francis Group, 2022.

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47

de Assis, Paulo y Paolo Giudici, eds. Machinic Assemblages of Desire. Leuven University Press, 2020. http://dx.doi.org/10.11116/9789461663603.

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48

Dunagan, Colleen T. Commercials as Discursive Assemblages. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190491369.003.0003.

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Chapter Two demonstrates how commercials employ genre-specific codes and conventions to operate as discursive assemblages. The author adopts Grossberg’s concept of cultural formations as a model for analyzing dance in advertising. Through close readings of several commercials created for US companies produced between 1948 and 2012, the chapter offers an historicized reading of the strategic intersections between dance, television, film, and advertising within commercials to produce a form of marketing that simultaneously reinforces and destabilizes disciplinary boundaries. Several concepts central to the larger project are introduced here, including liveness, advertising positioning strategies, direct address and hailing, montage, and film musical conventions. While the study focuses on an analysis of the history and conventions of dance-in-advertising in the United States during the mid-to-late twentieth and early twenty-first centuries, it also includes examples of commercials created to advertise US products in foreign markets.
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49

Rodríguez-Giralt, Israel, Isaac Marrero-Guillamón y Denise Milstein, eds. Reassembling Activism, Activating Assemblages. Routledge, 2020. http://dx.doi.org/10.4324/9780429320798.

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50

Marrero-Guillamón, Isaac, Denise Milstein y Israel Rodríguez-Giralt. Reassembling Activism, Activating Assemblages. Taylor & Francis Group, 2020.

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