Literatura académica sobre el tema "Arts – Australia – History"
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Artículos de revistas sobre el tema "Arts – Australia – History"
Pardy, John. "Remembering and forgetting the arts of technical education". History of Education Review 49, n.º 2 (12 de noviembre de 2020): 181–93. http://dx.doi.org/10.1108/her-02-2020-0009.
Texto completoAnderson, Margot. "Dance Overview of the Australian Performing Arts Collection". Dance Research 38, n.º 2 (noviembre de 2020): 149–67. http://dx.doi.org/10.3366/drs.2020.0305.
Texto completoBroinowski, Alison. "Australia, Asia and the arts". Asian Studies Association of Australia. Review 12, n.º 1 (julio de 1988): 18–23. http://dx.doi.org/10.1080/03147538808712535.
Texto completoTrinh, Huong Thu. "The Heildelberg School in forming Australianness". Science and Technology Development Journal 17, n.º 4 (31 de diciembre de 2014): 62–73. http://dx.doi.org/10.32508/stdj.v17i4.1575.
Texto completoHadok, John. "Performing Arts Healthcare in Australia—A Personal View". Medical Problems of Performing Artists 23, n.º 2 (1 de junio de 2008): 82–84. http://dx.doi.org/10.21091/mppa.2008.2016.
Texto completoLummis, Geoffrey William, Julia Elizabeth Morris y Graeme Lock. "The Western Australian Art and Crafts Superintendents’ advocacy for years k-12 Visual Arts in education". History of Education Review 45, n.º 1 (6 de junio de 2016): 115–30. http://dx.doi.org/10.1108/her-12-2014-0045.
Texto completoWagner, Robin. "What Munn Missed: The Queensland Schools of Arts". Queensland Review 20, n.º 2 (30 de octubre de 2013): 187–202. http://dx.doi.org/10.1017/qre.2013.20.
Texto completoMulcock, Jane y Natalie Lloyd. "Human-Animal Studies in Australia: Current Directions". Society & Animals 15, n.º 1 (2007): 1–5. http://dx.doi.org/10.1163/156853007x169306.
Texto completoPollock, Benjin. "Beyond the Burden of History in Indigenous Australian Cinema". Film Studies 20, n.º 1 (mayo de 2019): 36–53. http://dx.doi.org/10.7227/fs.20.0003.
Texto completoJones, Stephen. "Synthetics: A History of the Electronically Generated Image in Australia". Leonardo 36, n.º 3 (junio de 2003): 187–95. http://dx.doi.org/10.1162/002409403321921389.
Texto completoTesis sobre el tema "Arts – Australia – History"
Farmer, Margaret Art College of Fine Arts UNSW. "Terra Alterius: land of another". Awarded by:University of New South Wales. School of Art, 2007. http://handle.unsw.edu.au/1959.4/29574.
Texto completoJoern, Albert. "The repositioning of traditional martial arts in Republican China". Thesis, McGill University, 2013. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=114301.
Texto completoÀ travers cet essai, j'examine la façon dont les pratiquants d'arts martiaux dans l'ère républicaine de la Chine étaient impliqués dans le but de réinventer ce qu'incarnait le domaine des arts martiaux à une époque où la culture physique était traitée comme un instrument de construction de la nation en réponse au discours colonial et au processus de modernisation. Les arts martiaux ont été repositionnés à partir d'un ensemble de personnes indirectement associés qui se livraient à un ensemble de combats et qui concentraient leurs compétences sur des entraînements aux armes encourageant le tir à l'arc et le combat à la lance, afin de devenir une activité de loisir avec un corps formalisé de connaissances, de compétences et de pratiques imprégnées avec une identité chinoise adapté à la classe moderne urbaine et de citoyens chinois éduquée. Ceci est ma conviction que ces efforts ont été un facteur très important dans la raison pour laquelle la pratique des arts martiaux aujourd'hui est si étroitement associée aux concepts de la culture de soi.Ce repositionnement des arts martiaux chinois fut motivé par le schisme entre les traditionalistes qui défendaient leurs croyances et leurs pratiques de l'époque impériale de la Chine, et les modernistes qui, eux, ont vu l'adoption complète de technologies et de concepts occidentaux comme le seul mouvement bénéfique à la modernisation de la Chine. En raison de la politique à travers l'éducation, la compréhension du corps et de sa représentation dans la société, les efforts visant à préserver les pratiques traditionnelles ont été compliquées par la dynamique liée à l'identité et le pouvoir de l'état. Le domaine des arts martiaux a été critiqué par les réformistes et les modernistes incluant ceux qui furent impliqués dans le « New Culture movement», qui a fait valoir que la Chine devait embrasser des notions scientifiques des pays occidentaux et abandonner leurs «superstitions féodales. » Dans ce contexte, le domaine des arts martiaux traditionnels a été stigmatisé par des liens avec la révolte des Boxers, la diversité des pratiques et la discrétion qui existait entre les différentes écoles de pratique.En réponse aux mouvements de modernité qui ont critiqué les systèmes de croyances traditionnels dont les pratiquants d'arts martiaux ont fait appel à l'appui de leurs systèmes pour justifier leur pratique comme une forme de loisir, des associations telles que les Jingwu Tiyu Hui et le Zhongyang Guoshuguan ont été formés selon les modèles occidentaux institutionnels dans le but d'unifier et de , en quelque sorte , moderniser les arts martiaux chinois. Les enseignants et les administrateurs concernés par ces institutions voulaient préserver la pratique des arts martiaux, et pour ce faire ils ont dû développer des nouvelles façons de systématiser les méthodes de formation, les réinventer en les promouvant à une nouvelle génération d'étudiants sous une forme qui n'avaient jamais existé auparavant.
Haveric, Dzavid. "History of the Bosnian Muslim Community in Australia: Settlement Experience in Victoria". full-text, 2009. http://eprints.vu.edu.au/2006/1/Dzavid_Haveric.pdf.
Texto completoGibson, Lisanne y L. Gibson@mailbox gu edu au. "Art and Citizenship- Governmental Intersections". Griffith University. School of Film, Media and Cultural Studies, 1999. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20030226.085219.
Texto completoRen, Wei. "The Writer's Art: Tao Yuanqing and the Formation of Modern Chinese Design (1900-1930)". Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:17465116.
Texto completoHistory of Art and Architecture
McPherson, Ailsa School of Theatre Film & Dance UNSW. "Diversions in a tented field : theatricality and the images and perceptions of warfare in Sydney entertainments 1879-1902". Awarded by:University of New South Wales. School of Theatre, Film and Dance, 2001. http://handle.unsw.edu.au/1959.4/18264.
Texto completoJames, Pamela J., University of Western Sydney, of Arts Education and Social Sciences College y School of Humanities. "The lion in the frame : the art practices of the national art galleries of New South Wales and New Zealand, 1918-1939". THESIS_CAESS_HUM_James_P.xml, 2003. http://handle.uws.edu.au:8081/1959.7/567.
Texto completoDoctor of Philosophy (PhD)
Ritchie, Samuel Gordon Gardiner. "'[T]he sound of the bell amidst the wilds' : evangelical perceptions of northern Aotearoa/New Zealand Māori and the aboriginal peoples of Port Phillip, Australia, c.1820s-1840s : a thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Master of Arts History /". ResearchArchive@Victoria e-Thesis, 2009. http://researcharchive.vuw.ac.nz/handle/10063/928.
Texto completoLees, Jennifer Anne. "Eisteddfoditis : the significance of the City of Sydney Eisteddfod in Australian cultural history 1933-1941 /". View thesis, 2003. http://library.uws.edu.au/adt-NUWS/public/adt-NUWS20051109.114852/index.html.
Texto completoA thesis submitted in requirement for the degree of Doctor of Philosophy - Communication & Media, University of Western Sydney, 2003. Bibliography : leaves 350-372.
St, Leon Mark. "Circus & nation : a critical inquiry into circus in its Australian setting, 1847-2006, from the perspectives of society, enterprise and culture". University of Sydney, 2007. http://hdl.handle.net/2123/1702.
Texto completoIn Australia, like most countries, circus has been an element, at times a very important element, in the mosaic that constitutes its popular culture. An outgrowth of the circus as recast in a modern form in London in the 18th century, an Australian circus profession has existed almost continuously since 1847. Australia’s circus entrepreneurs took the principal features of English, and later American, circus arts and management and reworked these features to suit their new antipodean context. The athletic, intellectually undemanding nature of its equestrian-based entertainments harmonised with the emerging patterns of modern Australia’s way of life. In time, Australia produced renowned circus artists of its own, even artists capable of reinvigorating the concept of circus in the very countries from which their art had been derived. Since their transience and labours, indeed their very existence, were somehow tangential and inconsequential to mainstream Australian society, Australia’s circus people did not attract tokens of recognition in story and verse as did shearers, drovers, diggers and other identities of the Australian outback. Their contribution to Australia’s social, economic and cultural development has been largely overlooked. Despite its pervasive role in Australia’s cultural life over more than 150 years, examples of academically grounded research into Australian circus are few. The primary aim of this study is to demonstrate the major themes evident in Australia’s circus history, in terms of society, enterprise and culture, between 1847 and 2006. None of these areas, of course, is exclusive of the others, especially the first and last named. These deliberations are framed within the broader influences and events apparent in Australian society and history. Implicit within this demonstration is the notion that circus, whatever its characteristics and merits as an artform, has been, and continues to be, a ‘barometer’ of social, economic and cultural change in Australia.
Libros sobre el tema "Arts – Australia – History"
Geoffrey, Serle, ed. The creative spirit in Australia: A cultural history. Richmond, Vic: W. Heinemann Australia, 1987.
Buscar texto completoAustralia, Art Gallery of South. Australian decorative arts: 1820s-1990s : Art Gallery of South Australia. Adelaide: Art Gallery of South Australia, 1996.
Buscar texto completoGardiner-Garden, John. Arts policy in Australia: A history of Commonwealth involvement in the arts. Canberra: Dept. of the Parliamentary Library, 1994.
Buscar texto completoCochrane, Grace. The craft movement in Australia: A history. Kensington, NSW, Australia: New South Wales University Press, 1992.
Buscar texto completoErickson, Dorothy. Gold & silversmithing in Western Australia: A history. Crawley, W.A: UWA Pub., 2010.
Buscar texto completoPioneers of modernism: The arts and crafts movement in Australia. Carlton, Vic: Miegunyah Press/Melbourne University Publishing, 2008.
Buscar texto completoBurn, Ian. Art--critical, political. Nepean, N.S.W: University of Western Sydney, 1996.
Buscar texto completoThompson, Judith. Crafts of South Australia: The first hundred years. Adelaide: Art Gallery of South Australia, 1986.
Buscar texto completoThe art movement in Australia: Design, taste and society 1875-1900. Carlton South, Vic: Miegunyah Press, 2000.
Buscar texto completoKirby, Sandy. Artists and unions: A critical tradition : a report on the Art & Working Life Program. Redfern, NSW: Australia Council, 1992.
Buscar texto completoCapítulos de libros sobre el tema "Arts – Australia – History"
Russ, Vanessa. "Australian Aboriginal Art Inside/Out". En A History of Aboriginal Art in the Art Gallery of New South Wales, 146–76. Names: Russ, Vanessa, author.Title: A History of Aboriginal Art in the Art Gallery of New South Wales / Vanessa Russ.Description: New York : Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9781003128014-5.
Texto completoRuss, Vanessa. "Modernism and an Australian Aboriginal Art Collection". En A History of Aboriginal Art in the Art Gallery of New South Wales, 74–110. Names: Russ, Vanessa, author.Title: A History of Aboriginal Art in the Art Gallery of New South Wales / Vanessa Russ.Description: New York : Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9781003128014-3.
Texto completoRuss, Vanessa. "Curatorship in the AGNSW and Australian Aboriginal Art". En A History of Aboriginal Art in the Art Gallery of New South Wales, 111–45. Names: Russ, Vanessa, author.Title: A History of Aboriginal Art in the Art Gallery of New South Wales / Vanessa Russ.Description: New York : Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9781003128014-4.
Texto completoYılmaz, Recep y Fatih Mehmet Ciğerci. "A Brief History of Storytelling". En Advances in Media, Entertainment, and the Arts, 1–14. IGI Global, 2019. http://dx.doi.org/10.4018/978-1-5225-5357-1.ch001.
Texto completoJacques, Sabine. "Parody—Nature and Definition". En The Parody Exception in Copyright Law, 1–37. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198806936.003.0001.
Texto completoButler, Rex y A. D. S. Donaldson. "On the Possibility of Another Australian Art History". En The Australian Art Field, 44–55. Routledge, 2020. http://dx.doi.org/10.4324/9780429061479-6.
Texto completoRoberts, Patrick. "Into the Woods Early Homo sapiens and Tropical Forest Colonization". En Tropical Forests in Prehistory, History, and Modernity. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198818496.003.0008.
Texto completoTargowski, Andrew. "The Future of Civilization". En Information Technology and Societal Development, 395–418. IGI Global, 2009. http://dx.doi.org/10.4018/978-1-60566-004-2.ch017.
Texto completoGreenhalgh, Michael. "Virtual Reality, Relative Accuracy: Modelling Architecture and Sculpture with VRML". En Images and Artefacts of the Ancient World. British Academy, 2005. http://dx.doi.org/10.5871/bacad/9780197262962.003.0006.
Texto completoPeters, Debra P. C. y William H. Schlesinger. "Future Directions in Jornada Research: Applying an Interactive Landscape Model to Solve Problems". En Structure and Function of a Chihuahuan Desert Ecosystem. Oxford University Press, 2006. http://dx.doi.org/10.1093/oso/9780195117769.003.0022.
Texto completoActas de conferencias sobre el tema "Arts – Australia – History"
Huang, Jian, Dongling Liang y Zhongheng Wei. "Reflection on the Training of General Medical Students in China from the Development History of General Medicine in Australia and Other Countries*". En Proceedings of the 6th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/assehr.k.191217.092.
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