Tesis sobre el tema "Artists"
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Mantooth, Jennifer R. "Muse as artist : selected artists past and present /". Online version of thesis, 1992. http://hdl.handle.net/1850/11227.
Texto completoAlkhudair, Maha. "Unveiling Artists: Saudi Female Artists Life Stories". Thesis, Université d'Ottawa / University of Ottawa, 2018. http://hdl.handle.net/10393/37502.
Texto completoO'Neil, Maryvelma Smith. "Giovanni Baglione : seventeenth-century artist, draughtsman and biographer of artists". Thesis, University of Oxford, 1989. http://ora.ox.ac.uk/objects/uuid:b1494a9e-8c16-4d48-9553-0f63da44cb6c.
Texto completoMcLaughlin, Pamela Ann. "Mapping an identity how women artists develop an artistic identity /". Related electronic resource: Current Research at SU : database of SU dissertations, recent titles available full text, 2006. http://proquest.umi.com/login?COPT=REJTPTU0NWQmSU5UPTAmVkVSPTI=&clientId=3739.
Texto completoBlackledge, Aimee. "Materials for the Artist's Mind : Artists as Collectors in Eighteenth-Century England". Thesis, University of Oxford, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.519751.
Texto completoBain, Alison L. "Exhibiting the artist's city : occupational identity construction by contemporary Toroto visual artists". Thesis, University of Cambridge, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.423935.
Texto completoEarner, Meaghan. "Allston Artist Village". View thesis online, 2009. http://docs.rwu.edu/archthese/13/.
Texto completoDubreuil, Jordan. "Strabismal existence". View thesis online, 2009. http://docs.rwu.edu/archthese/21/.
Texto completoTaft, William W. Jr. "The Special Artists". Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/english_diss/100.
Texto completoLeung, Lo-ming y 梁路明. "Artists village-place (space) for artists in Yau Tong Bay, Yau Tong". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31985300.
Texto completoLeung, Lo-ming. "Artists village-place (space) for artists in Yau Tong Bay, Yau Tong". Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25947084.
Texto completoSimonsen, Garric. "Some artists paint paintings". Pullman, Wash. : Washington State University, 2010. http://www.dissertations.wsu.edu/Thesis/Spring2010/g_simonsen_042110.pdf.
Texto completoChambers, Janet Denise. "Three contemporary Korean artists". Thesis, University of Canterbury. Humanities, 2012. http://hdl.handle.net/10092/7822.
Texto completoBeyer, Beverly Ann. "Virginia Woolf's Starving Artists". W&M ScholarWorks, 1996. https://scholarworks.wm.edu/etd/1539626064.
Texto completoSaporita, Costanza <1992>. "Artists back then Instagram". Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/15263.
Texto completoBeyer, Deborah Z. "Time puzzle /". Online version of thesis, 1990. http://hdl.handle.net/1850/11332.
Texto completoMeban, Margaret. "I'm doing what artists do!, a case study of an artist-in-residence program". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape7/PQDD_0004/MQ42716.pdf.
Texto completoUrbaniak, Erick Francis. "Criminals and Artists: Detecting the Artist in German Crime Literature of the Twentieth Century". Cincinnati, Ohio : University of Cincinnati, 2009. http://www.ohiolink.edu/etd/view.cgi?acc_num=ucin1236187503.
Texto completoAdvisors: Todd Herzog (Committee Chair), Katharina Gerstenberger (Committee Member), Richard Schade (Committee Member). Title from electronic thesis title page (viewed May 2, 2009). Keywords: Crime Literature; Artists and Criminals; Hochstapler; Serial killers; Thomas Mann; Doron Rabinovici; Identity Formation; Criminality; History of the Artist. Includes abstract. Includes bibliographical references.
Dang, Dacchi. "The Artist as Explorer: How Artists from the Vietnamese Diaspora Explore Notions of Home". Thesis, Griffith University, 2013. http://hdl.handle.net/10072/366661.
Texto completoThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
Queensland College of Art, Griffith University
Arts, Education and Law
Full Text
LaTores, Alicia Marie. "Luca della Robbia as maiolica producer : artists and artisans in fifteenth-century Florence /". Norton, Mass. : Wheaton College, 2009. http://hdl.handle.net/10090/8394.
Texto completoDeakin, Simon Barry. "The sense of Gagarin: between the 'artists in their own words' and the artist's text". Thesis, University of Leeds, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.589037.
Texto completoBrakefield, Kathleen Heather. "Promoting community an artists' residence /". Cincinnati, Ohio : University of Cincinnati, 2005. http://www.ohiolink.edu/etd/view.cgi?acc%5Fnum=ucin1114105112.
Texto completoCole, Anne. "Partnerships : dance artists in education". Thesis, University of Surrey, 1993. http://epubs.surrey.ac.uk/804777/.
Texto completoStephens, Christopher Buckingham. "'St. Ives' artists and landscape". Thesis, University of Sussex, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.336327.
Texto completoSchmitt, Mary Donatelli. "Ohio Quilt Artists as Teachers". University of Akron / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=akron1124400161.
Texto completoStevelt, Kelly A. "Professionalization of Studio Glass Artists". The Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=osu1253978421.
Texto completoBRAKEFIELD, KATHLEEN HEATHER. "PROMOTING COMMUNITY: AN ARTISTS' RESIDENCE". University of Cincinnati / OhioLINK, 2005. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1114105112.
Texto completoMészáros, Flóra. "Hungarian Artists in Abstraction-Creation". Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040088.
Texto completoThis dissertation focuses on the international artistic group, called Abstraction-Création (1931-1936. Out of the approximately 100 members joining the association a few were Hungarian artists, namely Étienne Béothy, Alfred Reth, Lajos Tihanyi and Ferenc Martyn, whereas László Moholy-Nagy received an external membership. A deeper research into the Parisian non-figurative formations of the 1930s, including Abstraction-Création, only took shape in the 1970s. Since then, Abstraction-Création has been discussed only occasionally, and a deeper discussion concerning the structure, the goals, or the history of the group is still missing. The same applies to the research on individual Hungarian artists; while for each of them the participation in the forum was presented as an important stage of their lives, so far only the participation of Béothy and Martyn has been examined in detail. Beyond the basic goal of the study to concentrate on Hungarian artists in the group, the re-evaluation and a new examination of Abstraction-Création are also placed in the focus. Based on a theoretical and historical analysis, the study compares Abstraction-Création with two non-figurative Parisian groups, clarifying the differences between them and pointing out that Abstraction-Création could not be viewed as a combination of the two of them. Drawing on hitherto unanalyzed documents, the author gives an overview of the organizational structure of the forum, and discusses, from an entirely new perspective, the role of the committee, their debates, their formation and cessation and their platforms, including their meetings, gallery and journal. The dissertation demonstrates the relation between Abstraction-Création and Surrealism by means of a stylistic and theoretical analysis. It claims that through the activities of the Hungarian members, all the facets of the group can be shown, particularly because of the fact that they did not form a special group within the association, but had their different individual roles and routes. The author presents what the original aims behind the admission of the Hungarian members were and how they benefited from the participation. The dissertation depicts the Parisian abstract period of Hungarian artists in the 1930s in an international artistic context and against a broader historical background
Röder, Birgit. "Artists, lovers and madmen : the representation of art and the artist in E.T.A. Hoffmann's Künstlernovellen". Thesis, University of Reading, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.312332.
Texto completoLaube, Jacob M. "Understanding artist development: How do producers support the development of artists through the production process?" Thesis, Queensland University of Technology, 2017. https://eprints.qut.edu.au/107899/2/Jacob_Laube_Thesis.pdf.
Texto completoZanti, Niki. "Artists' identities : a study of the living and working conditions of visual artists in Cyprus". Thesis, Birkbeck (University of London), 2015. http://bbktheses.da.ulcc.ac.uk/159/.
Texto completoJacobs, Rachel. "The artists' footprint : investigating the distinct contributions of artists engaging the public with climate data". Thesis, University of Nottingham, 2014. http://eprints.nottingham.ac.uk/14450/.
Texto completoJanicke, Susan Beth. "Visual Arts and Chronic Pain: Thematic Analysis to the Artistic Statements of Visual Artists". ScholarWorks, 2015. http://scholarworks.waldenu.edu/dissertations/1689.
Texto completoMoura, Inês [UNESP]. "Entre Portugal e São Paulo: um percurso artístico em construção". Universidade Estadual Paulista (UNESP), 2013. http://hdl.handle.net/11449/86966.
Texto completoCette recherche a comme point de départ le besoin de comprendre certains éléments d’actualité en rapport avec les concepts de frontière, lieu, identité, langue, émigration et immigration qui jouent un rôle fondamental sur le plan social, politique, économique, culturel et qui, dans les dernières années, ont aussi été appropriés par le milieu artistique, se glissant dans les débats sur la littérature, le cinéma et les arts visuels. L’objectif du travail vise à comprendre l’importance de l’inclusion de ces concepts dans les débats et les pratiques artistiques contemporaines en ayant recours à une perspective qui part du particulier vers le général fondée sur une expérience autobiographique de déterritorialisation identifiée dans les travaux de cette chercheuse. Cette recherche présente une réflexion sur les concepts énoncés, soutenue par la perspective de théoriciens et artistes dont le travail théorique et pratique se centre sur les questions de l’identité de l’étranger, de l’espace-frontière, du métissage culturel e/ou sur les transformations du concept de culture, une réflexion soulignée par ma propre voyage expérience d’artiste étrangère.
A presente pesquisa parte da necessidade de compreender determinados factores da actualidade relacionados com os conceitos de fronteira, lugar, identidade, língua, emigração e imigração que desempenham um papel fulcral na esfera social, política, económica, cultural e que, nos últimos anos, têm vindo a ser debatidos e explorados no meio artístico, como a literatura, o cinema e as artes visuais. O objectivo é compreender a importância e a inclusão destes conceitos nos debates e nas práticas da arte contemporânea através de uma perspectiva que parte do particular para o geral e que assenta numa experiência autobiográfica de desterritorialização identificada na produção de obras desta pesquisadora. Esta investigação apresenta uma reflexão sobre estes conceitos, fundamentada na perspectiva de teóricos e artistas que se têm debruçado sobre a questão da identidade do estrangeiro, do espaço-fronteira, do indivíduo como mestiço ou sobre as transformações em torno da designação de cultura, reflexão pontuada pela minha experiência de viagem como artista-estrangeira.
The present research work arises from a need to understand certain present-day factors that are related to the concepts of border, place, identity, language, emigration and immigration, all concepts that have a central role on the social, political, economic, and cultural spheres, and which, lately, have been more and more debated and explored in the artistic world, through literature, cinema, and visual arts. The purpose here is to understand the importance of the concepts, as well as their inclusion in the art debates and art practices of contemporary art, through a perspective that moves from the particular to the generic, and which is based on an autobiographic experience of deterritorialization identified in the production of works of this researcher.. This research present a reflection about the concepts, based on the perspectives of theoretics and artists who have focused on the subject of the foreigner’s identity, the subject of the border-space, the individual as halfbreed, mestizo, or about the transformations around the designation of culture, a reflection that is punctuated by my own trip experience as foreign-artist.
Hill, Colin. "Leonard Cohen's lives in art, the story of the artist in his novels, poems, and songs". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ29547.pdf.
Texto completoCameron, Ross Douglas. "Our ideal of an artist, Tom Thomson, the ideal of manhood and the creation of a national icon, 1917-1947". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/mq31184.pdf.
Texto completoMoura, Inês (Inês Maria de Moura Lourenço) 1984. "Entre Portugal e São Paulo : um percurso artístico em construção /". São Paulo, 2013. http://hdl.handle.net/11449/86966.
Texto completoBanca: José Paiani Spaniol
Banca: Maria de Fátima Lambert
Resumo: A presente pesquisa parte da necessidade de compreender determinados factores da actualidade relacionados com os conceitos de fronteira, lugar, identidade, língua, emigração e imigração que desempenham um papel fulcral na esfera social, política, económica, cultural e que, nos últimos anos, têm vindo a ser debatidos e explorados no meio artístico, como a literatura, o cinema e as artes visuais. O objectivo é compreender a importância e a inclusão destes conceitos nos debates e nas práticas da arte contemporânea através de uma perspectiva que parte do particular para o geral e que assenta numa experiência autobiográfica de desterritorialização identificada na produção de obras desta pesquisadora. Esta investigação apresenta uma reflexão sobre estes conceitos, fundamentada na perspectiva de teóricos e artistas que se têm debruçado sobre a questão da identidade do estrangeiro, do espaço-fronteira, do indivíduo como mestiço ou sobre as transformações em torno da designação de cultura, reflexão pontuada pela minha experiência de viagem como artista-estrangeira.
Abstract: The present research work arises from a need to understand certain present-day factors that are related to the concepts of border, place, identity, language, emigration and immigration, all concepts that have a central role on the social, political, economic, and cultural spheres, and which, lately, have been more and more debated and explored in the artistic world, through literature, cinema, and visual arts. The purpose here is to understand the importance of the concepts, as well as their inclusion in the art debates and art practices of contemporary art, through a perspective that moves from the particular to the generic, and which is based on an autobiographic experience of deterritorialization identified in the production of works of this researcher.. This research present a reflection about the concepts, based on the perspectives of theoretics and artists who have focused on the subject of the foreigner's identity, the subject of the border-space, the individual as halfbreed, mestizo, or about the transformations around the designation of culture, a reflection that is punctuated by my own trip experience as foreign-artist.
Résumé: Cette recherche a comme point de départ le besoin de comprendre certains éléments d'actualité en rapport avec les concepts de frontière, lieu, identité, langue, émigration et immigration qui jouent un rôle fondamental sur le plan social, politique, économique, culturel et qui, dans les dernières années, ont aussi été appropriés par le milieu artistique, se glissant dans les débats sur la littérature, le cinéma et les arts visuels. L'objectif du travail vise à comprendre l'importance de l'inclusion de ces concepts dans les débats et les pratiques artistiques contemporaines en ayant recours à une perspective qui part du particulier vers le général fondée sur une expérience autobiographique de déterritorialisation identifiée dans les travaux de cette chercheuse. Cette recherche présente une réflexion sur les concepts énoncés, soutenue par la perspective de théoriciens et artistes dont le travail théorique et pratique se centre sur les questions de l'identité de l'étranger, de l'espace-frontière, du métissage culturel e/ou sur les transformations du concept de culture, une réflexion soulignée par ma propre voyage expérience d'artiste étrangère.
Mestre
Morgado, Claudia. "Getting to know the artist : understanding why artists are important contributors to the climate change conversation". Thesis, University of British Columbia, 2012. http://hdl.handle.net/2429/43185.
Texto completoReisman, David. "The social imagination : the education of didactic contemporary artists : public expression : didactic contemporary artists as educators /". Access Digital Full Text version, 1991. http://pocketknowledge.tc.columbia.edu/home.php/bybib/11039917.
Texto completoTypescript; issued also on microfilm. Sponsor: Ellen Condliffe Lagemann. Dissertation Committee: Rene Arcilla. Includes bibliographical references (p. 201-204).
Silver, Susannah. "The role of artists in the public realm : an investigation into artists' generative processes in context". Thesis, Robert Gordon University, 1999. http://hdl.handle.net/10059/447.
Texto completoPuc, Tihana. "The (in)visible artists: contemporary artists from Croatia in the post-1989 “globalized” contemporary art field". Thesis, IMT Alti Studi Lucca, 2014. http://e-theses.imtlucca.it/150/1/Puc_phdthesis.pdf.
Texto completoKehoe, Peggy. "Self discovery and personal creation /". Online version of thesis, 1991. http://hdl.handle.net/1850/11073.
Texto completoGrinols, Susan. "Mind states /". Online version of thesis, 1990. http://hdl.handle.net/1850/11308.
Texto completoAkin, Esra. "Mustafa Âli's Epic deeds of artists". Columbus, Ohio : Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1181502871.
Texto completoBolzt, Kerstin. "Women as artists in contemporary Zimbabwe /". Eckersdorf, Germany : Breitinger, 2007. http://www.loc.gov/catdir/toc/fy0804/2008400471.html.
Texto completoPrior, Robert A. "The imperative education of theater artists". Thesis, California State University, Long Beach, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1527577.
Texto completoDavid Mamet's book of essays True and False: Heresy and Common Sense for the Actor boldly claims that formal training, particularly of the academic variety, is of no use to aspiring theater artists. This thesis argues for the importance and validity of such training. It is a defense of both formal training and ofStanislavski--the father of almost all contemporary training systems and a figure particularly irksome to Mamet. The thesis is supported by examples gleaned from my own formal education in theater and from insights gained directing student actors on my final project for my MFA, Kira Obelensky's play Lobster Alice.
Zussman, Na'ama. "Artists' Books---Both Map and Territory". Thesis, The George Washington University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=1590433.
Texto completoThe field of artists' books is a realm in which a phenomenon is mapped and territorialized. This is based on the human necessity to map the world and have a better grasp of it. Additionally, it is constructed on the understanding of the history of the book’s physicality as an important emblem in civilization. An artist’s book is an isolated realm, both a map and a territory. It is closed in itself, and has its own rules and dynamics, yet carries varied affinities with the outside world.
Collins, Kate Ann. "Cultivating Citizen Artists: Interdisciplinary Dialogic Artmaking". The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1408661362.
Texto completoFarman, Nola. "The humours of the artists' book". View thesis, 2007. http://handle.uws.edu.au:8081/1959.7/25097.
Texto completoA thesis submitted to the University of Western Sydney, College of Arts, Writing and Society Research Group in fulfilment of the requirements for the degree of Doctor of Philosophy. Includes bibliographical references.
Adsit, Melanie Hope. "Caught between worlds: urban aboriginal artists". Thesis, Boston University, 1997. https://hdl.handle.net/2144/27694.
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