Literatura académica sobre el tema "Artistes – Mythe"
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Artículos de revistas sobre el tema "Artistes – Mythe":
Hamou, Malak Ben. "Jean Genet devant le miroir de la destruction de l’identité". e-Scripta Romanica 9 (20 de diciembre de 2021): 122–34. http://dx.doi.org/10.18778/2392-0718.09.10.
Boudreau, Raoul. "La création de Moncton comme « capitale culturelle » dans l’oeuvre de Gérald Leblanc". Revue de l'Université de Moncton 38, n.º 1 (9 de julio de 2008): 33–56. http://dx.doi.org/10.7202/018403ar.
Hanquinet, Laurie. "Quand les discours s’entrecroisent : « Sauvons le Montmartre bruxellois ! »". Sociologie et sociétés 43, n.º 1 (25 de mayo de 2011): 305–26. http://dx.doi.org/10.7202/1003541ar.
Guédron, Martial. "Excusez du peu ! Notes sur la réception de la « Pietà Rondanini » de Michel-Ange". Circulations et transferts : France, Italie, Méditerranée…, n.º 1 (18 de octubre de 2022): 45–54. http://dx.doi.org/10.57086/sources.462.
Villeneuve, Lynda. "Mythe et vécu territorial : Charlevoix à travers l’art du paysage au XIXe siècle." Cahiers de géographie du Québec 40, n.º 111 (12 de abril de 2005): 341–62. http://dx.doi.org/10.7202/022586ar.
Robineau, Anne. "La scène musicale anglo-québécoise : institutionnalisation, mutations et représentations". Recherche 55, n.º 3 (2 de febrero de 2015): 559–81. http://dx.doi.org/10.7202/1028379ar.
Tirel, Magali. "Klossowski: de la “cervitude” de l’art à l’esthétique du singe". Figures de l'Art. Revue d'études esthétiques 8, n.º 1 (2004): 257–77. http://dx.doi.org/10.3406/fdart.2004.1348.
Alba Pagán, Ester y Aneta Vasileva Ivanova. "Du côté de chez la nomade. La femme gitane : mythe, photographie et auto(re)présentation." HYBRIDA, n.º 1 (3 de diciembre de 2020): 129. http://dx.doi.org/10.7203/hybrida.1.16871.
Urrutiaguer, Daniel. "Les visions d’un théâtre populaire à Aubervilliers sous les directions de Gabriel Garran et de Didier Bezace". L’Annuaire théâtral, n.º 49 (7 de junio de 2012): 93–111. http://dx.doi.org/10.7202/1009304ar.
De Carvalho, Anithe. "Fin du mythe de l’art underground anti-institutionnel : L’utopie de la démocratie culturelle et l’environnement labyrinthe Vive la rue Saint-Denis ! (1971)". Revue internationale animation, territoires et pratiques socioculturelles, n.º 5 (11 de diciembre de 2013): 73–88. http://dx.doi.org/10.55765/atps.i5.241.
Tesis sobre el tema "Artistes – Mythe":
Röstorp, Vibeke. "Les artistes suédois et norvégiens en France de 1889 à 1908 : le mythe du retour". Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040146.
This dissertation is about the presence of Swedish and Norwegian artists in France during the years 1889 to 1908. Traditionally these years have been considered as a period when Scandinavian artists left France to return to their homelands and according to this traditional view, they only returned to Paris and French influence with the arrival of Henri Matisse’s students around 1908. A thorough study of their presence in the Parisian Salons has been conducted which determines that their numbers do not decrease and that the departure of certain Scandinavian artists was balanced by the arrival of others. By examining the size and the activity of this artistic community in France during these two so-called nationalistic decades, it appears in fact that the hypothesis about the return to Scandinavia in the 1890’s is a myth created by a distorted historiography. Most Scandinavian expatriate artists living in France between 1889 and 1908 led successful careers in a cosmopolitan and international environment. The reasons for the misinterpretation of this period in Scandinavian art history have been analysed using historical and current texts and art history handbooks. Further investigation based on the correspondence of these artists, kept chiefly by the Royal Swedish Academy of Fine Arts and in the archives of Auguste Rodin, as well as the study of their critical reception in France, have shown that the Parisian colony of Scandinavian artists has often been excluded from exhibitions organized in France by their home countries and that the career of these expatriate artists as well as the role of France during this period has been minimized in Scandinavian art history
Rogerat, Marie-Claude. "L'artiste : des représentations, un mythe : étude de l'évolution des représentations de l'artiste au XXème siècle dans la société française, vue à travers les biographies de peintres". Besançon, 2003. http://www.theses.fr/2003BESA1013.
This research work is based upon the study of Van Gogh's, Lautrec's and Monet's biographies. It aims to bring to light the process of setting up of the collective representations people have towards artists. The artist ist mostly regarded as an outstanding, mythical character : this image is being widely spread and leans on the oldest myths and on the 19th century's literature as well. Those lives, conveyors of myth and of sacred, seem to focus the needs of a world in quest of concrete marks, but in quest of dream and imaginativeness too, those marks being the architects of social relationship inside an individualistic, unmoved and anomic society. The purpose of this research is to reveal how one society, during one definite period, can built an image of the artist, according to the values and the ideology which enliven it. An historical study about biographies of artists, added to an analytic work about both contend and form of the stories enable to get to the knowledge of those values
Joannon, Felipe. "Pintar frente al motivo : el mito del artista en la obra literaria de Adolfo Couve". Electronic Thesis or Diss., Paris 8, 2022. http://www.theses.fr/2022PA080088.
This PhD dissertation studies the idea of art and the artist in the literary work of the Chilean painter and writer Adolfo Couve (1940-1998). It approaches his fiction and non-fiction from a unique perspective marked by what we will define as his “myth of the artist”. Anchored in certain concepts and theories of contemporary myth studies, the dissertation identifies five moments or phases that define the artist in Couve’s work. These moments, which are especially visible in some passages of the works that narrate the life of an artist (La lección de pintura, 1979; La comedia del arte, 1995; Cuando pienso en mi falta de cabeza, 2000), are the following: “vocation”, “apprenticeship”, “crisis”, “proposition” and “liberation”. Using the description of these milestones in the itinerary of Couve’s artists as a starting point, the dissertation explores the main aesthetic questions raised by the author’s oeuvre, which will be compared with the expression of his artistic thought in his interviews and writings on art. The main thesis is that the idea of art contained in the literary work of Adolfo Couve is built in (and at the same time is a symbol of) the crossroads –faced by Western modern thought since the early twentieth century– between the crisis of the paradigm of reason and the attempt to rehabilitate certain values associated with mythical thought
Este trabajo estudia la idea de arte y de artista en la obra literaria del pintor y escritor chileno Adolfo Couve (1940-1998). En particular, propone abordar sus textos de ficción y de no ficción desde una única perspectiva marcada por lo que definiremos como su mito de artista. En base a determinados conceptos y teorías propias de los estudios contemporáneos sobre los mitos, se identifican cinco momentos o fases que definen al artista en la obra de Couve. Estos momentos, especialmente visibles en algunos pasajes de las obras que narran la vida de un artista (La lección de pintura, 1979; La comedia del arte, 1995; Cuando pienso en mi falta de cabeza, 2000) son: “vocación”, “aprendizaje”, “crisis”, “apuesta” y “liberación”. A partir de la descripción de estos hitos en el itinerario del artista couveano, analizaremos las principales preocupaciones estéticas que plantea la literatura del autor, las que cotejaremos con la expresión de su pensamiento artístico que consta en sus entrevistas y escritos sobre arte. Como hipótesis general, se postula que la idea de arte contenida en la obra literaria de Adolfo Couve se construye en (y es al mismo tiempo símbolo de) la encrucijada que enfrenta el pensamiento moderno occidental desde inicios del siglo XX, entre la crisis del paradigma de la razón y el intento por rehabilitar determinados valores asociados al pensamiento mítico
Kiefer, Luísa Martins Waetge. "Jovem artista : a construção de um duplo mito". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2013. http://hdl.handle.net/10183/97678.
This work seeks to investigate the role and place occupied by young artists in todays art field. It shows that this group has gone through two different mythification processes: being young and being an artist. Revealing the social-historical process that they went through and showing how they play this central role in the arts of XXI century. A research was made by interviewing six artists born on 1980 and 1990 decades - Daniel Escobar, Marcos Fioravante, Marina Camargo, Rafael Pagatini, Raquel Magalhães e Romy Pocztaruk. The view of the interviewees is representative of this generation and serves as a primary source for this analysis.
Horn, Maria Lucila. "Mito de artista : o discurso da cultura". Universidade do Estado de Santa Catarina, 2006. http://tede.udesc.br/handle/handle/2201.
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
The aim of this inquiry is to identify the heroic myth as a point of reference in the construction of the artistic identity. The heroic mythology is here taken as a key to clarify the questions related to identity. It is possible by making use of the term myth , in the sense adopted by authors, members of the Circle of Eranos, that is to say, as a tool to clarify the construction of artistic identity. It is presented a review of authors that considers the myth as a cultural truth, with great importance to the comprehension of society. After that, a study of case is developed, about the brazilian artist Leonilson, his talks and the texts of critics and the media. In this way is expected to find in the contemporary discourse about the figure of artist, the currently manifested expectance concerning his role on culture through heroic mythology
O foco desta dissertação é identificar o mito heróico como ponto de referência na construção da identidade artística, tendo no estudo da mitologia heróica a chave para clarificar as questões da identidade. Recorrendo ao termo mito , no sentido adotado pelos autores integrantes do Círculo de Eranos, ou seja, como uma ferramenta para clarificar a construção da identidade artística; apresenta-se uma revisão de autores que tratam o mito como uma verdade cultural de suma importância para a compreensão da sociedade. Em seguida desenvolve-se a noção do mito heróico como diretriz reveladora da identidade do artista. Desenvolve-se ainda, um estudo de caso tendo como referência o artista brasileiro Leonilson, sua biografia, suas falas e os discursos da crítica e da mídia, encontrando no discurso contemporâneo acerca da figura do artista a expectativa comumente manifestada a respeito do seu papel na cultura através da mitologia heróica
Hamilton, H. Dawn. "Myth and Archetype in the Studio| An Artist's Encounter with a Goddess". Thesis, Prescott College, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=1573604.
This thesis is based upon my artistic interaction and response to the 5,000-year-old myth of the Sumerian deity, Inanna. The main element of this thesis consists of a body of artwork that evolved out of the interweaving of textual, psychological, and artistic research. The artwork is an artist's response to a particular juncture in the descent portion of Inanna's myth . . . the moment of her transformation. This amalgamation of artistic and textual artifacts documents the power of an ancient story, from a long-dead culture, to reach through time and touch an individual life. The written documentation draws from diverse areas of study such as alchemy, mythology, depth psychology, women's spirituality, and women's studies. Through readings, conferences, workshops, one-on-one conversations, active imagination, and art-making I have woven together a glimpse, perhaps a momentary perspective, of an encounter with a divine feminine archetype. I am a visual artist and my lens is that of a 21st century woman and a maker-of-things. I gather, experience, and express my knowingness from this point of view and my thesis reflects my perspective.
Losee, Christopher. "Mythography /". Online version of thesis, 1986. http://hdl.handle.net/1850/10300.
Findlay, Linda. "Murky waters: navigating through the myths and rules of art making /". Burnaby B.C. : Simon Fraser University, 2005. http://ir.lib.sfu.ca/handle/1892/2337.
Pellini, Catherine. "La création artistique au service de l’affirmation identitaire, du mana wahine et des revendications politiques : l’art contemporain des femmes maori de Nouvelle-Zélande". Thesis, Aix-Marseille, 2017. http://www.theses.fr/2017AIXM0370/document.
At the intersection of several disciplines – anthropology, sociology, art history, and feminist and gender studies, this thesis deals with the works, practices, careers and discourses of New Zealand Maori women artists active in the field of contemporary art and living in an urban environment. Due to their many forms of belonging, these artists are behind specific political demands and identity affirmations: their work contains simultaneous references to the individual histories, their status as members of an indigenous minority and a tribe, and their condition as women and citizens of the New Zealand nation. The analysis of the data obtained after a fieldwork investigation in New Zealand carried out over a year from 2012 to 2013, of complementary research on the Internet and exchanges with artists when back from the field makes it possible to show how these artists are part of today's Maori assertion movement. For since British colonization in the 19th century, the Maori have continued to assert their rights. In this context, some women use art as a powerful means of protest and of promoting social change aimed at the recognition of mana wahine (women's power or prestige). This work also reveals that their artistic practice affords them the opportunity to reassert the ties linking them to the Maori world while at the same time enabling them to attain a certain empowerment and emancipation. They develop original strategies for asserting their creativity without transgressing the rules which remain important for the Maori people
Sitzia, Emilie. "L'artiste entre mythe et réalité dans trois œuvres de Balzac, Goncourt et Zola". Åbo : Åbo Akademis Förlag, 2004. http://books.google.com/books?id=mzRlAAAAMAAJ.
Libros sobre el tema "Artistes – Mythe":
Spoto, Donald. L'ange bleu: Mythe et réalité. Paris: Belfond, 2003.
1946-, Wunenburger Jean-Jacques, ed. Art, mythe et création. [Dijon]: Editions Universitaires de Dijon, 1988.
Bossan, Enrico. Myth/reality: Contemporary artists from Scotland. [Crocetta del Montello]: Antiga edizioni, 2017.
Robillard, Yves. Vous êtes tous des créateurs, ou, Le mythe de l'art. Outremont, Québec: Lanctôt, 1998.
Quinn, Marc. Marc Quinn: Myth. Milano: Charta, 2009.
John, Ross. Creation myths. East Hampton, N.Y: High Tide Press, 1999.
Tsiaras, Philip. Philip Tsiaras: Private myths. Manchester, NH: Currier Gallery of Art, 1992.
Roulin, Félix. Félix Roulin: Fragment, corps, dessin, sculpture, mythe, matière, modèle, écrit, empreinte. Gerpinnes, Belgique: Tandem, 1991.
Jeudy, Henri Pierre. Le mythe de la vie d'artiste. [France]: Circé, 2011.
Winkel, Camiel van. The myth of artisthood. Amsterdam: Modriaan Fund, 2013.
Capítulos de libros sobre el tema "Artistes – Mythe":
Wesner, Simone. "The Artist and the Artistic Myth". En Artists’ Voices in Cultural Policy, 17–40. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-76057-5_2.
Splitter, Randolph. "Proust's myth of artistic creation". En Proust's Recherche, 95–117. London: Routledge, 2023. http://dx.doi.org/10.4324/9781032624174-6.
Bogousslavsky, Julien. "The Last Myth of Giorgio de Chirico: Neurological Art". En Neurological Disorders in Famous Artists - Part 3, 29–45. Basel: KARGER, 2010. http://dx.doi.org/10.1159/000311190.
Bravo, Laura. "The Myth of the Artist in Children’s Illustrated Literature". En The Mediatization of the Artist, 183–96. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-66230-5_12.
Berger, Doris. "Mediated Art History in Biopics: The Interplay of Myths and Media in Pollock". En The Mediatization of the Artist, 233–49. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-66230-5_15.
Roy, Kaustuv. "The Artistic Subject and the Subject of Art: An Introduction". En Myth, Mystery, and the Magic of Art Education, 1–24. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-50281-1_1.
Foletti, Ivan y Erik Thunø. "The Artistic Cultures of the Medieval South Caucasus: Historiography, Myths and Objects". En The Medieval South Caucasus. Artistic Cultures of Albania, Armenia and Georgia, 11–16. Turnhout: Brepols Publishers, 2016. http://dx.doi.org/10.1484/m.convisup-eb.5.131079.
Hallett, Charles A. y Elaine S. Hallett. "“More Virtually does Shakespeare’s Work for him”: Dogmas of the “More Myth”". En The Artistic Links Between William Shakespeare and Sir Thomas More, 13–38. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230119529_1.
"Index sélectif des principaux auteurs, artistes, mécènes, papes et empereurs". En Le mythe du progrès artistique, 447–54. Les Presses de l’Université de Montréal, 1999. http://dx.doi.org/10.1515/9782760623118-017.
Verschaffel, Bart. "Being an Artist Is an Art in Itself : On the ‘First Work’ and the Notion of ‘Oeuvre’". En What Artistry Can Do, 103–15. Edinburgh University Press, 2022. http://dx.doi.org/10.3366/edinburgh/9781474494908.003.0009.
Actas de conferencias sobre el tema "Artistes – Mythe":
Gorbunova, Natalia. "Time out for Scriabin (the composer’s image in the soviet music journal of the stalinist era)". En Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.10.
Dimitrakopoulou, Georgia. "WILLIAM BLAKE�S AESTHETICS IN THE MYTH OF THE ANCIENT BRITONS". En 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s10.16.
Bulycheva, E. "“MYTHOLOGICAL” AND “POETIC”: ON THE PROBLEM OF MYTHOPOETICS IN THE FINE ARTS OF THE 20TH CENTURY". En Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2563.978-5-317-06726-7/134-137.
Horbachevska, Ya М. y A. А. Faynyk. "Information and psychological operations and russian propaganda in Ukraine (2014–2022): analogies with Serbian historical myths". En INTERACTION OF THE EXPERIENCE OF POST-YUGOSLAV AND UKRAINIAN AREAS: CULTURAL, LINGUISTIC, LITERARY, ARTISTIC, HISTORICAL, AND JOURNALISTIC ASPECTS. Baltija Publishing, 2024. http://dx.doi.org/10.30525/978-9934-26-393-4-31.
Shemetova, T. "KOMAROVO VILLAGE IN THE LITERARY SERIES OF “KELLOMÄKI” BY JOSEPH BRODSKY AND “ANNO IVA” BY VICTOR SOSNORA". En VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3750.rus_lit_20-21/309-312.
Gherman, Oxana. "Ion Vatamanu: the Poetry of Vegetal Pulsations". En Conferință științifică internațională "Filologia modernă: realizări şi perspective în context european". “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2022. http://dx.doi.org/10.52505/filomod.2022.16.21.
I., PONKRATOVA. "MOBILE ART OF THE STONE AGE OF KAMCHATKA". En MODERN SOLUTIONS TO CURRENT PROBLEMS OF EURASIAN ARCHEOLOGY. Altai State Univercity, 2023. http://dx.doi.org/10.14258/msapea.2023.3.55.
Pilar, Martin. "EWALD MURRER AND HIS POETRY ABOUT A DISAPPEARING CULTURAL REGION IN CENTRAL EUROPE". En 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/s28.06.
Pilar, Martin. "EWALD MURRER AND HIS POETRY ABOUT A DISAPPEARING CULTURAL REGION IN CENTRAL EUROPE". En 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/s10.06.
Štěpánek, Pavel. "Tasting the milk of celestial knowledge. Note about the rhetoric of the portrayal of the sacred in Alonso Cano’s painting The Lactation of St. Bernard (1653–1657) from the National Gallery in Prague". En The Figurativeness of the Language of Mystical Experience. Brno: Masaryk University Press, 2021. http://dx.doi.org/10.5817/cz.muni.p210-9997-2021-20.