Literatura académica sobre el tema "Artist’s writing"
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Artículos de revistas sobre el tema "Artist’s writing":
Mocherniuk, Nataliia. "To apprehend and to retain a considerable length of time: the memoirs of Sviatoslav Hordynsky". LITERARY PROCESS: methodology, names, trends, n.º 16 (2020): 90–96. http://dx.doi.org/10.28925/2412-2475.2020.16.13.
MUZYCHENKO, Anna S. "Thomas Wolfe as a writer and citizen in “Hungry Gulliver” by P.H. Johnson". CULTURE AND SAFETY 1 (2024): 14–24. http://dx.doi.org/10.25257/kb.2024.1.14-24.
Stewart-Kroeker, Sarah. "‘What Do We Do with the Art of Monstrous Men?’ Betrayal and the Feminist Ethics of Aesthetic Involvement". De Ethica 6, n.º 1 (30 de junio de 2020): 51–74. http://dx.doi.org/10.3384/de-ethica.2001-8819.19062502.
Nozanin, Yusupova. "Comments On The Art Of Utkir Hashimov’s “Inscriptions In The Notebook Frame”". American Journal of Social Science and Education Innovations 03, n.º 04 (30 de abril de 2021): 375–79. http://dx.doi.org/10.37547/tajssei/volume03issue04-57.
Cardoso, Catarina Figueiredo. "Past’s Present: Artist’s Books by José Oliveira". Matlit Revista do Programa de Doutoramento em Materialidades da Literatura 2, n.º 1 (8 de noviembre de 2014): 135–56. http://dx.doi.org/10.14195/2182-8830_2-1_7.
Silva, Manuel Gutiérrez. "José Juan Tablada’s Creative Art Writing". Mexican Studies/Estudios Mexicanos 34, n.º 3 (2018): 305–46. http://dx.doi.org/10.1525/msem.2018.34.3.305.
Dorsey, Charlie Hope. "In the Dark". Art/Research International: A Transdisciplinary Journal 3, n.º 1 (1 de marzo de 2018): 247–57. http://dx.doi.org/10.18432/ari29335.
Suminto, RA Sekartaji y Donna Carollina. "Graffiti Artist’s Historiographical Writing Model “Bansky” The Man Behind The Wall” in The Perspective of Johan Joachim Wincklemann". IJVCDC (Indonesian Journal of Visual Culture, Design, and Cinema) 2, n.º 1 (30 de abril de 2023): 134–37. http://dx.doi.org/10.21512/ijvcdc.v2i1.9933.
Kosiński, Dariusz. "Literatura jako wehikuł tajemnicy. O pisarstwie Jerzego Grotowskiego". Przestrzenie Teorii, n.º 38 (11 de julio de 2023): 59–74. http://dx.doi.org/10.14746/pt.2022.38.4.
Bădulescu, Dana. "Autobiography as Fiction in “A Portrait of the Artist as a Young Man”". Linguaculture 2, n.º 1 (30 de junio de 2011): 29–36. http://dx.doi.org/10.47743/lincu-2011-2-1-253.
Tesis sobre el tema "Artist’s writing":
Gasper, Kahlil Almustafa. "Writing Ourselves Into Existence: A Spoken Word Artist’s Autoethnography of a Liberatory Hip-Hop Pedagogy". Digital Commons at Loyola Marymount University and Loyola Law School, 2018. https://digitalcommons.lmu.edu/etd/529.
Picarel, Gilles. "Photographie & extériorité : une épreuve de l'autre". Electronic Thesis or Diss., Paris 8, 2021. http://www.theses.fr/2021PA080003.
This mixed research-creation thesis questions the relationship of photography and exteriority as a trial of the other, from my own artistical practice and the work of contemporary artists. This subject invites us to deal with a complex relationship insofar as photography is in the wake of exteriority and is embarked in the pursuit of the impossible. Therefore, the questioning of the photography/externality couple is based on a trial. It does not go in search of a given, but focuses on experimentation, attempt, and testing. This is also the guiding problem of this thesis, the possibility of an exteriority at work in photography, that is, the possibility of a movement of the same towards the other. This reflection makes it possible to consider the gap between photography and its object not only as a necessary condition for the object’s phenomenality, but as a possibility of the emergence of the other. Since the exteriority is aporetic, in its consubstantiality to the photographic medium, any attempt to define it is illusory. However, to respond methodologically to this problem, this work implements an aesthetic based on a generalized poietic. The photographic works interviewed as well as my personal practice focus on the prism of the work being done and the relationship that the artist maintains with his creation during its development, rather than focusing on the result. Moreover, the problem of exteriority has led research and creation to work from the philosophical concepts of articulatory, dialogue and gap, which in my artistic practice are translated into a collaborative and redoing design
Junod, Karen. "Writing the lives of artists : biography and the construction of artistic identity in Britain (ca. 1760-1810)". Thesis, University of Oxford, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.419032.
Warr, Tracey Karen. "Creative acts : curating and writing with artists". Thesis, University of Plymouth, 2006. http://hdl.handle.net/10026.1/1150.
Godoi, Vagner. "Funcionamento da obra de pesquisa". Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/93/93131/tde-20032019-111504/.
From the years 2000 to 2010, discussions on artistic productions that are related to knowledge, university, research, theory, reflection, education and other fields of knowledge are intensified and renovated. One of the angles of this multifaceted phenomenon, and a reason for the rising interest in it by artists and other art professionals, can be summarized by the expression artistic research. One of the contributions of this thesis is correlating the pioneering creation of postgraduate programs in Visual Arts in Brazil, consistently established and defined since the 1970s, to this recent phenomenon, that took place specially in Europe, initiated by the transformation of art academies into universities, followed by an intense debate on the meanings of artist research. Moreover, this study examines artistic, discursive, pedagogical and theoretical productions by Brazilian artists Jorge Menna Barreto and Ricardo Basbaum in order to find the poetic line of research, contextualizing both as heirs of research in art in Brazil and affiliates of these international shifts on artistic research. The starting point is the uncertainty regarding the multiplicity of meanings and nomenclatures that artist research provokes, not as an ontological enquiry, but with the purpose of understanding their place, an institutional matter of art inserted in the university environment, and, particularly, a problem found in the work of art itself, now considered research.
Junqueira, Lilian Maus. "Escritos de artistas nos arquivos em transformação". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2010. http://hdl.handle.net/10183/28622.
This research explores the modes of existence of artists' writings in the documentation and dissemination process of the ephemeral artwork, as well as the practice of filing done by the artists. After all, in documenting their ephemeral experiences through writing and photography, they would be contributing in that way to the historiography of art? During the development of this issue, case studies will be conducted on the artworks "Parangoles" and "Conglomerado" by Helio Oiticica, and "Documento Areal" Series, performed by artists Andre Severo, Maria Helena Bernardes, Elaine Tedesco, Helio Fervenza, Lambrecht and Marcelo Coutinho.
Albertoni, Fernanda Bernardes. "Narrativas verbais : construto ficcional nas artes visuais e em sua documentação". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2007. http://hdl.handle.net/10183/10744.
This research analyses the use of verbal narratives as fictional constructs by artists from the visual field, through the work of these artists and their documentation, particularly focusing in three aspects of these artist’s writings: as autobiographical, as biographical in relation to the historical world, and when the artist becomes the author of a particular art history. For investigating the subject it was selected a group of artists and artworks that could be considered representatives of these occurrences – as seen in writings from Sophie Calle, Lucas Samaras, Ad Reinhardt, Joseph Beuys, Robert Morris and Jannis Kounellis. The analysis explore questions as what would classifies a work of fiction within from the visual arts field instead of literary; why these artists chose this form of expression as medium for their significations; and how the verbal field influences the fictional in visual art.
Lam, Yung y 林勇. "Writing in the shadow, or writing the present in the past and writing the past for the present". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1994. http://hub.hku.hk/bib/B31950620.
Lam, Yung. "Writing in the shadow, or writing the present in the past and writing the past for the present". [Hong Kong : University of Hong Kong], 1994. http://sunzi.lib.hku.hk/hkuto/record.jsp?B13762084.
Jacobson, Malcolm. "Getting paid writing graffiti : How graffiti artists produce value within marketing". Thesis, Stockholms universitet, Sociologiska institutionen, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-114878.
Libros sobre el tema "Artist’s writing":
Davids, Betsy. Artists writing. Los Angeles: Alliance for Contemporary Book Arts, 1994.
David, Levithan, ed. Best Young Writers And Artists In America. New York: Scholastic, 2002.
Fusco, Maria. What am I? London: Book Works, 2010.
Seed, John. Artist's statements of the old masters. [Place of publication not identified]: PoetsArtists., 2015.
Mirea, Maria. Cenaclul literar-artistic "Pasăre de nea". Târgoviște: Editura Bibliotheca, 2017.
Liese, Jennifer. Social medium: Artists writing, 2000-2015. Brooklyn, New York: Paper Monument, 2016.
Grande, John K. Art allsorts: Writing on art & artists. [Montréal]: Random Tree Editions - Go If Press, 2008.
Rothko, Mark. Writings on art. New Haven: Yale University Press, 2006.
Corazón, Alberto. Damasco Suite, somos imágenes. Boadilla del Monte (Madrid): A. Machado Libros, 2011.
Ellmann, Maud. The hunger artists: Starving, writing, and imprisonment. Cambridge, Mass: Harvard University Press, 1993.
Capítulos de libros sobre el tema "Artist’s writing":
Renk, Kathleen. "“The Female Artist’s Erotic Gaze in Neo-Victorian Fiction”". En Women Writing the Neo-Victorian Novel, 23–51. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-48287-9_2.
Sheridan, Bridget. "Following Footprints: Photography, Writing, and the Artist’s Book in Art Walking". En Walking and the Aesthetics of Modernity, 99–114. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-60364-7_7.
Sarti, Lisa. "Annie Vivanti’s Multicultural Identity and the Shaping of the Artist’s Body". En The Palgrave Handbook of Transnational Women’s Writing in the Long Nineteenth Century, 503–20. Cham: Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-40494-8_27.
Ferreira-Meyers, Karen y Bontle Tau. "Visual Autofiction: A Strategy for Cultural Inclusion". En Palgrave Studies in Life Writing, 161–83. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-78440-9_9.
Funch, Bjarne Sode. "Solitude is writing". En The Psychology of Artistic Creativity, 13–27. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003248576-3.
Pannewick, Friederike. "The Year 1979 as a Turning Point in Syrian Theatre: From Politicization to Critical Humanism". En Re-Configurations, 277–87. Wiesbaden: Springer Fachmedien Wiesbaden, 2020. http://dx.doi.org/10.1007/978-3-658-31160-5_18.
Knights, Ben. "The Portrait of the Artist as a Man". En Writing Masculinities, 49–72. London: Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1057/9780230389250_3.
Smith, Andy W. "Writing Catastrophe: Howard Barker’s Theatre". En Researching and Writing on Contemporary Art and Artists, 151–72. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-39233-8_7.
Jones, Suzanne W. "Introduction". En Writing the Woman Artist, editado por Suzanne W. Jones, 1–20. Philadelphia: University of Pennsylvania Press, 1991. http://dx.doi.org/10.9783/9781512809596-002.
Laurent, Anna. "Artist’s Statement". En Life Writing in the Anthropocene, 267–68. Routledge, 2021. http://dx.doi.org/10.4324/9781003146315-17.
Actas de conferencias sobre el tema "Artist’s writing":
Nascimento, Suely. "Marlene's house". En LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.106.
Дини (Куприева), Ирина Анатольевна y Расул Халимович Батчаев. "EXPERIMENTAL LANGUAGE OF ANDREI BELY: KOSNOYAZYCHIE AND WORD-FORMATION". En Проблемы управления качеством образования: сборник статей XLVI Международной научной конференции (Вологда, Май 2023). Crossref, 2023. http://dx.doi.org/10.37539/230529.2023.82.81.003.
Gorbunova, Natalia. "Time out for Scriabin (the composer’s image in the soviet music journal of the stalinist era)". En Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.10.
Htaw, Mi Chan, Daria Pipa, Namkang Sriwattanarothai, Chailerd Pichitpornchai, Reto Gubelmann, Sabine Seufert, Christina Niklaus y Siegfried Handschuh. "Argumentative Writing Software: Perceptions of Undergraduate Students toward Artist Prototype". En 2024 IEEE 7th Eurasian Conference on Educational Innovation (ECEI). IEEE, 2024. http://dx.doi.org/10.1109/ecei60433.2024.10510808.
Mercean-Țârc, Mirela. "The genre of symphony in the transylvanian school of composition – the last seven decades". En Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.04.
Ringendahl, Elisa. "Lied versus Oper – Pole musikalischer Gattungen bei Oscar Bie". En Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.70.
Bandalo, Višnja. "ICONOGRAPHIC DEPICTION AND LITERARY PORTRAYING IN BERNARD BERENSON'S DIARY AND EPISTOLARY WRITING". En NORDSCI Conference Proceedings. Saima Consult Ltd, 2021. http://dx.doi.org/10.32008/nordsci2021/b1/v4/18.
Yandim Aydin, Sercan. "„RENAISSANCE“ BEFORE THE RENAISSANCE: HUMANLY ASPECTS OF LATE BYZANTINE PAINTING. CASE: “THE ANASTASIS: AN IMAGE OF LIBERATION AND RESURRECTION”, STUDENICA MONASTERY". En Kralj Milutin i doba Paleologa: istorija, književnost, kulturno nasleđe. Publishing House of the Eparchy of Šumadija of the Serbian Orthodox Church - "Kalenić", 2023. http://dx.doi.org/10.46793/6008-065-5.629ya.
Rufova, Elena. "ARTISTIC IDENTITY OF RUSSIAN-WRITING ETHNIC WRITERS WRITERS (IN A CASE OF P. CHERNYKH-YAKUTSKY�S WORKS)". En 4th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/62/s27.052.
Cosciug, Svetlana y Victoria Melnic. "Excentric dances by Vitaly Verhola: a young composer in search of his own style". En International scientific conference "Valorization and preservation by digitization of the collections of academic and traditional music from the Republic of Moldova". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/ca.06.
Informes sobre el tema "Artist’s writing":
Gratzke, Michael. ‘Confessions of a MILF (I chose being an artist over being a wife)’. Love and relationships in Viv Albertine’s memoirs. University of Dundee, febrero de 2022. http://dx.doi.org/10.20933/100001240.
Cox, Jeremy. The unheard voice and the unseen shadow. Norges Musikkhøgskole, agosto de 2018. http://dx.doi.org/10.22501/nmh-ar.621671.
Babenko, Oksana. Ідеї екуменізму в публіцистиці митрополита Андрея Шептицького: сучасне прочитання. Ivan Franko National University of Lviv, marzo de 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11717.