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Libros sobre el tema "Art nahua"

Autor: Grafiati
Publicado: 25 de mayo de 2024

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1

Michael, Stone y Guthrie Jill, eds. Sorcerers' of the fifth heaven: Nahua art and ritual of ancient Southern Mexico. Princeton, NJ: Program in Latin American Studies, Princeton University, and Princeton University Art Museum, 2007.

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2

Eshelman, Catharine Good. Haciendo la lucha: Arte y comercio nahuas de Guerrero. México: Fondo de Cultura Económica, 1988.

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3

Peindre la révolte: Esthétique et résistance culturelle au Mexique. Paris: CNRS, 2003.

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4

author, Pérez Téllez Iván, ed. La cosmovisión indígena y sus representaciones en los textiles: Comunidad nahua Santa Ana Tzacuala, Acaxochitlán, Hidalgo. Pachuca, Hidalgo: Consejo Estatal para la Cultura y las Artes, 2012.

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5

Oettinger, Marion. Zacualpa ceramics: Traditional pottery from southern Mexico : an exhibition at the San Antonio Museum of Art, March 9 through April 27, 1986, San Antonio Museum Association. [San Antonio, Tex.]: The Association, 1986.

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6

Frances, Berdan, ed. Ethnic identity in Nahua Mesoamerica: The view from archaeology, art history, ethnohistory, and contemporary ethnography. Salt Lake City: University of Utah Press, 2008.

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7

Bet ha-tefutsot (Tel Aviv, Israel). Beth hatefutsoth =: The Nahum Goldmann Museum of the Jewish Diaspora. Editado por Zertal Idith. 2a ed. Tel-Aviv: Beth hatefutsoth, 1996.

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8

Shiryōshitsu, Naha-shi (Japan) Rekishi. Shōke keishō bunka isan: Kagayaku Ryūkyū ōke no shihō : Naha shisei 75-shūnen kinen. [Naha-shi]: Naha-shi, 1997.

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9

Monterrosa Desruelles, Hervé Victor, author, Solís Ciriaco, Reyna Beatríz, author y Museo del Templo Mayor (Mexico City, Mexico), eds. Piedras de fuego y agua: Turquesas y jades entre los nahuas. Ciudad de México: Instituto Nacional de Antropolgía e Historia, 2018.

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10

Tevet, Nahum. Nahum Tevet: Opening moves : Museum Moderner Kunst Stiftung Ludwig Wien, Palais Liechtenstein, 24.04.1997-01.06.1997. Wien: Das Museum, 1997.

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11

Ltd, Christie's South Kensington. The poetry of crisis: The Peter Nahum collection of British surrealist and avant garde art 1930-1951. London: Christie's, 2006.

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12

Abrego, María Elena Landa. Ollin y cruz en la simbología náhuatl. México, D.F: Centro Regional de Puebla, Instituto Nacional de Antropología e Historia, 1985.

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13

Nahum Tevet: Skulpturen : Städtische Kunsthalle Mannheim, 27. September bis 23. November 1986 : Neue Galerie-Sammlung Ludwig, Aachen, 30. Januar bis 8. März 1987. [Mannheim]: Die Kunsthalle, 1986.

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14

Séjourné, Laurette. El universo de Quetzalcóatl. 5a ed. México: Fondo de Cultura Económica, 1998.

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15

Moctezuma, Eduardo Matos. The mask of death in prehispanic Mexico. Mexico: García Valadés Editores, 1988.

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16

United States. Congress. House. Select Committee on Aging., ed. Federal housing programs for the elderly under the Cranston-Gonzalez National Affordable Housing Act (NAHA 1990): A staff report. Washington: U.S. G.P.O., 1991.

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17

(Firm), Peter Nahum. Pre-Raphaelite, symbolist, visionary: Peter Nahum at the Leicester Galleries presents an exhibition of paintings, drawings and sculpture to be held at the International Fine Art Fair, 7th Regiment Armory, New York, May 11-16, 2001 at 5 Ryder Street, London ... June 12-July 7, 2001 in conjunction with the Grosvenor House Art & Antiques Fair, June 12-19, 2001 : catalogue. London: Peter Nahum, 2001.

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18

Die Anatomie der Azteken: Bernardino de Sahagúns anatomischer Bericht aus dem Codex Florentinus, Buch 10, Kapitel 27. Frankfurt am Main: Lang, 2010.

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19

Zalman, Shneur. Maḥzor ha-shalem le-Yom ha-Kipurim: Kefi ha-nahug etsel ha-Ḥasidim ha-mitpalelim be-Sidur ha-Arizal nusaḥ rabenu ha-ḳadosh k.ḳ. Admor mi-Lyadi n. ʻa. z.y. ʻa. a. baʻal ha-Tanya ṿeha-Shu. ʻa. : ʻim perush meshulav ṿe-horaʼot shimush meforaṭot. Bruḳlin, N.Y: Ḳehot, hotsaʼat ha-Merkaz le-ʻinyene ḥinukh, 2013.

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20

Ṭvardovits, Menaḥem Mendel, compiler of added commentary, ed. Maḥzor ha-shalem le-Rosh ha-Shanah: Machzor for Rosh Hashanah : kefi ha-nahug etsel ha-Ḥasidim ha-mitpalelim be-sidur ha-Arizal nusaḥ rabenu ha-ḳadosh k.ḳ Admor mi-Lyadi, n. ʻa. z.y. ʻa. baʻal ha-Tanya ṿeha-Sh. ʻa. : ʻim perush meshulav ṿe-horaʼot shimush meforaṭot. Bruḳlin, N.Y: Ḳehot, hotsaʼat ha-Merkaz le-ʻinyene ḥinukh, 2012.

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21

Laack, Isabel. Aztec Religion and Art of Writing: Investigating Embodied Meaning, Indigenous Semiotics, and the Nahua Sense of Reality. BRILL, 2021.

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22

Aztec Religion and Art of Writing: Investigating Embodied Meaning, Indigenous Semiotics, and the Nahua Sense of Reality. BRILL, 2019.

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23

Berdan, Frances. Ethnic Identity in Nahua Mesoamerica: The View from Archaeology, Art History, Ethnohistory, and Contemporary Ethnography. University of Utah Press, 2008.

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24

Cowen, Tyler. Markets and Cultural Voices: Liberty vs. Power in the Lives of Mexican Amate Painters (Economics, Cognition, and Society). University of Michigan Press, 2005.

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25

Cowen, Tyler. Markets and Cultural Voices: Liberty vs. Power in the Lives of Mexican Amate Painters (Economics, Cognition, and Society). University of Michigan Press, 2005.

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26

Olaf Holzapfel & Nahum Tevet: The Rough Law of Gardens. MIT Press, 2020.

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27

The Mask of Death. Garcia Valades Editores, 1988.

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28

Marcos, Sylvia, Cheryl A. Kirk-Duggan, Karen Jo Torjesen y Lillian Ashcraft-Eason, eds. Women and Indigenous Religions. ABC-CLIO, LLC, 2010. http://dx.doi.org/10.5040/9798216036715.

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This book examines the critical and often undervalued contributions of women to the culture, well-being, and subsistence of their communities as active, powerful, and wise ritual specialists. From the Dalit midwives in India to the women of the Nahua region in the state of Morelos, Mexico, from the indigenous nations in Turtle Island in Canada to the shamans (male and female) of South Korea and Vietnam, there are still many vital indigenous cultures around the world in which women often hold positions of religious authority and leadership. Women and Indigenous Religions addresses specific issues in the study of religion, such as the multifaceted tensions between indigenous traditions and gender and the genealogy of positions of authority in religion or spiritual matters. A close examination reveals that native religions, with their women specialists, are still a source of inspiration for millions of men and women even in the "advanced" areas in the world. This fact challenges the opinion that indigenous cultures are becoming extinct.
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29

Reeck, Laura. France. Editado por Waïl S. Hassan. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199349791.013.39.

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This chapter examines and contextualizes important cornerstones of the Arab Diasporic novel in France. Eighteenth- and nineteenth-century French fascination with the Arabic language and civilizations of the Mashriq was part and parcel of Orientalism. As French writers and intellectuals traveled to the Mashriq, in Egypt the Nahḍa movement in its cultural and literary dimensions drew inspiration from French literature. The chapter first considers the historical and institutional forces that created and influenced the Arab Diasporic novel in France before turning to early Francophone novels. Three categories of writers are discussed: Maghribi Francophone writers who either lived extensively or settled permanently in France in the 1950s–1970s; bilingual and multicultural novelists of exile from Egypt and Lebanon; and second-generation Maghribi writers whose writing appeared in the 1980s.
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30

Shneur Zalman, of Lyady, 1745-1813. y Mangel Nissen, eds. Maḥzor ha-shalem le-Yom Kipur: ʻim targum Angli : kefi ha-nahug etsel ha-ḥasidim ha-mitpalelim be-Sidur ha-Arizal nusaḥ ... Admur mi-Lyadi ... . Bruḳlin, N.Y. (770 Isṭern Parḳṿai, Bruḳlin): ha-Merkaz le-ʻinyene ḥinukh, 1996.

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31

Shneur Zalman, of Lyady, 1745-1813. y Mangel Nissen, eds. Maḥzor ha-shalem le-Rosh ha-Shanah: ʻim targum Angli : kefi ha-nahug etsel ha-ḥasidim ha-mitpalelim be-Sidur ha-Arizal nusaḥ ... Admur mi-Lyadi ... . Bruḳlin, N.Y. (770 Isṭern Parḳṿai, Bruḳlin): ha-Merkaz le-ʻinyene ḥinukh, 1996.

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32

Hammond, Marlé. The Tale of al-Barrāq Son of Rawḥān and Laylā the Chaste. British Academy, 2020. http://dx.doi.org/10.5871/bacad/9780197266687.001.0001.

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This book is a bilingual edition and study of a lengthy specimen of pre-modern Arabic storytelling. The tale’s origins are unknown but it probably dates from the seventeenth century. As a sustained fairy tale of the knight-in-shining-armour-rescues-damsel-in-distress variety, it reads as fiction and was probably intended as such. However, scholars in the Arab renaissance or Nahḍa received the text as history. Its pre-Islamic protagonists, ever emoting in verse, were thus celebrated as some of the earliest Arabic poets. The Arabic text featured in the monograph is sourced from five manuscripts and three published editions, and it is modelled on what I call the ‘Christian’ branch of the tale, or that version of the tale which identifies its hero as a Christian and which was promulgated by Christian scholars and literati in the nineteenth century. Two analytical chapters frame the tale: an introductory chapter which charts the evolution of the narrative and its cultural import through to the end of the twentieth century, and a concluding chapter that breaks the story down into its components and compares its structure to both the ʿUdhrī love tale and the popular epic or sīra, thereby situating the text as a hybrid precursor to the modern novel.
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33

Booth, Marilyn. The Career and Communities of Zaynab Fawwaz. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192846198.001.0001.

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An intellectual biography of early Arabic feminist Zaynab Fawwaz and a study of her life in Ottoman Syria and Egypt, in the context of debates on gender, modernity and the good society, 1890s-1910. Chapters take up her writing and debates in which she participated, concerning social justice, girls’ education, marriage, divorce and polygyny, the question of ‘Nature’ and Darwinist notions of male/female, and intersections of nationalism, anti-imperialism, and feminism. Fawwaz also wrote two novels and play, which are analysed in the context of fiction rewriting history, and on theatre as a reformist tool of public education in turn-of-the-century Egypt. The book also comprises a study of some important periodical venues for public debate in Egypt in this period, particularly the nationalist press and one early women’s journal, and it highlights the writings of lesser-studied journalists and other intellectuals, within the context of the Arab/ic Nahda or intellectual revival. It argues that Fawwaz’s feminism, based on an Islamic ethical worldview, was distinct from prevailing ‘modernist’ views in posing a non-essentialist, open-ended notion of gender that did not, for instance, highlight maternalist discourses. Fawwaz’s own background was Shi’i, an element that was quietly present in her work.
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34

El-Ariss, Tarek. Leaks, Hacks, and Scandals. Princeton University Press, 2018. http://dx.doi.org/10.23943/princeton/9780691181936.001.0001.

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In recent years, Arab activists have confronted authoritarian regimes both on the street and online, leaking videos and exposing atrocities, and demanding political rights. This book situates these critiques of power within a pervasive culture of scandal and leaks and shows how cultural production and political change in the contemporary Arab world are enabled by digital technology, yet emerge from traditional cultural models. Focusing on a new generation of activists and authors from Egypt and the Arabian Peninsula, the book connects WikiLeaks to The Arabian Nights, Twitter to mystical revelation, cyberattacks to pre-Islamic tribal raids, and digital activism to the affective scene-making of Arab popular culture. It shifts the epistemological and historical frameworks from the postcolonial condition to the digital condition and shows how new media challenge the novel as the traditional vehicle for political consciousness and intellectual debate. Theorizing the rise of “the leaking subject” who reveals, contests, and writes through chaotic yet highly political means, the book investigates the digital consciousness, virality, and affective forms of knowledge that jolt and inform the public and that draw readers in to the unfolding fiction of scandal. The book maps the changing landscape of Arab modernity, or Nahda, in the digital age and traces how concepts such as the nation, community, power, the intellectual, the author, and the novel are hacked and recoded through new modes of confrontation, circulation, and dissent.
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35

Berger, Uta. Die Anatomie der Azteken: Bernardino de Sahagúns Anatomischer Bericht Aus Dem Codex Florentinus , Buch 10, Kapitel 27. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2011.

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36

The Death of Aztec Tenochtitlan, the Life of Mexico City. University of Texas Press, 2015.

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37

Death of Aztec Tenochtitlan, the Life of Mexico City. University of Texas Press, 2018.

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38

Mundy, Barbara E. Death of Aztec Tenochtitlan, the Life of Mexico City. de Gruyter GmbH, Walter, 2015.

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39

Mundy, Barbara E. Death of Aztec Tenochtitlan, the Life of Mexico City. University of Texas Press, 2015.

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40

The Holy Bible: Containing the Old and New Testaments, together with the Apocrypha, translated out of the original tongues and with the former translations diligently compared and revised with Canne's marginal notes and references : to which are added an index, an alphabetical table of all the names in the Old and New Testaments with their significations, tables of scripture weights, measures and coins, &c. Hallowell, U.C. [Picton, Ont.]: J. Wilson, 1987.

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