Literatura académica sobre el tema "Art, Modern – 20th century – Political aspects"
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Artículos de revistas sobre el tema "Art, Modern – 20th century – Political aspects"
Darasz, Zdzisław. "Plakat polityczny w chorwackiej ikonosferze". Poznańskie Studia Slawistyczne, n.º 18 (28 de abril de 2020): 283–89. http://dx.doi.org/10.14746/pss.2020.18.17.
Texto completoLinden, Diana L. "Modern? American? Jew? Museums and Exhibitions of Ben Shahn's Late Paintings". Prospects 30 (octubre de 2005): 665–84. http://dx.doi.org/10.1017/s0361233300002222.
Texto completoPerry, Robert L. y Melvin T. Peters. "The African-American Intellectual of the 1920s: Some Sociological Implications of the Harlem Renaissance". Ethnic Studies Review 19, n.º 2-3 (1 de junio de 1996): 155–72. http://dx.doi.org/10.1525/esr.1996.19.2-3.155.
Texto completoJuszkiewicz, Piotr. "Biuro, natura, wyobraźnia, wiejska chata, fabryczna hala. Wizerunki artystycznej pracowni w dokumentalnym filmie o sztuce czasów PRL-u". Artium Quaestiones, n.º 26 (19 de septiembre de 2018): 149–69. http://dx.doi.org/10.14746/aq.2015.26.7.
Texto completoLeśniak, Kamila. "The Family of Man in Poland: An Exhibition as a Democratic Space?" Ikonotheka 26 (26 de junio de 2017): 213–38. http://dx.doi.org/10.5604/01.3001.0010.1679.
Texto completoMakliuk, D. "Ivan Mazepa’s personality as a cultural symbol: historicalperforming aspects". Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 55, n.º 55 (20 de noviembre de 2019): 61–76. http://dx.doi.org/10.34064/khnum1-55.05.
Texto completoЧАУС, Дмитро. "The didactics of colour in art and artistic education of the 20th century". EUROPEAN HUMANITIES STUDIES: State and Society 2 (27 de junio de 2019): 40–50. http://dx.doi.org/10.38014/ehs-ss.2019.2.04.
Texto completoKuhutiak, Mykola, Ihor Raikivskyi y Oleh Yehreshii. "Halychyna. Journal of Regional Studies: Science, Culture, and Education. Twenty Years of Publishing Activity". Journal of Vasyl Stefanyk Precarpathian National University 4, n.º 2 (30 de octubre de 2017): 134–38. http://dx.doi.org/10.15330/jpnu.4.2.134-138.
Texto completoSernelj, Téa. "Different Approaches to Modern Art and Society: Li Zehou versus Xu Fuguan". Asian Studies 8, n.º 1 (10 de enero de 2020): 77–98. http://dx.doi.org/10.4312/as.2020.8.1.77-98.
Texto completoGultyaeva, Galina S. "Realistic Painting of the 20th Century China in the Context of Cultural Visualization". Observatory of Culture 18, n.º 1 (24 de mayo de 2021): 32–43. http://dx.doi.org/10.25281/2072-3156-2021-18-1-32-43.
Texto completoTesis sobre el tema "Art, Modern – 20th century – Political aspects"
Younge, James Gavin Forrest. "The mirror and the square : a study of ideology within contemporary art systems with special reference to the American avant-garde in the period 1933-1953". Master's thesis, University of Cape Town, 1987. http://hdl.handle.net/11427/16370.
Texto completoThis dissertation argues that abstract art is not ideologically neutral. In spite of many artists' anti-fascist stance early in their careers, the mantle of neutrality was assumed as a reaction to the protracted struggle between the two major ideologies confronting artists living in Europe and the United States of America in the period 1933-1953, namely capitalism and communism. These ideologies were not peripheral to artists lives, but were actively debated by both artists and intellectuals and resulted in the establishment of powerful cultural organisations. The ensuing growth in prestige and influence of left-wing artist's organisations was countered by a campaign which included direct suppression of left-wing artists as well as a form of ideological control. This control was vested in what has been called the specifics of patronage and is reflected in the establishment of the Arts Council in Britain and the private art museums in the United States. Changes in the art market have meant that, together with dealers and critics, these institutions wielded almost complete economic control over artists. The prevailing ideology of liberal humanism, which glorified individualism and defined democracy as a middle ground between the left and the right, favoured the development of a seemingly apolitical abstract art style. Analysis of the demise of the Artists International Association and the American Artist's Congress supports the conclusion that the figurative tradition lost prestige as a result of the stigma attached to Socialist Realism and the idealised realism demanded by National Socialism in Germany. Account is also taken of the attempt by well-positioned and influential commentators to identify all forms of realism with totalitarianism. It is not surprising therefore, that it was commonly believed that to paint in an abstract modern style was to strike a blow against fascism. In the same way that realism was identified with the regimentation of Soviet society, the avant-gardes' abstract experiments came to symbolize democracy. Drawing on the texts of writers, critics, artists and theorists, this dissertation shows that the force of the identification of progressive realism with totalitarianism, prepared the way for acceptance of the idea that freedom of expression epitomised freedom in general. In this way, anti-Stalinism and the post-war liberal philosophy of individual freedom, coupled with a search for 'essences' and the 'universal', directed artists inward to the medium of art as relevant subject-matter. This dissertation argues that this identification was ideologically motivated in respect to the balance of social and political power in America.
Wise, Gianni Ian Media Arts College of Fine Arts UNSW. "Scenario House". Awarded by:University of New South Wales. Media Arts, 2006. http://handle.unsw.edu.au/1959.4/26230.
Texto completoVan, Robbroeck Lize. "Writing white on black : modernism as discursive paradigm in South African writing on modern Black art". Thesis, Link to the online version, 2006. http://hdl.handle.net/10019/1329.
Texto completoLang, Graham Charles. "Aspects of brutality : anxious concepts in sculpture since 1950". Thesis, Rhodes University, 1987. http://hdl.handle.net/10962/d1012724.
Texto completoGanczak, Iwona. "At the crossroads of politics and culture : Polish dissident art of the 1980s". Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=83104.
Texto completoSuescun, Pozas María del Carmen. "Modern femininity, shattered masculinity : the scandal of the female nude during political crisis in Colombia, 1930-1948". Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=85958.
Texto completoBecause art and politics were thus entangled, this dissertation shows that, in this particular Colombian modernity, society was not polarized, that the private and the private overlapped, that issues of intimacy surfaced in the public realm, and that Catholicism was the idiom shared by men and women who were grappling with change. It shows that the cultural program of the Liberal regime was the immediate referent for criticism in these events and, through it, of the Liberal regime's reforms of education of 1934 and 1936. Finally, it shows that this modernity and its attendant anxieties were played out through the body in the public and the private realms, within, not against, the Catholic tradition, in unprecedented ways. This thesis demonstrates that politics and issues of sexuality and gender were entangled in the public sphere and converged in the female nudes, turning them into a major threat to morality within both religious and secular frameworks. By unpacking the controversies, this dissertation marks a seminal break with historical accounts that describe Colombia's as a failed modernity, its society as polarized, and debates over sexuality and gender as the product of politics. This dissertation also contradicts art historical writings that account for the production of images and the reception of art in this period solely in political terms.
Hojdyssek, Gunter Art College of Fine Arts UNSW. "From laughing at the world to living in the world". Awarded by:University of New South Wales. Art, 2007. http://handle.unsw.edu.au/1959.4/43091.
Texto completoAyers, David Lee. "An architectural expression in the age of video culture". Thesis, Georgia Institute of Technology, 1993. http://hdl.handle.net/1853/23435.
Texto completoKroeter, Chloe Melinda. "Art and activism : promoting change through British periodical illustration, 1893-1914". Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648341.
Texto completoTang, Cheong Wai Acty. "Gazing at horror: body performance in the wake of mass social trauma". Thesis, Rhodes University, 2006. http://hdl.handle.net/10962/d1002381.
Texto completoLibros sobre el tema "Art, Modern – 20th century – Political aspects"
Art and revolution: Transversal activism in the long twentieth century. Los Angeles, CA: Semiotext(e), 2007.
Buscar texto completoLily, Prince, ed. Something to say: Thoughts on art and politics in America. Teaticket, Mass: Leapfrog Press, 2011.
Buscar texto completoMarius, Babias, Groĭs Boris y Samuel P. Harn Museum of Art., eds. Project Europa: Imagining the (im)possible. Gainesville: Samuel P. Harn Museum of Art, 2010.
Buscar texto completoAlejandro, Anreus y Jersey City Museum, eds. Ben Shahn and The passion of Sacco and Vanzetti. Jersey City: Jersey City Museum, 2001.
Buscar texto completoFrascina, Francis. Art, politics and dissent: Aspects of the art left in sixties America. Manchester: Manchester University Press, 1999.
Buscar texto completoConversation pieces: Community and communication in modern art. Berkeley: University of California Press, 2013.
Buscar texto completoEmpathic vision: Affect, trauma, and contemporary art. Stanford, Calif: Stanford University Press, 2005.
Buscar texto completoGuttsman, W. L. Art for the workers. New York: Manchester University Press, 1997.
Buscar texto completoThings of the spirit: Art and healing in the American body politic, 1929-1941. New York: P. Lang, 2012.
Buscar texto completoChristine, Dixon y National Gallery of Australia, eds. 1968. Canberra, ACT: National Gallery of Australia, 1995.
Buscar texto completoCapítulos de libros sobre el tema "Art, Modern – 20th century – Political aspects"
Diamantides, Marinos y Anton Schütz. "Social Systems on the Cross". En Political Theology. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9780748697762.003.0003.
Texto completoBesarab, Olena. "MASS CULTURE (MASS ART) IN CONTEMPORARY SCIENTIFIC RESEARCHES". En Іншомовна комунікація: інноваційні та традиційні підходи, 17–35. Primedia eLaunch LLC, 2021. http://dx.doi.org/10.36074/ikitp.monograph-2021.02.
Texto completoCerasi, Laura. "Tra nostalgia preindustriale, ghildismo e rinascita nazionale Il pensiero sociale di Ruskin nel dibattito culturale italiano". En John Ruskin’s Europe. A Collection of Cross-Cultural Essays With an Introductory Lecture by Salvatore Settis. Venice: Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-487-5/021.
Texto completoCrouch, Dora P. "Physical and Intellectual Issues". En Geology and Settlement. Oxford University Press, 2004. http://dx.doi.org/10.1093/oso/9780195083248.003.0015.
Texto completoActas de conferencias sobre el tema "Art, Modern – 20th century – Political aspects"
Meškova, Sandra. "THE SENSE OF EXILE IN CONTEMPORARY EAST CENTRAL EUROPEAN WOMEN’S LIFE WRITING: DUBRAVKA UGREŠIČ AND MARGITA GŪTMANE". En NORDSCI International Conference. SAIMA Consult Ltd, 2020. http://dx.doi.org/10.32008/nordsci2020/b1/v3/22.
Texto completoMalinina, Elena. "Contemporary Art Culture as a Creator of Publicity New Forms: Experience of Perm Theatrical Community". En The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-13.
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