Literatura académica sobre el tema "Art, Modern - 20th Century"
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Artículos de revistas sobre el tema "Art, Modern - 20th Century"
Asanuma, Keiji. "20th Century-End of Modern Art?" TRENDS IN THE SCIENCES 6, n.º 2 (2001): 56–58. http://dx.doi.org/10.5363/tits.6.2_56.
Texto completoSelber, Kimberly A. "Influence of Modern Art on Early 20th-Century Advertising Art". International Journal of the Arts in Society: Annual Review 2, n.º 1 (2007): 183–92. http://dx.doi.org/10.18848/1833-1866/cgp/v02i01/35350.
Texto completoChen, Ziyuan. "Chinese Calligraphy: An Ancient Art in the Modern Era". SHS Web of Conferences 159 (2023): 02003. http://dx.doi.org/10.1051/shsconf/202315902003.
Texto completoCIRLOT, L. "THE KEY TO MODERN ART OF THE EARLY 20TH CENTURY". Art Book 1, n.º 3 (junio de 1994): 16f. http://dx.doi.org/10.1111/j.1467-8357.1994.tb00130.x.
Texto completoDemchenko, Aleksandr Ivanovich. "The Russian musical art of the early 20th century: Dissonances". Manuscript 17, n.º 2 (4 de marzo de 2024): 49–57. http://dx.doi.org/10.30853/mns20240008.
Texto completoHeusser, Hans-Jörg. "AICARC and the Archives of Modern Art". Art Libraries Journal 11, n.º 2 (1986): 4–8. http://dx.doi.org/10.1017/s0307472200004582.
Texto completoLiao, Lei. "Background of Western Modern Art in the 20th Century". SHS Web of Conferences 167 (2023): 01008. http://dx.doi.org/10.1051/shsconf/202316701008.
Texto completoKholodynska, Svitlana. "THE CREATIVE WORK OF BORIS VIAN WITHIN FRENCH HUMANITIES OF THE 1940s–1960s". UKRAINIAN CULTURAL STUDIES, n.º 1(12) (2023): 29–33. http://dx.doi.org/10.17721/ucs.2023.1(12).07.
Texto completoShevchuk, Kateryna. ""CRISIS OF ART" AND "CRISIS OF AESTHETICS" IN RESEARCH OF POLISH HUMANITIES OF THE SECOND HALF OF THE 20th CENTURY". UKRAINIAN CULTURAL STUDIES, n.º 1(12) (2023): 25–28. http://dx.doi.org/10.17721/ucs.2023.1(12).06.
Texto completoKeser, Sezer Cihaner. "20th Century quest for new art and interdisciplinary approach". Global Journal of Arts Education 7, n.º 2 (12 de junio de 2017): 61–65. http://dx.doi.org/10.18844/gjae.v7i2.1835.
Texto completoTesis sobre el tema "Art, Modern - 20th Century"
Gaunt, Pamela Mary School of Art History/Theory UNSW. "The decorative in twentieth century art: a story of decline and resurgence". Awarded by:University of New South Wales. School of Art History/Theory, 2005. http://handle.unsw.edu.au/1959.4/25983.
Texto completoKaji-O'Grady, Sandra 1965. "Serialism in art and architecture : context and theory". Monash University, School of Literary, Visual and Performance Studies, 2001. http://arrow.monash.edu.au/hdl/1959.1/9120.
Texto completoRIZZI, Elena Maria Rita. "Modern art and the making of a French republican imaginary, 1919-1940". Doctoral thesis, European University Institute, 2021. https://hdl.handle.net/1814/70295.
Texto completoExamining Board: Professor Laura Lee Downs (European University Institute); Professor Ann Thomson (European University Institute); Professor Kevin Passmore (Cardiff University); Professor Béatrice Joyeux-Prunel (Université de Genève)
Winner of the 2022 James Kaye Memorial Prize for the Best Doctoral Thesis in History and Visuality.
Recent scholarship on the interwar French art milieu has overcome, on the one hand, ethnonationalism as the main interpretive framework for examining the relationship between art and politics and, on the other, a celebratory narrative that made Paris the liberal and democratic interwar art centre. Building on these recent studies, my thesis aims to reassess the nexus between art and politics in interwar France. I do this by asking what kind of Republican imaginaries were created in the modern art promoted by public institutions. In order to answer this question, the thesis builds on a second, recent body of scholarship that re-examines French politics and Republican political culture through new lenses. This work highlights the polysemic and plastic nature of Republican ideology, the variety of stances contained within Republicanism, and hence the existence of different and competing understandings of the French Republic. By delving into four case studies, namely the Musée des écoles étrangères, the Musée de Grenoble, the tapestries realised at the Manufacture des Gobelins and the mural art projects financed by the state in the late 1930s, the thesis demonstrates that the modern art promoted by public institutions engendered political imaginaries that testify to the simultaneous existence of conservative, liberal, civic or communitarian, that is, local Republics. While making modern art the bearer of competing views on the French Republic in the 1920s and 1930s, the imaginaries that were created by modern art institutions and practices mythologised Republican universalism. Yet, these imaginaries revealed all the ambiguity contained in France’s universalistic project. At a time marked by the never-ending bellicosity that ensued from the First World War and the political and economic crises of the 1930s, the imaginaries created by modern art thus gave birth to a Republican visual politics. As the thesis argues, this Republican visual politics had a sociopolitical meaning. Modern art, especially figurative art, created imaginaries that could confront, above all, the interwar crisis of the Republic and its universalism, and the crisis in social and political representations that stemmed from the political turmoil and instability of the interwar years.
Loayza-Lauffs, Mariana. "The art of Guillermo Kuitca". Thesis, Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21021508.
Texto completoFerguson, Bruce W. "From sight to site : some considerations regarding contemporary theory in relation to contemporary art". Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61972.
Texto completoPalladino, Nicoletta. "19th - 20th century zinc white paints : multidimensional physico-chemical characterisation". Electronic Thesis or Diss., université Paris-Saclay, 2024. http://www.theses.fr/2024UPAST042.
Texto completo: This thesis explores the propertiesand use of zinc white oil paints, from the nanoand micro-scale up to the macro-scale of artworks.Zinc white (ZnO), a modern pigment developed in the late 18th century as a non-toxicalternative to lead white, was adopted in oilpaint in the middle of the 19th century. Initially used alongside lead white, its lower covering power and brilliance made it a choice forcolour blends and highlights, but also for impastos and grounds. It can cause condition issues,for example due to the formation of zinc soaps,which have been the main focus of several studies.Knowing the pigment is, therefore, crucialfor technical studies and artwork conservation.Thus, this research focuses on two areas: thestudy of the physico-chemical properties of zincwhite and the extent and modalities of use of thepigment. The analysis of several types of material is complemented by documentary researchand a survey among heritage professionals.The first axis is addressed through the analysis, at the nano- and micro-scale, of a large,unique and varied corpus of historical and modern artists’ materials from the leading European and American manufacturers, and a selection of painting samples compared with reference materials and paint mockups. Several analytical techniques are used, from conventionallaboratory methods (optical and electron microscopy, XRD) to large facilities, such as theAGLAE particle accelerator (PIXE, IBIL) andthe ESRF synchrotron (high-angle resolutionXRD). Other compounds than ZnO were identified in the paint materials, shedding light oncertain practices of colour manufacturers andexamples of adulteration. Hydrozincite, a probable degradation product of ZnO, was identifiedin some samples. This study highlights differences in the composition and size of ZnO particles between historical and modern materials,as well as a luminescence behaviour that is moredifficult to interpret because it depends on several factors linked to the pigment and its environment. The morphology and size of the ZnOparticles and the purity of the materials analysed suggest synthesis via indirect method.The second axis is based on X-Ray Fluorescence (XRF) spectroscopy campaigns onaround fifty artworks analysed in-situ in museums, and the detailed study of a selection ofpaintings in the laboratory. This research showsdifferent uses of the pigment through examplesfrom the beginning of the 19th up to the mid20th century, which form a reference databaseof artworks containing zinc white. The studyalso calls into question the identification of zincwhite, particularly when solely based on XRFanalyses. The interest in a non-invasive protocol for pigment identification based on its photoluminescence was highlighted, which is complementary to the use of cathodoluminescencefor the invasive study of paint materials.This research constitutes a reference onthe physico-chemical properties and use of zincwhite; it provides information on the materialhistory of the pigment and modern artworks,opening up new perspectives for artwork conservation and authentication
Boetzkes, Amanda. "Beyond perception : the ethics of contemporary earth art". Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102788.
Texto completoCheng, Christina Miu Bing y 鄭妙冰. "Postmodernism: art and architecture in Hong Kong". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1991. http://hub.hku.hk/bib/B31949861.
Texto completoHennig, Sybille. "The machine and painting: an investigation into the interrelationship(s) between technology and painting since 1945". Thesis, Rhodes University, 1986. http://hdl.handle.net/10962/d1009435.
Texto completoMatthews, Elaine Katherine Simone. "Environmental art and its contribution to establishing an awareness of the sacred in nature". Thesis, Rhodes University, 2000. http://hdl.handle.net/10962/d1002209.
Texto completoLibros sobre el tema "Art, Modern - 20th Century"
(Firm), Butterfields. 20th century art. San Francisco: Butterfields, 2000.
Buscar texto completoFosu, Kojo. 20th century art of Africa. Accra, Ghana: Artists Alliance, 1993.
Buscar texto completoFosu, Kojo. 20th century art of Africa. Zaria, Nigeria: Gaskiya Corp., 1986.
Buscar texto completoKlaus, Honnef, Ruhrberg Karl, Fricke Christiane, Schneckenburger Manfred y Walther Ingo F, eds. Art of the 20th century. Köln: Taschen, 2000.
Buscar texto completoBritish Museum. Collecting the 20th century. London: Published for the Trustees of the British Museum by British Museum Press, 1991.
Buscar texto completoKarl, Ruhrberg y Walther Ingo F, eds. Art of the 20th century. Köln: Taschen, 1998.
Buscar texto completoVogel, Susan. Africa explores: 20th century African art. New York: Center for African Art, 1991.
Buscar texto completoCorporation, Encyclopaedia Britannica Educational. Art in the 20th century: Surrealism. Chicago, IL: Encyclopaedia Britannica Educational Corporation, 1990.
Buscar texto completoCorporation, Encyclopaedia Britannica Educational. Art in the 20th century: Constructivism. Chicago, IL: Encyclopaedia Britannica Educational Corporation, 1990.
Buscar texto completoDalí on modern art: The cuckolds of antiquated modern art. Mineola, N.Y: Dover Publications, 1996.
Buscar texto completoCapítulos de libros sobre el tema "Art, Modern - 20th Century"
Birbragher-Rozencwaig, Francine. "Modern Latin American Art". En Essays on 20th Century Latin American Art, 1–34. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003037507-1.
Texto completoAtanasovski, Srđan. "Allies in Music: French Influence and Role Models in the Cvijeta Zuzorić Association of Friends of Art". En The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century), 77–91. Belgrade ; Ljubljana: Institute of Musicology SASA ; University of Ljubljana, Faculty of Social Sciences, 2020. http://dx.doi.org/10.18485/music_diplomacy.2020.ch6.
Texto completoAtanasovski, Srđan. "Allies in Music: French Influence and Role Models in the Cvijeta Zuzorić Association of Friends of Art". En The Tunes of Diplomatic Notes: Music and Diplomacy in Southeast Europe (18th–20th century), 77–91. Belgrade ; Ljubljana: Institute of Musicology SASA ; University of Ljubljana, Faculty of Social Sciences, 2020. http://dx.doi.org/10.18485/music_diplomacy.2020.ch6.
Texto completoMéndez Baiges, Maite. "“We are all Demoiselles d’Avignon” or the Breaching of the Dominant Gaze". En Les Demoiselles d'Avignon and Modernism, 67–101. Florence: Firenze University Press, 2022. http://dx.doi.org/10.36253/978-88-5518-656-8.07.
Texto completo"The Rise of Chance in Modern Sciences". En The Radical Use of Chance in 20th Century Art, 17–24. Brill | Rodopi, 2012. http://dx.doi.org/10.1163/9789401207263_003.
Texto completoBlair, Karen L., Erin L. Courtice y Rhea Ashley Hoskin. "Who Do We Love?" En Modern Relationships, 178–96. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197655504.003.0011.
Texto completoSassler, Sharon. "Cohabitation Versus Marriage". En Modern Relationships, 38–54. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197655504.003.0003.
Texto completoEmison, Patricia. "After Eve". En Moving Pictures and Renaissance Art History. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463724036_ch04.
Texto completoPozhidaeva, Galina A. "Spiritual and Musical Culture of Russia in Its Relations with the Typology of National Musical Art". En Hermeneutics of Old Russian Literature. Issue 21, 527–46. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2022. http://dx.doi.org/10.22455/horl.1607-6192-2022-21-527-546.
Texto completoSafuanov, Ildar. "The history of Tatar mathematics education". En “DIG WHERE YOU STAND” 6. Proceedings of the Sixth International Conference on the History of Mathematics Education, 129–42. WTM-Verlag Münster, 2020. http://dx.doi.org/10.37626/ga9783959871686.0.10.
Texto completoActas de conferencias sobre el tema "Art, Modern - 20th Century"
Shevchuk, I. H. "SECTION 12. Choral music of Ukraine and traditions of the Ukrainian revival of the 20th century". En VOCAL AND CHORAL ART AND EDUCATION: HISTORICAL RESEARCH, PERFORMANCE CONCEPTS, MODERN TRENDS. Baltija Publishing, 2024. http://dx.doi.org/10.30525/978-9934-26-391-0-12.
Texto completoЦветкова, Н. Н. "THEATRICALITY IN THE ART OF TEXTILES OF THE 20th–21st CENTURIES". En КОДЫ. ИСТОРИИ В ТЕКСТИЛЕ. Crossref, 2024. http://dx.doi.org/10.54874/9785605162971.2024.3.29.
Texto completoMalinina, Elena. "Contemporary Art Culture as a Creator of Publicity New Forms: Experience of Perm Theatrical Community". En The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-13.
Texto completoZaks, Lev. "Culture of the Second Half of the 20th Century through the Early 21st Century in Action: Creation of Contemporary Publicity". En The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2019. http://dx.doi.org/10.35853/ufh-public/private-2020-01.
Texto completoGenese-Plaude, Inta. "URBAN CULTURAL PRACTICES AS A MIRROR OF THE MODERNIZATION OF LATE 19TH CENTURY SOCIETY AND LIFESTYLE IN AUGUSTS DEGLAVS� NOVEL �RIGA�". En 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s10.24.
Texto completoCocieru, Mariana. "Values of Romanian ethnological photographic art: Joseph Berman". En Conferință științifică internațională "FILOLOGIA MODERNĂ: REALIZĂRI ŞI PERSPECTIVE ÎN CONTEXT EUROPEAN". “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2023. http://dx.doi.org/10.52505/filomod.2023.17.20.
Texto completoCeravolo, R. "Condition Assessment, Monitoring and Preservation of Some Iconic Concrete Structures of the 20th Century". En IABSE Symposium, Wroclaw 2020: Synergy of Culture and Civil Engineering – History and Challenges. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2020. http://dx.doi.org/10.2749/wroclaw.2020.0054.
Texto completoLisovetc, Irina. "The Modern Multi-Functional Cultural Center (Yeltsin Center) as a Platform for Dialogue Both Public & Private". En The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-11.
Texto completoКарпова, Е. А. "FELT IN INTERIOR DESIGN: MODERN REINVENTION OF TRADITIONAL TECHNOLOGY". En КОДЫ. ИСТОРИИ В ТЕКСТИЛЕ. Crossref, 2024. http://dx.doi.org/10.54874/9785605162971.2024.3.13.
Texto completoRoelofs, Michelle B. "Mass Timber: 19 Century to Today". En IABSE Congress, New York, New York 2019: The Evolving Metropolis. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2019. http://dx.doi.org/10.2749/newyork.2019.0634.
Texto completoInformes sobre el tema "Art, Modern - 20th Century"
Siebert, Rudolf J. y Michael R. Ott. Catholicism and the Frankfurt School. Association Inter-University Centre Dubrovnik, diciembre de 2020. http://dx.doi.org/10.53099/ntkd4301.
Texto completoTITOVA, E. HISTORIOGRAPHIC REVIEW ON THE TOPIC OF THE STUDY OF MIGRATION PROCESSES IN THE RUSSIAN FAR EAST AT THE BEGINNING OF THE XXI CENTURY. Science and Innovation Center Publishing House, 2021. http://dx.doi.org/10.12731/2077-1770-2021-13-4-2-34-53.
Texto completoJayachandran, Seema, Adriana Lleras-Muney y Kimberly Smith. Modern Medicine and the 20th Century Decline in Mortality: Evidence on the Impact of Sulfa Drugs. Cambridge, MA: National Bureau of Economic Research, junio de 2009. http://dx.doi.org/10.3386/w15089.
Texto completoSanjurjo Casciero, Annick. Paraguay and Its Plastic Arts. Inter-American Development Bank, marzo de 1994. http://dx.doi.org/10.18235/0007910.
Texto completoGalenson, David y Robert Jensen. Careers and Canvases: The Rise of the Market for Modern Art in the Nineteenth Century. Cambridge, MA: National Bureau of Economic Research, agosto de 2002. http://dx.doi.org/10.3386/w9123.
Texto completoSchacht, Kayley, Deidre Gonçalves, Aaron Schmidt y Adam Smith. A History and Analysis of the WPA Exhibit of Black Art at the Fort Huachuca Mountain View Officers’ Club, 1943–1946. Engineer Research and Development Center (U.S.), junio de 2023. http://dx.doi.org/10.21079/11681/47184.
Texto completoMalinowski, Owen, Scott Riccardella y Jason Van Velsor. PR-335-203810-R03 CT Fundamentals with Calibration and Reference Standards for Pipeline Anomaly Detection. Chantilly, Virginia: Pipeline Research Council International, Inc. (PRCI), marzo de 2022. http://dx.doi.org/10.55274/r0012216.
Texto completoJiang, Xiaowei y John Cherry. History and Hydraulics of Flowing Wells. The Groundwater Project, 2023. http://dx.doi.org/10.21083/cpet1503.
Texto completoMelnyk, Andriy. «Ареопагітика» Джона Мілтона і теорія вільного ринку ідей. Ivan Franko National University of Lviv, marzo de 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11732.
Texto completoDesign in 20th Century Barcelona: From Gaudí to the Olympic Games. Inter-American Development Bank, febrero de 1997. http://dx.doi.org/10.18235/0006404.
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