Artículos de revistas sobre el tema "Art in interior decoration"
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1
Zadorozhny, Bogdan. "THE ROLE OF STAINED WINDOWS IN MODERN RESIDENTIAL INTERIOR DECORATION". Vìsnik Nacìonalʹnogo unìversitetu "Lʹvìvsʹka polìtehnìka". Serìâ Arhìtektura 2024, n.º 1 (17 de mayo de 2024): 67–72. http://dx.doi.org/10.23939/sa2024.01.067.
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Stained glass has attracted the attention of art critics and scientists for centuries. Stained glass art plays a special artistic role in decorating windows, doors, and ceilings. In addition to the traditional use of stained glass windows, they are used in the design of modern interiors. Although stained-glass windows are not a common design solution in interior design, they are increasingly used for their individualization in modern decoration. In the process of researching decorative decoration of modern interiors with the use of stained glass, new techniques and technologies of their implementation, compositional solutions, their color range were considered, and the main features of artistic expression were revealed. In modern interiors of residential premises, you can find stylized decorative and ornamental stylized stained-glass compositions, which are characterized by a linear division of the glass canvas with the use of faceted glass elements. With the help of stained glass windows, the space of the living room is filled with warm or cold, monochrome or polychrome colors, which enhances the visual perception of certain interior elements. Stained glass compositions using traditional and modern production technologies were analyzed and their role in modern interior design was determined.
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Liu, Shan, Yun Bo y Lingling Huang. "Application of Image Style Transfer Technology in Interior Decoration Design Based on Ecological Environment". Journal of Sensors 2021 (25 de noviembre de 2021): 1–7. http://dx.doi.org/10.1155/2021/9699110.
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With the further development of the social economy, people pay more attention to spiritual and cultural needs. As the main place of people’s daily life, the family is very important to the creation of its cultural atmosphere. In fact, China has fully entered the era of interior decoration, and people are paying more and more attention to decorative effects and the comfort and individual characteristics of decoration. Therefore, it is of practical significance to develop the application of decorative art in interior space design. However, the transfer effect of current interior decoration art design tends to be artistic, which leads to image distortion, and image content transfer errors are easy to occur in the process of transfer. The application of image style transfer in interior decoration art can effectively solve such problems. This paper analyzes the basic theory of image style transfer through image style transfer technology, Gram matrix, and Poisson image editing technology and designs images from several aspects such as image segmentation, content loss, enhanced style loss, and Poisson image editing constrained image spatial gradient. The application process of style transfer in interior decoration art realizes the application of image style transfer in interior decoration art. The experimental results show that the application of image style transmission in interior decoration art design can effectively avoid the contents of the interior decoration errors and distortions and has a good style transfer effect.
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Gurzhii, I. "DECORATIVE CERAMICS AS A BRANCH OF MODERN ART". Aesthetics and Ethics of Pedagogical Action, n.º 29 (14 de junio de 2024): 100–111. http://dx.doi.org/10.33989/2226-4051.2024.29.306146.
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The article examines decorative arts as a type of visual arts that focuses on works of art creation, with the aim of decorating and giving them aesthetic appeal, as well as objects of a purely exhibition nature. Decorative ceramics are divided into the following types: exterior, interior, and exhibition, and have two directions of development: traditional and academic. Modern Ukrainian decorative ceramics is characterized as an essential branch of decorative arts that developed based on millennial traditions and has its territorial features. It has been found that the technique of making modern decorative ceramics can be divided into forming and decorating. Traditional decorative ceramics are formed by the method of sculpting by hand and on the potter’s wheel. Academic ceramics have broader possibilities of formation, such as sculpting, pottery, pressing or casting in plaster molds, layer formation, and 3D printing. The decoration of modern decorative ceramics is quite diverse, but the traditional techniques remain unchanged. They are engobe, ceremony, pasting, smearing with water. For academic decorative ceramics, a variety of decoration methods, both traditional and experimental, are used. The methods are the following: engobing, etching, pasting, coating with water, painting with metal oxides, painting with metal salts, painting under watercolor paints, painting over watercolor paints, painting with precious metal products and chandeliers It has been found that the artists do not limit their possibilities in academic ceramics. They are not bound by traditional decoration methods. Artists can do whatever they fantasize about, while in traditional ceramics, they must stick to regional features in the methods of decoration and formation.
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Chen, Xiao Jun y Fu Ting Wang. "Soft Furnishing Material in Interior Space". Applied Mechanics and Materials 271-272 (diciembre de 2012): 1257–60. http://dx.doi.org/10.4028/www.scientific.net/amm.271-272.1257.
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In the case of the improving economic, people no longer pursue luxury and the copies of other homes in house decoration, but have a higher spiritual level requirements. Interior soft decoration has become an unavoidable mean of decoration in modern house decoration and the important direction of interior decoration. The interior soft decoration art is a dynamic art. Its unity can bring vitality to space and build an ideal interior environment that is full of culture taste and comfort. Interior soft decoration will be the future development of housing decoration industry and the popular trend.
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Kuleeva, Lyailya, Tatyana Burova, Ludmila Listovskaya, Ilseyar Saifullina y Ainaz Ibragimova. "The art of craft in the interior". E3S Web of Conferences 274 (2021): 01029. http://dx.doi.org/10.1051/e3sconf/202127401029.
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In relation to the most characteristic architectural styles and movements, this paper discusses the issues of creation and development of artistic crafts that influence the formation and decoration of interior space. The evolution of crafts from a purely utilitarian activity to a form of decorative and applied art used to transform the interior environment by holistic and functional means is being considered through the lens of subjectspatial and functional-artistic organization.
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Yi, Rui. "Interior Decoration Materials’ Potentialities for Artistic Originality". Applied Mechanics and Materials 71-78 (julio de 2011): 967–71. http://dx.doi.org/10.4028/www.scientific.net/amm.71-78.967.
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Building materials for decoration are carriers for space art design to represent language, are material foundation for environment art design. Selection of materials is the basic matter for study of design. So, only by getting a full understanding of the properties of decoration materials, making good use of their advantages through reasonable selection and flexible collocation, and with respect to the available space environment, can materials perfectly perform their functions, thus fulfill the demand of interior space design. Art design and materials are interactional. The realization of art design depends upon materials and materials can get life with excellent design. By starting from the use of physical appearance of materials, we can dig out interior decoration materials’ potentialities for originality, and break through traditional way of design expression, and set up new concepts about how to use decoration materials.
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Chen, Chen. "Research on the Application of Chinese Traditional Elements in Contemporary Interior Design". Lifelong Education 9, n.º 6 (28 de septiembre de 2020): 103. http://dx.doi.org/10.18282/le.v9i6.1312.
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China has a long history of history and culture, and it has gathered a variety of cultural elements and symbols in the long history. The cultural connotation and spiritual heritage presented by traditional Chinese decorative elements provide a source and motivation for the innovative development of the modern decoration industry. Therefore, drawing on traditional elements to carry out innovative exploration of the art design has become an important outlet for the development of the industry. This article aims at exploring a sustainable development path for China’s art design field by analyzing the current application of traditional Chinese elements in contemporary interior decoration design.
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Khan, Romana Yasmin, Kangli Ren, Wei Gan y Zain ul Wahab. "Maintaining Pakistani Cultural Traditional Decorative Elements Blending and Adoption Different Decorating Style Approach". International Journal of Social Science Studies 7, n.º 3 (13 de marzo de 2019): 24. http://dx.doi.org/10.11114/ijsss.v7i3.4138.
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Pakistani culture has the capacity to adopt multi-cultural values and décor practices in the society. With the gradual improvement of the living environment, people are pursuing more satisfaction and spiritual meaning the current interior decoration style in Pakistan considers a mix and match style. People in Pakistan cannot absolutely consider adopting a pure one style. Interior decoration is considered as primary to traditional living culture with distinctive cultural ideas, filling in the use of the latest style of thinking. The purpose of this study is to explore the development and current status of interior decoration styles in modern Pakistan and to collect background information on the current interior design decoration style and application of traditional elements in decoration.Also, investigate the extent of application of traditional thoughts in modern houses, their incorporation and blend with contemporary architecture so that the cultural values and the elements of traditional interior décor art and craft are not endangered. Study reveals that Pakistani interior décor style is the foremost interesting and attention-grabbing to work with because of the variations within the culture, splendid history and art and craft across the country.
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Xia, Zhongyuan. "Historical examples and modern application of the "Chinese style" in the art of British interior design". Культура и искусство, n.º 5 (mayo de 2024): 15–24. http://dx.doi.org/10.7256/2454-0625.2024.5.70575.
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"Chinese style" is a new form of combining Chinese and Western styles, formed on the basis of Western decorative art after a large number of Chinese exported works of art were imported to Europe in the XVII—XVIII centuries. The article takes the famous British country estate of the XVIII century as a starting point, and combines the relevant elements of interior decoration to analyze the influence of Chinese design on British decorative patterns and decorative techniques. "Chinese Style" is an innovative combination of Chinese and Western art based on Western decorative techniques.The article also analyzes the influence of the Chinoiserie style as a new art form combining traditional Chinese elements with Western forms on British decorative methods, with an emphasis on a specific study of this phenomenon.The purpose of the author of this study is to study and familiarize readers and the scientific community with the development and application of the "Chinese style" in British decorative methods of interior design. To achieve this goal, the author uses comparative historical, historical and cultural methods, iconographic method of description, as well as stylistic analysis, analyzes historical sources: historical documents, images, artifacts and literature. The research methodology includes a comprehensive approach to the study of the historical context and its impact on the formation of the British interiors. An empirical generalization of the material allows us to conclude about the significance of the above research and the influence of the "Chinese style" on modern decorative methods of interior design and design in Britain. The novelty of the research lies in the application of a combination of methods, analysis of historical forms to study this topic, which has been little studied in the segment of Russian historical science, which allowed us to obtain results that can arouse increased interest in the formation of the British interior among specialists. The author emphasizes the importance of the ability of design masters and architects to combine elements of Italian and British design to create a unique interior. The author's special contribution lies in the analysis of historical materials, practical examples of the successful application of the "Chinese style" in British interiors, which makes this article a valuable study for designers and lovers of interior art.
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Xiong, Qiqi, Bo Zhang, Yi Zheng y Xin Li. "Research on the Interior Decoration Characteristics of Peking Union Medical College Phase I Project". Journal of Architectural Research and Development 7, n.º 1 (17 de enero de 2023): 33–42. http://dx.doi.org/10.26689/jard.v7i1.4549.
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Peking Union Medical College was founded in the late Qing Dynasty and the early Republic of China. Since then, society and politics have been rapidly changing, and its architectural aesthetics reflect the idea of advocating the West and inheriting tradition. Through research and actual investigation, this paper summarizes the current status of its building from two aspects, interior decoration art and interior decoration technology, analyzes the interior decoration characteristics of Peking Union Medical College Phase I Project, and records the archives of Peking Union Medical College’s decoration technology.
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Mulyati, Made Ida y I. Ketut Sudiana. "Lukisan Wayang Kamasan Sebagai Salah Satu Elemen Dekorasi Interior untuk Memberi Nuansa Bali yang Unik". Journal on Education 5, n.º 1 (24 de diciembre de 2022): 799–807. http://dx.doi.org/10.31004/joe.v5i1.686.
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Decoration elements are the most calculated elements in interior design to provide aesthetic value to a space. While the reality is that there are still many interior interior designers who have not been able to choose and quarter the right decoration elements based on the concept of space and the function of space. For this reason, it is necessary to study the decoration elements in interior design in accordance with the concept, function, and character of the desired space. Kamasan puppet painting is one of the traditional arts that has a strong and unique philosophy. The Kamasan puppet painting that symbolizes Dewi Semara Ratih pelambang beauty of true love is very suitable to be implemented in the interior of the master bedroom. Kamasan's puppet painting that tells the story of Prabu Kresna as Arjuna's coachman, during the Kurusetra Mahabharat war, is very suitable to be implemented in the interiors of schools, campuses, offices, libraries, and study rooms in residential buildings. Kamasan Dewi Saraswati's puppet painting is very suitable to be implemented in the interior of schools, campuses, offices, libraries and spaces used for work that are related to education. It is recommended for interior designers to make Kamasan puppet painting as an alternative as an element of decoration in the designed interior. In addition to giving a unique feel to the interior that is designed, it is also able to serve as a stakeholder to preserve traditional Balinese art.
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Maistruk, Nazar y Liubov Kravchenko. "ІСТОРИЧНІ АСПЕКТИ ПІДГОТОВКИ ФАХІВЦІВ ДЕКОРАТИВНО-УЖИТКОВОГО МИСТЕЦТВА В НАВЧАЛЬНИХ ЗАКЛАДАХ УКРАЇНИ". B U L L E T I N OF OLEKSANDR DOVZHENKO HLUKHIV NATIONAL PEDAGOGICAL UNIVERSITY 54, n.º 1 (16 de abril de 2024): 245–50. http://dx.doi.org/10.31376/2410-0897-2024-1-54-245-250.
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The paper examines the historical aspects of the development specialists in decorative and applied arts training in Ukraine on the example of porcelain production (late 18th century – today) and its current state abroad. In line with the issue of introduction of this direction of decorative and applied art in our country, examples of its flourishing in the cities of Koret (production of baroque Meissen porcelain), Baranivka, Hrodnytsia, Dovbysh (Iliinskyi Manufactory, Markhlov Factory, Dovbysh Porcelain Factory, Polonsky Porcelain Factory); Poltava, Boryslav, Sumy, Ternopil (opening of porcelain factories in 1965) are characterized. It has been found that along with the foundation and development of porcelain industries there were professional schools focused on training skilled craftsmen to work in the factory, in particular schools in Kyiv, Lviv, Kharkiv; Myrhorod Art and Industrial School in Poltava region, etc.). The high-quality training of pottery and porcelain and faience specialists, teachers of graphic arts and drawing, masters of artistic decoration of products ready to perform significant amounts of physical work - making tiles, bulky dishes, decorating the facades of churches, houses, fireplaces, creating sculptures, interior and exterior decorations - was facilitated by the activities of famous artists and teachers S. Maslenikov, O. Slastion, and V. Krychevskyi, who also supervised the production of outstanding works and participation in industrial exhibitions. Key words: decorative and applied arts, ethnological training of specialists, porcelain production, domestic and foreign experience, ethnography.
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Shan, Wei Lun, Rong Mei Jin y Xian Yao Ding. "Chinese Decorative Color Based on Improved AlexNet in Interior Decoration Design". Mathematical Problems in Engineering 2022 (23 de septiembre de 2022): 1–10. http://dx.doi.org/10.1155/2022/2358905.
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Since the twenty-first century, with the improvement of China’s comprehensive national strength and cultural confidence, our country has paid more and more attention to the protection and development of Chinese traditional culture, and more and more attention to the protection and development of China’s traditional culture, traditional culture has no longer become a simple symbol in history books but has gradually entered people’s daily life with the characteristics of vitality and gradually evolved into various characteristics and forms and integrated into all walks of life. Under the background of the evolution of this culture, this paper discusses the application of Chinese decorative color for interior decoration design and puts forward an application model of Chinese decorative color for interior design based on the AlexNet network improved by Adam, BN, dropout, and data enhancement optimization algorithm. Through analysis, it is found that the AlexNet network improved based on the above optimization algorithm has a good application prospect for interior decoration design. For the traditional AlexNet network, the improved AlexNet network is obviously better than the traditional AlexNet network in color extraction and can greatly reduce the loss value in the process of color recognition, up to 70.77%. Finally, the application forms and decorative functions of Chinese decorative color elements based on the improved AlexNet network in interior decoration design are analyzed. Relevant research can not only promote the integration of new and new technologies into traditional art but also effectively carry forward Chinese traditional culture and promote the internationalization of Chinese color.
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Rachmayanti, Sri, Christianto Rusli y Anak Agung Ayu Wulandari. "Cultural Acculturation in Interior and Architecture of Old Straits-Born Chinese Lasem House". Humaniora 8, n.º 3 (19 de octubre de 2017): 279. http://dx.doi.org/10.21512/humaniora.v8i3.3718.
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The long-term goal of this research was to make variety ornament documentation on architecture and the interior of Indonesian historical buildings, especially for buildings having the combination between western and eastern. The original plan of this research was to achieve some cultural preservation efforts, they were (1) to find various styles of design art, including the variety of native straits-born Chinese ornaments, Art Deco, and Neoclassical, or found that there are any acculturations among the ornaments in an interior. (2) To understand characteristics of each style and applied it appropriately in the interior space. (3) To find on how the building functioned and how to preserve as cultural heritage. The method began with a survey, interviews, and observations by documenting the application of Indonesia art and culture for cultural conservation, especially on interior design. The case study was straits-born Chinese buildings in Lasem, Central Java. The observation and research concerned with design styles applied in architecture, interior, and home decoration. The observation and research were followed by summarizing and analyzing the material obtained from field surveys result by comparing two samples of Chinese houses in Lasem that also supported with literature research. Researchers find several differences of art styles which had been applied. The styles are original Chinese decorations, Art Deco, and Neoclassical decorations.
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Zhou, Mengqi. "Aesthetic Art of Glass Materials in Interior Design". Frontiers in Science and Engineering 2, n.º 11 (22 de noviembre de 2022): 1–6. http://dx.doi.org/10.54691/fse.v2i11.2970.
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Glass is an ancient and practical material, which has been widely used in interior space design. The development of new glass materials leads to new aesthetic content and cultural connotation. The development of glass materials has become a diversified interior design material. This paper expounds the application characteristics of glass in modern interior design to interpret the aesthetic art of glass materials in interior design. This paper discusses the practicability, decoration and environmental protection, analyzes the design cases, and provides theoretical support for the application of glass materials in interior design.
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Melnyk, Liudmyla, Olena Kyzymchuk y Liudmyla Zubkova. "Ukrainian Folk Ornaments in Modern Knitting". TEKSTILEC 64, n.º 2 (27 de marzo de 2021): 84–95. http://dx.doi.org/10.14502/tekstilec2021.64.84-95.
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National arts and crafts are not only the skills of an individual nation but an ethnic phenomenon that has unique features and serves as a source of information on national history and culture. Decorative and applied art in Ukraine combines the traditions and techniques of manufacturing and decoration, which have been developed and passed down from generation to generation. It has a clear national identity and numerous regional differ¬ences in ornamental motifs, compositions and favourite colours. Therefore, the Ukrainian folk art has a significant potential and is a source of ideas in creating modern clothing as well as interior items. Embroidery as a way of creating ornamental motifs on a textile material using various techniques is a common process for decorating clothes and interiors for the Ukrainians. Today, ornamental compositions of embroidered folk textiles could be transmitted into modern clothes using various technologies. However, the use of a knitting machine allows creating a pattern during the item production. The ornament transformation into a pattern for knitting can be carried out with graphic software by creating a grid with a cell size similar to the loop size of a knitted structure for corresponding interlooping. A number of clothing and interior items with ethnic motifs was created using the capabilities of flat knitting machines within the masters programme “Knitting Technology and Design” at the Textile Technology and Design Department of the Kyiv National University of Technologies and Design.
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Howe, Katherine S. "Nineteenth-Century Decoration: The Art of the Interior. Charlotte Gere". Winterthur Portfolio 25, n.º 1 (abril de 1990): 84–85. http://dx.doi.org/10.1086/496470.
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Chauhan, Sadhana. "COLOR COMBINATION IN INTERIOR AND EXTERIOR DECORATION". International Journal of Research -GRANTHAALAYAH 2, n.º 3SE (31 de diciembre de 2014): 1–2. http://dx.doi.org/10.29121/granthaalayah.v2.i3se.2014.3626.
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Color is an integral part of our life, as much as this colorful world of ours is beautiful, as much as it is a world of these colors. In childhood, we are taught only the names of three primary colors: yellow, blue and red, but the truth is, we cannot limit colors to any number. There is no count of colors, because there are innumerable colors in this world. The reason for this is that by combining any two colors, we can create a third color and by altering the amount of those two colors we can create many light and dark colors. In this way, we can create innumerable colors from different cohesion (Buipdanjapavade). Color is the peak of beauty, and beauty is directly related to the heart. These colors are used in different forms of art and are used in different forms of art on an ornamental, artistic and symbolic basis. Like "Baiga women tattoo on their body, which itself is a modified structure consisting of many signs". 2 It is mainly found in the use of green color, which does not just enhance the beauty of the body, but it has all kinds of colors in it. There is also a belief in Baigao that the ability to resist from enemies also increases, as they increase the power of hands and feet. Tattooing is considered to be the jewel of the tribals, especially women, in their body, embellishes a variety of shapes. These figures have their own religious, spiritual, cultural and social importance.
रंग हमारे जीवन का एक अभिन्न हिस्सा है, जितनी खुबसुरत हमारी यह रंगीन दुनिया है, उतनी ही विलक्षण इन रंगो की दुनिया है। बचपन में हमे सिर्फ तीन प्राथमिक रंगो के नाम सिखाये जाते है:- पीला, नीला और लाल, परन्तु सच तो यह है कि, किसी संख्या में रंगो को सीमित नही कर सकते। रंगो की कोई गिनती नही होती, क्योंकि इस दुनिया में असंख्य रंग है। इसका कारण यह है कि किन्ही भी दो रंगो को मिलाकर हम एक तीसरे रंग का निर्माण कर सकते है और उन दो रंगो की मात्रा में फेरबदल करके हम अनेक हल्के और गहरे रंगो का निर्माण कर सकते है। इस तरह हम अलग अलग सामंजस्य (ब्वउइपदंजपवदे) से असंख्य रंगो का निर्माण कर सकते है। रंग सुन्दरता की चरम विघा है और सुन्दरता का सीधा संबंध हृदय से है। यही रंग कला के भिन्न भिन्न रूपो में प्रयुक्त किऐ जाते है और कला की विभिन्न विघाओ में अलंकारिक, कलात्मक व सांकेतिक आधार पर उपयोग में लाऐ जाते है। जैसे ‘‘ बैगा स्त्रीयाॅ अपने शरीर पर गोदना गुदवाती है, जो स्वयं कई चिन्हो से मिलकर बनी एक संश्रृष्ट संरचना होती है ’’ 2 इसमें मुख्यतः हरे रंग का प्रयोग पाया जाता है, जो महज शरीर का सौन्दर्य ही नही बढाते वरन् उसमें तमाम तरह की विपदाओ से प्रतिरोध करने की क्षमता को भी बढाते है, जैसे हाथो व पैरो की शक्ति को बढाते है, ऐसी बैगाओ में मान्यता है। गोदना आदिवासियों का आभूषण माना जाता है, विशेषकर महिलाऐ अपने शरीर में तरह तरह की आकृतियाॅ गुदवाती है। इन आकृतियों का अपना धार्मिक, आध्यात्मिक, सांस्कृतिक और सामाजिक महत्व होता है।
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Ni, Xiaoyun, Ziyi Zhou, Xinrui Deng y Yue Chen. "Analysis on the application of folk-art elements in the space design of human settlements". Highlights in Art and Design 1, n.º 2 (30 de octubre de 2022): 87–89. http://dx.doi.org/10.54097/hiaad.v1i2.2240.
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With the rapid development of China's social economy, there are waves of Chinese culture and art in all parts of the world. Folk art, as a form of expression of traditional art, often carries the cultural characteristics of a nation, which is carried out in various fields such as clothing, sculpture and decoration design. Nowadays, in interior design, many people gradually began to apply our traditional folk elements to the living space, folk art elements have also been widely adopted. Therefore, this paper discusses the characteristics and values of Chinese folk-art elements and its application analysis of interior design, so as to promote the nationalization of interior design and carry forward the design concept of traditional folk-art features.
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Mao, Wen Shi. "Study on the Advantages and Role of Soft Decoration Materials in Shaping the Indoor Environment Art Atmosphere". Applied Mechanics and Materials 644-650 (septiembre de 2014): 4896–99. http://dx.doi.org/10.4028/www.scientific.net/amm.644-650.4896.
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Modern decorative materials constantly updated and developed, and many of them are limited tube used for a time, and soon are replaced or eliminated. Soft adornment material can shape and express art atmosphere of indoor, having huge advantages and functions. In this paper, we research and analyze the soft adornment material from different point of view, and making catch-all category on the function of indoor soft adornment material that will be used in art design environmental. Soft adornment material has a great influence on the indoor space, such as people's sense of feel, smell, etc. Also from the angle of the color and design, as well as the texture analysis to analyze the utilization of soft decoration materials in interior design, and emphasized on low carbon green theme, highlighting the new idea of interior design, and also excusing the advantages of the new material.
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Bejrananda, Jantanee y Metisa Thawinwong. "Eastern Lanna Product Design for Guest room of Northern Hotel in Thailand". Asian Creative Architecture, Art and Design 37, n.º 1 (11 de junio de 2024): 1–20. http://dx.doi.org/10.55003/acaad.2024.269730.
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This research is integrated the architecture and art design creative work with community for developing local products of Eastern Lanna, by design the interior decoration prototype in 36 square meter guest room (price 600 - 800 baht per night) of Phayao university hotel to inform Kham Mok Luang flower as symbolic media or one element of identity. The objectives of study is to set research teamwork of interior designer, architect, artist- designer to design decorative objects or props with community craftmans to increase value added handicraft products and community can develop their products to commercial business by their competency. The method is qualitative research that 4 designers collaborate with 10 textile and basketry handicrafts in Ang Thong district, Phayao Province by sharing their knowledges and skills together, start from design the symbolic pattern of Kham Mok Luang of cloth weaving and basketry raw material process, design the guest room decoration, produce the decorative objects or props : curtain, bed runner, head of bed, lamp, basket. After finishing the props the researcher set them in the mock up room, and take the pictures of decorative room and objects to be survey tool of stakeholders satisfaction opinion about symbolic pattern design and all decorative products. The result is to the most satisfaction in symbolic pattern, the products or props satisfaction is more to the most.
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Bardi, Augustine Okola. "Fine Arts: 2. The Creation of Forms: A Teaching Method to Enhance Art Creativity Among Students in Tertiary Institutions". Review of Artistic Education 16, n.º 1 (1 de marzo de 2018): 174–81. http://dx.doi.org/10.2478/rae-2018-0018.
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Abstract The existence of creation as narrated in the biblical stories has shown that there is advancement in humanity and in many other fields of endeavour. The creativity in art has advanced the economy, social-political and technological development of not only Europe centuries ago, but also in Africa. This advancement was much earlier realized and as a result of centers of creativity which were established to better the lives in their society. With the advancement of time, art decoration which has not been giving position because of arts aesthetical contents, began to generate success not only in the West where it originated from, but also in other continents of the world. The artist including the author and art aesthetics in Nigeria has not only been encouraged this upliftment, but, has gained enough ground to be appreciated. Decoratives are created by the artists; the use of forms embellished with colours has equally been appreciated in Nigeria and the societies of the world. The usefulness of decoration has been extended for both interior and exterior decorations for beautification and for other forms to solve other human endeavours.
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Pramono, Andi, Tiara Ika Widia Primadani, Yudhistya Ayu Kusumawati, Bambang Kartono Kurniawan y Febby Candra Pratama. "Upcycling Fabric Waste for Home Decoration by Implementing Islamic Art Approach". Journal of Islamic Architecture 7, n.º 2 (22 de diciembre de 2022): 253–61. http://dx.doi.org/10.18860/jia.v7i2.15795.
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Humanity's activities cause the destruction that occurs in the world as a caliphate, as stated in Surah Ar-Rum (30), verse 41 of the Quran. One of the products that might harm the ecosystem is waste. Various countries, including the Indonesian Government, have competed with numerous initiatives and policies to save environmental sustainability. The author of this study provided training on how to conserve the environment by processing trash, particularly fabric waste. Bina Nusantara University's community development initiative invites numerous assisted MSMEs to participate in a waste management training session. Participants are instructed on how to transform fabric waste into useful interior products. The techniques conducted start from joining fabric waste with patchwork, quilting, and applique connection techniques. From the connection results, the product's value can be increased again by adding a digital screen printing technique. Islamic Art is one of the many motifs that can be used. Implementing Islamic geometric patterns and floral, vegetal, and calligraphy designs on interior accessories are some examples of Islamic art motifs. Apart from being able to decorate the interior of the home, particularly by giving it an Islamic feel, the objective of creating this product is to conserve the environment through upcycling technology.
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Yusof, Abdullah, Aizan Hj Ali @. Mat Zin y Ahmad Faisal Abdul Hamid. "Islamic Nuance in Decorative-Ornament Architecture Art in Nusantara". International Journal of Nusantara Islam 2, n.º 1 (9 de junio de 2014): 95–104. http://dx.doi.org/10.15575/ijni.v2i1.51.
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The advent of Islam in Nusantara sparked new phenomena or changing not only in structure of building construction of religious places, residency and houses but also ornaments and decoration expressing value of beauty of that building. The result of this research tries to reveal how far Islamic influence is working without undermining local aspects of architecture and how Islamic architecture was influenced by other characters in ornament and decorative-ornament artwith various design and sense. Islamic nuances are substantially showed in traditional and contemporary mosque architecture, graveyard, residencies, palaces, historical building and soon and so forth. Although local elementsare clear, and so with Hinduism and Buddhism, animism, colonial influence and other foreign influences including Middle East, Africa, India and China, Islam shows its prominence in interior and exterior ornament as well as its tools.
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Hedges, Susan. "Interior Decoration to Exterior Surface: The Beleaguered Relief". Interiority 2, n.º 1 (30 de enero de 2019): 79–93. http://dx.doi.org/10.7454/in.v2i1.45.
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Surface articulation is a critical issue for interior architecture, and this paper sees the wall as a point of intersection where art and structure may converge and collide. A place of experimentation and a site of performance, built volumes and surface embellishments blur and reinforce edge conditions and ornament as embellishment and essential structure merge.
This paper explores a sculptural relief Copper Crystals (1965) constructed by Jim Allen for the ICI (Imperial Chemical Industries) House (1964) situated at 61 Molesworth Street in Wellington, New Zealand. Following the building's failure, due to a 7.8 magnitude earthquake, the sculptural relief survived a five thousand tonne demolition. Construction, size and position of the work have contributed to its survival, partly because the relief shifted from surface activation to structural member. This paper investigates the relief as it protrudes from the surface of the building’s interior.
Surface, layer and structure extend beyond the planar, producing a range of complicated effects. Visible and invisible incrustations, geometric forms and structural matrices, transform and become linked to depth, substance, mass and thickness (Papapetros, 2013). The demarcation of the essential and inessential is blurred, and the perception of ornament as dangerous during earthquakes is subverted. This paper focusses on material mediation and points to new ways of interrogating the materiality and functionality of surface and places over time.
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İRTEŞ, MUAMMER SEMİH y ALİ FUAT BAYSAL. "THE DECORATION AND PERIODIC ANALYSIS OF THE INTERIOR WALL SURFACES OF HACI BEKTAŞ VELİ TOMB". Türk Kültürü ve HACI BEKTAŞ VELİ Araştırma Dergisi 105 (29 de marzo de 2023): 57–71. http://dx.doi.org/10.34189/hbv.105.003.
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Hacı Bektaş Velî, one of Ahmed Yesevî's Anatolian saints, migrated from Nishapur and settled in today's Hacı Bektaş district. He founded Kızılca Halvet, that is Çilehane, and after his death he was buried next to Çilehane and a tomb was built on it. The tomb structure, which is the center and part of the complex, is located opposite the entrance door of the Hazrat Courtyard, which is the third courtyard of the lodge. Although it is not known when the tomb was built, it is dated to the 15th century. When the dervish lodge and lodge were closed during the Republican period, the kulliye was closed in 1925. After serving as an Agricultural School for a while, it was restored with the 1925 letter of the Ministry of National Education and opened as a museum. It conforms to the original structure numbered 22 May 1964 and 1935. It was arranged in accordance with the original in the repairs made between 1950-1960. Although there is information about Bektashism and Hacı Bektaş Velî in our sources, there is no explanatory information about the historical and artistic features of the tomb and the painted decorations. When we examine the painted ornament patterns that we can see in a renovated state today, it is seen that they belong to the 15th century. At the end of the century, perhaps at the beginning of the 16th century, II. We can see the traces of decoration art of Bâyezid period. Keywords: Hacı Bektaş Velî Complex, Hacı Bektaş Velî Tomb, Pîrevi, Painted Decoration, Bâyezid II Period Decoration.
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Bincsik, Monika, Shinya Maezaki y Kenji Hattori. "Digital archive project to catalogue exported Japanese decorative arts". International Journal of Humanities and Arts Computing 6, n.º 1-2 (marzo de 2012): 42–56. http://dx.doi.org/10.3366/ijhac.2012.0037.
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In Europe, Japanese ceramic and lacquer objects have been collected and used as interior decoration since the early seventeenth century. In the nineteenth century, the worldwide fashion for Japonisme generated an extensive trade in various Japanese decorative arts. Consequently, museums and private collections all over the world have rich holdings of Japanese decorative arts. Despite their popularity and profound influence on Western applied arts, the systematic research of Japanese decorative arts in Western collections is backward compared to the investigation of other art forms. It is actually difficult to gain access to the objects scattered in numerous collections or to achieve high-quality images, not to mention that there are only a few specialists capable of documenting the objects. Generally, that is why there are only very few online databases dedicated to decorative arts. The Art Research Centre, Ritsumeikan University (Kyoto, Japan), has developed databases of various Japanese cultural assets, tangible as well as intangible art forms and, based on the expertise in developing scholarly databases, has launched online image databases of three-dimensional art objects. The purpose of the project is to advance searchable, academic databases and to foster international cooperation between researchers and students of Japanese art by sharing high-quality images on the Web.
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Wang, Zhaodan y Shuhan Zhang. "Architectural Characterization of Hongjialou Catholic Church in Jinan". Highlights in Science, Engineering and Technology 79 (13 de diciembre de 2023): 95–106. http://dx.doi.org/10.54097/hset.v79i.15110.
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This paper focuses on the Hongjialou Catholic Church in Jinan, China. Hongjialou Catholic Church was designed by Italian Brother Poncieri. It is one of the larger Catholic churches in Jinan. It occupies an important position in modern Chinese religious architecture. This paper will use the field research method, literature analysis method, comparative analysis method, and chart enumeration method to analyze the Hongjialou Catholic Church in terms of its construction background, plan layout, facade style, decorative decoration and building materials, structure, etc. in terms of culture, art, and other aspects. To further demonstrate the rules of decorative construction of typical Western Gothic church buildings, compare Hongjialou Catholic Church with Western churches, and study the influence of localization on the facade and interior space decoration and ornamentation of Western churches. And through the comparison with other Chinese modern Catholic churches, it is concluded that the localization influence of Hongjialou Catholic Church is not significant, which will help the subsequent in-depth study of Hongjialou Catholic Church in terms of artistic achievement and historical and cultural value.
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Mikhailenko, Anastasiia. "An object in the interior design as a concept of integrating decorative and applied art into the design of premises". Человек и культура, n.º 1 (enero de 2024): 34–47. http://dx.doi.org/10.25136/2409-8744.2024.1.69671.
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The subject of the research is the types of decorative and applied art, the connection of decorative and applied art with the interior design of residential and public spaces. Special attention is paid to the fact that in modern interior design, the tendency to transform interior space using decorative and applied art objects is widespread, which determine the overall style of the room, despite the particular academic design style used in the project. The author examines in detail such aspects of the topic as the influence of the author's thing on the exclusivity of the project, giving a typical interior individuality by including an object of decorative and applied art made specifically for this room, or competently selected by a specialist taking into account the specifics and purpose of the room, the transformation of the project from a typical to an individual one. The author analyzed and systematized modern methods and techniques of introducing the author's art into the interior design of premises for various purposes. Based on the results of the study, a general methodology was formed and proposed for integrating things into the interior of the proposed spaces, the concept of transforming rooms using objects and techniques of decorative and applied art. The main conclusion of the research is that the author's art object of decorative and applied art, created in a certain way and integrated into the interior design, allows to form a certain concept of a thing in the interior, a philosophy or even your own unique and recognizable author's style. The novelty of the research lies in determining the current trend of integrating handmade objects into the interiors and spaces of residential and commercial premises for various purposes in order to give uniqueness, which contributes to the development of the design industry and art in general.
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Anstey, Tim Ainsworth. "Economies of the Interior: Thomas Hope and Interior Decoration". Grey Room 78 (febrero de 2020): 124–45. http://dx.doi.org/10.1162/grey_a_00285.
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Makhmudova, Malika y Muhayyo Makhmudova. "TRADITIONAL CRAFTS OF UZBEKISTAN IN MODERN INTERIOR DESIGN". SOCIETY. INTEGRATION. EDUCATION. Proceedings of the International Scientific Conference 4 (26 de mayo de 2017): 87. http://dx.doi.org/10.17770/sie2017vol4.2432.
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The article describes the historical development of the decoration of architectural monuments of Uzbekistan, characteristics of ethno-style, the use of traditional crafts and motifs in interior design, regularity of use of ethno-style in a modern architectural environment.
Analytical approaches and methods of comparison were used in the article as well as materials of the authors’ researches. In addition, the literature on the Central Asian decor, applied art and crafts of Uzbekistan, interior design in ethno-style and others was studied.
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Pawlikowska-Gwiazda, Aleksandra. "Mosaics from Jiyeh/Porphyreon in Lebanon: the universality of mosaic art in late antiquity". Fieldwork and Research, n.º 28.2 (28 de diciembre de 2019): 411–32. http://dx.doi.org/10.31338/uw.2083-537x.pam28.2.22.
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In the Byzantine period mosaic floors became an essential element of interior decoration, in domestic as well as sacral spaces. Mosaic patterns spread all over the Mediterranean basin, even to the less significant settlements. Ancient Porphyreon (modern Jiyeh in Lebanon), a Levantine coastal village on the ancient Via Maris was no exception. Recent excavations by a Polish–Lebanese archaeological project confirmed the presence of mosaic floors, mainly in the Domestic Quarter. Technological analyses coupled with a study of the decoration and iconographical motifs have shed light on mosaic craftsmanship in Jiyeh. The mosaics from the Domestic Quarter in Jiyeh are discussed in comparison with well-known examples from nearby sites.
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BULHAZ, Çağrı. "STAGE MODELS USED İN THE STAGİNG OF THEATER PLAYS,DECOR AND STAGE DESİGNS". IEDSR Association 6, n.º 15 (20 de septiembre de 2021): 166–82. http://dx.doi.org/10.46872/pj.339.
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Stage design is the design of decor, costumes, accessories, lights, effects and all other audio-visual environments for the enactment of a theatrical play on the stage. Stage design is the general name of the design of all counted areas. This art branch, which started in the Middle Ages in accordance with today's understanding as stage painting and stage decoration in the West, lived its brightest and most glorious period in the 19th century. The stage mechanics created by applying it to scenes that could be created in the 20th century, by inserting the visual illusion on purpose, cause the audience to see these false worlds with surprising and astonished glances. Stage decoration is a branch of art that incorporates all branches of plastic art, especially painting and architecture, but its function is to create spaces that will provide the necessary action on the stage, in accordance with the drama text written by the author. However, today, it continues to function with a new structuring like other developing and changing art branches. Now the stage designer must have a very good art background as well as being a good İnterior Architect. Their current and social cultural background, which is sensitive to the problems of the country and world societies he lives in, is an important factor in the emergence of a good stage design. It is no longer a stage decoration that is suitable for the dramatic text and it’s visually is in the foreground, but a stage design enriched and meaningful with the artistic interpretation of the artist and the expression of his feelings. In this article, the applicability of the interior architecture process and stage design process in the field of theater plays has been tried to be revealed.
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Kara-Vasylieva, Tetyana, Olha Lukovska y Valentyna Kostiukova. "The Avant-Garde Phenomenon in the Ukrainian Textile Art of the XX Century". Arta 32, n.º 1 (septiembre de 2023): 50–57. http://dx.doi.org/10.52603/arta.2023.32-1.07.
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The early XX th century is a bright phenomenon in the history of decorative art in Ukraine. This is a period of active cooperation between famous avant-garde artists and folk-art masters. The article examines a unique creative experiment of professional and folk artists implemented in the A. Semigradova`s craft workshops in the village of Skoptsy and N. Davydova`s craft workshops in the village of Verbovka. It was these workshops that had differences in their artistic orientation. The art of the famous folk craftswomen G. Sobachko, P. Vlasenko, G. Tsybulyova, who came from there, is analyzed in the article. The works of the professional artists A. Ekster, K. Malevich, L. Popova, O. Rozanova, N. Genke-Meller also are being studied. The folk craftsmen embroidered artistic works based on their sketches and performed ideas of suprematism in this way. Professional artists paid attention to embroidery as the most expressive type of decorative art. It is indicated that the artistic style of decorative panels, carpets, as well as interior decoration and costume items was a new word in the art and brought Ukrainian embroidery to the highest level of development. Such cooperation contributed to the mutual enrichment of the works of folk-art masters and avant-garde artists. Joint innovative research proves the fact that the Ukrainian embroidery of the early XX century, developed in the context of artistic trends at that time, was a synthesis of decorative and fine arts.
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Xue, Juan, Zhao Peng Zhou y Wei Li Dong. "Application of Southwest Shandong’s Folk Textiles in Modern Interior Design". Applied Mechanics and Materials 587-589 (julio de 2014): 427–31. http://dx.doi.org/10.4028/www.scientific.net/amm.587-589.427.
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This paper analyzes and summarizes the materials, patterns and colors in Southwest Shandong’s traditional textiles, researches on the current application in the interior soft decoration. Combined with the modern concepts of interior environment design, this essay digs a meeting point between the traditional and modern design. At the same time, with Southwest Shandong’s folk textiles as an example, it puts forward a valuable theoretical perspective and approach for the application of folk textiles in modern interior design, and for the integration of folk textiles art with modern product design. It is hoped that this paper can help carry forward the folk textiles.
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Zhang, Zhen y Jianwei Ban. "Aesthetic Evaluation of Interior Design Based on Visual Features". International Journal of Mobile Computing and Multimedia Communications 13, n.º 2 (abril de 2022): 1–12. http://dx.doi.org/10.4018/ijmcmc.293752.
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In the modern context, interior design has inevitably become a part of social culture. All kinds of modeling, decoration and furnishings in modern interior space show people's pursuit and desire for a better life. These different styles of modern interior design rely on science and technology, utilize culture and art as the connotation. Its development often reflects the cultural spirit of a nation. The aesthetic evaluation plays an important role in the modern interior design. With development of derivative digital devices, a large number of digital images have been emerged. The rapid development of computer vision and artificial intelligence makes aesthetic evaluation for interior design become automatic. This paper implements an intelligent aesthetic evaluation of interior design framework to help people choose the appropriate and effective interior design from collected images or mobile digital devices.
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Adiro, Putri Aurum y Zubaidah Zubaidah. "Transformasi Bentuk Flora ke Dalam Elemen Dekorasi Interior Menggunakan Teknik Makrame". Al-DYAS 2, n.º 2 (9 de junio de 2023): 392–402. http://dx.doi.org/10.58578/aldyas.v2i2.1226.
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Among the people today there are still many of them who are non sensitive to the surrounding environment, from here the author provides solutions, by utilizing various media and techniques in creating fine arts, one of which is textile crafts using macrame techniques, as a reminder of the community to the environment, as well as an idea / source of inspiration for entrepreneurial ideas within the scope of the creative industry by visualizing the shapes of flora. Like the basic shape of flower petals, leaves and tree branches, making it a decorative work that is in demand by various circles. The method of creating the author using is a method that has been proposed in the art consortium carried out in stages, namely the preparation stage by searching for information, elaboration by analyzing problems, synthesis of setting ideas, realization ofsetting ideas, realization of concepts by making macrame works and stages of completion by conducting joint exhibitions. In this final work, the author produced seven interior decoration works with a wide variety of sizes and shapes, symmetrical, asymmetrical, circular and square.
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Mazina, Yu I., P. Caputo, N. V. Volkova y Е. V. Brizh. "The combination of artistic and technical techniques in creating decorative elements of the interior". Bulletin of the Innovative University of Eurasia 84, n.º 4 (23 de diciembre de 2021): 83–91. http://dx.doi.org/10.37788/2021-4/83-91.
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The methods of interior decoration are not only technologies that contribute to the uniqueness and completeness of the conceptual idea of the interior, but also a number of constructive, technological, emotional, psychological and even marketing tasks that must be solved by design methods, and in particular by methods of interior decoration. In this regard, the objects of study are the principles of perception of space, factors that stimulate the study of the architectural environment, ways of recognizing it as an element belonging to a particular object and corresponding to the image of the architectural object. Any interior is a kind of method of communication between an object and a person, it is achieved in various ways that the author – designer models at the stage of project work. In this article, the university is considered as an object and, in order to form the necessary artistic image, the possibilities of synthesizing materials capable of revealing the designer's conceptual idea in an art object are considered. Purpose – in this connection, the goal was set to reveal the technological and artistic features of various objects, in which the combination of different materials makes it possible to convincingly interpret the artistic and figurative tasks of the interior. To implement the research tasks, structural and logical methods were used, which made it possible to conduct experiments at various stages of collecting and processing information and classify various data in the author's tables, diagrams and clusters, which are given in this article. In addition, the article considers the university as a real object of design, and the data formulated in the article can be used in the future as methodological material for the formation of the concept of the artistic image of such educational institutions. The result of this study was the classification of decorative materials used in interior design, analysis and comparative characteristics of various objects that allow analyzing the psycho-emotional aspects of various combinations of materials and their significance for the formation of the artistic image of the interior.
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Aulia, Asa y Anisa Anisa. "Kajian Konsep Arsitektur Art Deco pada Planetarium Adler". Jurnal Linears 4, n.º 1 (4 de junio de 2021): 14–20. http://dx.doi.org/10.26618/j-linears.v4i1.5017.
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ABSTRAK: Gaya ini muncul pertama kali pada tahun 1925 dan berkembang hingga tahun 1940. Nama art deco berasal dari pameran bertajuk paris exposition des Art Decorations et industri pada tahun 1925 di Perancis. Art deco merupakan kombinasi dari berbagai gaya dan modern di awal abad ke-20, seperti gaya konstruksionisme, kubisme, modernisme, bauhaus, art nouveau dan futurisme. Gerakan arsitektur modern yang berkembang saat itu juga mempengaruhi gaya art deco dan memberikan sentuhan modern. Gaya arsitektur Eropa ini diadopsi di berbagai bangunan Amerika karena kondisi mereka di masa revolusi industri. Salah satu bangunan yang mengalami euforia dari konsep arsitektur art deco adalah planetarium Adler yang pada masa itu sangat berbeda dengan fungsi bangunan art deco pada umumnya yang cenderung bersifat komersial dan bertingkat. Penelitian ini bertujuan untuk menganalisis penerapan arsitektur art deco pada planetarium Adler. Metode yang digunakan untuk menganalisis eksterior bangunan adalah metode deskriptif kualitatif, yaitu dengan mengumpulkan data literatur yang memadai dari artikel, jurnal dan buku terkait dengan gaya bangunan art deco dan planetarium Adler, kemudian data yang didapat dijadikan sebagai pedoman deskripsi pada penerapan art deco di planetarium Adler. Selain itu peneliti juga akan mengamati setiap bentukan dan paduan warna dari beberapa gambar pada bagian planetarium Adler. Kesimpulan dari penelitian ini adalah bahwa planetarium Adler sepenuhnya mengadaptasi konsep arsitektur art deco dengan bentuk decorative style, penggunaan ornamen zodiak pada eksterior dan interior bangunan serta penggunaan material marmer yang umumnya digunakan pada bangunan berkonsep art deco.ABSTRACT: This style first appeared in 1925 and developed until 1940. The name art deco comes from the exhibition entitled Paris exposition des Art Decorations et industries in 1925 in France. Art deco is simply a combination of various styles and currents in the early 20th century, including the styles of constructionism, cubism, modernism, bauhaus, art nouveau, and futurism. The modern architectural movement that was developing at that time also influenced the art deco style and provided modern touches. This Europe architectural style was adopted in various building of America as caused by their condition in industrial revolution period. One of the buildings that experiencing the euphoria of art deco concept was Adler planetarium, which at that time was very different from the function of art deco buildings in general, that tended to be commercial and multi-storey. This study aims to analyze the application of art deco in Adler planetarium. The method used to analyze the exterior of the building is a qualitative descriptive method, means by collecting adequate literature data from articles, journals and books related to the art deco building style and Adler's planetarium, then the data obtained is used as a description guide on the application of art deco in the planetarium Adler. In addition, researchers will also observe every shape and color combination of several images in the Adler planetarium section. The conclusion from this research is that Adler planetarium is fully adapting art deco architecture by their decorative style as the shape of the building, the usage of zodiac decoration in exterior and interior, and also their marmer material that commonly used by art deco building.
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Wójcik, Agata. "Edward Trojanowski: The Search for Style in Early 20th-century Furniture Design in Poland". Ikonotheka 28 (6 de agosto de 2019): 67–95. http://dx.doi.org/10.5604/01.3001.0013.3344.
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Three sources of inspiration are discernible in early 20th-century Polish furniture design and especially in the output of artist-designers associated with the Polish Applied Art Association (TPSS), namely, folk art, the historical styles, and the modernistic/geometrical current. Edward Trojanowski’s oeuvre in that area combines all these three tendencies and embodies the evolution of a Polish approach to designing furniture; hence it may serve to illustrate the history of Polish furniture design in the early 20th century. Although initially Trojanowski turned to folk art, he did not passively copy its decorative motifs. His study of folk craft persuaded him to simplify the forms of pieces of furniture and to experiment with the use of colour in furniture design and interior decoration. Later, his search for a national style encouraged him to seek inspiration in Biedermeier furniture design, which added elegance to his designs, as evident in the proportions of the pieces of furniture and in the use of decorative veneers or sophisticated geometric ornaments. In this manner Trojanowski, while following his own artistic path, developed forms of furniture that effortlessly bear comparison with the avant-garde designs of the Modernist geometric current, as proposed by the Wiener Werkstätte and the Werkbund, which heralded the arrival of Art Déco.
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Magnusson, Carl. "Le rococo, une construction historiographique : introduction". Zeitschrift für Kunstgeschichte 80, n.º 4 (30 de diciembre de 2017): 467–73. http://dx.doi.org/10.1515/zkg-2017-0023.
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Abstract In Rococo historiography, the first half of the eighteenth century is generally described as the golden age par excellence of decoration. The so-called major arts are often considered to have played a lesser role in its artistic development. The period is thus systematically associated with artefacts produced by artisans, hence belonging to a less dignified category in the artistic hierarchy. In order to investigate the ideological background of this assumption, the article focuses on the debates on art which emerged, mainly in France, in the 1740s. These highly biased discourses, targeting the so-called bad taste of contemporary French painting and interior decoration, shaped a vision of the first half of the eighteenth century of which many aspects were later inherited by Rococo historiography, especially in its relation to decoration.
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Magnusson, Carl. "Le rococo est-il décoratif?" Zeitschrift für Kunstgeschichte 80, n.º 4 (30 de diciembre de 2017): 528–43. http://dx.doi.org/10.1515/zkg-2017-0028.
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Abstract In Rococo historiography, the first half of the eighteenth century is generally described as the golden age par excellence of decoration. The so-called major arts are often considered to have played a lesser role in its artistic development. The period is thus systematically associated with artefacts produced by artisans, hence belonging to a less dignified category in the artistic hierarchy. In order to investigate the ideological background of this assumption, the article focuses on the debates on art which emerged, mainly in France, in the 1740s. These highly biased discourses, targeting the so-called bad taste of contemporary French painting and interior decoration, shaped a vision of the first half of the eighteenth century of which many aspects were later inherited by Rococo historiography, especially in its relation to decoration.
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Grebeniuk, Ivan. "SCULPTURE IN MODERN INTERIOR". Current problems of architecture and urban planning, n.º 64 (31 de agosto de 2022): 31–40. http://dx.doi.org/10.32347/2077-3455.2022.64.31-40.
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This work examines the issues of creation, formation and decoration of the interior space. Through the prism of subject-spatial and functional-artistic organization, sculpture is considered from a purely utilitarian activity to a form of art aimed at transforming the internal environment with integral and functional means.
Attention is drawn to the peculiarity of perception of sculpture as a form of art. The art of sculpture, reflecting the beautiful in reality, for its part, shapes our consciousness and our ideas about the beautiful. However, it is somewhat more difficult to understand sculpture than painting, which more widely, vividly and colorfully reflects the surrounding world. The brevity of the sculpture is connected with the fact that it is practically devoid of plot and relevance. Therefore, it can be considered an expression of the abstract in the concrete. Ease of perception of the sculpture is only pretend. Sculpture is symbolic, conditional and artistic, and therefore complex and deeper for perception.
In the process of life, a person is constantly in a certain physical and spatial environment. Planning, forming and transforming the design of the spatial environment, taking into account and using the revealed regularities of the construction of subject objects, relying on various theoretical and methodological developments. Creates attractive subject forms and finds original artistic techniques filled with new meaning and thereby reflects them in the world relation of the modern era.
Taking into account the growing importance of this type of design, specialists are obliged to constantly improve the ergonomic, technological, social and psychological characteristics of objects of medium design, which are formed in the process of their development, use and operation. Therefore, the sculpture can look great in any interior style. It all depends on the presentation and the composition itself.
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Yang, Mei. "3D-VR Based Color Design Method for Interior Space in Iot Applications". Wireless Communications and Mobile Computing 2022 (14 de septiembre de 2022): 1–7. http://dx.doi.org/10.1155/2022/2580222.
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Virtual reality technology has grown in popularity as the economy and society have changed dramatically, and it is now being used in a wide range of applications. Interactive virtual technology’s deployment in the field of art has a wide range of possibilities due to its interaction, immersion, and real-time capabilities. The advantages of this technology, extremely in interiors and design, are unrivalled by other technologies. Virtual reality interior design can help designers and consumers understand the influence of “what you see is what you get,” while also expecting people to feel the visual concept in the 3D content of this model. The research and studies of interior decoration are conducted in this paper using visually stunning virtual reality technology, with the viewing public housing developments as the research object, creating a conceptual framework for successful research and innovation of interior design assisted by visually stunning Virtual reality (VR) technology. In this paper we applied the reliability to check the accuracy of questionnaire and descriptive statistics which summarises all the data.
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Qureshi, Akila y Anuradha Awasthi. "STUDY OF COLORS USED IN INTERIORS". International Journal of Research -GRANTHAALAYAH 2, n.º 3SE (31 de diciembre de 2014): 1–6. http://dx.doi.org/10.29121/granthaalayah.v2.i3se.2014.3658.
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Many colors scattered in nature give it unique beauty. This diverse color is the most important element of art. Color is very important in any decoration. By proper color combination, any object can be made not only attractive but also its beauty. Can be increased. Through the interior decoration, we currently try to increase the beauty and utility of any building. To decorate a room or building by interior decoration, firstly it is necessary to carefully plan the color used on the walls, curtain floors and furniture within that room, by using the colors used in the room in a particular type. Special expressions can be expressed by creating an environment.
प्रकृति में बिखरे अनेक रंग उसे अनुपम सौन्दर्य प्रदान करते है ये विविध रंग कला के सबसे महत्वपूर्ण तत्व है किसी भी सज्जा में रंग का बहुत महत्व है उचित रंग संयोजन से किसी भी वस्तु को न केवल आर्कषक बनाया जा सकता है वरन् उस की सुन्दरता को भी बढ़ाया जा सकता है। आंतरिक सज्जा के द्वारा वर्तमान में हम किसी भी भवन की सुन्दरता तथा उपयागिता को बढ़ाने का प्रयत्न करते है। आंतरिक सज्जा द्वारा किसी कमरे या भवन की सजावट करने के लिये सबसे पहले उस कक्ष के भीतर दीवारों, पर्दे फर्श तथा फर्नीचर पर उपयोग में लाये गये रंग का ध्यानपूर्वक नियोजन करना आवश्यक है, कक्ष में उपयोग में लाये गये रंगों के द्वारा एक विशेष प्रकार के वातावरण का निर्माण करके विशेष भाव अभिव्यक्त किये जा सकते है।
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Sirijansawang, Thana y Prapatpong Upala. "Evaluating Corporate Identity in the Office of Production Business Group in Bangkok through Automotive Business and Real Estate Business". Asian Social Science 13, n.º 9 (24 de agosto de 2017): 174. http://dx.doi.org/10.5539/ass.v13n9p174.
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The objective of this research is to (1) evaluate the differences of physical factors and (2) evaluate the level of Building users' perception of the physical factors in the office which convey the meaning of Corporate Identity between the automotive business and the real estate business. The samples chosen for this research include 10 automotive business offices and real estate offices located in Bangkok area with a total number of 324 persons, using questionnaire to collect relevant data; using Likert Scale to evaluate the internal environment in the office; using t-test / ANOVA to analyze perceptual level data and differences in 8 physical factors which reflect the corporate identity under this research, i.e. (1) Colors in decoration; (2) Lighting in decoration; (3) Furniture style; (4) Decorative style; (5) The shape of space; (6) Continuity of space; (7) Wall decoration and graphic works and (8) Material in decoration. Based on the results of the research, it was found that there were physical factors which reflected the corporate identity of the organization and affected the perception level of those who were building users at a high level. The said 4 physical factors consisted of (1) Colors in decoration; (2) Interior decorative style; (3) Lighting in decoration, and lastly (4) Material in decoration. However, the individual characteristics of building users such as gender, age, and duration of work also affected the recognition of corporate identity significantly.
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Sholicha, Alfiatus, Ike Ratnawati y Swastika Dhesti Anggriani. "Visualisasi Artistik Kaligrafi Arab sebagai Ide Penciptaan Aksesoris Interior Batik Tulis". JoLLA: Journal of Language, Literature, and Arts 3, n.º 4 (30 de abril de 2023): 518–40. http://dx.doi.org/10.17977/um064v3i42023p518-540.
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Kaligrafi arab memiliki keunikan tersendiri dari segi bentuk maupun susunan hurufnya. Selain memiliki fungsi sebagai bahasa visual dalam Al-Qur’an dan Hadis, kaligrafi juga memiliki fungsi dekoratif sebagai hiasan pada dinding-dinding masjid, rumah, dan sekolah. Pada umumnya pengaplikasian kaligrafi masih sebatas dekorasi berupa hiasan-hiasan dinding. Kurangnya pengrajin yang mengaplikasikan kaligrafi dalam bentuk aksesoris interior lain, seperti kap lampu, tirai, hingga jam dinding. Aksesoris interior sendiri memiliki peran penting untuk menciptakan suasana indah dan nyaman dalam sebuah rumah. Dari permasalahan tersebut perlunya inovasi baru dengan mengaplikasikan kaligrafi arab pada sebuah aksesoris interior. Tujuan dari penciptaan karya ini untuk menghasilkan karya batik tulis terapan dengan inspirasi motif utama dari visualisasi artistik kaligrafi arab. Dalam perwujudan karya batik tulis terapan ini diperlukan metode penciptaan seni yaitu metode Gustami yang terdiri dari tiga tahap meliputi, eksplorasi ide, pengolahan sumber ide ke dalam konsep penciptaan karya, dan perwujudan konsep penciptaan dalam bentuk karya secara utuh. Hasil penelitian ini menciptakan 6 karya batik kaligrafi yang berjudul Bingkai Makna, Lingkar Kata, Cahaya Jiwa, Masa, Nawaitu, dan Tirai Iman. Karya tersebut diwujudkan dalam bentuk aksesoris interior yang memiliki nilai guna juga keindahan dalam sebuah ruang interior. Kata kunci: kaligrafi Arab; batik kaligrafi; batik tulis; aksesoris interior Artistic Visualization of Arabic Calligraphy as The Idea of Creating Batik Interior Accessories Arabic calligraphy has its own uniqueness in terms of the shape and arrangement of the letters. In addition to having a function as a visual language in the Qur'an and Hadith, calligraphy also has a decorative function as decoration on the walls of mosques, houses, and schools. In general, the application of calligraphy is still limited to decorations in the form of wall decorations. The lack of craftsmen who apply calligraphy in the form of other interior accessories, such as lampshades, curtains, to wall clocks. Interior accessories themselves have an important role to create a beautiful and comfortable atmosphere in a house. From this problem, there is a need for new innovations by applying Arabic calligraphy to an interior accessory. The purpose of creating this work is to produce applied batik works with the inspiration of the main motifs of artistic visualization of Arabic calligraphy. In the embodiment of applied batik writing, an art creation method is needed, namely the Gustami method which consists of three stages including, exploration of ideas, processing of sources of ideas into the concept of creating works, and the embodiment of the concept of creation in the form of works as a whole. The results of this study created 6 calligraphy batik works entitled Frame of Meaning, Circle of Words, Light of Soul, Time, Nawaitu, and Curtain of Faith. The work is manifested in the form of interior accessories that have use value as well as beauty in an interior space. Keywords: Arabic calligraphy; batik calligraphy; batik tulis; interior accessories
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Sakorska, Oleksandra. "The Wilhelm Kotarbinski’s Monumental Art in the Collection of the Khanenko Museum". Almanac "Culture and Contemporaneity", n.º 1 (31 de agosto de 2021): 205–9. http://dx.doi.org/10.32461/2226-0285.1.2021.238623.
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The purpose of the article is to systematize and provide the art analysis of the monumental works by Ukrainian-Polish artist Wilhelm Kotarbinski from the collection of the Khanenko Museum. The main target is to put into scientific circulation four friezes and two compositions for desudeports of the Khanenko Museum, to describe the compositions and to perform their attributive analysis. The methodology of the article is to apply general scientific and particular approaches and methods of research of the given theme, that allow to outline the time frame of creation of paintings, attribute individual plots, and find compositional prototypes. Involves the use of complex and analytical methods in systematizing and generalizing theoretical material, as well as methods of morphological, compositional, artistic, stylistic, and complex analysis when working with illustrative material. The scientific novelty of the work consists lies in an in-depth art analysis and dating of the monumental works of Wilhelm Kotarbinski from the collection of the Khanenko Museum. The specifics of the artist's artistic method on the example of his works for the Red antechamber of the Khanenko Museum are considered. The information set out in the article indicates the time frame for the creation of the entire decoration of the museum. The monumental decorative ensemble of the Red Antechamber is a striking example of the interior of "historicism", and in this context has not been considered in detail. The analysis of Kotabrinsky's compositions, their scientific attribution, the found prototypes of separate images reveals a method of work of the artist and tendencies of an epoch in fine and decorative art. Penetration into the artistic image of Kotarbinsky in the context of the era of historicism and the artistic life of the city of Kyiv brings complexity and depth to the work. Conclusions. The article summarizes the world and Ukrainian scientific experience of studying the artistic heritage by Wilhelm Kotarbinski. The following attributions have been introduced into scientific circulation: the time frame for creating the original decorative decoration of the Red Antechamber of the Khanenko Museum has been determined, iconographic prototypes for Wilhelm Kotarbinskie's frieze "Allegory of Ancient Egypt", "Allegory of the Orient Countries" have been found.
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Mezinski-Milovanovic, Jelena. "A contribution to researching Russian-Serbian connections in sacral and court painting and architecture through the opera of Russian emigrants in Serbia between the world wars: Examples of adopting Russian models". Muzikologija, n.º 28 (2020): 99–124. http://dx.doi.org/10.2298/muz2028099m.
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Russian-Serbian cultural connections in a broader sense, represented through direct parallels in Russian and Serbian sacral painting, architectural decoration, sacral interior design and phenomen? in court art canons of the last Romanov?s and Karadjordjevic?s dynasties are insufficiently researched. By using the concrete monuments, mostly in Russian style, Russian symbolism and Art Nouveau, but also the court canon at the turn of the century in Russia through the works of Russian emigrants after the October revolution in Serbia during the 1920s and 1930s, the use of Russian pictorial features and cultural models adapted to Serbian demands is going to be demonstrated.
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Carrillo Martínez, José Ignacio. "The Manufacture of Leather as an Applied Art in the Modernisme: the Factory-Workshop of Miguel Fargas y Vilaseca". Res Mobilis 10, n.º 13-2 (14 de junio de 2021): 204–22. http://dx.doi.org/10.17811/rm.10.13-2.2021.204-222.
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This study intends to examine leather craft, an applied art that has not well studied in the context of Catalan Modernisme as well as raise awareness about its use for production and design of Modernista furniture and interior decoration. This handicraft, that had been in decline in the Catalan sphere since the 18th century, reappeared in Barcelona in the last quarter of the 19th century, due to the Modernista movement and the renaissance of medieval crafts. Thus, new workshops were created and their processes were modernized according to industrial progress.
We will highlight the Miguel Fargas and Vilaseca Factory, which will manage to industrialize this handricraft, becoming one of the few internationally known manufacturers. We will try to illustrate the history of this office by analyzing this case study, since it reveals an interesting part of the panorama of decorative arts in Modernista Barcelona.