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Libros sobre el tema "Art documentary"

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Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 20 de febrero de 2023

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1

National Archives of Canada. Documentary Art and Photography Division. Documentary Art and Photography Division. Ottawa: Ministry of Supply and Services, 1992.

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2

Gallery, Whitechapel Art, Tate Modern (Gallery) y ebrary Inc, eds. Truth or dare: Art & documentary. Bristol, UK: Intellect, 2007.

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3

James, Burant, National Archives of Canada. Documentary Art and Photography Division., Public Archives Canada. Picture Division. y National Photography Collection (Canada), eds. Documentary Art and Photography Division. Ottawa, Ont: National Archives of Canada, 1992.

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4

Rutting, Raymond. The art of news: Photography. Amsterdam: Focus, 2005.

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5

Lipson, Ashley S. Art of advocacy. New York, NY (11 Penn Plaza, New York 10001): M. Bender, 1986.

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6

Art of advocacy: Documentary Evidence. New York, NY (11 Penn Plaza, New York 10001): M. Bender, 1988.

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7

1961-, Davis John, ed. American art to 1900: A documentary history. Berkeley: University of California Press, 2009.

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8

missing], [name. Primitivism and twentieth-century art: A documentary history. Berkeley, CA: University of California Press, 2002.

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9

The English as collectors: A documentary sourcebook. New Castle, Del: Oak Knoll Press, 1999.

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10

Kobayashi, Nobuko. Documentary and art photography: A case of Lise Sarfati. London: LCP, 2003.

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11

The art of record: A critical introduction to documentary. Manchester: Manchester University Press, 1996.

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12

Photography, International Center of, ed. Archive fever: Uses of the document in contemporary art. New York, N.Y: International Center of Photography, 2008.

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13

Bowles, Edmund A. Musical ensembles in festival books, 1500-1800: An iconographical & documentary survey. Ann Arbor, Mich: UMI Research Press, 1989.

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14

1955-, Epstein Robert P. y Wood Sharon 1952-, eds. The art of nonfiction movie making. Santa Barbara, Calif: Praeger, 2012.

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15

The photographer's story: The art of visual narrative. Lewes: Ilex, 2012.

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16

Dī ārṭ āf ḍākūmanṭirī proḍakshan =: The art of documentary production. Koʼiṭah: Qalāt Pablisharz, 2005.

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17

Guislain, Museum Dr, ed. In de marge: Belgische documentaire fotografie = In the margin : Belgian documentary photography = En marge : photographie documentaire belge. Gent: Lannoo, 2011.

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18

Boyle, Deirdre. Video classics: A guide to video art and documentary tapes. Phoenix, Ariz: Oryx Press, 1986.

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19

Jones, Manina. That art of difference: "documentary-collage" and English-Canadian writing. Toronto: University of Toronto Press, 1993.

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20

Simpson, Tony. Art & massacre: Documentary racism in The burning of the Boyd. [Wellington, N.Z.]: Cultural Construction Company, 1993.

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21

Strassmann, Susanne. Art people or employees. Marseille: Al Dante, 2011.

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22

Waller, Susan. Women artists in the modern era: A documentary history. Metuchen, N.J: Scarecrow Press, 1991.

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23

Bassett, Stephen Townley. Reservoirs of potency: The documentary paintings of Stephen Townley Bassett. Johannesburg: Rock Art Research Institute, University of the Witwatersrand, 2008.

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24

Bassett, Stephen Townley. Reservoirs of potency: The documentary paintings of Stephen Townley Bassett. Johannesburg: Rock Art Research Institute, University of the Witwatersrand, 2008.

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25

Public access to art in Paris: A documentary history from the Middle Ages to 1800. University Park, Pa: Pennsylvania State University Press, 1999.

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26

Herrmann, Frank. The English as collectors: A documentary source book. New York: Ursus Press, 1997.

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27

Writing, directing, and producing documentary films. Carbondale: Southern Illinois University Press, 1990.

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28

The realisms of Berenice Abbott: Documentary photography and political action. Berkeley: University of California Press, 2011.

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29

Kékesi, Zoltán. Agents of liberation: Holocaust memory in contemporary art and documentary film. Budapest: Central European University Press, 2015.

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30

Williams, Bruce. Decorated pottery and the art of Naqada III: A documentary essay. München: Deutscher Kunstverlag, 1988.

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31

Ruthenbeck, Reiner. Reiner Ruthenbeck. London: Goethe-Institut, 1994.

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32

Gary, Indiana y Neue Galerie am Landesmuseum Joanneum., eds. Cameron Jamie. Ostfildern-Ruit, Germany: Hatje Cantz Verlag, 2006.

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33

Ruthenbeck, Reiner. Reiner Ruthenbeck: Fotografie, 1956-1976. Stuttgart: Edition Cantz, 1991.

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34

Ruthenbeck, Reiner. Reiner Ruthenbeck. Berlin: Nationalgalerie, 1990.

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35

Holt, Elizabeth G. Documentary History of Art. DoubleDay, 2000.

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36

Documentary Notes (Documentary Notes). Public Art Development Trust, 1999.

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37

Lipson, Ashley S. Art of Advocacy: Documentary Evidence. International Institute of Technology, Incorp, 1986.

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38

Stallabrass, Julian. Documentary (Documents of Contemporary Art). Whitechapel Gallery Mit Press, 2013.

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39

Millar, Jeremy y Tania Guha. Hospital Projects (Documentary Notes). Public Art Development Trust, 1997.

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40

Documentary Film: An Insider's Perspective. Cognella Academic Publishing, 2016.

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41

Documentary Art of Filmmaker Michael Rubbo. University of North Carolina Press, 2016.

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42

Jacobs, Steven, Birgit Cleppe y Dimitrios Latsis. Art in the Cinema: The Mid-Century Art Documentary. Bloomsbury Publishing Plc, 2020.

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43

Jacobs, Steven, Birgit Cleppe y Dimitrios Latsis. Art in the Cinema: The Mid-Century Art Documentary. Bloomsbury Publishing Plc, 2023.

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44

John, Davis y Sarah Burns. American Art To 1900: A Documentary History. University of California Press, 2009.

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45

New Nonfiction Film: Film, Art and Documentary. Bloomsbury Publishing Plc, 2018.

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46

Wallis, Brian. Art After Modernism: Rethinking Representation (Documentary Sources in Contemporary Art). David R Godine Pub, 1985.

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47

Genaeur, Emily, Silvia Goldsmith, Lucy R. Lippard, Poppy Johnson y Grace Glueck. Documentary HerStory of Women Artists in Revolution. Primary Information, 2021.

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48

Waldron, Dara. New Nonfiction Film: Art, Poetics, and Documentary Theory. Bloomsbury Publishing Plc, 2020.

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49

Lipson, Ashley S. Art of Advocacy: Demonstrative Evidence. International Institute of Technology, Incorp, 1988.

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50

Thomson, C. Claire. A Free Hand: The Art Film versus the Art of Documentary. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474424134.003.0009.

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Resumen
This chapter focuses on the short art film, a genre which emerged around 1950 to mediate the visual and plastic arts, often for international exchange. Danish films about national cultural heritage and the applied arts were the focus for state-sponsored film. These often circulated very widely: the production and distribution of Shaped by Danish Hands (Hagen Hasselbalch, 1948) and Thorvaldsen (Carl Th. Dreyer, 1949) are detailed as examples of Danish films seen by millions of international viewers. The chapter also highlights the artistry of the informational filmmakers themselves, as institutional practice: the principle that the director should have a ‘free hand’ to interpret the brief. An example of an alternative circuit for the screening of art films in Denmark is detailed: art film screening series at Thorvaldsen’s Museum. Debate about the extent to which state-sponsored filmmaking should pursue art and to what extent documentary itself was an art form marks the late 1950s, as changes in leadership and funding shift practice and priorities within Dansk Kulturfilm. The chapter ends with a discussion of one of the agency’s final productions, Herning 65, which captures a site-specific artwork in a factory in the town of Herning.
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