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Libros sobre el tema "Art and society – europe"

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Autor: Grafiati
Publicado: 27 de julio de 2024
Última modificación: 29 de julio de 2024

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1

Cohen, Richard I. Jewish icons: Art and society in modern Europe. Berkeley: University of California Press, 1998.

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2

Smudits, A. Kunstsoziologie. München: Oldenbourg Verlag, 2014.

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3

Foundation, European Cultural, ed. Managing diversity?: Art and (the art of) organisational change. Amsterdam: Mets & Schilt, 2008.

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4

Ria, Lavrijsen, ed. Cultural diversity in the arts: Art, art policies and the facelift of Europe. Amsterdam: Royal Tropical Institute, 1993.

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5

Museum de Domijnen Hedendaagse Kunst (Sittard, Netherlands), ed. Ecovention Europe: Art to transform ecologies, 1957-2017. Sittard: Museum de Domijnen Hedendaagse Kunst, 2017.

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6

Anna, Detheridge y Fondazione Antonio Ratti, eds. Diversities: L'Europa e gli altri = Europe and the others. Milano: Charta, 2004.

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7

Piotrowski, Piotr, Jérôme Bazin y Pascal Dubourg Glatigny. Art beyond borders: Artistic exchange in communist Europe (1945-1989). New York: Central European University Press, 2015.

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8

Lóránd, Hegyi, ed. Passage Europe: [realities, references : a certain look at Central and Eastern European art. Milan: 5 Continents, 2004.

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9

H, Wilson Peter, ed. Warfare in Europe 1815-1914. Aldershot, Hants, England: Ashgate, 2006.

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10

Bourdieu, Pierre. The love of art: European art museums and their public. Cambridge, UK: Polity Press, 1991.

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11

Bourdieu, Pierre. The love of art: European art museums and their public. Cambridge: Polity, 1990.

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12

Bourdieu, Pierre. The love of art: European art museums and their public. Stanford, Calif: Stanford University Press, 1990.

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13

Areford, David S. The viewer and the printed image in late medieval Europe. Farnham, England: Ashgate, 2010.

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14

1969-, Richardson Carol M. y Lymberopoulou Angeliki, eds. Viewing Renaissance art. New Haven: Yale University Press, 2007.

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15

1980-, Huber Laila y Rotor (Organization : Graz, Austria), eds. Land of human rights: Artistic analyses and visions of the human rights situation in Europe. Berlin: Revolver, 2009.

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16

Kossowska, Irena. Reinterpreting the past: Traditionalist artistic trends in Central and Eastern Europe of the 1920s and 1930s. Warsaw: Institute of Art of the Polish Academy of Sciences, 2010.

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17

Hale, J. R. War and society in Renaissance Europe, 1450-1620. Stroud: Sutton, 1998.

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18

Hans-Ulrich, Thamer, ed. Bürgertum und Kunst in der Neuzeit. Köln: Böhlau, 2002.

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19

Artist-Run Europe. Practice/Projects/Spaces. Onomatopee office and project-space, 2016.

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20

Cohen, Richard I. Jewish Icons: Art and Society in Modern Europe. University of California Press, 1998.

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21

Cseh-Varga, Katalin y Adam Czirak. Performance Art in the Second Public Sphere: Event-Based Art in Late Socialist Europe. Taylor & Francis Group, 2018.

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22

Socially Engaged Art after Socialism: Art and Civil Society in Post Communist Europe. I. B. Tauris & Company, Limited, 2017.

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23

Çolak, Erdem. Manifesta, Art, Society and Politics. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350375833.

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This is the first monograph fully dedicated to critically investigating the political, economic, artistic, urban and societal relationships of Manifesta - European Biennial of Contemporary Art, a European nomadic biennial initiated in the post-Cold War era. Despite being one of the most important recurrent exhibitions taking place in Europe, surprisingly little has been written about it since the mid-2000s. Manifesta, Art, Society and Politics provides a deeply-researched and engaging analysis of the critically overlooked Manifesta exhibitions, as well as their changing goals and discourse since the first edition in 1996. The book is split into four parts, divided by theme and following the exhibitions chronologically. Providing a comprehensive overview of one of the most important biennials in Europe, Manifesta, Art, Society and Politics investigates the relationship between large-scale art exhibitions, culture-led regeneration and urban transformation. It is essential reading for students and researchers of exhibition and curatorial studies, art history and cultural studies.
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24

Queer!?: Beeldende kunst in Europa 1969-2019 = Visual arts in Europe 1969-2019. Zwolle, the Netherlands: Waanders Uitgevers, 2019.

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25

Galliera, Izabel. Socially Engaged Art after Socialism: Art and Civil Society in Central and Eastern Europe. Bloomsbury Publishing Plc, 2022.

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26

Galliera, Izabel. Socially Engaged Art after Socialism: Art and Civil Society in Central and Eastern Europe. I. B. Tauris & Company, Limited, 2017.

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27

Cseh-Varga, Katalin y Adam Czirak. Performance Art in the Second Public Sphere: Event-Based Art in Late Socialist Europe. Taylor & Francis Group, 2018.

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28

Cseh-Varga, Katalin y Adam Czirak. Performance Art in the Second Public Sphere: Event-Based Art in Late Socialist Europe. Taylor & Francis Group, 2018.

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29

Performance Art in the Second Public Sphere: Event-Based Art in Late Socialist Europe. Taylor & Francis Group, 2018.

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30

Cseh-Varga, Katalin y Adam Czirak. Performance Art in the Second Public Sphere: Event-Based Art in Late Socialist Europe. Taylor & Francis Group, 2018.

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31

Morrison, John. Painting Labour in Scotland and Europe, 1850-1900. Taylor & Francis Group, 2016.

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32

Morrison, John. Painting Labour in Scotland and Europe, 1850-1900. Taylor & Francis Group, 2017.

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33

Galliera, Izabel. Socially Engaged Art after Socialism: Art and Civil Society in Central and Eastern Europe. I. B. Tauris & Company, Limited, 2017.

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34

Facos, Michelle. Symbolist Art in Context. University of California Press, 2009.

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35

Court, cloister, and city: The art and culture of Central Europe, 1450-1800. Chicago: University of Chicago Press, 1995.

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36

Hebel, Udo J. y Christoph Wagner. Pictorial Cultures and Political Iconographies: Approaches, Perspectives, Case Studies from Europe and America. De Gruyter, Inc., 2012.

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37

Little constellation: [contemporary art in geocultural micro-areas and small states of Europe]. [Milan]: Mousse Publishing, 2010.

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38

Murzyn-Kupisz, Monika y Jarosław Działek. The Impact of Artists on Contemporary Urban Development in Europe. Springer, 2017.

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39

Murzyn-Kupisz, Monika y Jarosław Działek. The Impact of Artists on Contemporary Urban Development in Europe. Springer, 2018.

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40

Cobra Movement in Postwar Europe. Taylor & Francis Group, 2020.

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41

DiFuria, Arthur J. Genre Imagery in Early Modern Northern Europe: New Perspectives. Taylor & Francis Group, 2018.

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42

Hebel, Udo J. y Christoph Wagner. Pictorial Cultures and Political Iconographies: Approaches, Perspectives, Case Studies from Europe and America. De Gruyter, Inc., 2011.

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43

Hebel, Udo J. y Christoph Wagner. Pictorial Cultures and Political Iconographies: Approaches, Perspectives, Case Studies from Europe and America. de Gruyter GmbH, Walter, 2011.

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44

Piranesi's Grandest Tour: From Europe to Australia. University of New South Wales Press, 2014.

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45

The viewer and the printed image in late medieval Europe. Farnham, England: Ashgate, 2010.

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46

Women and Art in Early Modern Europe: Patrons, Collectors and Connoisseurs. Pennsylvania State University Press, 1999.

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47

Thompson, Sarah y Jennifer M. Feltman. Long Lives of Medieval Art and Architecture. Taylor & Francis Group, 2019.

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48

Cobra Movement in Postwar Europe: Reanimating Art. Routledge, Chapman & Hall, Incorporated, 2022.

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49

Carbone, Elettra. Sculpture and the Nordic Region. Taylor & Francis Group, 2017.

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50

Spielplätze der Verweigerung: Gegenkulturen Im östlichen Europa Nach 1956. Bohlau Verlag GmbH u. Co. KG, 2014.

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