Literatura académica sobre el tema "Art, american – 20th century – exhibitions"
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Artículos de revistas sobre el tema "Art, american – 20th century – exhibitions"
WESSELING, H. L. "Editorial: the American Century in Europe". European Review 12, n.º 2 (mayo de 2004): 123–26. http://dx.doi.org/10.1017/s1062798704000122.
Texto completoLinden, Diana L. "Modern? American? Jew? Museums and Exhibitions of Ben Shahn's Late Paintings". Prospects 30 (octubre de 2005): 665–84. http://dx.doi.org/10.1017/s0361233300002222.
Texto completoCalo, Mary Ann. "A Community Art Center for Harlem: The Cultural Politics of “Negro Art” Initiatives in the Early 20th Century". Prospects 29 (octubre de 2005): 155–83. http://dx.doi.org/10.1017/s0361233300001721.
Texto completoDane, William J. "Public art libraries and artists and designers: a symbiotic scheme for success". Art Libraries Journal 12, n.º 3 (1987): 29–34. http://dx.doi.org/10.1017/s0307472200005277.
Texto completoFedotova, E. D. "Серия акварелей «Campi Phlegraei» английского мецената и итальянского художника века Просвещения". Iskusstvo Evrazii [The Art of Eurasia], n.º 1(20) (31 de marzo de 2021): 260–69. http://dx.doi.org/10.46748/arteuras.2021.01.018.
Texto completoYartseva, O. A. "Коллекция Пегги Гуггенхайм". Iskusstvo Evrazii [The Art of Eurasia], n.º 1(20) (31 de marzo de 2021): 270–79. http://dx.doi.org/10.46748/arteuras.2021.01.019.
Texto completoOtdelnova, V. A. "SOVIET ART OF THE SECOND HALF OF THE 20TH CENTURY AS PART OF THE WORLD ART PROCESS: METHODOLOGICAL APPROACHES AND PERSPECTIVES FOR FUTHER STUDIES". Вестник Пермского университета. История, n.º 2 (2022): 55–71. http://dx.doi.org/10.17072/2219-3111-2022-2-55-71.
Texto completoPuerto, Cecilia. "Twentieth century Latin American women artists, discovery and record - a work in progress". Art Libraries Journal 20, n.º 3 (1995): 15–18. http://dx.doi.org/10.1017/s0307472200009457.
Texto completoAllen, Nancy S. "History of Western sources on Japanese art". Art Libraries Journal 11, n.º 4 (1986): 8–13. http://dx.doi.org/10.1017/s0307472200004867.
Texto completoKirking, Clayton C. "Both sides of the fence, librarian and curator: forming a Latin American library collection". Art Libraries Journal 20, n.º 3 (1995): 11–14. http://dx.doi.org/10.1017/s0307472200009445.
Texto completoTesis sobre el tema "Art, american – 20th century – exhibitions"
Manasseh, Cyrus. "The problematic of video art in the museum (1968-1990)". University of Western Australia. Faculty of Architecture, Landscape and Visual Arts, 2008. http://theses.library.uwa.edu.au/adt-WU2009.0004.
Texto completo이윤영 y Yoon Yung Lee. "The Joseon Fine Art Exhibition under Japanese colonial rule". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/196493.
Texto completopublished_or_final_version
Fine Arts
Master
Master of Philosophy
Silverthorne, Diane. "New spaces of art, design and performance : Alfred Roller and the Vienna Secession 1897-1905". Thesis, Royal College of Art, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.602330.
Texto completoOhki, Hitomi. "American Poet Emily Dickinson Set to Music by 20th Century Composers". Thesis, Kungl. Musikhögskolan, Institutionen för klassisk musik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-3869.
Texto completoSoprano: Hitomi Ohki
Piano: Anders Kilström
Aaron Copland (1900-1990)
Twelve Poems of Emily Dickonson
1, Nature, the gentlest mother
2, There came a wind like a bugle
3, Why do they shut me out of Heaven?
4, The world feels dusty
5, Heart, we will forget him!
6, Dear March, come in!
7, Sleep is supposed to be
8, When they come back
9, I felt a funeral in my brain
10, I've heard an organ talk sometimes
11, Going to Heaven!
12, The Chariot
White, Steven Robert. "A confluence of thinking: The influence of 20th century art history on American landscape architecture". Thesis, The University of Arizona, 1997. http://hdl.handle.net/10150/278634.
Texto completoBellettiere, Giovanna Marie. "AMERICAN FEMINISM: THE CAMERA WORK OF ALICE AUSTEN, ALFRED STIEGLITZ, AND BERENICE ABBOTT". Master's thesis, Temple University Libraries, 2019. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/578947.
Texto completoM.A.
This thesis explores the work of photographers: Alice Austen, Alfred Stieglitz, and Berenice Abbott in relation to the American landscape of New York from approximately 1880 through 1940. Although the artwork of Georgia O’Keeffe is not addressed specifically, her role as an artist communicating her modern self image through Stieglitz’s photography is one area of focus in the second chapter. Previous scholarship has drawn parallels between women artists and photographers solely in terms related to their gender identity. In contrast, my project identifies a common theoretical thread that links the work of these artists: namely, that photography allowed professional women of this time to react and rise above the constrictions of gender expectations, and moreover, how their own attitudes based in feminist sensibility enabled them to fashion and broadcast bold, liberated self-images. Inspired by the radical transformations of women’s social roles in the United States, each artist produced photographs that represented the evolving role of women in the late nineteenth and early twentieth centuries. Using visual analysis and historical context associated with the “New Woman” movement, I argue that each artist discussed in this thesis not only challenges the domestic sphere conventionally assigned to women photographers, but also makes new strides by engaging in work that allows for them to autonomously travel within their own territories or new expansive locations. This thesis gives fresh insight as to how photography provided novel opportunities for elevating women’s place in society, as well as in the artistic realm. Overall, photography was an important tool for each artist as these three women act as agents of change by demonstrating a control of womanhood while the role of a female was beginning to become less constrained by the domestic and social norms of society.
Temple University--Theses
Collins, Curtis J. 1962. "Sites of Aboriginal difference : a perspective on installation art in Canada". Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=38172.
Texto completoBrown, Carol. ""Museum spaces in post-apartheid South Africa": the Durban Art Gallery as a case study". Thesis, Rhodes University, 2006. http://hdl.handle.net/10962/d1006231.
Texto completoClarke, Jennifer. "The Effect of Digital Technology on Late 20th Century and Early 21st Century Culture". [Tampa, Fla. : s.n.], 2003. http://purl.fcla.edu/fcla/etd/SFE0000108.
Texto completoLampe, Mary Margaret. "Morton Schamberg's role in precisionism". Thesis, North Texas State University, 1987. https://digital.library.unt.edu/ark:/67531/metadc798467/.
Texto completoLibros sobre el tema "Art, american – 20th century – exhibitions"
1957-, Zakian Michael y Palm Springs Desert Museum, eds. Transforming the western image in 20th century American art. Palm Springs, Calif: Palm Springs Desert Museum, 1992.
Buscar texto completo1951-, Craven David, Lozano Luis-Martín y Museum of Fine Arts (Museum of New Mexico), eds. Mexican modern: Masters of the 20th century. Santa Fe: Museum of New Mexico Press, 2006.
Buscar texto completoWeiner, Longhauser Elsa, Szeemann Harald, Museum of American Folk Art. y Philadelphia Museum of Art, eds. Self-taught artists of the 20th century: An American anthology. San Francisco: Chronicle Books, 1998.
Buscar texto completoGavino, Julianne. Rethinking regionalism: 20th century American art and visual culture. Colorado Springs, Colo: Colorado Springs Fine Arts Center at Colorado College, 2021.
Buscar texto completoHough, Katherine Plake. Transforming the western image in twentieth (or 20th) century American art. Palm Springs, Calif: Palm Springs Desert Museum, 1992.
Buscar texto completoWadsworth Atheneum Museum of Art., John and Mable Ringling Museum of Art. y Austin Museum of Art, eds. Images from the world between: The circus in 20th century American art. Cambridge, Mass: MIT Press, 2001.
Buscar texto completoNorthern Illinois University. Art Gallery in Chicago., ed. 20th century American folk art from the Arient family collection. [DeKalb, Ill: Northern Illinois University, 1987.
Buscar texto completoWhitney Museum of American Art. 20th century drawings from the Whitney Museum of American Art. New York: Whitney Museum of American Art, 1987.
Buscar texto completoArt, Whitney Museum of American. 1995 biennial exhibition. New York: Whitney Museum of American Art, 1995.
Buscar texto completoKlaus, Kertess, ed. 1995 Biennial exhibition. New York: Whitney Museum of American Art, 1995.
Buscar texto completoCapítulos de libros sobre el tema "Art, american – 20th century – exhibitions"
Birbragher-Rozencwaig, Francine. "Modern Latin American Art". En Essays on 20th Century Latin American Art, 1–34. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003037507-1.
Texto completoBirbragher-Rozencwaig, Francine. "Contemporary Cuban Art". En Essays on 20th Century Latin American Art, 79–101. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003037507-4.
Texto completoBirbragher-Rozencwaig, Francine. "Carnival in Latin America and the Caribbean". En Essays on 20th Century Latin American Art, 123–45. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003037507-6.
Texto completoBirbragher-Rozencwaig, Francine. "Abstraction in Latin America". En Essays on 20th Century Latin American Art, 35–58. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003037507-2.
Texto completoBirbragher-Rozencwaig, Francine. "Conclusion". En Essays on 20th Century Latin American Art, 146–49. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003037507-7.
Texto completoBirbragher-Rozencwaig, Francine. "Politics in Latin American Art from the 1960s to the 1980s". En Essays on 20th Century Latin American Art, 59–78. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003037507-3.
Texto completoBirbragher-Rozencwaig, Francine. "Art in Central America and the Caribbean since the 1990s". En Essays on 20th Century Latin American Art, 102–22. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003037507-5.
Texto completoPeterson, William. "The Master of the Form". En Asian Self-Representation at World’s Fairs. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462985636_ch02.
Texto completoGrunenberg, Christoph. "American Gothic Art". En American Gothic Culture. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474401616.003.0009.
Texto completo"Critical Documents of 20th-Century Latin American and Latino Art". En Resisting Categories: Latin American and/or Latino? The Museum of Fine Arts, Houston, 2012. http://dx.doi.org/10.37862/aaeportal.00102.005.
Texto completoActas de conferencias sobre el tema "Art, american – 20th century – exhibitions"
Петрухина, О. В. "INSTALLATIONS AND EXHIBITIONS USING KINETIC AND PROJECTION TECHNOLOGIES IN THE USSR". En Месмахеровские чтения — 2024 : материалы междунар. науч.-практ. конф., 21– 22 марта 2024 г. : сб. науч. ст. / ФГБОУ ВО «Санкт-Петербургская государственная художественно-промышленная академия имени А. Л. Штиглица». Crossref, 2024. http://dx.doi.org/10.54874/9785605162926.2024.10.10.
Texto completoDumont d'Ayot, Catherine. "Machines à exposer". En LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.1025.
Texto completoDOSPINESCU, Liviu. "Present-Day Trends in the Research and Creation of Living Arts in the Academia: A North American Model". En The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0011.
Texto completoInformes sobre el tema "Art, american – 20th century – exhibitions"
Sanjurjo Casciero, Annick. Paraguay and Its Plastic Arts. Inter-American Development Bank, marzo de 1994. http://dx.doi.org/10.18235/0007910.
Texto completoSchacht, Kayley, Deidre Gonçalves, Aaron Schmidt y Adam Smith. A History and Analysis of the WPA Exhibit of Black Art at the Fort Huachuca Mountain View Officers’ Club, 1943–1946. Engineer Research and Development Center (U.S.), junio de 2023. http://dx.doi.org/10.21079/11681/47184.
Texto completoNikkei-Latin American Artists of the 20th Century. Inter-American Development Bank, febrero de 2005. http://dx.doi.org/10.18235/0008269.
Texto completo50 Years, 50 Works: The Art of Latin America and the Caribbean in the 20th Century. Information Bulletin No. 108. Inter-American Development Bank, junio de 2009. http://dx.doi.org/10.18235/0008282.
Texto completoTurns and Directions: Changes in the Arts of Central America's Spanish-Speaking Nations and Panama during and after the 1950s. Inter-American Development Bank, agosto de 2010. http://dx.doi.org/10.18235/0005958.
Texto completoParadox & Coexistence 2. Inter-American Development Bank, mayo de 2005. http://dx.doi.org/10.18235/0008263.
Texto completoNikkei Latin American Artists of the 20th Century: Featuring Artists of Japanese Descent from Argentina, Brazil, Mexico, and Peru. Inter-American Development Bank, junio de 2005. http://dx.doi.org/10.18235/0005929.
Texto completoGraphics from Latin America and the Caribbean: September 10 - November 15, 2002. Inter-American Development Bank, septiembre de 2002. http://dx.doi.org/10.18235/0005919.
Texto completoParadox and Coexistence: Latin American Artists, 1980 - 2000. Inter-American Development Bank, enero de 2002. http://dx.doi.org/10.18235/0005931.
Texto completoHighlights from the Collection of the Art Museum of the Americas of the Organization of American States (OAS): Outstanding Works by Artists from the Spanish, English, French, and Dutch Speaking Caribbean. Inter-American Development Bank, octubre de 2007. http://dx.doi.org/10.18235/0006408.
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