Libros sobre el tema "Aristocratic House"

The Celestine monks of France represent one of the least studied monastic reform movements of the late Middle Ages, and yet also one of the most culturally impactful. Their order - an austere Italian Benedictine reform of the late thirteenth century, which came be known after the papal name of their founder, Celestine V (St Peter of Murrone) - arrived in France in 1300. After a period of marginal growth, they flourished in the region from the mid-fourteenth century, founding thirteen new houses over the next hundred years, taking their total to seventeen by 1450. Not only did the French Celestines expand, they gained a distinctive character that separated them from their Italian brothers. More urban, better connected with both aristocratic and bourgeois society, and yet still rigorous and reformist, they characterised themselves as the 'Observant' wing of their order, having gained self-government for their provincial congregation in 1380 following the arrival of the Great Western Schism (1378-1417). But, as Robert L.J. Shaw argues, their importance runs beyond monastic reform: the late medieval French Celestines are a mirror of the political, intellectual, and Christian reform culture of their age. Within a France torn by war and a Church divided by schism, the French Celestines represented hope for renewal, influencing royal presentation, lay religion, and some of the leading French intellectuals of the period, including Jean Gerson.

‘She had resolved to trust in everything, and, having so trusted, she would not provide for herself any possibility of retreat.’ Lively and attractive, Lily Dale lives with her mother and sister at the Small House at Allington. She falls passionately in love with the urbane Adolphus Crosbie, and is devastated when he abandons her for the aristocratic Lady Alexandrina de Courcy. But Lily has another suitor, Johnny Eames, who has been devoted to her since boyhood. Perhaps she can find renewed happiness in Johnny's courtship? The Small House at Allington was among the most successful of Trollope's Barsetshire novels, and has retained its popularity among modern readers. Lily Dale's stubborn constancy is a troubling reflection of Trollope's divided feelings about the need for progress and reform in the context of liberal thought and politics. Her story is a subtle exploration of loyalty and ambition, and the pressure for change in a rapidly evolving world.

In April 1792, France had declared war on the “King of Hungary and Bohemia,” that is the House of Austria or Hapsburg, which, since it possessed most of Belgium, was the most important of the powers that adjoined the French frontiers. By the following summer the French were also at war with the kingdoms of Prussia and Sardinia, and by 1793 with Great Britain, the Dutch Republic, and the Bourbon Monarchy of Spain. Despite occasional appearances, or stated war aims, the war that began in April 1792 became an ideological conflict between new and old—between “democratic” and “aristocratic” forms of society in the sense explained in the preceding volume. This chapter focuses on this complex story and nations involved. It begins with a tale of two cities, involving ceremonial events in Frankfurt and Paris on July 14, 1792. It was, of course, Bastille Day, but it was also the date of the imperial coronation of Francis II, a young man of twenty-four who proved to be the last Holy Roman Emperor.

This book analyses the physical, social, and cultural history of Rome in late antiquity. Between AD 270 and 535, the former capital of the Roman empire experienced a series of dramatic transformations in its size, appearance, political standing, and identity, as emperors moved to other cities and the Christian church slowly became its dominating institution. Urban Space and Aristocratic Power in Late Antique Rome provides a new picture of these developments, focusing on the extraordinary role played by members of the traditional elite, the senatorial aristocracy, in the redefinition of the city, its institutions, and spaces. During this period, Roman senators and their families became increasingly involved in the management of the city and its population, in building works, and in the performance of secular and religious ceremonies and rituals. As this study shows, for approximately three hundred years the houses of the Roman elite competed with imperial palaces and churches in shaping the political map and the social life of the city. Making use of modern theories of urban space, the book considers a vast array of archaeological, literary, and epigraphic documents to show how the former centre of the Mediterranean world was progressively redefined and controlled by its own elite.

Lord Herbert of Cherbury (1582–1648) was a flamboyant Stuart courtier, county governor, soldier, and diplomat who acquired a reputation for duelling and extravagant display but also numbered among the leading intellectuals of his generation. He travelled widely in the British Isles and Europe, enjoyed the patronage of princely rulers and their consorts, acquired celebrity as the embodiment of chivalric values, and defended European Protestantism on the battlefield and in diplomatic exchanges. As a scholar and author of De veritate and The Life and Raigne of King Henry the Eighth, he commanded respect in the European Republic of Letters and accumulated a substantial library. As a courtier, he penned poetry and exchanged verses with John Donne and Ben Jonson, compiled a famous lute-book, wrote an autobiography, commissioned portraits, and built a new country house. Herbert was a Janus figure who cherished the masculine values and martial lifestyle of his ancestors but embraced the Renaissance scholarship and civility of the early modern court and anticipated the intellectual and theological liberalism of the Enlightenment. His life and writings provide a unique window into the aristocratic world and cultural mindset of the early seventeenth century and into the outbreak and impact of the Thirty Years War and British Civil Wars. This book examines his career, lifestyle, political allegiances, religious beliefs, and scholarship within their contemporary European context, challenges the reputation he has acquired as a dilettante scholar, boastful autobiographer, royalist turncoat, and early deist, and offers a new assessment of his life and achievement.

Through the 1530s sanctuary remained an option for fleeing felons, but by about 1545 it had ceased. The conclusion to the book looks back on how various strands interwove to create conditions for sanctuary’s growth between 1400 and the late 1530s—mercy, mitigation, jurisdiction, aristocratic honour—and considers how that cloth rather suddenly unravelled between 1535 and 1545. A 1540 statute attempted to save the sanctuary system after the closure of the religious houses in whose precincts sanctuary seekers had sought refuge; although this legislation was not designed to fail, it was poorly thought-out and never became fully operational. An important means of mitigating harsh capital penalties died with it; for the elite, other paths around the hangman could be found, and for the poor, execution rates climbed.

This chapter begins the treatment of the English-speaking world, involving the structure of Parliament, the British constitution, and the American Revolution. Of all the constituted bodies of Europe, largely aristocratic in composition, which in some countries came into conflict with kings in the decade before 1775, the most famous and the most powerful was the Parliament of Great Britain, whose misfortune it was to be challenged from both sides at once. Or, at least, the most ardent devotees of the Houses of Parliament found Parliamentary independence being undermined by the King, in the person of George III, while at the same time a growing number of dissatisfied persons, in America, in Ireland, and in England itself, expressed increasing doubts on the independence of Parliament, invoking a higher authority which they called the People.

The Hellenistic period witnessed striking new developments in art, literature, and science. This volume addresses a particularly vibrant area of innovation: the study of animals and the natural world. While Aristotle and his followers had revolutionized fields such as zoology and botany during the fourth century BC, these disciplines took on exciting new directions during Hellenistic times. Kings imported exotic species into their royal capitals from faraway lands. Travel writers described unusual creatures that they had never previously encountered. And buyers from a range of social levels chose works of art featuring animals and plants to decorate their palaces, houses and tombs. While textual sources shed some light on these developments, the central premise of Art, Science, and the Natural World in the Ancient Mediterranean is that our surviving artistic evidence permits an even fuller understanding. Accordingly, the study brings together a rich body of visual material that invites new observations on how and why knowledge of the natural world increased in importance during this period. It is suggested that this cultural phenomenon affected many different groups in society: from kings in Alexandria and Pergamon to provincial aristocrats in the Levant, and from the Julio-Claudian imperial family to prosperous homeowners in Pompeii. By analysing the works of art produced for these individuals, a vivid picture emerges of this significant aspect of ancient culture.

With its origin dating back to as early as the 500 BC, the ukkil forms part of a centuries-old woodcarving art and tradition of the Suluk, one of the many indigenous ethnic groups of Nusantara (Southeast Asia). Suluk ukkil bears striking resemblance to the Malay ukir, both featuring similar patterns and motifs. The ukkil is often used to decorate jewellery, boats, houses, grave markers, and mosques. It is also used to decorate the hilts and sheaths of bladed weapons such as the barung. The barung refers to the thick, leaf-shaped sword of the Suluk. A barung with beautifully carved hilt and sheath, especially those using expensive wood, is considered high value and usually reserved for Suluk aristocrats. This book narrates the expressions, motifs and meanings behind ukkil carved on the barung. It is based on the results of a two-year field research conducted in different districts of Sabah. It presents data gathered through various interviews with owners, elders, and subject-matter experts. It also presents data from direct observations of heirloom barung that are still found in the hands of a few Suluk and individuals from other indigenous ethnic groups. It presents new insights from analysis made using the Theory of Iconology, a framework of analyzing art popularized by German art historian Erwin Panofsky. The predominant themes of ukkil found on ancient barung in Sabah are Islamic; zoomorphic such as birds, lizards, snakes, and squids; plantomorphic such as vines, flowers, and leaves; and cultural such as those depicting local myths, culture, values and traditions of the Suluk. Each of these images and themes represent realities that shaped the daily lives of the Suluk from the past until today, including the wind, the ocean waves and sea currents, all of which are essential for travel and navigation. They also depict concepts, beliefs and practices important to the Suluk such as freedom, livelihood, aristocracy, harmony within the community, leadership, spirituality, and Islamic principles. The Suluk are a sea-faring people who have a deep relationship with their immediate environment, especially the sea. Suluk carvers draw inspiration from nature, the environment around them, their local culture, their religious practices, and their own values and ideals in life. Both the ukkil and the barung are an embodiment of their rich past, their livelihood, creativity, their faith, their principles and their values in life. Sadly, the practice of ukkil-carving is fast declining nowadays, with only very few practitioners left and so few individuals interested in learning about it. The barung too, where the ukkil is often carved on, is no longer being produced in large numbers. As the ukkil, like all forms of art, constitute an integral part of a nation’s culture and identity, it is important for it to be understood, preserved, and protected. This book provides fresh knowledge and insights that will help the Suluk and other indigenous tribes of Malaysia and Nusantara in the understanding and preservation of the ukkil as an essential aspect of their country’s or their region’s culture and heritage. This book offers historical background that will help explain the identity of the Suluk as a culturally and artistically advanced people with deep interconnection with other indigenous ethnic groups in Malaysia and the rest of Nusantara as early as the pre-colonial period. Knowledge about the ukkil can help people connect and correct their thoughts about the Suluk while at the same time promote cultural awareness and diversity among Malaysians and other people in Southeast Asia. This book will hopefully pave the way for more research to be done on the arts and culture, not just of the Suluk but also of other indigenous ethnic groups in the region as well. That knowledge will serve as a medium for keeping harmony and cultural links among each and every Malaysian and Nusantaran.