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Artículos de revistas sobre el tema "Arensky"

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Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 30 de enero de 2023

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1

Горшкова, А. М. "Alexander Ostrovsky and Anton Arensky: From The Voyevodato Dream on the Volga". Журнал Общества теории музыки, n.º 2(34) (18 de octubre de 2021): 1–7. http://dx.doi.org/10.26176/otmroo.2021.74.50.001.

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В статье анализируется первая опера выдающегося русского композитора А. С. Аренского «Сон на Волге», написанная по комедии А. Н. Островского «Воевода». Хотя это сочинение принадлежит к раннему периоду творчества композитора, в нем уже проявились важные особенности его стиля, типичные для всех последующих музыкально-сценических произведений, и были найдены многие характерные для его театральных опусов драматургические принципы. Кроме того, автор сравнивает либретто оперы Аренского с оперой П. И. Чайковского по той же пьесе, указывая некоторые важные различия. The article analyses Dream on the Volga — the first opera by the prominent Russian composer Anton S. Arensky, based on the Alexander N. Ostrovsky’s play The Voyevoda. Although this composition was written in the early period of the composer’s creative activity, a lot of important features of his individual style, as well as principles of dramaturgy typical for his works for musical theatre, manifested in it. The author also compares the text of Arensky’s opera with Pyotr I. Tchaikovsky’s opera on the same plot, indicating some crucial differences.

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2

Gorshkova, A. M. "PIANO PIECES OF A. S. ARENSKY ON THE EXAMPLE OF THE CYCLE OP. 36". Arts education and science 1, n.º 3 (2020): 75–80. http://dx.doi.org/10.36871/hon.202003009.

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The article is dedicated to the piano works of Anton S. Arensky (1861–1906), one of the most famous Russian composers of the late XIXth – early XXth centuries. Throughout his career, the composer turned to various genres (he created three operas, a ballet, a lot of symphonic and chamber pieces), but compositions for piano solo were among his favorites. This genre in many ways corresponded to the specifics of the composer's talent, his inclination towards chamberness and lyricism, and became a kind of "creative laboratory", where many tendencies, later used in other genres, were worked out. It was in piano pieces that the most attractive qualities of his music were revealed — an amazing melodic gift, finesse and detailed elaboration of all aspects of composition. The author pays particular attention to the cycle of 24 piano pieces Op. 36. Due to embodiment of many melodic, texture, and harmony features typical for Arensky, it became a kind of quintessence of his piano style. It is also important that many features of the composer’s style influenced musicians of the next generation, including Sergey Rachmaninoff and Nikolay Medtner.

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3

Eyvazzade, Gunel. "Research on the Problems of Piano Creative Work by A. Arensky in the Scientific Papers of Professor N. Usubova". Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 4, n.º 1 (4 de junio de 2021): 89–100. http://dx.doi.org/10.31866/2616-7581.4.1.2021.233341.

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The article examines the scientific work of one of the prominent representatives of the 20th century Azerbaijani piano performing school, Honored Art Worker, Professor Nigar Usubova (1914–1994). N. Usubova devoted an important part of her life to pedagogical activity, raising a generation of talented pianists. She made an exceptional contribution to the development of the Azerbaijani piano school and the definition of its future directions. N. Usubova’s pedagogical principles are reflected in her dissertation work and methodical manual. As it is known, N. Usubova studied in the class of A. Goldenweiser and wrote these scientific works under the guidance of the prominent pianist. An important part of these scientific works is devoted to the study of A. Arensky’s piano creative activity. Here, the musician touched upon the features of the composer’s piano performing, as well as the characteristic features of his music. The research also provides performing characteristics of the works analyzed and covering various genres. The purpose of the research is to study the fundamental results and main performing principles in the scientific works dedicated to A. Arensky’s piano creative work by Nigar Usubova, a brilliant representative of the Azerbaijani piano school of the twentieth century. In these scientific research works, N. Usubova touched upon the features of the prominent composer’s piano creative work, performing principles, circle of images; moreover, analyzed the form, genre, tone and other aspects and conducted research on the background of characteristic features of Russian music. We would like to bring to your attention that N. Usubova’s scientific works have not been published. This raises the scientific significance and relevance of the topic more. These scientific works are the first research work dedicated to the study of A. Arensky’s piano music in the Azerbaijani science of music. The research methodology is based on analytical and theoretical analysis, as well as on the source research method (work with archival materials). The main principle is the study and analysis of the fundamental results obtained by N. Usubova in the study of piano music by A. Arensky The scientific novelty of the research is that for the first time the scientific works of the outstanding pianist Nigyar Usubov are studied, their scientific significance, as well as the issues reflected in those works, are revealed. We would like to bring to your attention that these scientific works reflect N. Usubova’s method of approach to A. Arensky’s piano pieces as a pianist. For this reason, these scientific works are a valuable recommendation for every pianist who turns to A. Arensky’s piano creative work. Conclusions. Nigar Usubova is the author of two scientific works and her scientific creative activity is devoted to the definition of performing features of A. Arensky’s piano creative work. Each of these scientific-methodical works was written under the guidance of a prominent representative of the Russian piano school, pedagogue A. Goldenweiser. In these works, N. Usubova worked on A. Arensky’s creative work in a comprehensive and detailed way. According to the author, A. Arensky’s piano creative work is characterized by the clarity of form and texture, the richness of melodic material, which brings him closer to Tchaikovsky’s chamber music. Although the composer prefers miniature forms in his piano creative work, it is also possible to find virtuoso pieces, etudes, scherzos and capriccios. These works, in particular, influenced the formation of S. Rakhmaninov’s and A. Scriabin’s creative activity. The main characteristic features here are polyphonism, polymelodism and polyrhythmics of the piano texture. Simultaneously, N. Usubova thoroughly studied the influence of Western European composers on the formation of A. Arensky’s creative activity.

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4

Скурко, Евгения Романовна y Елена Владимировна Гусева. "Five Poems by Arensky at the Verses by Schepkina-Kupernik: Towards the Problem of Poetic Text Interpretation in Music at the Edge of the 19-20 centuries". Музыкальная академия, n.º 1(773) (31 de marzo de 2021): 130–45. http://dx.doi.org/10.34690/133.

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Статья посвящена проблеме отражения новых тенденций русской художественной культуры рубежа XIX-XX веков в позднем вокальном цикле А. Аренского Пять романсов op. 70 на стихи Т. Щепкиной-Куперник. В частности, речь идет о проявлении в поэтике и стилистике признаков стихотворения с музыкой, ставшего, как известно, одним из репрезентантов «нового стиля» данной эпохи. Рассматривается изменение отношения композитора к слову, определившее особенности трактовки как мелодики, так и других средств музыкальной выразительности (гармония, фактура, партия фортепиано и так далее). Сопоставление с более ранними камерно-вокальными сочинениями позволяет прочертить линию эволюции стиля Аренского от следования романтической традиции русского лирического романса к отражению некоторых тенденций музыкального искусства начала XX столетия, связанных с модерном. The article is devoted to the problem of reflecting the new tendencies of Russian artistic culture at the edge of the 19 and 20 centu ries in the late vocal cycle of Arensky Five romances op. 70 on verses by T. Shchepkina-Kupernik. In particular, the features of a poem with music manifestation in the poetics and stylistics of romances, which, as it is known, became one of the signs of the “new style” of this epoch are taken into consideration. We are talking about a change in the composer's attitude to the word, which determined principles of the interpretation of melody and other means of musical expression (harmony, texture, piano part, etc.). Comparison with earlier chamber-vocal compositions allows to draw a line of evolution of Arensky's style from the romantic, characteristic of Russian lyric romance, to the reflection of the stylistic patterns of the early 20 century musical art.

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5

SKVORTSOVA, IRINA y ANNA GORSHKOVA. "Suites for Two Pianos by Anton Arensky Through the Lens of His Compositional Style". Временник Зубовского института, n.º 3 (2022): 103–13. http://dx.doi.org/10.52527/22218130_2022_3_103.

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6

Domagała, Jarosław. "Teaching qualities in piano works by Henryk Pachulski in the context of the development of piano technique in children and youth. Part 1". Notes Muzyczny 2, n.º 16 (30 de diciembre de 2021): 59–86. http://dx.doi.org/10.5604/01.3001.0015.5488.

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Henryk Pachulski (1852-1921) – a Polish composer, pianist, and teacher. He graduated from the Warsaw Institute of Music, having studied piano with Rudolf Strobl. His harmony and counterpoint teachers were Stanisław Moniuszko and Władysław Żeleński. After that, he studied piano at the Moscow Conservatory with Nicolai Rubinstein and then Pawel Pabst. He learnt harmony from E. L. Langer, then Anton Arensky with whom he also had a special course in counterpoint. In 1886 he started his teaching career at the Moscow Conservatory, which lasted over 30 years. He also performed as a pianist in Moscow, Petersburg, and Warsaw. Pachulski was acknowledged for his technical aptitude, but he gained the greatest recognition as a teacher and a composer. He created over a hundred piano works, including three sonatas, two cycles of variations, two polonaises, two mazurkas, three waltzes, preludes, studies, impromptus, and more. He also wrote chamber, vocal and orchestra compositions, as well as piano transcriptions for orchestra and chamber pieces. This article presents the composer’s music and teaching activity, it also touches on teaching qualities of his piano works. It pays special attention to technical aspects, and the analysis also covers the formal side of these compositions. While preparing the text, the author used information included in the Polish music press from the turn of the 20th century, music collection of the National Library in Warsaw, archive documents, and foreign sources.

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7

Gabrielyan, Nikolai Zakharovich. "A.Arensky’s A minor violin concerto: performance analysis of the solo section". PHILHARMONICA. International Music Journal, n.º 3 (marzo de 2021): 22–31. http://dx.doi.org/10.7256/2453-613x.2021.3.34646.

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The author studies A.Arensky’s violin concerto which is a chamber lyrical model of one-part structure. The purpose of the article is to search for the performance features of the violin section which are necessary for a successful interpretation of the composition. The object of the research is the violin concerto genre. The subject of the research is the performance peculiarities of the solo section of A.Arensky’s violin concerto. The author uses theoretical and empirical research methods including analysis, generalization, and systematization of scientific sources, as well as a comprehensive performance analysis of Arensky’s violin concerto. The author analyzes the functions of the soloist in various themes and episodes of the composition, formulates the methodic guidelines for the bow change and allocation and its movement speed, defines the technical and intonation difficulties of the violin section. Special attention is given to dash performance. The author is the first to find out that the performance values of the solo section are one of the keys to the successful performance. They create the melodic, smooth and plastic sound achieved by means of appropriate allocation of the bow, its smooth change, a good command of legato, and the creation of wide breath phrases. The performer has to take into account the performing ideals of the epoch when the composition was created, which to a large extent consist in pedagogical guidelines of L. Auer about the appropriate pressure of the forearm and the shoulder on the bow. Based on the performance analysis of the violin section, the author finds out that to create an artistic image of the composition, the performer needs to find an individual color palette of the violin section based on the performance ideals of the creation time of the composition.   

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8

Reza, Veni. "Tinjauan Hukum Islam terhadap Praktik Jual Beli Sistem Borongan (Studi pada Jual Beli Sayuran di Pasar Pagi Arenka Kota Pekanbaru)". Jurnal An-Nahl 9, n.º 2 (10 de diciembre de 2022): 96–102. http://dx.doi.org/10.54576/annahl.v9i2.60.

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Praktik jual beli sayur di Pasar Pagi Arenka Pekanbaru dilakukan dengan cara borongan dengan sayur berada di dalam peti atau karung. Pembeli hanya melihat bagian paling atas dari sayur. Sedangkan bagian dalamnya pembeli tidak mengetahui secara pasti apakah sayur yang di bagian dalam kualitasnya sama seperti sayur yang diperlihatkan di bagian atas. Hal inilah yang mendasari perlunya ada kajian khusus tentang hal tersbut melalui penelitian lapangan. Hasil analisis menetapkan bahwa sistem jual beli buah borongan di Pasar Pagi Arenka Pekanbaru dipandang tidak sah karena tidak sesuai dengan ketentuan hukum Islam. Jual beli sayur dengan sistem borongan yang terjadi di Pasar Pagi Arenka mengandung unsur gharar, ketidakpastian pada kualitas dan kuantitas objek barang yang diperjualbelikan, sehingga dari sebab unsur-unsur tersebut mengakibatkan adanya ketidakrelaan dalam bertransaksi. Dengan demikian disimpulkan jual beli sayur sistem borongan di Pasar Pagi Arenka tidak sesuai dengan hukum Islam.

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9

Simbolon, Nopenti Sri Dewi K., Rini Nizar y Dedi Zargustin. "HUBUNGAN PERSEPSI KONSUMEN DENGAN PERILAKU MENGKONSUMSI BUAH LOKAL DI PASAR TRADISIONAL ARENGKA KECAMATAN TAMPAN KOTA PEKANBARU". Jurnal Agribisnis 20, n.º 1 (24 de julio de 2018): 75–85. http://dx.doi.org/10.31849/agr.v20i1.1497.

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Penelitian ini bertujuan untuk Menganalisis Hubungan Persepsi Konsumen Dengan Perilaku Mengkonsumsi Buah Lokal Di Pasar Tradisional Arengka Kecamatan Tampan Kota Pekanbaru. Penelitian ini dilaksanakan di Pasar Tradisional Arengka Kecamatan Tampan Kota Pekanbaru yang dilaksanakan selama 3 bulan mulai bulan November 2017 s/d bulan Januari 2018. Penelitian ini menggunakan teknik (Accidental Random Sampling) yaitu sampel yang bertemu langsung dan kebetulan membeli buah-buah lokal di Pasar Tradisional Arengka. Jenis data yang digunakan dalam penelitian ini adalah Data Primer dan Data Sekunder. Data primer yaitu data yang diperoleh melalui wawancara langsung pada objek yang diteliti, yaitu konsumen yang membeli buah lokal sebagai sampel penelitian, dengan menggunakan daftar pertanyaan dalam kuesioner, dan Data sekunder yaitu data yang diperoleh dan bersumber dari instansi/lembaga yang terkait dengan penelitian ini yaitu Data BPS Kota Pekanbaru dan Dinas Perdagangan dan Perindustrian Kota Pekanbaru Metode yang digunakan dalam penelitian ini adalah metode kuantitatif dengan mengambil sampel sebanyak 100 responden. Dengan analisis data Chi Square dan Koefisien Kontingensi. Penelitian ini menggunakan alat bantu berupa program SPSS for windows versi 17. Dengan hasil penelitian dan analisis dapat disimpulkan bahwa nilai X2 hitung 20.303 yaitu lebih besar dari X2 tabel 18.307, sehingga Ha di terima. Ini berarti ada hubungan yang signifikan antara Persepsi Konsumen dengan Perilaku Mengkonsumsi Buah Lokal di Pasar Tradisional Arengka Kecamatan Tampan Kota Pekanbaru. Kata Kunci : Pasar Buah Tradisional, persepsi konsumen, perilaku konsumen

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10

Stark, Susan A. "Colloquium 4 Commentary on Arenson". Proceedings of the Boston Area Colloquium of Ancient Philosophy 34, n.º 1 (6 de junio de 2019): 137–46. http://dx.doi.org/10.1163/22134417-00341p12.

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Abstract This commentary raises questions about the moral value of feeling pity. Whereas Professor Arenson asks whether an Epicurean hedonist can rightly feel pity given that feeling pity may be unpleasant, I ask whether feeling pity may be morally problematic for other reasons. In particular, I argue that feeling pity involves an endorsement of a morally problematic hierarchy between pitier and pitied. Because of this, I believe that we should draw a little-made distinction between compassion and pity and that individuals should cultivate compassion rather than pity. I suggest one possible way to draw the distinction between compassion and pity.

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11

MATSUI, RUKI y YUJI TAKAHASHI. "ARENS PRODUCTS, ARENS REGULARITY AND RELATED PROBLEMS". Bulletin of the Australian Mathematical Society 102, n.º 1 (4 de diciembre de 2019): 138–50. http://dx.doi.org/10.1017/s0004972719001114.

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We study the second dual algebra of a Banach algebra and related problems. We resolve some questions raised by Ülger, which are related to Arens products. We then discuss a question of Gulick on the radical of the second dual algebra of the group algebra of a discrete abelian group and give an application of Arens regularity to Fourier and Fourier–Stieltjes transforms.

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12

Conque, João Gabriel. "Resenha de Arenson, K. (2019). Health and Hedonism in Plato and Epicurus. London; New York: Bloomsbury." Anais de Filosofia Clássica 14, n.º 27 (1 de octubre de 2020): 323–29. http://dx.doi.org/10.47661/afcl.v14i27.35194.

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13

Setiawan, Adi. "ANALISIS PERANAN MOTIVASI TERHADAP KINERJA KARYAWAN PADA ARENGKA AUTO MALL PEKANBARU". Jurnal Daya Saing 5, n.º 3 (28 de octubre de 2019): 222–26. http://dx.doi.org/10.35446/dayasaing.v5i3.392.

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Penelitian ini bertujuan untuk mengetahui pengaruh motivasi terhadap kinerja karyawan pada Arengka Auto Mall Pekanbaru. Kinerja adalah hasil kerja (output) baik kualitas maupun kuantitas yang dicapai sumber daya manusia persatuan periode waktu dalam melaksanakan tugas kerjanya sesuai dengan tanggung jawab yang diberikan kepadanya. Analisis pada penelitian ini menggunakan analisis linear sederhana dengan jumlah responden 51 orang. Pengambilan sampel menggunakan teknik sensus yaitu seluruh populasi dijadikan sampel. uji hipotesis menggunakan uji t. berdasarkan hasil penelitian dapat disimpulkan bahwa motivasi berpengaruh signifikan terhadap kinerja karyawan pada Arengka Auto Mall Pekanbaru. Terdapat hubungan kuat positif antara motivasi dengan konerja dan kontribusi variabel independen terhadap variabel dependen sebesar 68,06%. Kata Kunci : Motivasi, Kinerja

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14

FAAL, R. y H. R. EBRAHIMI VISHKI. "MORE ON THE ARENS REGULARITY OF". Bulletin of the Australian Mathematical Society 94, n.º 2 (1 de marzo de 2016): 296–303. http://dx.doi.org/10.1017/s0004972715001835.

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We focus on a question raised by Daws [‘Arens regularity of the algebra of operators on a Banach space’, Bull. Lond. Math. Soc.36 (2004), 493–503] concerning the Arens regularity of $B(X)$, the algebra of operators on a Banach space $X$. Among other things, we show that $B(X)$ is Arens regular if and only if $X$ is ultrareflexive.

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15

Filali, Mahmoud y Jorge Galindo. "Extreme non-Arens regularity of the group algebra". Forum Mathematicum 30, n.º 5 (1 de septiembre de 2018): 1193–208. http://dx.doi.org/10.1515/forum-2017-0117.

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AbstractThe Banach algebras of Harmonic Analysis are usually far from being Arens regular and often turn out to be as irregular as possible. This utmost irregularity has been studied by means of two notions: strong Arens irregularity, in the sense of Dales and Lau, and extreme non-Arens regularity, in the sense of Granirer. Lau and Losert proved in 1988 that the convolution algebra {L^{1}(G)} is strongly Arens irregular for any infinite locally compact group. In the present paper, we prove that {L^{1}(G)} is extremely non-Arens regular for any infinite locally compact group. We actually prove the stronger result that for any non-discrete locally compact group G, there is a linear isometry from {L^{\infty}(G)} into the quotient space {L^{\infty}(G)/\mathcal{F}(G)}, with {\mathcal{F}(G)} being any closed subspace of {L^{\infty}(G)} made of continuous bounded functions. This, together with the known fact that {\ell^{\infty}(G)/\mathscr{W\!A\!P}(G)} always contains a linearly isometric copy of {\ell^{\infty}(G)}, proves that {L^{1}(G)} is extremely non-Arens regular for every infinite locally compact group.

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16

Wong, Pak-Ken. "The second conjugate algebras of Banach algebras". International Journal of Mathematics and Mathematical Sciences 17, n.º 1 (1994): 15–18. http://dx.doi.org/10.1155/s0161171294000025.

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17

Falcó, Javier, Domingo García, Manuel Maestre y Pilar Rueda. "Norm Attaining Arens Extensions onℓ1". Abstract and Applied Analysis 2014 (2014): 1–10. http://dx.doi.org/10.1155/2014/315641.

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We study norm attaining properties of the Arens extensions of multilinear forms defined on Banach spaces. Among other related results, we construct a multilinear form onℓ1with the property that only some fixed Arens extensions determined a priori attain their norms. We also study when multilinear forms can be approximated by ones with the property that only some of their Arens extensions attain their norms.

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18

Ganiev, I. G. y O. I. Egamberdiev. "The Arens Algebras of Vector-Valued Functions". Journal of Function Spaces 2014 (2014): 1–4. http://dx.doi.org/10.1155/2014/248925.

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19

Choy, Stephen T. L. y James C. S. Wong. "The second dual of C0 (S, A)". Journal of the Australian Mathematical Society. Series A. Pure Mathematics and Statistics 56, n.º 3 (junio de 1994): 303–13. http://dx.doi.org/10.1017/s1446788700035515.

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AbstractThe second dual of the vector-valued function space C0(S, A) is characterized in terms of generalized functions in the case where A* and A** have the Radon-Nikodým property. As an application we present a simple proof that C0 (S, A) is Arens regular if and only if A is Arens regular in this case. A representation theorem of the measure μh is given, where , h ∈ L∞ (|μ;|, A**) and μh is defined by the Arens product.

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20

Yıldız, Tülay y Hatice Başpinar Küçük. "An organocatalytic method for the synthesis of some novel xanthene derivatives by the intramolecular Friedel–Crafts reaction". RSC Advances 7, n.º 27 (2017): 16644–49. http://dx.doi.org/10.1039/c6ra27094h.

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An efficient organocatalytic method for the synthesis of new substituted 9-arylxanthenes (2a–2u) starting from diarylcarbinol compounds with an arenoxy group (1a–1u) has been developed using the intramolecular Friedel–Crafts reaction.

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21

Ramezani, R., A. R. Medghalchi y J. Laali. "Arens regularity and point Arens regularity of semigroup algebras". Positivity 23, n.º 5 (28 de febrero de 2019): 1215–24. http://dx.doi.org/10.1007/s11117-019-00662-8.

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22

DAWS, MATTHEW. "ULTRAPOWERS OF BANACH ALGEBRAS AND MODULES". Glasgow Mathematical Journal 50, n.º 3 (septiembre de 2008): 539–55. http://dx.doi.org/10.1017/s0017089508004400.

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AbstractThe Arens products are the standard way of extending the product from a Banach algebrato its bidual″. Ultrapowers provide another method which is more symmetric, but one that in general will only give a bilinear map, which may not be associative. We show that ifis Arens regular, then there is at least one way to use an ultrapower to recover the Arens product, a result previously known for C*-algebras. Our main tool is a principle of local reflexivity result for modules and algebras.

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23

Sahleh, Abbas y Abbas Zivari-Kazempour. "Arens Regularity of Certain Class of Banach Algebras". Abstract and Applied Analysis 2011 (2011): 1–6. http://dx.doi.org/10.1155/2011/680952.

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We study Arens regularity of the left and right module actions of on , where is thenth dual space of a Banach algebra , and then investigate (quotient) Arens regularity of as a module extension of Banach algebras.

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24

Aleandro, María José. "Arens simultaneously factorization". General Mathematics 27, n.º 1 (1 de junio de 2019): 17–27. http://dx.doi.org/10.2478/gm-2019-0002.

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Abstract Let X be a Banach bimodule over a Banach algebra 𝒜. We shall seek conditions under which (1) X and its dual factorize on the same side or (2) X factors on the left (or right) if and only if its second conjugate space has a left (or right) unit.

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25

Ritonga, Pangoloan Soleman y Sukindro. "ANALISIS KANDUNGAN FOSFOR MENGGUNAKAN SPECTROFOTOMETER UV-VIS PADA KACANG HIJAU YANG DIAMBIL DARI PASAR KOTA PEKANBARU". Photon: Jurnal Sain dan Kesehatan 2, n.º 2 (30 de mayo de 2012): 45–51. http://dx.doi.org/10.37859/jp.v2i2.138.

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Analysis of phosphorus content in green beans was done. Sampling was conducted with a random method (random) from 3 different markets namely the market of Panam, the market of Arengka and the market of Giant. This study aims to analyze the levels of phosphorus in the green beans in the markets of Pekanbaru. The method used in this study is the UV-Vis spectrophotometer, which measured at a wavelength of 400 nm. Research was conducted at the Laboratory of Pathology, Entomology and Microbiology (PEM) Faculty of Agricultural and animal husbandry Pekanbaru Riau Suska UIN 2010. Based on the results obtained from 3 samples of green beans that were analyzed, the results showed that phosphorus levels in green beans from the market of Arengka is 82.3 mg/10g, from Panam Market is mg/10g 88.05 and market of Giant is 89.63 mg/ 10g. From 3 different markets that phosphorus levels obtained ranged from 82.3 to 89.63 mg/10 gr.

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26

Ghahramani, F. y J. Laali. "Amenability and topological centres of the second duals of Banach algebras". Bulletin of the Australian Mathematical Society 65, n.º 2 (abril de 2002): 191–97. http://dx.doi.org/10.1017/s0004972700020232.

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Let  be a Banach algebra and let ** be the second dual algebra of  endowed with the first or the second Arens product. We investigate relations between amenability of ** and Arens regularity of  and the rôle topological centres in amenability of **. We also find conditions under which weak amenability of ** implies weak amenability of .

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27

Kurniati, Ni Luh Wayan Rita. "OPTIMALISASI KINERJA SIMPANG PASAR PAGI ARENKA DI KOTA PEKANBARU". Jurnal Penelitian Transportasi Darat 18, n.º 2 (10 de abril de 2018): 133. http://dx.doi.org/10.25104/jptd.v18i2.129.

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ABSTRACTTransportation problem is one of the problem that often encountered in large cities nowadays which one of the city is Pekanbaru. The main factor toward having good quality of transport infrastructure system is the performance of road, particularly the intersection performance as part of the whole road system. Congestion and long queues often occurred in Pekanbaru and mostly at intersections, ie at signalized intersections in the Arenka Market. Thus specific observations conducted on peak hours (peak hours) on the system of the traffic light. In order to measure the intersections performance, this study is using the manual method of Indonesian Highway Capacity, 1997 (MKJI-1997). The analysis method are using intersection capacity analysis, long queues analysis, phase system and delay. The results of the study showed that the performance evaluation existing at the intersection of Arenka Market with the arrangements of phase 4 and cycle time for 147 seconds, was at the range of between E and F. The calculation value of the saturation degree for Hr. Soebrantas street was 0.94 while for Soekarno Hatta street to the North was about 0.93. Based on Indonesian Highway Capacity Manual 1997, for the value of saturation degree (DS) > 0.85, means that the time signal including the road conditions must be reset.ABSTRAKMasalah transportasi merupakan salah satu masalah yang sering dihadapi di kota-kota besar salah satunya adalah Kota Pekanbaru saat ini. Salah satu faktor penting dalam usaha menuju sistem prasarana transportasi yang baik adalah kemampuan kinerja jalan, khususnya kinerja simpang sebagai salah satu bagian dari sistem jalan secara keseluruhan. Permasalahan kemacetan dan antrian yang panjang di Pekanbaru terjadi pada persimpangan, yaitu pada persimpangan bersinyal di Pasar Pagi Arenka Pengamatan khusus dilakukan pada jam-jam puncak (peak hour) pada sistem traffic light pada tersebut. Untuk mengukur kinerja persimpangan dalam penelitian ini menggunakan metode Manual Kapasitas Jalan Indonesia 1997 (MKJI-1997). Analisis yang dilakukan adalah analisis terhadap kapasitas persimpangan, panjang antrian, sistem fase serta tundaan. Data hasil analisis dari hasil evaluasi kinerja Simpang Pasar Pagi Arenka eksisting dengan pengaturan 4 fase dan waktu siklus 147 detik, didapat tingkat pelayanan simpang pasar pagi arenka berkisar dari E s/d F. Nilai perhitungan derajat kejenuhan untuk Jalan Hr. Soebrantas adalah 0,94 sedangkan Jalan Soekarno Hatta arah Utara sebesar 0,93. Menurut sumber Manual Kapasitas Jalan tahun 1997, untuk derajat kejenuhan (DS) > 0,85, maka jalan tersebut harus di atur ulang untuk waktu sinyal maupun kondisi jalannya.

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28

Erfanian, Attar, S. Barootkoob y Vishki Ebrahimi. "On extension of bi-derivations to the bidual of Banach algebras". Filomat 30, n.º 8 (2016): 2261–67. http://dx.doi.org/10.2298/fil1608261e.

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We present some necessary and sufficient conditions such that the (Arens) extensions of a bi-derivation on Banach algebras are again bi-derivations. We then examine our results for some Banach algebras. In particular, we show that the (Arens) extensions of a bi-derivation on C*-algebras are biderivations. Some results on extensions of an inner bi-derivation are also included.

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29

Bracic, Janko. "Arens regularity andweakly compact operators". Filomat 32, n.º 14 (2018): 4993–5002. http://dx.doi.org/10.2298/fil1814993b.

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We explore the relation between Arens regularity of a bilinear operator and the weak compactness of the related linear operators. Since every bilinear operator has natural factorization through the projective tensor product a special attention is given to Arens regularity of the tensor operator. We consider topological centers of a bilinear operator and we present a few results related to bilinear operators which can be approximated by linear operators.

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30

Turan, B. y M. Aslantaş. "On the Arens Homomorphism". Functional Analysis and Its Applications 56, n.º 2 (junio de 2022): 144–51. http://dx.doi.org/10.1134/s0016266322020083.

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31

Magajna, Bojan. "Bicommutants and Arens Regularity". Communications in Algebra 43, n.º 11 (21 de julio de 2015): 4674–97. http://dx.doi.org/10.1080/00927872.2014.934463.

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32

�lger, A. "Arens regularity ofK(X)". Monatshefte f�r Mathematik 105, n.º 4 (diciembre de 1988): 313–18. http://dx.doi.org/10.1007/bf01318807.

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33

Pamplona Molina, Gerard y Lluís Terrado Rourera. "Represión austracista en la Corona de Aragón durante las primeras fases de la Guerra de Sucesión de España. El caso de Areny de 1707". Cuadernos de Historia Moderna 47, n.º 1 (16 de marzo de 2022): 201–26. http://dx.doi.org/10.5209/chmo.73310.

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La Guerra de Sucesión de España dejó una profunda huella en múltiples localidades peninsulares y en la población civil. Los objetivos del presente trabajo son estudiar las razones políticas y militares que propiciaron la masacre de la Villa de Areny de 1707 por parte de las tropas de Carlos III poco después de su derrota en Almansa, y comprender mejor las dinámicas bélicas de principios del siglo XVIII y los resultados obtenidos por los gobernantes y sus ejércitos con estos actos represivos. Las fuentes documentales utilizadas proceden de archivos del Archivo Privado de Casa La Torreta de Areny, la Biblioteca Nacional de Catalunya, el Archivo de la Corona de Aragón, el Archivo Histórico Nacional y el Archivo Histórico de la Nobleza. Los hallazgos confirman la masacre en Areny y la sitúan en un contexto bélico represivo en unos territorios de dominio cambiante.

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34

Yılmaz, Ruşen. "The Arens triadjoints of some bilinear maps". Filomat 28, n.º 5 (2014): 963–79. http://dx.doi.org/10.2298/fil1405963y.

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In this paperwestudy the Arens triadjoints of some bilinear maps on vector lattices. In particular, we prove that, for Archimedean vector lattices A and B, the Arens triadjoint i) T*** : A" x A" ? B" of a positive orthosymmetric bilinear map T:A x A ? B is positive orthosymmetric, and ii) T***: A" x A" ? A" of a bi-orthomorphism T : A x A ? A is a bi-orthomorphism. These generalize results on the order bidual of f -algebras and almost f-algebras in [4].

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35

Crabb, M. J. y C. M. McGregor. "The Arens irregularity of an extremal algebra". Proceedings of the Edinburgh Mathematical Society 37, n.º 1 (febrero de 1994): 139–41. http://dx.doi.org/10.1017/s0013091500018769.

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36

Wong, Pak-Ken. "On the Arens products and reflexive Banach algebras". International Journal of Mathematics and Mathematical Sciences 14, n.º 2 (1991): 407–9. http://dx.doi.org/10.1155/s0161171291000492.

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37

Leoni, Daniela Belén. "Esto es nuestro, amigos". Octante, n.º 6 (17 de agosto de 2021): e061. http://dx.doi.org/10.24215/25250914e061.

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El presente artículo reúne los objetivos principales, premisas y bases teóricas sobre las cuales se funda la tesis colectiva interdisciplinaria Esto es nuestro, amigos desarrollada en conjunto con el artista y tesista Juan Simón Arens, de la Licenciatura en Artes Plásticas, (orientación Grabado y Arte Impreso). En ella, nos proponemos indagar la apropiación como un procedimiento artístico y como práctica cultural contemporánea, partiendo para ello del análisis de la obra de Arens en tanto incorpora y conjuga características de ambos modos de hacer. La producción y escritura de la tesis sigue en curso.

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38

Leoni, Daniela Belén. "Esto es nuestro, amigos". Octante, n.º 6 (17 de agosto de 2021): e061. http://dx.doi.org/10.24215/25250914e061.

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El presente artículo reúne los objetivos principales, premisas y bases teóricas sobre las cuales se funda la tesis colectiva interdisciplinaria Esto es nuestro, amigos desarrollada en conjunto con el artista y tesista Juan Simón Arens, de la Licenciatura en Artes Plásticas, (orientación Grabado y Arte Impreso). En ella, nos proponemos indagar la apropiación como un procedimiento artístico y como práctica cultural contemporánea, partiendo para ello del análisis de la obra de Arens en tanto incorpora y conjuga características de ambos modos de hacer. La producción y escritura de la tesis sigue en curso.

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39

Gordji, M. Eshaghi y M. Filali. "Arens regularity of module actions". Studia Mathematica 181, n.º 3 (2007): 237–54. http://dx.doi.org/10.4064/sm181-3-3.

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40

Potapov, Denis y Fedor Sukochev. "Arens Algebras and Matricial Spaces". Journal of Mathematics, Mechanics and Computer Science 100, n.º 4 (2018): 3–7. http://dx.doi.org/10.26577/jmmcs-2018-4-583.

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41

Forrest, Brian. "Arens regularity and discrete groups". Pacific Journal of Mathematics 151, n.º 2 (1 de diciembre de 1991): 217–27. http://dx.doi.org/10.2140/pjm.1991.151.217.

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42

Volosova, Nina V. "Contractible quantum Arens–Michael algebras". Banach Center Publications 91 (2010): 423–40. http://dx.doi.org/10.4064/bc91-0-25.

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43

PALACIOS, ANGEL RODRÍGUEZ. "A NOTE ON ARENS REGULARITY". Quarterly Journal of Mathematics 38, n.º 1 (1987): 91–93. http://dx.doi.org/10.1093/qmath/38.1.91.

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44

Hu, Zhiguo y Matthias Neufang. "Distinguishing properties of Arens irregularity". Proceedings of the American Mathematical Society 137, n.º 05 (17 de noviembre de 2008): 1753–61. http://dx.doi.org/10.1090/s0002-9939-08-09678-0.

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45

Varadarajan, V. S. "Richard Friederich Arens (1919–2000)". Pacific Journal of Mathematics 195, n.º 2 (1 de octubre de 2000): 259. http://dx.doi.org/10.2140/pjm.2000.195.259.

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46

Ayupov, Sh A. y K. K. Kudaybergenov. "Derivations of noncommutative Arens algebras". Functional Analysis and Its Applications 41, n.º 4 (octubre de 2007): 303–5. http://dx.doi.org/10.1007/s10688-007-0028-5.

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47

Loos, Andreas. "Mathematik. Von T. Arens u.a." Physik in unserer Zeit 39, n.º 5 (septiembre de 2008): 255. http://dx.doi.org/10.1002/piuz.200890063.

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48

MIAO, TIANXUAN. "Unital Banach algebras and their subalgebras". Mathematical Proceedings of the Cambridge Philosophical Society 143, n.º 2 (septiembre de 2007): 343–47. http://dx.doi.org/10.1017/s0305004107000266.

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AbstractLet A be a Banach algebra with a bounded approximate identity. We prove that if A is not unital, then there is a nonunital subalgebra B of A with a sequential bounded approximate identity. It follows that A must be unital if A is weakly sequentially complete and B** under the first Arens multiplication has a unique right identity for every subalgebra B of A with a sequential bounded approximate identity. As a consequence, we prove a result of Ülger that if A is both weakly sequentially complete and Arens regular, then A must be unital.

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49

Konstan, David. "Health and Hedonism in Plato and Epicurus by Kelly Arenson". Journal of the History of Philosophy 58, n.º 2 (2020): 401–2. http://dx.doi.org/10.1353/hph.2020.0044.

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50

Syazin, Ivan Evgen'evich, Gennadiy Ivanovich Kas'yanov y Aleksandr Valerievich Gukasyan. "Teplotekhnicheskiy raschet sistemy kholodosnabzheniya ledovoy areny". Refrigeration Technology 109, n.º 5 (15 de mayo de 2020): 22–26. http://dx.doi.org/10.17816/rf104040.

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There are quite a lot of vacant territories practically in every modern Russian city. Mainly, these are former industrial zones suitable for second use. The construction of new residential areas is not the best solution as this will create a constant additional load on the municipal and transport infrastructure. A much more rational solution is using these vacant territories for construction of modern industrial or sports and entertainment complexes, which the modern city is lacking. Unlike a night club or, for example, a fitness center, the payback of such constructions is always questionable. For large cities, one of the solutions to the problem is the construction of sports facilities in the framework of the projects for reconstruction of outdated complexes or restoration of industrial zones. This approach makes it possible to get worldclass sports sites. The article provides the heat engineering calculation of the ice arena on the basis of a concrete example (hypothetical ice arena in the city of Krasnodar). It is aimed at showing the method of heat engineering calculation of the ice arena using a specific example.

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