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Artículos de revistas sobre el tema "Architecture Philosophy"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 1 de agosto de 2024

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1

Becheru, Raluca. "The philosophy of architecture in analytic tradition: An enquiry on the possibility of the field and its themes." SAJ - Serbian Architectural Journal 8, no. 2 (2016): 309–21. http://dx.doi.org/10.5937/saj1602309b.

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The paper focuses on the new field of philosophy of architecture in analytic tradition. The research presented in this paper is part of an ongoing doctoral research concerning the connection between ethics and aesthetics in architecture. The connection between architecture and philosophy is not a novelty. Architectural theory has always looked up to philosophy for inspiration but only recently philosophers have started to study architecture in detail. Architectural theory is still a field that is in search of a better conceptual frame after the failure of the theoretical premises of the Modern

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2

Ćipranić, Miloš. "Avenues of Approach – Petar Bojanić and the Institution of Architecture." AM Journal of Art and Media Studies, no. 12 (April 15, 2017): 109. http://dx.doi.org/10.25038/am.v0i12.171.

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The philosopher Petar Bojanić advocates resistance of the architectural discipline to the philosophy of architecture. Using the technique of mise-en-scène, in “Thinking Architecture/Disciplining Architecture” (2015) Bojanić reaffirms that after architecture’s theoretical turn in the second half of the 20th century the architect is undoubtedly capable of theoretically thematizing his/her own work. I argue strongly that this implies, among other things, building a disciplinary language, which must reconcile, or at least balance between, the verbal and non-verbal form of expression. Also, I try t

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3

Vesnić, Snežana. "The philosophical platform of the architect: Why philosophers make such good drawings?" SAJ - Serbian Architectural Journal 9, no. 3 (2017): 201–16. http://dx.doi.org/10.5937/saj1703201v.

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Theoretical interpretations and attempts at instrumentalisation of the ties and exchanges between philosophy and architecture have mostly been directed at questions of language or the institutionalisation of the discipline of architecture. In this text, I suggest a different approach to philosophical engagement in architecture: a simultaneous use in the methodology of the architectural project and constitution of a philosophy of architecture, not only as a question of interdisciplinary exchange, but as an integral part of comprehensive architectural processes, with philosophy still maintaining

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4

Šuvaković, Miško. "Architecture and philosophy: Relations, potentialities and critical points." SAJ - Serbian Architectural Journal 4, no. 2 (2012): 160–75. http://dx.doi.org/10.5937/saj1202160q.

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In the debate "Architecture and Philosophy / the relations, potentialities and critical points" the notions of "philosophy of architecture" and "aesthetics of architecture" will be discussed. The differences between traditional and contemporary philosophy and aesthetics of architecture will be introduced. In a separate sub-chapter the status of "theory" and "theorizing" during the times of late modernism and postmodern culture will be discussed. It has been pointed to the modalities of theory outside philosophy and aesthetics. The discourses from philosophy, humanities, free theorizing and arc

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5

Jobst, Marko. "Gilles Deleuze and the Missing Architecture." Deleuze Studies 8, no. 2 (May 2014): 157–72. http://dx.doi.org/10.3366/dls.2014.0141.

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This essay combines experiential writing, quotes from Virginia Woolf's novel The Waves and Gilles Deleuze's philosophy in order to indicate that architecture remains a largely overlooked instance of the world. This is particularly problematic in the context of the question of immanence, which can be understood to lie at the core of Deleuze's philosophy. Architecture's relation to thought is discussed here via Deleuze's writing in Difference and Repetition and pursued in conjunction with Simone Brott's notion of architectural ‘effects’. Rather than seeing encounters with architecture as the sit

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6

Budi Santosa, Revianto. "Recharting The Philosophy of Technology in Contemporary Architecture." SHS Web of Conferences 41 (2018): 04012. http://dx.doi.org/10.1051/shsconf/20184104012.

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Technology is an indispensable aspect of architecture. In fact, it is being an essential part of the human effort in making architecture. Since the early modern era, technology that rapidly change has been seen as the sign of progress, not only pertaining to the technology itself, but also architecture and even civilization. Modern architectural theoreticians, from Sant’Elia to Le Corbusier, enthusiastically embraced the progressive side of technology and engineering. Philosophically, however, modern technology is regarded pessimistically. Heidegger and Jaspers considered technology as the sou

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7

Duncan, Elmer H., and Michael H. Mitias. "Philosophy and Architecture." Journal of Aesthetic Education 31, no. 1 (1997): 113. http://dx.doi.org/10.2307/3333477.

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8

Goel, Amit. "The Philosophy of Software Architecture." International Journal of Web Portals 2, no. 4 (October 2010): 28–39. http://dx.doi.org/10.4018/jwp.2010100103.

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Computer Software Intensive systems have become ingrained in our daily life. Apart from obvious scientific and business applications, various embedded devices are empowered with computer software. Such a diverse application of Computer Software has led to inherent complexity in building such systems. As civilizations moved forward, the concept of architectural thinking and practice was introduced to grapple with the complexity and other challenges of creating buildings, skyscrapers, townships, and cities. The Practice of Software Architecture is an attempt to understand and handle similar chal

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9

Bianco, Lino. "From Poetics to Metapoetics: Architecture Towards Architecture." Balkan Journal of Philosophy 10, no. 2 (2018): 103–14. http://dx.doi.org/10.5840/bjp201810212.

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An undiscovered chapter in the history of architecture comes from the ex-Soviet Republic of Georgia. Poetics of Architecture is the name given to the studioworkshop at the Georgian Technical University set up by the Georgian architect Shota Bostanashvili (1948–2013). From 1990 until his death he delivered insightful, playful and rather provocative lectures on architecture at this university. He preferred to call his architectural philosophy, critical discourse on architecture. Themes ranged from poetics to metapoetics of architecture. His philosophy of architecture is illustrated by some of hi

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10

Negulyaeva, T. V., and S. F. Dyadchenko. "Architecture and philosophy of antiquity: The formation of classical architecture." Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture 23, no. 1 (February 26, 2021): 73–84. http://dx.doi.org/10.31675/1607-1859-2021-23-1-73-84.

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The classical architecture is being constantly developed in time, and, consequently, is relevant nowadays. The paper deals with the development of classical architectural in antiquity up to the present time. This is necessary for further study of modern architecture. The aim of this work is to identify the most stable formation of the classical antique architecture. Scientific novelty lies in the systematic approach to the studying the evolution of ancient architectural theory, taking into account a variety of external factors and based on ancient philosophy. The main level of scientific knowl

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11

Rabboh, Emad H., and Ali A. Elmansory. "The Correlation of Deconstruction Architecture to Arab Architectural Identity." Academic Research Community publication 2, no. 4 (January 1, 2019): 319. http://dx.doi.org/10.21625/archive.v2i4.369.

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The Arab architectural identity is characterized by the originality of the various Arab cultures. Islamic culture is what makes Arab societies unique and it is what inspired Arab architecture. Consequently, the Arab architecture encounters contemporary challenges. If modern architectural trends influenced Arab civilization, it could then obliterate its identity over the years. Moreover, positively interacting with modern architectural trends must take place rather than negative interactions. The aforementioned reasons leave this phenomenon the subject of discussio

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12

Blagojević, Ljiljana. "Architecture utopia realism: Thematic framework." SAJ - Serbian Architectural Journal 6, no. 3 (2014): 138–45. http://dx.doi.org/10.5937/saj1402138b.

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The term or concept of realism seems to be recurring in recent theoretical inquiries, from debates in philosophy and aesthetics to those in theory and practice of architecture. Since 2000, the architectural discourse has been concerned with a wide range of related issues coming from its own post-critical debates on utopianism and realism and the possibility of an 'utopian realism', as suggested by Reinhold Martin (2005). The debates on realism resonate in the architectural theory anew as a reflection on the Manifesto of New Realism by the philosopher Maurizio Ferraris from 2011. The questions

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13

Sukh, Illya. "The Will To Architecture: Kojin Karatani and Critics of the Traditional Metaphor of Architecture in Western Philosophy. Review of: Nadir Lahiji (2024). Kōjin Karatani’s Philosophy of Architecture. London and New York: Routledge. 180p." Humanitarian Vision 10, no. 1 (June 5, 2024): 37–40. http://dx.doi.org/10.23939/shv2024.01.037.

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The monograph of Nadir Lahiji, which is devoted to the philosophy of architecture of the outstanding Japanese thinker Kojin Karatani, is overviewed. The author presents a thorough analysis of Karatani's philosophical project, demonstrates its closeness to Kant's critical philosophy. Lahiji reveals Karatani's groundbreaking definition of Will to Architecture and the use of architectural metaphors in Western philosophy.

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14

Schwarte, Ludger. "Spaces of reflection: Where does philosophy take place?" SAJ - Serbian Architectural Journal 10, no. 3 (2018): 95–106. http://dx.doi.org/10.5937/saj1802095s.

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If reasoning implies a specific architecture (of concepts), the act of reasoning is not independent of very concrete architectural dispositions. In my essay, I will first give a sketch of places that have been designed as spaces of reflection, secondly, deconstruct the implicit assumptions of the relation with architecture and, lastly, try to show how the practice of philosophy depends on architectural settings.

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15

Shi, Jian He, and Xian Wei Wu. "On the Central Concept of Architectural Philosophy: Art." Applied Mechanics and Materials 174-177 (May 2012): 1892–94. http://dx.doi.org/10.4028/www.scientific.net/amm.174-177.1892.

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Aesthetic taste as the main value of life is the central task of building arts. Artistic characteristics of architecture reflect human glory and always exist in our thousands of years of architectural history. The art pursuit of architecture is still the focus for the public especially architects. Therefore, the central concept of the construction philosophy is the art of architecture.

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16

Zhang, Rui, and Ben Zhao Yang. "Intelligence Evolvement and Overall Design of Architecture Originality." Advanced Materials Research 255-260 (May 2011): 1484–88. http://dx.doi.org/10.4028/www.scientific.net/amr.255-260.1484.

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According to the developing process of full lifecycle design service in architecture development and the dynamic and adaptive process of central design, the paper illustrates the idea that architecture originality takes quietness as its carrier and dynamics as its originality, and put forward that intelligent evolvement process of architectural design is a inexorable trend; through stating the architectural design ideas based on Chinese philosophy system, the originality of “Smart Architecture” based on Chinese speculative philosophy system is fixed, which can offer solid theoretical research

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17

Dumnova, Elnara, Oleg Romannikov, and Tatyana Gudkova. "Explication of postmodern philosophy ideas in architecture." проект байкал 19, no. 72 (July 31, 2022): 164–71. http://dx.doi.org/10.51461/projectbaikal.72.2000.

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The postulation of the new principles of being (decentration, plurality, chaoticness, rhizomaticity) by the philosophers-postmodernists reflected the nonlinear nature of the development of the social system, one of the projections of which was the formation of a new direction of architecture. Analysis of the works of the theorists of postmodernism revealed the influence of the new worldview paradigm on the transformation of architecture as a response to social challenges of our time. The explication of the principles of postmodernism in architecture expressed itself in the transformation of it

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18

Al-Sadkhan, Areage Karim, and Alaa Abdul-Razaq Karim. "THE EFFECT OF CONTEMPORARY SCIENCE PHILOSOPHY ON ARCHITECTURE." Journal of Engineering 12, no. 04 (December 1, 2006): 86–109. http://dx.doi.org/10.31026/j.eng.2006.04.02.

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The research tries to investigate the effects of Contemporary Science Philosophy on Architecture. The research depends on contemporary Science Philosophy of K.Popper and T.Kuhn. The procedures of the research contain the construction of comprehensive theoretical framework that includes the influence of contemporary of Philosophy of Science on Architecture in the following level which contains the general thought position, which includes (The position of Psychological Theory, knowledge Theory, the society, the history and the position of Architecture views). The conclusions of the research focu

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19

Šuvaković, Miško. "Revisionist philosophy of architecture: Fundamental dispositives." SAJ - Serbian Architectural Journal 6, no. 1 (2014): 119–35. http://dx.doi.org/10.5937/saj1401119q.

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The discussion points to the issue of defining and re-defining the notion of the "critical theory". The notion of critical theory has been considered since the introduction of the notion at the Institute for Social Research in Frankfurt until the modern, postmodern and contemporary theories of critical and decentering of the critical. The notion of critical theory is associated with the problem of politicization of architecture and urbanism. It is pointed to the case of critical theory of the Frankfurt circle. Particular attention is paid to the art/architecture theory of Theodor Adorno and to

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20

Ameen, Sura Kassim, Ibrahim Jawad Al-yusif, and Ali Musa Hussein. "Abstraction the architectural heritage of contemporary local architecture." Iraqi Journal of Architecture and Planning 19, no. 1 (January 28, 2020): 1–12. http://dx.doi.org/10.36041/iqjap.v16i1.490.

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Abstraction is used in architectural and interior design and is based on abstraction with formal values, taking into account the functional aspect of architecture. Architectural heritage represents the cultural value that directly affects successive generations, and embodies cultural values to reflect the social, economic and political aspect that contributes to the advancement of human civilization, and architectural heritage is the basis of architectural thought in societies that have unity. Cultural. He found that the concept of the philosophy of abstraction has multiple views, whether West

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21

Ameen, Sura Kassim, Ibrahim Jawad Al-yusif, and Ali Musa Hussein. "Abstraction the architectural heritage of contemporary local architecture." Iraqi Journal of Architecture and Planning 19, no. 1 (January 28, 2020): 1–12. http://dx.doi.org/10.36041/iqjap.v19i1.490.

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Abstraction is used in architectural and interior design and is based on abstraction with formal values, taking into account the functional aspect of architecture. Architectural heritage represents the cultural value that directly affects successive generations, and embodies cultural values to reflect the social, economic and political aspect that contributes to the advancement of human civilization, and architectural heritage is the basis of architectural thought in societies that have unity. Cultural. He found that the concept of the philosophy of abstraction has multiple views, whether West

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22

Bakir, Solaiman, Melania L. Pandiangan, Genie Anggita, and Rangga Alexander. "INTERPRETASI TEORI DELEUZE DAN GUATTARI DALAM ARSITEKTUR." ATRIUM Jurnal Arsitektur 1, no. 2 (June 6, 2020): 123–33. http://dx.doi.org/10.21460/atrium.v1i2.44.

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   Title: Interpretation of Deleuze and Guattari Theories in Architecture Philosophy influenced all architects through theories of philosophy which is it acted as a set of the idea to practice in design. It is can be looked at the contemporary architectural trend which trying to demonstrated the deconstruction philosophy through architecture style, or it is can be observed in architecture literature which trying to adopt the philosophy of phenomenology and so forth. These examples revealed that there are relationship between philosophy and architecture. So, In this case

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23

Suharjanto, Gatot. "Konsep Arsitektur Tradisional Sunda Masa Lalu dan Masa Kini." ComTech: Computer, Mathematics and Engineering Applications 5, no. 1 (June 30, 2014): 505. http://dx.doi.org/10.21512/comtech.v5i1.2644.

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It is known that traditional architectures are a product of human conception full of culture and philosophy, while modern architectural concepts prioritize functionality and simplicity that tends to be simple or quick. Now the architectural concept slowly changes according to the conditions of time, then so is the existence of works of architecture that also changes. This condition can be found in almost major cities in Indonesia, where many houses or buildings built still in traditional architecture theme but combined and matched with modern architecture concept. One of many diverse cultures

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24

Idoko, Ikenna Emmanuel, Onyeka Emmanuel Uzowulu, and Ikenna Michael Onuorah. "Minimalist Architecture and the Concept of Less is More: The Place of Hellenistic Cynicism in the Architectural Concept of Mies Van Der Rohe." International Journal of Research and Innovation in Social Science VIII, no. II (2024): 211–24. http://dx.doi.org/10.47772/ijriss.2024.802015.

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Historically, cynicism as a philosophical movement started and soared in the Hellenistic period. Disquisition on cynicism concerning architecture and architectural philosophy has been relatively neglected. This article addresses cynicism, delving into the philosophy of the cynics’ lifestyle and beliefs vis-à-vis less is more (minimalism), which was an epigram adopted by Mies Van Der Rohe in his architectural designs and buildings. Standing on the shoulder of simplicity, as the common denominator between cynicism and minimalism, the authors create an intercourse between philosophy and architect

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25

Saleh, M. T., Y. Mansour, S. Kamel, K. Dewidar, and A. A. Farid. "Towards a Taxonomy of The 21^st century Architectural Practices in the age of Sustainability and Technology." IOP Conference Series: Earth and Environmental Science 1056, no. 1 (August 1, 2022): 012011. http://dx.doi.org/10.1088/1755-1315/1056/1/012011.

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Abstract The architectural practices witness drastic transformations in the 21st century globally, which put the architectural community in a situation of crisis; facing challenges to identify different trajectories and their characteristics for a reliable evaluation of the approaches and strategies. Conferences and research laboratories started to seek a philosophy interpreting new practices, mostly known is the 2003 Pompidou exhibition in France discussing “Non-standard Architectures”. This research investigates the interrelation between architecture, and the most-two dialectic terms of the

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26

Riha, Rado. "Architecture and new ontologies." SAJ - Serbian Architectural Journal 2, no. 3 (2010): 203–14. http://dx.doi.org/10.5937/saj1003203r.

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The history of architecture and contemporary architectural discussion show that the encounters of architecture and philosophy are neither rare nor exceptional. The central thesis of this article is that today architecture and philosophy are connected in a way that goes beyond the variety of their interdisciplinary co-operation. The two domains of thought are connected in a more "existential" sense: they both need to address certain issues that concern the conditions of the possibility of their future existence. The article focuses on two such issues: it seeks to demonstrate in what way the exi

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27

wang, Fang. "The Influence of Chinese Traditional Philosophical Ideas on Ancient Chinese Architecture." Философия и культура, no. 2 (February 2023): 37–48. http://dx.doi.org/10.7256/2454-0757.2023.2.39792.

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The formation and development of any architectural form and system has its own historical and cultural background. The ancient Chinese architectural system has a long history and characteristics inseparable from the historical development of Chinese traditional philosophy. Chinese philosophy, as a theory of human self-consciousness, does not give knowledge, but mainly gives ideas and ways of thinking for the needs of human self-development; At the same time, ancient Chinese architecture became a physical object reflecting the idea of traditional Chinese philosophy. Therefore, in order to explo

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28

Zhang, Ning. "The Role of Ancient Chinese Philosophy in the Designs of Chinese Buildings." Open House International 41, no. 3 (September 1, 2016): 81–85. http://dx.doi.org/10.1108/ohi-03-2016-b0014.

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Buildings are the condensation of the national, ethnic, or cultural identity. They are also the specific materialized form of the national social systems, folk customs, and ideologies. Architectural design and philosophy constitute an isomorphic relationship with each other. This study focuses on the Chinese traditional philosophy. Using Kuanzhai Alley in Chengdu as an example, philosophical expressions, such as “holistic thinking,” “group form layout,” “heaven and man,” “yin–yang and the five elements,” “ancient architecture design,” “good” aesthetic concepts, and “conformal”rationalism, are

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29

Winters, Edward, and Marco Frascari. "Monsters of Architecture: Anthropomorphism in Architectural Theory." Philosophical Quarterly 43, no. 171 (April 1993): 251. http://dx.doi.org/10.2307/2220380.

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30

Jász, Borbála. "Architectural Theory and Analytic Philosophy in the Interwar Period." Acta Universitatis Sapientiae, European and Regional Studies 14, no. 1 (December 1, 2018): 41–53. http://dx.doi.org/10.2478/auseur-2018-0010.

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Abstract The basis of the connection between analytic philosophy and architecture theory was developed in the interwar period. The results of analytic philosophy – especially the neo-positivism of Vienna Circle – and modern, functionalist architecture theory were utilized in an interdisciplinary approach. The comparison was based on language puzzles, science-based building processes, the method of justification and verification, and designing an artificial language in order to express the theoretical (philosophical) and the practical (architectural) approach as well. The functionality was base

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31

Croddy, S. "GOTHIC ARCHITECTURE AND SCHOLASTIC PHILOSOPHY." British Journal of Aesthetics 39, no. 3 (March 1, 1999): 263–72. http://dx.doi.org/10.1093/bjaesthetics/39.3.263.

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32

Vesnic, Snezana. "What is an architectural concept? The “concept” of Deleuze and “project” of Eisenman." Filozofija i drustvo 28, no. 4 (2017): 1122–35. http://dx.doi.org/10.2298/fid1704122v.

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Two great theories - one in philosophy, one in architecture - emerge nearly simultaneously in the twentieth century: Gilles Deleuze?s understanding of the ?concept,? that is, defining philosophy as an activity that produces concepts, and Peter Eisenman?s idea of the ?project? as a platform, ?position,? or ?theory? of an architect. My intention is to suggest and problematize the idea of the concept as ?capacity? or ?potentiality? implying the production of a multitude of ?concepts? or varying ?conceptions.? Deleuze?s great significance for architecture of this century allowed for the constructi

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33

Pane, Imam Faisal, Hilma T Fachrudin, Hesti Fibriasari, and Aurora S Lubis. "Reading Sign as a response to an architectural work (Case study: Wisma Garuda)." Britain International of Linguistics Arts and Education (BIoLAE) Journal 2, no. 1 (March 20, 2020): 338–45. http://dx.doi.org/10.33258/biolae.v2i1.204.

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Between objects and observers in the world of architecture have a close relationship. In assessing and appreciating an architectural work it is necessary to synchronize architectural objects as a sign. The sign in question means an architectural work that functions as a sentence that can be read and has a meaning or meaning. The position of an architectural work depends on the observer in appreciating it. In general, this paper explains that an architectural object has an understanding that can be understood by the observer in accordance with the appreciation reached to the observer. The objec

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34

Younès, Chris. "Architecture and philosophy: Paradoxes and metamorphoses of their meeting." SAJ - Serbian Architectural Journal 5, no. 3 (2013): 39–46. http://dx.doi.org/10.5937/saj1301039y.

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It is well known that Jacques Derrida emphasized the idea of an essential cohabitation between philosophy and architecture, declaring: "The Collège international de philosophie should provide the place for a meeting (rencontre), a thinking meeting, between philosophy and architecture. Not in order to finally have them confront each other, but to think what has always maintained them together in the most essential of cohabitations." This paper addresses in particular a hypothesis about the metamorphoses of this meeting that, from unity of architectonics and principles, becomes multiple and of a

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35

Soltani, Mahya. "Philosophy and Wisdom in Islamic-Iranian Architecture, with Respect to External Veil in Architecture." Current World Environment 10, Special-Issue1 (June 28, 2015): 260–67. http://dx.doi.org/10.12944/cwe.10.special-issue1.34.

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The result of centuries of experience of this country’s ancestors and great artists, are Memorabilia that nowadays referred to as Islamic architecture. Increasing crisis of identity and irregularities in the feature of contemporary cities and buildings, reveal the latent values of past experiences more than ever. Various definitions have been proposed to explain Islamic architecture, which mostly address its material and superficial aspects. This paper attempts to address the wisdom in Islamic architecture. Based on this view work of art that lies between the audience and the author, as the me

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36

Zhao, Zhi Qing, and Li Tao. "Differences of Philosophy and Culture between Chinese and Western Reflected in Construction." Advanced Materials Research 953-954 (June 2014): 1533–36. http://dx.doi.org/10.4028/www.scientific.net/amr.953-954.1533.

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Globalization had the great influence on architectural culture. Rational and fighting spirit, the individual and subject consciousness, religion and willpower of Western culture were represented on buildings. And Confucianism and Taoism, with other various internal and foreign Buddhist, complement each other, became the main line of ancient China thought, were penetrated and cohered in all aspects of Chinese buildings. In the globalized world, the architect should explore the rational core and objective laws of architectural development, and consciously promote the continuous development of tr

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37

Mako, Vladimir. "An Islamic numerical interpretation of Hagia Sophia at Constantinople." SAJ - Serbian Architectural Journal 11, no. 2 (2019): 247–62. http://dx.doi.org/10.5937/saj1902247m.

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Ideas regarding aesthetical thinking on architecture developed through history a number of interpretations addressing its cultural and social importance. These interpretations appear as formations of possible worlds of meanings, structured through human power of imagination and reaching impressive levels of creative comprehension what architectural structure can reflect by its meaningful essence. The paper explores one of such possible world of meanings, given in a form of numerical interpretation of the architectural structure of Hagia Sophia in Constantinople. Beside its complex and hermeneu

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38

Weaver, Thomas. "The Death and Life of Theory." Materia Arquitectura, no. 16 (December 28, 2017): 117. http://dx.doi.org/10.56255/ma.v0i16.363.

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This essay challenges a contemporary understanding of theory, largely through the assertion that architecture becomes servile when only read theoretically. It explains some of the conceptions involved in the editing of the long-running journal AA Files, among them the preferential treatment this publication gives to history, and makes a more fundamental argument that architecture does not need the appliqué of philosophy because multiple ideas and allusions are already embedded within it. Nevertheless, it recognises that among all of architecture’s various objects is theory itself. Following Al

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39

Grebinnyk, T. O., V. V. Belopoly, and O. I. Plaksina. "Philosophy in architecture: a modern view." Bulletin of Prydniprovs’ka State Academy of Civil Engineering and Architecture, no. 6 (December 27, 2018): 83–88. http://dx.doi.org/10.30838/j.bpsacea.2312.261218.83.452.

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40

Kim, Jung-Shin. "Organic Philosophy Background of Biomorphic Architecture." Journal of the Korea Contents Association 14, no. 5 (May 28, 2014): 436–43. http://dx.doi.org/10.5392/jkca.2014.14.05.436.

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41

Haldane, John. "ARCHITECTURE, PHILOSOPHY AND THE PUBLIC WORLD." British Journal of Aesthetics 30, no. 3 (1990): 203–17. http://dx.doi.org/10.1093/bjaesthetics/30.3.203.

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42

Harries, Karsten. "Philosophy and the Task of Architecture." Journal of Architectural Education (1984-) 40, no. 2 (1987): 29. http://dx.doi.org/10.2307/1424928.

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43

Moore, Steven, and David Kolb. "Postmodern Sophistications: Philosophy, Architecture, and Tradition." Journal of Architectural Education (1984-) 45, no. 4 (July 1992): 241. http://dx.doi.org/10.2307/1425192.

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GUYER, PAUL. "Kant and the Philosophy of Architecture." Journal of Aesthetics and Art Criticism 69, no. 1 (February 2011): 7–19. http://dx.doi.org/10.1111/j.1540-6245.2010.01442.x.

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Rose, Gillian. "Architecture to Philosophy — The Postmodern Complicity." Theory, Culture & Society 5, no. 2-3 (June 1988): 357–71. http://dx.doi.org/10.1177/0263276488005002008.

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46

Harries, Karsten. "Philosophy and the Task of Architecture." Journal of Architectural Education 40, no. 2 (January 1987): 29–30. http://dx.doi.org/10.1080/10464883.1987.10758422.

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47

Moore, Steven. "Postmodern Sophistications: Philosophy, Architecture, and Tradition." Journal of Architectural Education 45, no. 4 (July 1992): 241–43. http://dx.doi.org/10.1080/10464883.1992.10734522.

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48

Køien, Geir M. "A Philosophy of Security Architecture Design." Wireless Personal Communications 113, no. 3 (April 30, 2020): 1615–39. http://dx.doi.org/10.1007/s11277-020-07310-5.

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49

Sharp, John. "Richard Padovan—Proportion: Science, Philosophy, Architecture." Nexus Network Journal 4, no. 1 (February 2002): 113–22. http://dx.doi.org/10.1007/s00004-001-0008-7.

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Hadrovic, Ahmet. "Professor Ahmet Hadrovic's Philosophy of Architecture." South East European Journal of Architecture and Design 9, no. 1 (October 18, 2023): 1–26. http://dx.doi.org/10.3889/seejad.2023.10070.

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Resumen

As a part of the Universe, man is, by himself, such a complex reality that, as long as he exists, he will not be fully 'explored'. Before the explicit elaboration of 'his philosophy of architecture', the Author will present a brief description of 'his life path', since he is convinced that it is the material for his philosophy. In this description, he used excerpts from his published book (2019) of philosophical content – “Man: something or nothing”. The author is convinced that the text presented in this work is only one view of man about man. It is true to the extent that the very existence

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