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Artículos de revistas sobre el tema "Architecture Australia 20th century"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 31 de enero de 2023

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1

González Zarandona, José Antonio. "Between destruction and protection: the case of the Australian rock art sites". ZARCH, n.º 16 (13 de septiembre de 2021): 148–53. http://dx.doi.org/10.26754/ojs_zarch/zarch.2021165087.

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Can heritage be practiced and thought outside the binary of exaltation vs. denigration? To answer this question posed by the editors, this paper will analyse the destruction and protection of Indigenous heritage sites in Australia, where the destruction of significant cultural heritage sites, mainly Indigenous heritage sites, is the result of biased and outdated practice of cultural heritage that divides Indigenous heritage (prior 1788) from Australian heritage (after 1788). This rift has caused an immense damage to Indigenous heritage around the country as it shows how in Australia heritage is practiced and thought outside the dualism of celebration versus destruction. In this paper, I will show how the destruction of Indigenous rock art sites has been a constant in the 20th and 21st century and how this destruction has been framed in media as a result of vandalism. By arguing that this framing is perpetuating the dualism of celebration versus destruction, I suggest that we can move out of this binary by considering the concept of iconoclasm to go beyond this dualism.

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Bazilevich, Mikhail E. y Anton A. Kim. "STYLISTIC FEATURES OF THE EUROPEAN ARCHITECTURE OF BANKING INSTITUTIONS IN GUANGZHOU LATE 19TH – EARLY 20TH CENTURY ON THE EXAMPLE OF SHAMYAN ISLAND". Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, n.º 41 (2021): 5–17. http://dx.doi.org/10.17223/22220836/41/1.

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The article is devoted to the architecture of European banking institutions in Guangzhou, built on the territory of Shamyan island in the late 19th – early 20th century. A brief historical excursion into the history of the formation of the British and French concessions is given. This publication examines the stylistic and compositional features of the architecture of such banking institutions as: Hong Kong and Shanghai Banking Corporation; The Chartered Bank of India, Australia and China; International banking corporation (City Bank); Bank of Taiwan; Commercial Corporation of Mitsubishi; Yokogama Specie Bank; The E.D.Sassoon & Co.Ltd. и D. Sassoon Sons Co. Ltd; Bank of Indochina; China & France Industry Bank. A composite and stylistic analysis was conducted, an iconographic description of the buildings of the main banks located within the boundaries of the former European concessions on Shamyan Island is given The study reveals the general principles of the development of the architecture of banking institutions in Guangzhou. The materials and results of the research carried out by the authors of this article allowed us to formulate the following conclusions: 1. The territorial isolation of the Shamyan island from the Chinese part of Guangzhou, as well as the operation within the concessions of British and French laws, contributed to the fact that the development of the architectural ensemble of the island as a whole was carried out in line with the advanced West European architectural and urban trends. 2. Most of the banking buildings here are built in the eclectic style with the predominance of neoclassicism features, of course, this fact is connected with the desire of the owners of bank corporations to demonstrate to the clients and competitors the financial strength of their organizations. 3. In the architecture of the considered banking institutions there is an active use of tectonics and elements of the order system, colonnades, arcades, the allocation of the first floor in the form of a rustic plinth. The motifs of Renaissance architecture, Baroque and Art Nouveau are also traced. 4. The formation of the appearance of banking buildings in Shamyan was strongly influenced by local conditions. The hot and humid subtropical climate of the south of China contributed to the spread in the architecture of the structures of this type of order colonnades, forming deep open verandas, as well as the use of X-shaped creaks-elements to ensure the natural ventilation of buildings, which, in addition, became an expressive element of the facade decoration

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3

Saladžinskas, Sigitas Vladas y Kristina Vaisvalavičiene. "Professional activities of Latvian born Lithuanian architect and engineer Karolis Reisonas (1894–1981) in Šiauliai". History of Engineering Sciences and Institutions of Higher Education 2 (1 de noviembre de 2018): 100–116. http://dx.doi.org/10.7250/hesihe.2018.008.

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The article introduces the life of not well-known in Latvia Latvian born Lithuanian Karolis Reisonas (in Latvian: Kārlis Reisons; 1894–1981) and his professional activities in Šiauliai city, as well as highlights the main features of the architect’s creative work and the importance of his work in the history of Lithuanian architecture. K. Reisonas was one of the most prominent creators of modern architecture of the 20th century during interwar period in Lithuania. He is the author and co-author of representative buildings in the cities of Lithuania, as well as in Riga and Adelaide (Australia). K. Reisonas graduated from Riga Real School (1913) and St. Petersburg Institute of Civil Engineers (1920). He has worked as the Engineer of the Šiauliai city and Head of the Construction Department of the Municipality (1922–1930), the Director of the Tenth1 Courses of Šiauliai Construction (1925), later – the Director of the Šiauliai Vocational School (1926), and an Advisor of Lithuania Chamber of Agriculture (1927–1928). Fourteen building to his design in Kaunas and Šiauliai cities are included in the list of cultural values of Lithuania. K. Reisonas’ early projects are characterized by historicism, eclectic elements, of «brick style». Later projects have the features of aesthetic rationalism, functionalism, and adaptation to urban and cultural-historical context. After the Second World War, he and his family immigrated to Germany, later Adelaide in Australia, where he participated in the life of the Adelaide Lithuanian community.

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4

Saladžinskas, Sigitas Vladas y Kristina Vaisvalavičienė. "Professional Activities (1930–1981) of Latvian-Born Lithuanian Architect and Engineer Karolis Reisonas (1894–1981) in Kaunas, Panevėžys and Adelaide Cities". History of Engineering Sciences and Institutions of Higher Education 3 (15 de octubre de 2019): 35–51. http://dx.doi.org/10.7250/hesihe.2019.003.

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The article introduces the professional activities of Latvian-born Lithuanian architect and engineer Karolis Reisonas (in Latvian: Kārlis Reisons; 1894–1981) in the second half of his life – from 1930 in Kaunas, Panevėžys and Adelaide cities – and his role in the history of Lithuanian architecture. K. Reisonas was one of the most prominent creators of modern 20th-century interwar Lithuanian architecture and together with other famous Lithuanian architects formed a special style of Kaunas modern architecture in interwar period. K. Reisonas is the author or co-author of representative buildings in Šiauliai, Kaunas and other Lithuanian cities, as well as in Riga and Adelaide cities. Architect and engineer K. Reisonas worked as Šiauliai City Engineer and Head of Municipal Construction Department (1922–1930), Director of Šiauliai Vocational School (1926), Consultant of Lithuanian Chamber of Agriculture (1927–1928), Head of Construction Department of Kaunas Municipality (1930– 1938), Panevėžys City Engineer (1940) and Burgomaster (1941–1944). From 1949, the Reisonas family lived in Adelaide city, Australia. To his projects three monuments of independence were built in Lithuania – Monument of Independence in Šiauliai city, Podium of the Freedom Monument of Kaunas city and Roman Catholic Christ’s Resurrection Church in Kaunas city. Fourteen of buildings in Lithuania (in Kaunas and Šiauliai cities) designed by him are included in the list of cultural values of Lithuania. Early K. Reisonas’ projects are characterized by historism, elements of eclecticism and «brick style», later projects are characterized by austere rationalism, functionalism, adaptation to urban construction and cultural and historical context.

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5

Steklova, Irina A. y Olesya I. Raguzhina. "SCULPTURE PARKS OF THE XX CENTURY LAST THIRD – THE XXI CENTURY BEGINNING: TYPOLOGY EXPERIENCE". Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, n.º 41 (2021): 80–94. http://dx.doi.org/10.17223/22220836/41/7.

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The purpose of this article is to present sculpture parks at the modern stage of development, from the last third of the 20th century to our day. The relevance of this purpose is due to the relevance of these parks, which meets, firstly, on the challenges of culture, reproducing itself in the synthesis of landscape and monumental-decorative arts; secondly, on the demands of the population in artistically interpreted natural spaces; thirdly, on the life-building claims of modern art, which is looking for optimal ways of self-presentation. The representation of the sculpture parks is implied their systematization, which, in the course of the factual and visual material analysis, exhibits the most typical trends of formal and informative diversity and takes the form of a typology. To start building a typology, it was necessary to draw up a rather broad and spacious representative sample of objects and to select reference criteria in the trends of the manifold. Thus, a representative sample was made up of 90 Europe, Asia, Africa, Australia, and North and South America brightest objects, and following criteria were put forward: environmental involvement, authorship, the nature of specific forms and links between them. Typology showed that approximately two thirds of the sculpture parks are a product of the natural environment and one third of the architectural environment. In the natural environment, in authentic natural spaces, these are co-author full (independent and contextual) and special (by place, material, style, theme) formats, as well as mono-author formats. In an architectural environment, in integrated or interpreted natural spaces, these are, first of all, city formats that can be both co-authors and mono-authors: destinations, stops, transit zones. The implementation of the typology was facilitated by the attraction of a new material for the national art history. In the scientific circulation were introduced information about objects that were not mentioned before and unknown artists. Accounting for this information, along with known realities, allowed us to reach a higher understanding level of sculpture parks as a modern hypostasis of artistic synthesis.

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6

Saladžinsks, Sigits Vlads y Kristina Vaisvalavičiene. "Latviešu izcelsmes Lietuvas arhitekts un inženieris Kārlis Reisons (1894–1981) un viņa profesionālā darbība Šauļos". Inženierzinātņu un augstskolu vēsture 2 (1 de noviembre de 2018): 97–113. http://dx.doi.org/10.7250/iav.2018.008.

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Raksts iepazīstina ar Latvijā mazzināma latviešu izcelsmes Lietuvas arhitekta un inženiera Kārļa Reisona (Karolis Reisonas; 1894–1981) dzīvi un profesionālo darbību Šauļos, kā arī aktualizē svarīgākās arhitekta daiļrades mantojuma iezīmes un viņa darbu nozīmi Lietuvas arhitektūras vēsturē. K. Reisons bija viens no spilgtākajiem 20. gadsimta starp-karu perioda Lietuvas modernās arhitektūras radītājiem. K. Reisons ir reprezentatīvu celtņu Lietuvas pilsētās, kā arī Rīgā un Adelaidā (Austrālija) autors vai līdzautors. Rīgas reālskolas (1913) un Sanktpēterburgas civilinženieru institūta (1920) absolvents K. Reisons strādāja par Šauļu pilsētas inženieri un pašvaldības Būvniecības nodaļas vadītāju (1922–1930), Šauļu būvniecības desmitnieku1 kursu (1925), vēlāk arī Šauļu arodskolas direktoru (1926), Lietuvas Lauksaimniecības kameras konsultantu (1927–1928). 14 no viņa projektētām celtnēm Kauņā un Šauļos ir iekļautas Lietuvas Kultūras vērtību reģistrā. Agrīniem K. Reisona projektiem raksturīgs historisms ar eklektisma elementiem un tā sauktais «ķieģeļu stils». Vēlākie projekti iezīmējas ar modernajai arhitektūrai raksturīgu askētisko racionālismu, funkcionālismu un piemērošanos pilsētbūvniecības un kultūrvēsturiskajam kontekstam. Pēc Otrā pasaules kara viņš ar ģimeni emigrēja uz Vāciju, vēlāk – uz Adelaidu, piedalījies Adelaidas lietuviešu kopienas dzīvē. The article introduces the professional activities of Latvian-born Lithuanian architect and engineer Karolis Reisonas (in Latvian: Kārlis Reisons; 1894–1981) in the second half of his life – from 1930 in Kaunas, Panevėžys and Adelaide cities – and his role in the history of Lithuanian architecture. K. Reisonas was one of the most prominent creators of modern 20th-century interwar Lithuanian architecture and together with other famous Lithuanian architects formed a special style of Kaunas modern architecture in interwar period. K. Reisonas is the author or co-author of representative buildings in Šiauliai, Kaunas and other Lithuanian cities, as well as in Riga and Adelaide cities. Architect and engineer K. Reisonas worked as Šiauliai City Engineer and Head of Municipal Construction Department (1922–1930), Director of Šiauliai Vocational School (1926), Consultant of Lithuanian Chamber of Agriculture (1927–1928), Head of Construction Department of Kaunas Municipality (1930–1938), Panevėžys City Engineer (1940) and Burgomaster (1941–1944). From 1949, the Reisonas family lived in Adelaide city, Australia. To his projects three monuments of independence were built in Lithuania – Monument of Independence in Šiauliai city, Podium of the Freedom Monument of Kaunas city and Roman Catholic Christ’s Resurrection Church in Kaunas city. Fourteen of buildings in Lithuania (in Kaunas and Šiauliai cities) designed by him are included in the list of cultural values of Lithuania. Early K. Reisonas’ projects are characterized by historism, elements of eclecticism and «brick style», later projects are characterized by austere rationalism, functionalism, adaptation to urban construction and cultural and historical context.

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7

Saladžinsks, Sigits Vlads y Kristina Vaisvalavičiene. "Latviešu izcelsmes Lietuvas arhitekta un inženiera Kārļa Reisona (1894–1981) darbība (1930–1981) Kauņā, Panevēžā un Adelaidā". Inženierzinātņu un augstskolu vēsture 3 (15 de octubre de 2019): 34–49. http://dx.doi.org/10.7250/iav.2019.003.

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Raksts iepazīstina ar latviešu izcelsmes Lietuvas arhitekta un inženiera Kārļa Reisona (Karolis Reisonas; 1894–1981) profesionālo darbību mūža otrajā pusē – no 1930. gada Kauņā, Panevēžā un Adelaidā – un viņa darbu nozīmi Lietuvas arhitektūras vēsturē. K. Reisons bija viens no spilgtākajiem 20. gadsimta starpkaru perioda Lietuvas modernās arhitektūras radītājiem, kopā ar citiem slaveniem Lietuvas arhitektiem veidoja īpašo starpkaru perioda Kauņas modernās arhitektūras stilu. K. Reisons ir reprezentatīvu celtņu Šauļos, Kauņā un citās Lietuvas pilsētās, kā arī Rīgā un Adelaidā autors vai līdzautors. Arhitekts un inženieris K. Reisons strādāja par Šauļu pilsētas inženieri un pašvaldības Būvniecības nodaļas vadītāju (1922–1930), Šauļu arodskolas direktoru (1926), Lietuvas Lauksaimniecības kameras konsultantu (1927–1928), Kauņas pašvaldības Būvniecības nodaļas vadītāju (1930–1938), Panevēžas inženieri (1940) un birģermeistaru (1941–1944). No 1949. gada Reisonu ģimene dzīvoja Adelaidā, Austrālijā. Pēc viņa projektiem Lietuvā uzcelti trīs neatkarības pieminekļi – Šauļu Neatkarības piemineklis, Kauņas Brīvības pieminekļa postaments un Kauņas Romas katoļu Kristus Augšāmcelšanās baznīca. 14 no viņa projektētām celtnēm Kauņā un Šauļos ir iekļautas Lietuvas nekustamo kultūras vērtību sarakstā. Agrīniem K. Reisona projektiem raksturīgs historisms, eklektisma elementi, «ķieģeļu stils», vēlākie projekti iezīmējas ar modernismam raksturīgu askētisko racionālismu, funkcionālismu, piemērošanos pie pilsētbūvnieciskā un kultūrvēsturiskā konteksta. The article introduces the professional activities of Latvian-born Lithuanian architect and engineer Karolis Reisonas (in Latvian: Kārlis Reisons; 1894–1981) in the second half of his life – from 1930 in Kaunas, Panevėžys and Adelaide cities – and his role in the history of Lithuanian architecture. K. Reisonas was one of the most prominent creators of modern 20th-century interwar Lithuanian architecture and together with other famous Lithuanian architects formed a special style of Kaunas modern architecture in interwar period. K. Reisonas is the author or co-author of representative buildings in Šiauliai, Kaunas and other Lithuanian cities, as well as in Riga and Adelaide cities. Architect and engineer K. Reisonas worked as Šiauliai City Engineer and Head of Municipal Construction Department (1922–1930), Director of Šiauliai Vocational School (1926), Consultant of Lithuanian Chamber of Agriculture (1927–1928), Head of Construction Department of Kaunas Municipality (1930–1938), Panevėžys City Engineer (1940) and Burgomaster (1941–1944). From 1949, the Reisonas family lived in Adelaide city, Australia. To his projects three monuments of independence were built in Lithuania – Monument of Independence in Šiauliai city, Podium of the Freedom Monument of Kaunas city and Roman Catholic Christ’s Resurrection Church in Kaunas city. Fourteen of buildings in Lithuania (in Kaunas and Šiauliai cities) designed by him are included in the list of cultural values of Lithuania. Early K. Reisonas’ projects are characterized by historism, elements of eclecticism and «brick style», later projects are characterized by austere rationalism, functionalism, adaptation to urban construction and cultural and historical context.

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8

Kanevskaya, Galina I. "Russian Libraries in Australia in the 20th Century". Bibliotekovedenie [Russian Journal of Library Science], n.º 3 (25 de mayo de 2009): 80–85. http://dx.doi.org/10.25281/0869-608x-2009-0-3-80-85.

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The article deals with review of the history of Russian librarianship in Australia. The role of libraries in preservation of Russian language in the Russian diaspora and national identity in the being in the strange cultural space is defined.

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9

Nikitin, Yury, Vasiliy Goryunov, Vera Murgul y Nikolay Vatin. "Research on Industrial Exhibitions Architecture". Applied Mechanics and Materials 680 (octubre de 2014): 504–9. http://dx.doi.org/10.4028/www.scientific.net/amm.680.504.

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All-Russian and regional exhibition architecture in the second half of the 19th century through the early 20th century had varied distinct differences in style and design. Temporality of exhibition architecture in those days contributed to a variety of experiments made for pavilions in the context of styles and structures. There was a high demand for the Russian style to be applied for pavilions both in Russia and abroad. First search and application experience in respect to the modern art principles are connected with exhibition architecture. These experiments in the national architecture and art are of a high interest. Neo-classicism was applied in exhibition architecture in the early 20th century to a large extent. The exhibitions of the early 20th century appeared to be special ‘style workshops’. Organizers of certain exhibitions tried to keep uniformity of style of basic constructions. The major merit of exhibition architecture is that it contributed to the transition from eclecticism to a new style on the cusp of the 19th and beginning of the 20th centuries.

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10

Thorne, Ross. "MODERNIST FORM IN EARLY 20th CENTURY THEATRES IN AUSTRALIA". Fabrications 5, n.º 1 (septiembre de 1994): 87–113. http://dx.doi.org/10.1080/10331867.1994.10525075.

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Spurgeon, Christina. "Review & Booknote: Communication Traditions in 20th-Century Australia". Media International Australia 82, n.º 1 (noviembre de 1996): 136–37. http://dx.doi.org/10.1177/1329878x9608200131.

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12

Chang, Qing. "Architectural Models and Their Contexts in China’s 20th-Century Architectural Heritage: An Overview". Built Heritage 3, n.º 4 (diciembre de 2019): 1–13. http://dx.doi.org/10.1186/bf03545715.

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AbstractThe article explores the morphological evolution of China’s 20th-century architecture chronologically. Chinese Neoclassicism has played a major role in forming the 20th-century heritage buildings surviving today. The phenomenon of Neoclassicism emerged because of the late arrival of China’s modernisation and industrialisation process compared with the West. In turn, in accepting and contesting Western culture, the Chinese elite have consciously relied upon architecture as a vehicle to uphold visible symbols of national Chinese identity and traditional Chinese culture. Meanwhile, in the foreign settlements of the treaty ports such as Shanghai, the Western Neoclassical style, along with other imported construction trends, also forms part of China’s 20th-century architectural heritage. Western Neoclassicism’s influence on China’s new architecture became even more evident in the mid-20th century, with the modern architectural heritage in Tiananmen Square as its exemplar. Nevertheless, the impact of Western modernist architecture on China’s architecture was minimal. It was not until the 1980s, as China reopened to the world, that various schools of thought from the post-industrial West flowed into China, which significantly enriched the types and sources of China’s 20th-century architectural heritage. Modern Classicism, late Modernism and Postmodernism all found their way into China’s contemporary architecture.

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13

Freak-Poli, Rosanne, Peng Bi y Janet E. Hiller. "Trends in cancer mortality during the 20th century in Australia". Australian Health Review 31, n.º 4 (2007): 557. http://dx.doi.org/10.1071/ah070557.

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An epidemiological study was conducted, using annual cancer mortality data over the period 1907 to 1998, to explore change in Australian cancer mortality. A 3-year moving average mortality was calculated to minimise the annual fluctuations over the study period. The results suggested that overall cancer mortality rose slightly over the past century, with a small decrease in more recent years. The male and female cancer mortality rates diverged over time. Younger age groups had low and stable death rates, 35?59 years age groups demonstrated decreased rates, and older age groups had increased rates over the study period. Modifiable lifestyle factors and other possible reasons for the changes were explored.

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14

Tislova, R., P. Svoboda y D. Vsiansky. "The external renders of the early 20th century architecture". IOP Conference Series: Materials Science and Engineering 1039 (19 de enero de 2021): 012006. http://dx.doi.org/10.1088/1757-899x/1039/1/012006.

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15

Zalesova, P. V., T. N. Manonina y N. V. Vasina. "Dragestil in Russian architecture early in the 20th century". Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture 22, n.º 4 (27 de agosto de 2020): 73–82. http://dx.doi.org/10.31675/1607-1859-2020-22-4-73-82.

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The article discusses the architecture of buildings erected in Russia early in the 20th century, which are associated with the dragestil common to Western European architecture of the modern era. The general dragestil concept in cultures of different countries is given on the examples of folk and cult architecture. The article considers the activities of Holm Hansen Munthe, the founder and leader of the dragestil in Norway who developed the national program of this style. For the first time, a general overview is given for buildings that reflect the dragestil national romanticism in the Russian Empire. The article analyzes the well-known dragestil projects and buildings in the cities of Omsk, Tomsk, Vyritsa station in the Tsarskoye Selo Railway and the Circum-Baikal Railway early in the 29th century.

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Nekrošius, Liutauras. "ETHICAL ASPECTS OF THE 20TH CENTURY UTOPIAS IN ARCHITECTURE". Journal of Architecture and Urbanism 31, n.º 1 (31 de marzo de 2007): 67–74. http://dx.doi.org/10.3846/13921630.2007.10697092.

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Utopias are often looked upon as a positive phenomenon stimulating human thinking and imagination. This could not be denied. Although when morality is treated just as a tool to achieve generous intentions, realization of utopias is usually followed by different social repressions. A good deal of research has been done on utopian societies. But most often such works are merely focussed on the subjects of innovation, imagination and tangibility. In research works by western as well as soviet authors certain idealization of the research object can be felt, and the issues of social utopias are rarely discussed. These questions are worth reviewing on a broader scale. The present work focusses on the aspects of communist (socialist) utopian ethics and its links with modernism. It is important to compare ethical differences of architectural utopias that existed in West European and soviet spaces. The present text is a part of a wider research on structuralistic ideas in contemporary Lithuanian architecture. The author thinks such a review may help to develop more precise understanding of the development peculiarities of humanistic ideas in architecture of the 20th century in our country. XX a. architektūros utopijų etiniai aspektai Santrauka Dažnai laikomasi nuostatos, kad utopija teigiamas, žmogaus mąstymą ir vaizduotę skatinantis reiškinys. Su tuo negalima nesutikti. Tačiau kai moralumą imama traktuoti kaip kilnių tikslų įrankį, utopijos įgyvendinimą neretai ima lydėti įvairios socialinės represijos. Utopinių visuomenių tyrimų gausu. Tačiau juose dažniau nagrinėjamos novacijų, vaizduotės, realumo temos. Vakarų bei sovietinių autorių darbuose neretai jaučiamas tiriamojo objekto idealizavimas, retai svarstomi socialiniai utopijų klausimai. Juos tikslinga apžvelgti plačiau. Darbe dėmesys telkiamas ties komunistinės (socialistinės) utopijos etikos aspektais bei šios utopijos sąsajomis su modernizmu. Svarbu palyginti Vakarų Europos bei sovietinėje erdvėse gyvavusių architektūros utopijų etinius skirtumus. Šis tekstas yra platesnio tyrimo apie struktūralistines idėjas šiuolaikinėje Lietuvos architektūroje dalis. Manoma, kad tokia apžvalga padės tiksliau suvokti XX a. humanistinių architektūros idėjų raidos savitumus mūsų šalyje.

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Tokat, Esra. "Identity and ideology in 20th Century of Turkish Architecture". International Journal of Social Sciences and Education Research 3, n.º 5 S (5 de octubre de 2017): 1456–62. http://dx.doi.org/10.24289/ijsser.319311.

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18

Michelson, Alan. "ENCYCLOPEDIA OF 20TH-CENTURY ARCHITECTURE 3 vol.R. Stephen Sennott". Art Documentation: Journal of the Art Libraries Society of North America 23, n.º 2 (octubre de 2004): 46. http://dx.doi.org/10.1086/adx.23.2.27949319.

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19

Peckham, Andrew. "The Dichotomies of Rationalism in 20th-Century Italian Architecture". Architectural Design 77, n.º 5 (2007): 10–15. http://dx.doi.org/10.1002/ad.509.

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20

Górka, Monika. "Use of aluminium and glass facades in urban architecture". Budownictwo i Architektura 18, n.º 3 (24 de enero de 2020): 029–40. http://dx.doi.org/10.35784/bud-arch.586.

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As an element of structural and material solutions, aluminium and glass façades are the mainstay of urban architecture; they are especially used in public utility buildings. The article provides a review of architectural styles and trends of the 20th century, when exterior elevations began to take the form of aluminium and glass façades. It illustrates the main architectural trends of urban architecture in the 20th century and their evolution throughout the years. Furthermore, it specifies and refers to the architecture of the 20th and 21st centuries in Kraków and presents selected public utility buildings which have become an integral part of architecture in this city.

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21

Frederiksen, Jorgen S. y Stacey L. Osbrough. "Tipping Points and Changes in Australian Climate and Extremes". Climate 10, n.º 5 (19 de mayo de 2022): 73. http://dx.doi.org/10.3390/cli10050073.

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Systematic changes, since the beginning of the 20th century, in average and extreme Australian rainfall and temperatures indicate that Southern Australian climate has undergone regime transitions into a drier and warmer state. South-west Western Australia (SWWA) experienced the most dramatic drying trend with average streamflow into Perth dams, in the last decade, just 20% of that before the 1960s and extreme, decile 10, rainfall reduced to near zero. In south-eastern Australia (SEA) systematic decreases in average and extreme cool season rainfall became evident in the late 1990s with a halving of the area experiencing average decile 10 rainfall in the early 21st century compared with that for the 20th century. The shift in annual surface temperatures over SWWA and SEA, and indeed for Australia as a whole, has occurred primarily over the last 20 years with the percentage area experiencing extreme maximum temperatures in decile 10 increasing to an average of more than 45% since the start of the 21st century compared with less than 3% for the 20th century mean. Average maximum temperatures have also increased by circa 1 °C for SWWA and SEA over the last 20 years. The climate changes in rainfall an d temperatures are associated with atmospheric circulation shifts.

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22

Fitch, Kate. "Rethinking Australian public relations history in the mid-20th century". Media International Australia 160, n.º 1 (agosto de 2016): 9–19. http://dx.doi.org/10.1177/1329878x16651135.

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This article investigates the development of public relations in Australia and addresses calls to reconceptualise Australian public relations history. It presents the findings from an analysis of newspaper articles and industry newsletters in the 1940s and 1950s. These findings confirm the term public relations was in common use in Australia earlier than is widely accepted and not confined to either military information campaigns during the war or the corporate sector in the post-war period, but was used by government and public institutions and had increasing prominence through industry associations in the manufacturing sector and in social justice and advocacy campaigns. The study highlights four themes – war and post-war work, non-profit public relations, gender, and media and related industries – that enable new perspectives on Australian public relations history and historiography to be developed.

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23

Spennemann, DirkH R. "Suicides of Punjabi hawkers in 19th- and early 20th-century Australia". Indian Journal of Psychiatry 61, n.º 4 (2019): 347. http://dx.doi.org/10.4103/psychiatry.indianjpsychiatry_379_17.

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24

Emel'yаnov, E. Y. y E. V. Sitnikova. "MODERNISM IN TOMSK WOODEN ARCHITECTURE IN THE EARLY 20th CENTURY". Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture, n.º 1 (27 de febrero de 2019): 114–25. http://dx.doi.org/10.31675/1607-1859-2019-21-1-114-125.

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The paper considers the development of modernism in the wooden architecture in the city of Tomsk in the context of national trends. The paper studies design features and specificity of wooden decoration of buildings made in the modern style or with the use of architectural elements performed in accordance with the variation of the neo-Russian style and “northern mo dernity”. The originality of the author's interpretations of style trends and those of the professional architects is described.The relevance of the study is stipulated by preserving wooden buildings in the cities of Russia and Siberia and the loss of valuable decorations of buildings, in particular. Despite the wide range of works involved in studying modernism in the architecture of Russian cities, not all aspects and trends of phenomena observed in Tomsk architecture in the early 20th century have been investigated so far.The purpose of this paper is to study the wooden buildings of Tomsk made in the modern style or with architectural elements of this style.The paper uses the methods of comparative and architectural analyses. It is considered how modernist-style wooden buildings have been designed and built in the in the cities of Siberia, and in particular, the city of Tomsk.It is shown that by the beginning of the 20th century, the folk traditions are combined with the works of professional architects. Wooden buildings, made in the modernist style, are distinguished by complex compositional solutions. This is evident by the mansions designed mainly for a circular view. The attitude to the wood has changed, not only in terms of building and finishing material, but also as a means of a new architectural and artistic embodiment of the independent artist idea.

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25

Kuznetsova, A. A., I. V. Zhdanova y I. I. Voronina. "ARCHITECTURE OF THE 20TH CENTURY AS A BUILDER OF SOCIETY". Izvestiya of the Samara Science Centre of the Russian Academy of Sciences. Social, Humanitarian, Medicobiological Sciences 22, n.º 72 (2020): 72–77. http://dx.doi.org/10.37313/2413-9645-2020-22-72-72-77.

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26

Grignolo, Roberta. "An Encyclopedic Approach to the Conservation of 20th-Century Architecture". Built Heritage 2, n.º 2 (junio de 2018): 93–102. http://dx.doi.org/10.1186/bf03545696.

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27

Mhearáin, Aoibheann Ní y Tara Kennedy. "Reframing Social Value in 20th‐Century Conservation". Architectural Design 90, n.º 4 (julio de 2020): 94–103. http://dx.doi.org/10.1002/ad.2596.

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28

Beilharz, Peter. "Rewriting Australia". Journal of Sociology 40, n.º 4 (diciembre de 2004): 432–45. http://dx.doi.org/10.1177/1440783304048385.

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Sociologists in Australia often talk about a politics of fear, or of moral panic, in order to explain the apparent awkwardness of a situation where leftwing intellectuals cannot come to grips with a rightwing political moment. This article addresses the question of dominant images of Australia through the 20th century as a part of the dominant leftwing historiography, which has now been replaced by a rightwing political narrative. The central theoretical and historical issue here is the problem of populism, and its shift from left to right. This leads to a discussion of the politics of fear and uncertainty, and how to begin to think about them, and to questions of the role of sociologists in all this.

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29

Bueno Chahin, Samira. "A Brazilian Response to 20th Century School Infrastructure Planning". Encounters in Theory and History of Education 23 (19 de diciembre de 2022): 48–76. http://dx.doi.org/10.24908/encounters.v23i0.15661.

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Taking school spaces as an interdisciplinary issue encompassing the fields of education, architecture, and urbanism/urban planning, this article gathers theoretical and technical references from among these disciplines throughout the first half of the 20th century in order to locate possible exchanges carried out by Anísio Teixeira while shaping his Park-school, Class-schools program. The argument rests on the reading of documents taken from a variety of circumstances in his career as an educational administrator, even though not necessarily produced by him. The aim is to encourage a debate regarding a Brazilian response to the international challenge of providing a spatial infrastructure consistent with a modern school program. Keywords: school space, modern architecture, urban planning, historiography, circulation of ideas, Anísio Teixeira

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30

Breyley, Gay. "Diasporic Transpositions: Indigenous and Jewish Performances of Mourning in 20th-Century Australia". Ethnomusicology Forum 16, n.º 1 (junio de 2007): 95–126. http://dx.doi.org/10.1080/17411910701276567.

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31

Holgate, Alan y Geoff Taplin. "The Contribution of Sir John Monash to 20th Century Engineering in Australia". Australian Journal of Multi-Disciplinary Engineering 2, n.º 1 (enero de 2004): 99–107. http://dx.doi.org/10.1080/14488388.2004.11464726.

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32

Donaldson, Sarah, Peng Bi y Janet B Hiller. "Secular Change in Mortality from Suicide in Australia during the 20th Century". Australian Journal of Primary Health 13, n.º 1 (2007): 45. http://dx.doi.org/10.1071/py07006.

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To identify secular change in Australian suicide mortality over the period 1907-1998 and to seek possible explanations, a descriptive epidemiological study was conducted. Deaths due to suicide from 1907 to 1998 were identified according to the ICD-9. Trends in overall annual suicide mortality rates for all causes and individual causes were examined using the three-year moving average method, standardised by age and sex. Secular trends for mortality over the study period were examined in various age groups, using linear regression to test the slope. The results indicated that there has been a decline in overall age and sex standardised mortality from suicide over the study period. The death rate dropped from 15.2 per 100,000 in the early century to 13.9 per 100,000 in late century. Despite the overall decline, the female suicide mortality rates increased over the study period. Male suicide mortality rates were significantly higher than female rates over the study period (P<0.0001). Increased suicide rates were observed in the 15-24 and 25-44 year old age groups for both males and females. The group of 65+ year old females also had increased rates. Decreased rates were observed in both the male and female 45-64 year old age group and in the 65+ year old male age group. The three most common suicide methods used by males in 1907 were guns, poisoning and hanging, while for females they were drowning, hanging and poisoning. In 1998 they were changed to hanging, gas and guns for males and hanging, gas and drowning and poisoning (equally third) for females. These trends can be attributed to numerous factors such as economic crisis, world wars, the availability of suicide methods, a person's gender.

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33

왕신 y KwakDaeYoung. "A Study on the America Modernism Architecture of the 20th century". Journal of Digital Design 15, n.º 2 (abril de 2015): 931–40. http://dx.doi.org/10.17280/jdd.2015.15.2.086.

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34

Grau, Ma Antonia y Conxita Sangenís. "Architecture libraries in Catalonia". Art Libraries Journal 26, n.º 2 (2001): 13–17. http://dx.doi.org/10.1017/s030747220001213x.

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Two of the largest architecture libraries in Spain are in institutions in Catalonia. One of these is the UPC (the Technical University of Catalonia), the home of the library of the ETSAB (the School of Architecture of Barcelona), which is one of the oldest architecture schools in Spain. The other is COAC (the Architects’ Association of Catalonia), which boasts one of the biggest architecture libraries in a professional association in the country. While these two libraries were built up in the 19th century, other architecture libraries have been created in Catalonia in the 20th century, both in schools of architecture and in the branches of COAC.

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35

Clarke, Hamish G., Peter L. Smith y Andrew J. Pitman. "Regional signatures of future fire weather over eastern Australia from global climate models". International Journal of Wildland Fire 20, n.º 4 (2011): 550. http://dx.doi.org/10.1071/wf10070.

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Skill-selected global climate models were used to explore the effect of future climate change on regional bushfire weather in eastern Australia. Daily Forest Fire Danger Index (FFDI) was calculated in four regions of differing rainfall seasonality for the 20th century, 2050 and 2100 using the A2 scenario from the Special Report on Emissions Scenarios. Projected changes in FFDI vary along a latitudinal gradient. In summer rainfall-dominated tropical north-east Australia, mean and extreme FFDI are projected to decrease or remain close to 20th century levels. In the uniform and winter rainfall regions, which occupy south-east continental Australia, FFDI is projected to increase strongly by 2100. Projections fall between these two extremes for the summer rainfall region, which lies between the uniform and summer tropical rainfall zones. Based on these changes in fire weather, the fire season is projected to start earlier in the uniform and winter rainfall regions, potentially leading to a longer overall fire season.

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36

Mina, Hao. "Feminism Is Still Relevant in Australia". Studies in Social Science Research 2, n.º 3 (15 de julio de 2021): p26. http://dx.doi.org/10.22158/sssr.v2n3p26.

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Feminist movements had been pervasive in the 20th century. It helped women to earn civil rights globally, welcomed by most civilized citizens. Then in the 21st century, it seems to have no reason to exist since there are no apparently observable and unpleasant unequal treatments towards women. Feminism, hence, is regarded as a word of the past by some people. Nevertheless, it is not the fact. By studying the situation in Australia, women in this nation have become the study object. Working opportunities in politics and business have been counted, combined with the study of relevant government policies towards different gender. The male’s changing attitude towards female in gender role has also exposed the socialization process in Australia. Through close scrutiny, it is found that feminism is still very much relevant in Australia.

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37

Lane, L. A., J. F. Ayres y J. V. Lovett. "A review of the introduction and use of white clover (Trifolium repens L.) in Australia —significance for breeding objectives". Australian Journal of Experimental Agriculture 37, n.º 7 (1997): 831. http://dx.doi.org/10.1071/ea97044.

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Summary. White clover was introduced to Australia with the early European settlers in the late 18th century and is now the most valuable pasture legume in high rainfall temperate regions of Australia. Through a process of ingress and naturalising in conjunction with pastoral expansion during the 19th century and widespread pasture improvement in the 20th century, white clover now occupies 6 million hectares in Australia and is of major significance for the sheep, beef cattle and dairy industries. This paper describes these historical influences on formation of the white clover zone in Australia and the continuing requirement for better adapted cultivars in key agro-geographic regions, with particular close reference to the northern tablelands of New South Wales—the most extensive dryland region. These considerations provide a basis for defining breeding objectives for white clover improvement in Australia.

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38

Yaldiz, Esra. "The Evaluation of 20th Century Architecture in Konya in the Context of Modern Architecture Heritage". New Trends and Issues Proceedings on Humanities and Social Sciences 4, n.º 11 (28 de diciembre de 2017): 171–84. http://dx.doi.org/10.18844/prosoc.v4i11.2872.

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Understanding about conservation is limited to ‘monument’ or ‘old work of art’ in the past compared with today’s new concepts like ‘historical and cultural heritage’, ‘heritage of modern architecture’ and ‘heritage of industry’. Turkey’s 20th century modern architecture was started with the early modernism buildings constructed all over Turkey, especially in Ankara and İstanbul in the first years of the Republic. This period includes all the works of architecture that were produced until the late 1980s, carrying the traces of modern movement, rationalist, purist, transparent, reinterpreting the traditional architectural values by means of modern material and seeking of independent form. In this study, the Mevlana Axis between Alaaddin Hill and the historical city centre and the works of architecture in the modernisation period between the early 1900s and 1980s on this axis, contribute to the city identity and handled in the context of modern architectural heritage are evaluated. Keywords: Modern architecture heritage, evaluation criteria, Konya.

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39

Zharnikov, Zakhar Yu, Vladimir S. Myglan, Maya O. Phylatova, Oksana V. Naumova, Valentin V. Barinov y Anna V. Taynik. "CHRONOLOGICAL TYPOLOGY OF YENISEYSK’S WOODEN MONUMENTS OF ARCHITECTURE". Ural Historical Journal 75, n.º 2 (2022): 167–74. http://dx.doi.org/10.30759/1728-9718-2022-2(75)-167-174.

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Nowadays in Yeniseysk more than seventy diverse wooden architecture monuments have been preserved. The time of their construction remains debated. On the basis of a comprehensive (dendrochronological, historical and architectural) study, a chronological typology was created, according to which wooden structures (residential buildings, outbuildings and some government buildings) were grouped into four chronological types: I — structures of the first quarter of the 19th century (izbas, five-wall houses on a high utility basement with a hip or pyramidal roof with small windows that retained the features of the Russia’s North tradition); II — structures of the late 1860s — early 1890s (post-fire eclectic two-storey buildings with a glazed gallery on the second floor of the side extension and outbuildings attached to them); III — buildings of the 1890s (government wooden buildings and one-two-storey residential buildings with a glazed gallery on the second floor, which differ from the second type in less expressive design features (cornice platbands, etc.)); IV — buildings of the early 20th century (one-storey buildings with the bright saw-cut decoration of platbands and cornice). A separate group was made up of objects with more archaic features (compared with the obtained dendrochronological dates), which preserved old traditions. The proposed chronological typology made it possible to detail the town-planning processes of Yeniseysk. The methodological arsenal developed in the work is expanding and deepening the research potential of trends in Siberian wooden urban construction study towards the end of the 18th — beginning of the 20th century. The developed methodological approach has a significant research potential for the chronological attribution of Siberian wooden urban construction in the late 18th — early 20th centuries.

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40

Garton, Stephen y Margaret E. McCallum. "Workers' Welfare: Labour and the Welfare State in 20th-Century Australia and Canada". Labour / Le Travail 38 (1996): 116. http://dx.doi.org/10.2307/25144094.

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41

Harris, Patricia. "From relief to mutual obligation: welfare rationalities and unemployment in 20th-century Australia". Journal of Sociology 37, n.º 1 (marzo de 2001): 5–26. http://dx.doi.org/10.1177/144078301128756175.

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42

Garton, Stephen y Margaret E. McCallum. "Workers' Welfare: Labour and the Welfare State in 20th-Century Australia and Canada". Labour History, n.º 71 (1996): 116. http://dx.doi.org/10.2307/27516451.

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43

Karpova, Elena A. "TEXTILE ART AS PART OF CITY'S ARCHITECTURAL SPACE". Architecton: Proceedings of Higher Education, n.º 2(70) (29 de junio de 2020): 20. http://dx.doi.org/10.47055/1990-4126-2020-2(70)-20.

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The article is devoted to the interaction of textile art with architecture. The prototypes of tent architecture were temporary and mobile structures and ancient tent shelters. Decorative fabrics were used to decorate city streets during festivals and processions. They served as an essential color dominant emotionally affecting the viewers. The textile art of the 20th – early 21st century has seen the emergence of three-dimensional forms named "new tapisserie" and "environment". In the 20th century, architectural tent structures received extensive engineering and technical development, which influenced the form and plasticity in modern textile art, existing in synthesis with the architectural space of the city.

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44

Gurev, Sergey N., Karina K. Abramova y Grigory S. Gurev. "THE RUSSIAN STYLE IN VORONEZH ARCHITECTURE IN THE 19TH -EARLY 20TH CENTURY". Architecton: Proceedings of Higher Education, n.º 1 (2021): 11. http://dx.doi.org/10.47055/1990-4126-2021-1(73)-11.

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45

Bazilevich, E. M. "Unique Objects of Industrial and Transport Architecture of Khabarovsk (Early 20th Century)". IOP Conference Series: Materials Science and Engineering 1079, n.º 6 (1 de marzo de 2021): 062002. http://dx.doi.org/10.1088/1757-899x/1079/6/062002.

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46

Rybakova, Darya. "THE ROLE OF CONTEXT IN THE MODERNIST ARCHITECTURE OF THE 20TH CENTURY". Innovative Project 1, n.º 2 (agosto de 2016): 64–69. http://dx.doi.org/10.17673/ip.2016.1.02.8.

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47

Miller, William C. y Roger Connah. "Writing Architecture: Fantomas, Fragments, Fictions. An Architectural Journey through the 20th Century". Journal of Architectural Education (1984-) 44, n.º 4 (agosto de 1991): 235. http://dx.doi.org/10.2307/1425145.

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48

Wilmering, Antoine. "Keeping It Modern: A Getty Foundation Initiative to Preserve 20th-Century Architecture". Built Heritage 2, n.º 2 (junio de 2018): 103–4. http://dx.doi.org/10.1186/bf03545697.

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49

Petrushikhina, Svetlana V. "THE QUESTION OF FEMALE BODY IN ARCHITECTURAL THEORY IN THE LATE 20TH CENTURY". Articult, n.º 2 (2021): 91–96. http://dx.doi.org/10.28995/2227-6165-2021-2-91-96.

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This article is devoted to the phenomenon of female body in the foreign theory of architecture in the 1980‑s–90‑s. The works of D. Agrest, E. Grosz, D. Bloomer and D. Fausch are examined in the present paper. There are two perspectives on the problem of female corporeality: poststructuralist and phenomenological. Jennifer Bloomer and Diane Agrest adopt a poststructuralist critical strategy in which the notion of the feminine is considered as the “Other” of the logocentric architectural discourse. Elisabeth Gross notes that women have always been displaced from the realm of architecture. This is indicated not only by the absence of female architects, but also by the fact that the inherent attributes of female corporeality have been completely disregarded. Diane Agrest suggests that these attributes were appropriated by male architects. The phenomenological perspective on the female corporeality is reflected in Deborah Fausch's concept of “feminist architecture”. “Feminist architecture” brings back the value of concrete, sensual bodily experience in the perception of architecture. The subject's perceptual experience through the body allows the semantic dimension to unfold in the building.

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50

Murphy, F. C., J. Cull, T. J. Lee, S. K. Lee y Y. Song. "Magnetotelluric soundings and crustal architecture at Century mine, northern Australia". Australian Journal of Earth Sciences 55, n.º 5 (julio de 2008): 655–67. http://dx.doi.org/10.1080/08120090801982827.

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