Bibliografías temáticas / Apocolocyntosis

Literatura académica sobre el tema "Apocolocyntosis"

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Publicado: 7 de julio de 2024

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Artículos de revistas sobre el tema "Apocolocyntosis"

1

Paschalis, Michael. "The Afterlife of Emperor Claudius in Seneca's Apocolocyntosis". Numen 56, n.º 2-3 (2009): 198–216. http://dx.doi.org/10.1163/156852709x404982.

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Seneca's Apocolocyntosis , the earliest extant example of ancient Menippean satire, tells of Emperor Claudius' death and ascent to heaven, where his request for deification is rejected by the council of the gods, and his subsequent descent to the underworld, where he is condemned of mass murder of Roman noblemen. Claudius is not an observer of things in heaven and the underworld or a character involved in a quest for knowledge and truth, but a dead character who undergoes judgment. He is also a dead character who behaves as if he were still alive. Seneca suggests that Claudius' afterlife is a mere continuation of his earthly life and vice-versa that he had always been living in an isolated and “fantastic” world. The Apocolocyntosi s parodies epic descents and historiographical topoi as well as the mythological otherworld of punishment and reward, ideas of afterlife, and imperial deification.
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Raschke, Wendy J. y P. T. Eden. "Seneca: Apocolocyntosis". Classical World 80, n.º 5 (1987): 389. http://dx.doi.org/10.2307/4350078.

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Esteban Lorente, Juan Francisco. "La Apocolocyntosis por Velázquez". Artigrama, n.º 31 (9 de diciembre de 2022): 361–71. http://dx.doi.org/10.26754/ojs_artigrama/artigrama.2016318222.

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Velázquez, para la representación del bufón Juan Calabazas, pudo aprovechar los comentarios y reflexiones sobre la sátira de Seneca Apocolocyntosis, uno de los textos más difundidos a principios del siglo XVII.
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블러드크리스챤. "Apocolocyntosis: Carnivalesque and Menippean Satire". Journal of Classic and English Renaissance Literature 23, n.º 2 (diciembre de 2014): 37–68. http://dx.doi.org/10.17259/jcerl.2014.23.2.37.

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Nauta, R. R. "Seneca's Apocolocyntosis as Saturnalian Literature". Mnemosyne 40, n.º 1-2 (1987): 69–96. http://dx.doi.org/10.1163/156852587x00076.

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Berger, Łukasz. "Seneka, Apocolocyntosis 1–4 „Śmierć Boskiego Klaudiusza”". Symbolae Philologorum Posnaniensium Graecae et Latinae 26, n.º 1 (27 de octubre de 2016): 109. http://dx.doi.org/10.14746/sppgl.2016.xxvi.1.6.

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Pozzi, Martín. "Saturación del espacio en Apocolocyntosis de Séneca". Auster, n.º 24 (5 de septiembre de 2019): e050. http://dx.doi.org/10.24215/23468890e050.

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El objetivo del presente trabajo es analizar y caracterizar las formas y modalidades de una serie de operaciones sobre el espacio tanto físico como simbólico presentado en Apocolocyntosis de Séneca. Dichas operaciones implican tanto el establecimiento de lugares puntuales de Roma cuanto los recorridos, pasajes y mediaciones que estos presuponen para un sujeto que se desplaza en aquellos espacios. Nuestra hipótesis es que este texto se apoya en la sobresaturación de dichas operaciones para concentrar y condensar en la percepción del receptor la ex-centricidad del emperador respecto de la urbs como centro cultural, político, geográfico y simbólico.
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Braund, Susanna Morton y Paula James. "Quasi Homo: Distortion and Contortion in Seneca's Apocolocyntosis". Arethusa 31, n.º 3 (1998): 285–311. http://dx.doi.org/10.1353/are.1998.0015.

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GREEN, STEVEN J. "UNDEIFYING TIBERIUS: A RECONSIDERATION OF SENECA, APOCOLOCYNTOSIS 1.2". Classical Quarterly 60, n.º 1 (15 de abril de 2010): 274–76. http://dx.doi.org/10.1017/s0009838809990668.

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Astbury, Raymond. "The Apocolocyntosis - Rosario Cortés: Teoría de la sátira. Análisis de Apocolocyntosis de Séneca. Pp. 320. Cáceres: Universidad de Extremadura, 1986. Paper." Classical Review 38, n.º 1 (abril de 1988): 49–50. http://dx.doi.org/10.1017/s0009840x00113319.

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Tesis sobre el tema "Apocolocyntosis"

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Kaplan, Sylvia Gray. "The judicial message in Seneca's Apocolocyntosis". PDXScholar, 1991. https://pdxscholar.library.pdx.edu/open_access_etds/4183.

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Seneca's Apocolocyntosis is a sat.ire on the deceased emperor Claudius. probably written in the early months after his death in AD54. Although the authorship and title of the work have been called into question. scholars have now reached a consensus that the sat.ire was written by Seneca and is titled "Apocolocyntosis." Its purpose, characteristic of the Menippean genre, was didactic.
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Omena, Luciane Munhoz de. "A centralização do poder nas obras de Clementia e Divi Clavdii Apocolocyntosis, de Seneca". [s.n.], 2002. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279195.

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Orientador : Pedro Paulo Abreu Funari
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
Made available in DSpace on 2018-08-01T05:33:39Z (GMT). No. of bitstreams: 1 Omena_LucianeMunhozde_M.pdf: 6586508 bytes, checksum: 00f07f54582641e3c742e2df7b91afc0 (MD5) Previous issue date: 2002
Resumo: Estudamos os manuscritos De Clementia e Diui Claudii Apocolocyntosis, de Sêneca que propiciasse especular as razões pelas quais o filósofo optou por regime centralizado em que o princeps era retratado como o agente ordenador da sociedade. Buscamos compreender, igualmente, a interpretação historiográfica que idealizava Sêneca como o propugnador da divisão de potestas entre o Soberano e o Senado
Abstract: We study of the manuscripts of De Clementia and Diui Claudii Apocolocyntosis, by Seneca, that propitiated to speculate the reasons for the which the philosopher opted for centralized regime in which the princeps was portrayed as the orderer agent of the society. We aim at understanding also, the historiography interpretation that idealized Seneca as the upholder of the potestas division between Sovereign and Senate
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Mestre em História
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Durand, Céline. "Docere ridendo mores : satire et philosophie chez Sénèque". Electronic Thesis or Diss., Sorbonne université, 2024. https://accesdistant.sorbonne-universite.fr/login?url=https://theses-intra.sorbonne-universite.fr/2024SORUL026.pdf.

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Cette thèse de doctorat cherche à étudier la place de la satire dans l'œuvre littéraire et philosophique de Sénèque. En partant d'une œuvre souvent mise à l'écart du corpus sénéquien, l'Apocoloquintose, nous nous employons à identifier les caractéristiques de l'écriture satirique chez Sénèque, afin de comprendre comment celle-ci se diffuse à l'ensemble de son œuvre et devient l'un des outils majeurs de la parénèse philosophique. Cette esthétique du mélange et de la distorsion, qui repose sur un besoin de monstration, implique la création de figures passionnées et dépréciées, les antimodèles, qui deviennent les acteurs majoritaires de la pensée sénéquienne. En effet, Sénèque a plus souvent recours aux exemples d'hommes fous, voluptueux, colériques qu'aux modèles traditionnels pour illustrer sa pensée. Il s'agit pour lui de créer des figures de repoussoir qui auront sur le lecteur une influence positive, par le dégoût ou la dérision qu'elles provoqueront. Sénèque applique également cette stratégie rhétorique dans ses développements sur la philosophie politique. Sa place à la cour et les excès tyranniques des hommes au pouvoir l'ont néanmoins obligé à jouer avec les codes de la satire pour opérer de façon plus ou moins discrète une critique des puissants, afin d'éduquer les princes et de les entraîner vers une réforme morale qui fera d'eux des hommes heureux, des sages, mais surtout de bons gouvernants
This doctoral thesis aims at studying the place of satire in Seneca's literary and philosophical works. Starting with a work that is often left out of Seneca's corpus, the Apocolocyntosis, we endeavour to identify the characteristics of Seneca's satirical writing, in order to understand how it spreads throughout his work and becomes one of the major instruments of philosophical parenesis. These aesthetics of combination and distortion, which rely on a need for monstration, involve the creation of impassioned and disparaged figures, the antimodels, who become the major protagonists of Seneca's thought. Indeed, Seneca recourses more often to the examples of mad, voluptuous, angry men, than to the traditional models, to illustrate his thought. His aim is to create repellent figures who will have a positive influence on the reader, through the disgust or derision they will provoke. Seneca also applies this rhetorical strategy to his developments on political philosophy. His position at the Roman court and the tyrannical excesses of the governing men nevertheless forced him to play with the conventions of satire in order to criticise more or less discreetly the mighty, to educate the princes and to lead them towards a moral reform that would make them happy men, wise men, but above all good rulers
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MONTEPAONE, OLIVIA LIBERA SOFIA. "LE EDIZIONI DELL'APOCOLOCYNTOSIS (1513-1808): LINEE DI STORIA DI UNA TRADIZIONE TESTUALE". Doctoral thesis, Università degli Studi di Milano, 2018. http://hdl.handle.net/2434/546623.

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La tesi ripercorre l’intera storia editoriale dell’Apocolocyntosis dall’editio princeps (1513) sino all’edizione di F. E. Ruhkopf del 1808, nella quale si annuncia la scoperta dei principali testimoni manoscritti della satira: l’obiettivo è lo studio dell’evoluzione del testo e degli approcci adottati dagli editori nel corso dei secoli prima del riemergere della tradizione manoscritta, che comportò un radicale mutamento nei metodi di studio dei classici. Il lavoro è suddiviso in due sezioni principali: la prima considera le edizioni della satira in ordine cronologico, analizzando il contesto storico e letterario in cui sono venute alla luce, insieme alla personalità dell’editore che le ha prodotte, e selezionando gli interventi più interessanti dal punto di vista filologico ed interpretativo; la seconda sezione presenta un repertorio di tutte le variazioni occorse nel testo della satira durante l’intera tradizione a stampa – lezioni tratte da codici non più esistenti così come anche congetture degli editori introdotte a testo – messe in relazione con le varianti testuali della tradizione manoscritta come oggi ci è nota, e le posizioni dei moderni studiosi riguardo ciascun luogo. Sebbene si possano riconoscere alcune tendenze generali, il carattere fortemente individualistico delle edizioni premoderne impedisce di tracciare un percorso evolutivo lineare e coerente o di individuare metodologie universalmente adottate in un preciso periodo storico. Ogni edizione è, di fatto, un prodotto unico, che presenta un ricco, intricato e finora inesplorato corpus di informazioni e conoscenze sull’Apocolocyntosis. Tali complessi prodotti editoriali si rivelano valide risorse, interessanti tappe della storia degli studi classici ma anche utili fonti a livello filologico dinanzi ad un testo ancora assai problematico come quello della satira senecana. Lo studio infine evidenzia alcune nuove possibilità per sfruttare nella sua interezza il vasto corpus offerto dalle edizioni premoderne attraverso l’uso di strumenti digitali.
The thesis analyses the complete printed history of the Apocolocyntosis from the editio princeps (1513) to F. E. Ruhkopf’s edition of 1808, where the main testimonia of the satire are discovered: the aim is to study the evolution of the text and the editors’ approaches before the unearthing of the manuscript tradition, which radically changed scholarly method. The work is divided into two main sections: the first section considers each edition in chronological order, analyzing the historical and literary context in which they were born, together with the personality who created them, and singling out interesting contributions to textual criticism and interpretation; the second section is a repository of all textual variations which occurred throughout the editorial history of the satire – lessons deriving from no longer existing codices as well as conjectures of the editors –, which are put in relation with the extant manuscripts’ readings as they are known today and modern scholarly debate regarding each locus. Even though some general tendencies can be recognized, the strong individualistic component of pre-modern editions does not allow clearly outlining a coherent evolutionary trend, or unambiguously ascribing methodologies to specific timeframes. Each edition is in fact a unique product, which presents a rich, intricate and previously unexplored amount of knowledge regarding the Apocolocyntosis. These complex editorial products are revealed as valuable sources, interesting for the history of classical scholarship, but also useful towards the establishment of Seneca’s still very controversial text. Finally the study outlines new possibilities of exploiting the vast corpus offered by pre-modern editions through the use of digital tools.
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Libros sobre el tema "Apocolocyntosis"

1

Annaeus, Seneca Lucius. Apocolocyntosis. Aarhus: Aarhus Universitetsforlag, 1990.

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Annaeus, Seneca Lucius. Apocolocyntosis: Selections. Amherst, MA (71 Sand Hill Rd., 01002): CANE Instructional Materials, 1992.

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Annaeus, Seneca Lucius. Apocolocyntosis divi Claudii. Heidelberg: C. Winter, 1994.

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Annaeus, Seneca Lucius. Apocolocyntosis divi Claudii. Würzburg: Königshausen & Neumann, 1990.

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Roncali, Renata, ed. L. Annaei Senecae Apocolocyntosis. Berlin, New York: DE GRUYTER, 1990. http://dx.doi.org/10.1515/9783110975345.

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Seneca, Lucius Annaeus. La clemenza: Apocolocyntosis ; Epigrammi ; Frammenti. Torino: Unione tipografico-editrice torinese, 2009.

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Sullivan, J. P. Petronius: The Satyricon and Seneca: The Apocolocyntosis. England: Penguin Books, 1986.

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8

Tovar, Rosario Cortés. Teoría de la sátira: Análisis de Apocolocyntosis de Séneca. Cáceres: Universidad de Extremadura, 1986.

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Riikonen, H. K. Menippean satire as a literary genre: With special reference to Seneca's Apocolocyntosis. Helsinki: Societas Scientiarum Fennica, 1987.

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Wolf, Sonja. Die Augustusrede in Senecas Apocolocyntosis: Ein Beitrag zum Augustusbild der frühen Kaiserzeit. Königstein/Ts: A. Hain, 1986.

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Capítulos de libros sobre el tema "Apocolocyntosis"

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Schmidt, Hans W. "Seneca: Apocolocyntosis". En Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_22167-1.

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Whitton, Christopher L. "Seneca,Apocolocyntosis". En A Companion to the Neronian Age, 149–69. Oxford, UK: Wiley-Blackwell, 2013. http://dx.doi.org/10.1002/9781118316771.ch9.

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"Apocolocyntosis". En Die relative Datierung der Tragödien Senecas, 122–24. De Gruyter, 2009. http://dx.doi.org/10.1515/9783110225754.122.

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"Apocolocyntosis". En Brill's Companion to Seneca, 673–86. BRILL, 2014. http://dx.doi.org/10.1163/9789004217089_052.

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Seneca. "Apocolocyntosis". En Oxford Classical Texts: L. Annaei Senecae: De Beneficiis: Libri VII; De Clementia: Libri II; Apocolocyntosis, editado por Robert A. Kaster. Oxford University Press, 2022. http://dx.doi.org/10.1093/oseo/instance.00281013.

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"SENECA, Apocolocyntosis". En Tiberius to Nero, 113–25. 2a ed. Cambridge University Press, 2023. http://dx.doi.org/10.1017/9781009382830.007.

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"1. Seneca, Apocolocyntosis". En Studien zum Nerobild in der lateinischen Dichtung der Antike, 15–33. B. G. Teubner, 1998. http://dx.doi.org/10.1515/9783110934519.15.

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Bexley, Erica. "Saturnalian Lex: Seneca’s Apocolocyntosis". En Roman Law and Latin Literature. Bloomsbury Academic, 2022. http://dx.doi.org/10.5040/9781350276666.ch-003.

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O’gorman, Ellen. "Citation and authority in Seneca’s Apocolocyntosis". En The Cambridge Companion to Roman Satire, 95–108. Cambridge University Press, 2005. http://dx.doi.org/10.1017/ccol0521803594.006.

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Bringmann, Klaus. "Senecas ‘Apocolocyntosis’: Ein Forschungsbericht 1959-1982". En Sprache und Literatur (Literatur der julisch-claudischen und der flavischen Zeit [Forts.]), editado por Wolfgang Haase. Berlin, Boston: De Gruyter, 1985. http://dx.doi.org/10.1515/9783110861549-004.

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Informes sobre el tema "Apocolocyntosis"

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Kaplan, Sylvia. The judicial message in Seneca's Apocolocyntosis. Portland State University Library, enero de 2000. http://dx.doi.org/10.15760/etd.6067.

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