Literatura académica sobre el tema "Antiquaria romana"
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Artículos de revistas sobre el tema "Antiquaria romana"
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Mackie, Gillian. "The Zeno chapel: a prayer for salvation". Papers of the British School at Rome 57 (noviembre de 1989): 172–99. http://dx.doi.org/10.1017/s0068246200009132.
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LA CAPPELLA DI S. ZENO: UNA PREGHIERA PER LA SALVEZZAIl programma decorativo del mosaico di nono secolo della cappella di S. Zeno in Santa Prassede a Roma dove è sepolta Teodora, madre di Papa Pasquale I (817–824), è analizzato nella tradizione iconografica dei suoi componenti e nel senso specifico della composizione nel suo insieme. Il significato sotteso è identificato come intimemente connesso al tema della salvezza di Teodora. Tutti gli elementi del programma decorativo fanno riferimento alia sua morte, ai riti funerari, alle intercessioni dei suoi santi protettori, ed al suo destino nel giorno del giudizio. Il programma in se' è riconosciuto come bizantino e fondato sui dettati del secondo concilio di Nicea del 787. La fattura, invece, è romana ed i moduli iconografici furono scelti nel repertorio tipico dell'arte cristiana delle origini in Italia.Il tipo di composizione scelto da Pasquale I per la decorazione mosaica che, tra quelle conservate, riveste un significato maggiormente personale, rivela un aspetto nuovo del suo mecenatismo, fino ad ora ritenuto di natura essenzialmente antiquaria ed interessato alia riproposizione delle glorie della Chiesa critstiana delle origini in Roma. Per la cappella di S. Zeno, al contrario, Pasquale I scelse una moderna composizione di stile orientale per il luogo di sepoltura della madre, unico esempio sopravvissuto di un suo mecenatismo di natura maggiormente privata che officiale.
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Fadda, Salvatore. "Una nota su due urne e un’ara cineraria romana recentemente apparse sul mercato antiquario londinese." Anales de Arquelogía Cordobesa 29 (11 de enero de 2019): 227–44. http://dx.doi.org/10.21071/aac.v29i0.10107.
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ItalianoNel corso di un’asta di antichità della casa Bonham’s tenutasi a Londra il 30 novembre del 2016 sono riapparsi alcuni cinerari romani: due urne e un altare dei quali si ignorava la collocazione da quando furono alienati dalla collezione di Lowther Castle nel 1947. Gli oggetti, tutti di provenienza urbana, hanno viaggiato per l’Europa attraversando diverse collezioni private rimanendo perciò lontani dal grande pubblico e dalle indagini storico-artistiche. La conseguente estrema penuria di letteratura su questi manufatti ha reso opportuna la realizzazione di questa nota, con la quale si vuole ricostruire la provenienza degli oggetti, individuarne il momento della produzione sulla scorta delle loro caratteristiche stilistiche e formali cogliendo l’occasione per affrontare alcune tematiche specifiche dell’iconografia funeraria romana. EnglishDuring an auction of antiquities held by Bonham's in London on November 30, 2016, some Roman cineraries reappeared: two urns and an altar, which were believed lost after they were alienated from the Lowther Castle collection in 1947. The objects, all of urban origin, traveled across Europe through various private collections, thus far away from the public and historical-artistic investigations. The extreme shortage of literature on these three artifacts leaded to the writing of this note which objective is to reconstruct the provenance of the cineraries, to identify the time of production by analyzing their stylistic and formal features while facing some specific themes of Roman funerary iconography. EspañolDurante una subasta de antigüedades celebrada por Bonham's en Londres el 30 de noviembre de 2016, reaparecieron algunos cinerarios romanos: dos urnas y un altar lo que se creían perdidos después de haber sido alienados de la colección de Lowther Castle en 1947. Los objetos, todos de origen urbana, viajaron a través de Europa pasando por varias colecciones privadas, lejos de el público y de la investigación histórico-artística. La extrema escasez de literatura sobre estos tres artefactos condujo a la redacción de esta nota cuyo objetivo es reconstruir la procedencia de los cinerarios, identificar el tiempo de producción analizando sus rasgos estilísticos y formales mientras se enfrenta a algunos temas específicos de la iconografía funeraria romana. Palabras Clave: Urnas cinerarias, escultura romana, arte funerario, coleccionismo de antigüedades.Keywords: Cinerary urns, Roman sculpture, funerary art, collection of antiquities.
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Gallo, Daniela. "Per una storia degli antiquari romani nel Settecento". Mélanges de l’École française de Rome. Italie et Méditerranée 111, n.º 2 (1999): 827–45. http://dx.doi.org/10.3406/mefr.1999.4671.
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Banfi, Fabrizio, Mara Pontisso, Francesca Romana Paolillo, Stefano Roascio, Clara Spallino y Chiara Stanga. "Interactive and Immersive Digital Representation for Virtual Museum: VR and AR for Semantic Enrichment of Museo Nazionale Romano, Antiquarium di Lucrezia Romana and Antiquarium di Villa Dei Quintili". ISPRS International Journal of Geo-Information 12, n.º 2 (17 de enero de 2023): 28. http://dx.doi.org/10.3390/ijgi12020028.
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The research focuses on the generation of 3D models aimed at creating interactive virtual environments as the outcomes of scalar representations of existing realities. The purpose is to increase the narration, fruition, and dissemination of the findings that emerged from the archaeological investigations carried out in a large sector of the south-eastern suburbs of Rome. In this context, the research proposes a process oriented toward designing a virtual museum of the first group of works from the Appia Antica Archaeological Park and now exhibited at the Museo Nazionale Romano, the Antiquarium di Lucrezia Romana, and the Antiquarium di Villa Dei Quintili. Managing high historical and cultural findings through geometrical surveys, high-resolution data from 3D survey analysis, archival research, and interactive digital representation is the aim of the study. The digitisation of artefacts has made it possible to build new forms of communication that enrich virtual and on-site visits with content, both of the park and of the Museums that host the collections. In particular, it has gradually allowed a ‘virtual’ relocation of works from the Appia Park, favouring the definition of a method capable of communicating new content and laying the basis for the development of a virtual museum, a temporary exhibition, and a web platform for one of the most important historical sites of ancient Rome.
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Gardner, J. "Review. La familia Romana: Aspetti giuridici ed antiquari (parte prima). C Fayer". Classical Review 47, n.º 1 (1 de enero de 1997): 89–90. http://dx.doi.org/10.1093/cr/47.1.89.
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Welsh, Jarrett T. y Jesse Hill. "A NEGLECTED MANUSCRIPT OF THE GLOSSARY OF PLACIDUS AND THE HISTORY OF THE TEXT". Classical Quarterly 71, n.º 1 (mayo de 2021): 422–39. http://dx.doi.org/10.1017/s0009838821000367.
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AbstractThis paper identifies a neglected manuscript, Viterbo, Centro Diocesano di Documentazione (CeDiDo), Capitolare 51 (R), as the extant archetype of the Libri Romani version of the glossary of Placidus. It first demonstrates that R is the parent of the three witnesses to the Libri Romani text used by editors, and it considers the implications of the neglected manuscript for future editions of the text. It then corroborates the importance of R by tracing its travels in humanistic and antiquarian circles in Italy in the fifteenth and sixteenth centuries. This history provides a framework for future research on the textual transmission of the Libri Romani text of Placidus.
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Ostrow, Steven F. "Paul V, the Column of the Virgin, and the New Pax Romana". Journal of the Society of Architectural Historians 69, n.º 3 (1 de septiembre de 2010): 352–77. http://dx.doi.org/10.1525/jsah.2010.69.3.352.
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The sole surviving monumental column from the Basilica of Maxentius and Constantine is the focus of Paul V, the Column of the Virgin, and the New Pax Romana. In 1613 Pope Paul V removed and re-erected this column at the center of Piazza S. Maria Maggiore in Rome, crowning it with a gilded bronze statue of the Virgin and Child. After reconstructing the little-known history of the monument and situating it within the history of honorific columns and Paul's urban planning, Steven F. Ostrow examines the antiquarian interest it long held, what was known about its original context, and the symbolic associations with which it was endowed. This close reading of Paul's monument demonstrates how, by appropriating the column and topping it with a statue of the Virgin, the pope eloquently expressed the Church's longstanding belief in Mary as a bringer of peace and the protector of Rome.
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Scapaticci, Maria Gabriella. "Un inedito lastrone a scala da Tarquinia presso l'Antiquarium di Monte Romano". Opuscula. Annual of the Swedish Institutes at Athens and Rome 3 (noviembre de 2010): 55–60. http://dx.doi.org/10.30549/opathrom-03-04.
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This is the publication of an as yet unpublished recently acquired large stepped slab dating from the orientalising period. It was delivered to the Antiquarium of Monte Romano (Vt) by the local resident who found it. The find comes from the “Ancarano” area of Tarquinia which is near the border of the Monte Romano district. The piece is of the stepped slab class, typical of seventh century BC production from Tarquinia. The slab completes a similar one which was also from Tarquinia but is conserved in the Archaeological Museum of Florence and was purchased from Mr Milani in Tarquinia at the end of the nineteenth century. Through photocomposition and integrated graphic restoration we propose a reading which links the two finds. Hence the decoration of an important funerary monument has emerged, most likely belonging to an Etruscan prince who recounts his hunting exploits, which are symbolic of elevated social status.
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Fox, Matthew. "History and Rhetoric in Dionysius of Halicarnassus". Journal of Roman Studies 83 (noviembre de 1993): 31–47. http://dx.doi.org/10.2307/300977.
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This article explores the relationship between historical truth and rhetorical education in theAntiquitates Romanaeof Dionysius of Halicarnassus. These two concerns dominate Dionysius' output, and have provided fuel for a long tradition of adverse criticism. Schwartz'sREarticle set the standard for a series of dismissive accounts; his premise is that by choosing a period of such remote history, Dionysius can fulfil his desire to make history the servant of rhetorical display, adding, with scorn, that Dionysius' love of the Romans disqualifies him from being a real Greek. Palm, still using Schwartz over fifty years later, is so convinced that Dionysius cannot have believed what he was writing that he ascribes the meticulously executed proof that the Romans were Greeks to ‘paradoxe Effekte’, in which anyone writing a rhetorical exercise of this kind would be careful to indulge. Polemic has recently waned, although by far the most common use of Dionysius' history is as a source for antiquarian anecdote or the lost annalistic tradition, often to highlight the originality of Livy. The recently published lectures of Gabba will do much to redress the balance, and are the first concerted attempt at harmonizing the details of Dionysius' rhetorical theory with his history.
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Cozer, Alexandre. "O libertino e os usos do passado antigo: ensaio sobre a relação de Hancarville com o passado Romano (1780)". Sæculum – Revista de História 24, n.º 41 (15 de diciembre de 2019): 82–98. http://dx.doi.org/10.22478/ufpb.2317-6725.2019v24n41.45502.
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Pierre-François Hugues, ou Barão de Hancarville, foi um antiquarista dedicado ao estudo de cerâmicas cujo trabalho foi desenvolvido sobretudo na baía de Nápoles, no século XVIII, quando se começava a escavar Pompeia e Herculano. Embora esse autor tenha uma obra de relevância para os estudiosos de cerâmica da Antiguidade Clássica, Hancarville também foi autor de obras menos técnicas dedicadas ao estudo de monumentos falsos e dos hábitos sexuais mais curiosos dos antigos Romanos. Nesse artigo, intencionamos realizar um estudo sobre a maneira como o autointitulado Barão se apossava do passado Clássico, em obras falsas e de caráter libertino, para gerar uma reflexão que atingia também o seu presente. Para tanto, empreenderemos, primeiro, uma discussão sobre os estudos de Usos do Passado no Brasil e de que maneiras nos vale se aproximar dessa forma de pensar a Arqueologia e a História. Em um segundo momento, buscaremos pensar a maneira como se conforma o pensamento do estudioso sobre a Antiguidade e sobre a sexualidade. Intencionamos, com isso, mostrar que mesmo em se tratando de monumentos inventados, o antiquarista desenvolvia um pensamento fundamentado na leitura de documentação e na análise próxima à historiografia. Que seu pensamento tenha ficado de lado, ou que tenha influenciado unicamente teorias mais críticas sobre o passado, aponta para algumas das exclusões com as quais se formou a disciplina de História Antiga.
Tesis sobre el tema "Antiquaria romana"
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Stevenson, Andrew John. "Aulus Gellius and Roman antiquarian writing". Thesis, King's College London (University of London), 1993. https://kclpure.kcl.ac.uk/portal/en/theses/aulus-gellius-and-roman-antiquarian-writing(dde8a7ce-728c-4dce-bbb5-736f3269872a).html.
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Hoselitz, Virginia. "Imagining Roman Britain : Victorian responses to a Roman past". Thesis, University of Bristol, 2002. http://hdl.handle.net/1983/0c80f732-5981-4952-b3df-f06523719c05.
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Leonardis, Irene. ""Ego unus scilicet antiquorum hominum" : senso del passato e pratica antiquaria in varrone". Thesis, Paris 8, 2016. http://www.theses.fr/2016PA080041/document.
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Cette thèse porte sur une étude des œuvres et des fragments de l’écrivain romain Varron et vise à examiner les intentions dans lesquelles et la façon dont cet érudit se rapportait au passé et à la mémoire collective romaine. Ses recherches sur le passé de Rome semblent motivées et poussées par un contexte de bouleversements socio-politiques et par la révolution culturelle qui eut lieu à la fin de la République (IIe-Ier siècles av. J.-C.). Dans ce moment-là le mos maiorum n’était plus unanimement accepté comme modèle à imiter. Nous avons mis en évidence le conséquent effort de l’auteur pour démontrer l’importance des valeurs civils et moraux, contenus dans le passé ancien de Rome et comparables, selon lui, aux principes éthiques développés par la réflexion philosophique grecque. Son étude du passé visait à rappeler ces valeurs, les boni mores, aux citoyens dont la crise morale avait un reflet dans la crise de la res publica.Comme Cicéron, il semble trouver les causes de cette décadence dans une crise de la mémoire et l’oublie des Romains, qui avec le temps (vetustas) avaient commencé à connaitre seulement superficiellement leur tradition, sans être plus capables d’en mettre en pratique les exempla. Par conséquent, Varron, en ayant examiné les mécanismes du temps et de la mémoire, concevait sa pratique « antiquaire » sur l’histoire et sur les institutions politiques et religieuses de Rome comme réponse à la crise (ruina) de son époque. Grâce à ses compétences étymologiques-antiquaires mais aussi philosophiques, l’érudit arriva à se présenter et à être présenté comme fin connaisseur, interprète et même porte-parole de l’antiquitas. En dépit de la conscience d’être considéré démodé par ses contemporaines, Varron s’efforçait de redéfinir la tradition afin qu’il puisse créer des lieux de mémoire qui auraient toujours rappelés les mores antiqui et l’identité romaineThe thesis studies Varro’s works in connection with the contemporary crisis of tradition, the mos (maiorum), which at the end of the Roman Republic was not perceived anymore unanimously as a model to imitate. The purpose is to stress how the author attempted to give evidence of the importance of civil and moral values which were contained in Roman ancient past and which were allegedly equal to the ethics principles developed by Greek philosophy. Thus the past is studied by Varro in order to remind these values to his citizens, whose moral crisis reflects the crisis of the respublica. Like Cicero, he seems to hold responsible for this decadence a crisis of memory and the consequent oblivion: with the passing of time (vetustas) Romans have kept just a superficial notion of their traditions, without being able to follow their exempla in practice. Therefore, after considering the functioning of time and memory, Varro seems to conceive his own antiquarian erudition, applied to Roman history and to its civic and religious institutions, as a response to the ruin (ruina) of his age. The object of the thesis is thus to analyze this antiquarian attitude attested in almost every varronian work and its political meaning. Thanks to his ability to rediscover and prove many philosophical and religious truths through etymology, the author seems to proclaim him-self (and eventually to become) a spokesman and a witness of the antiquitas. Despite his awareness of being regarded by many of his contemporaries as antiquated and quaint, Varro strives to redefine tradition in order to create some lieux de mémoire that would always evoke the mores antiqui and roman identity
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Prescendi, Francesca. "Décrire et comprendre le sacrifice : les réflexions des Romains sur leur propre religion à partir de la littérature antiquaire". Paris, EPHE, 2005. http://www.theses.fr/2005EPHE5016.
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Ce travail est une enquête sur le sacrifice vu par les Romains. Le but est d’étudier la réflexion développée par les Romains eux-mêmes sur cet acte cultuel. La thèse se divise en trois parties. La première, « Décrire le sacrifice », propose des critères pour définir le sacrifice, une brève réflexion sur la terminologie, la description d’un modèle de procédure sacrificielle, et, enfin, un bref commentaire de quelques textes littéraires. Dans la deuxième partie, « les exégèses des gestes et des ingrédients du rituel », j’ai rassemblé les exégèses et les récits concernant les différentes phases du sacrifice, selon l’ordre dans lequel celles-ci apparaissent dans le rite. Cette partie m’a permis de réfléchir sur la manière dont les Romains imaginent la présence des dieux lors du sacrifice, tout d’abord auprès des victimes, quand elles sont encore vivantes, puis, quand l’abattage a eu lieu, en tant que destinataires de l’offrande alimentaire. Dans la troisième partie, « Mythes et interprétations du sacrifice », j’ai quitté l’analyse des gestes particuliers du sacrifice pour tourner mon regard vers les représentations que les anciens ont eu du sacrifice en général : j’aborde ici les mythes d’origine (mythe des Argées, dialogue entre Numa et Jupiter, mythes du premier livre des Fastes d’Ovide) et les relations entre sacrifice et exécution capitales telles qu’elles sont présentées par les auteurs anciens. L’exégèse religieuse soit se comprendre comme un exercice d’analyse du monde contemporain de ceux qui écrivent. Le souci des antiquaires n’est pas de reconstruire l’antiquité. S’ils s’intéressent à la tradition, c’est surtout parce qu’elle aboutit à leur présentThis is an investigation into how Romans saw the sacrifice. The aim is to study the thoughts Romans themselves had of this religious act. The study is divided into three parts. Part one, “Describing sacrifice”, sets out a number of criteria aimed at defining sacrifice, a short reflection on terminology, the description of a model of sacrificial procedure and, to finish, a short commentary on a small number of literary texts. In part two, “The exegeses of the ritual’s gestures and ingredients”, I have brought together exegeses and testimonies concerning the different stages of sacrifice, respecting the order they follow in the rite. This part has led me to reflect on the way the Romans imagined the presence of gods while carrying out sacrifice, firstly with reference to the victims, while the latter are still alive, and then, once the slaughter has taken place, as recipients of the food offered up. In the part three, “Myths and interpretations of sacrifice”, I have moved on from the analysis of particular gestures within sacrifice and concentrated my attention towards the representations that the ancients had of sacrifice in general: here I touch upon original myths (the myth of Argei, the dialogue between Numa and Jupiter, the myths of the first book of Ovid’s Fasti) and the relationship between sacrifice and capital punishment as presented by the ancient authors. Religious exegesis must be understood as an exercise of the contemporary world of those who write. The main concern of antiquarian authors is not to reconstruct ancient times. When they focus on tradition, it is above all because it reflects upon their present
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González, Bordas Hernán. "Les inscriptions latines de la Régence de Tunis à travers le témoignage de F. Ximenez". Thesis, Bordeaux 3, 2015. http://www.theses.fr/2015BOR30033.
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Cette thèse porte sur l’activité épigraphique de F. Ximenez, administrateur de l’hôpital trinitaire de Tunis qui, entre 1720 et 1735, a entrepris plusieurs excursions dans la Régence. Ses ouvrages sont restés inédits pour la plupart et, bien qu’ils aient été dépouillés à l’occasion de la publication du huitième volume du Corpus Inscriptionum Latinarum (CIL), une relecture s’avérait nécessaire. En effet, plusieurs des informations relatives aux inscriptions n’avaient pas été relevées, tandis que d’autres n’avaient pas été interprétées de manière satisfaisante. Ces informations concernent les caractéristiques des monuments épigraphiques, leur localisation ainsi que les conditions de leur découverte. Les erreurs d’interprétation faites lors du dépouillement des manuscrits de F. Ximenez ont mené à la création de doublons, mais ont conduit également à situer la provenance de certaines inscriptions loin du site qui leur correspond. Afin de mieux cerner les itinéraires empruntés par F. Ximenez pour déterminer les sites de provenance des inscriptions, il a été indispensable de consulter des cartes archéologiques tant anciennes que récentes et de se rendre sur le terrain afin de suivre les pas de cet auteur et ainsi reconstituer ceux de ses parcours qui apparaissaient comme les plus obscurs. De même, la relecture des manuscrits de F. Ximenez et la comparaison avec les textes des voyageurs qui lui étaient contemporains ont permis de reconstituer les stemmata de la tradition manuscrite des inscriptions. Il s’agissait d’analyser la transmission des informations entre les antiquaires de l’époque et de rendre à chacune des parties en cause ce qui lui était dû. Ces comparaisons nous ont mené à analyser les motivations et les intérêts de F. Ximenez relativement aux inscriptions anciennes. Qu’est-ce qui l’intéresse principalement dans les épigraphes ? Quels types de données collecte-t-il les concernant et quelles informations tente-t-il de déduire à partir de ces documents ? Comment en fait-il les relevés ? Ces aspects nous ont permis de mieux situer F. Ximenez au sein des antiquaires de son époque ; pour cela, il a d’ailleurs été nécessaire d’étudier la réception par quelques-uns de ces antiquaires. Quelle était l’opinion de ces savants le concernant ? Comment se sont-ils servis des informations que F. Ximenez a recueillies ?This thesis deals with the epigraphical activity of F. Ximenez, the administrator of the Trinitarians hospital at Tunis who, between 1720 and 1735, undertook several excursions in the interior of the Regency. Most of his work remains unpublished, and even and even after being dissected for the publication of the Corpus Inscriptionum Latinarum (CIL), a re-reading have been proved to be necessary. Indeed, a certain amount of the information on the inscriptions was yet to be discerned and a significant part extracted from it hasn’t been correctly interpreted. They concern the features of the epigraphical monuments as well as their localisations and the conditions of their discovery. The major blunders committed interpreting the manuscripts of F. Ximenez have created duplications of inscriptions and have let researchers think that some inscriptions came from what it tourned out to be the wrong places. In order to draw up the itineraries of F. Ximenez and to determine the sites of origin of the inscriptions it has been essential to consult the ancient and recent archeological maps, along with a field visit in the country in order to follow his steps, shedding light on the case of his more unclear journeys. This new reading of the manuscripts of F. Ximenez and the comparison with the works of the contemporary travellers have also allowed to recreate the stemmata of the manuscript tradition of inscriptions. The aim has been to analyse the transmission of information between the antiquarians of that time and give back to all of the parties involved what was due to each one of them. These comparisons have led us to analyse the reasons and the interests of F. Ximenez with regard to the ancient inscriptions. What's his main interest concerning the epigraphs? What kind of data does he gather from them and what kind of information does he try to deduce from them? How does he take the tracings? These approaches have allowed to place F. Ximenez within the antiquarians of his time, but in order to do this it has been essential to study the reception which some of them have made of the manuscripts of F. Ximenez. What was the opinion of those scholars on F. Ximenez? How did they use the data he has gathered? We have attempted to answer these as well as other questions in this thesis
Libros sobre el tema "Antiquaria romana"
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Paolucci, Fabrizio, ed. Epigrafia tra erudizione antiquaria e scienza storica. Florence: Firenze University Press, 2019. http://dx.doi.org/10.36253/978-88-6453-834-1.
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In occasione del novantesimo compleanno di Detlef Heikamp, fra i massimi indagatori del collezionismo storico fiorentino, il 10 e 11 novembre 2017 si è tenuto l’incontro di studi dedicato alla genesi dell’epigrafia come scienza storica. Le Gallerie degli Uffizi sono state la cornice ideale per una simile iniziativa: qui, infatti, si costituì a partire dal XVII secolo una delle raccolte epigrafiche greche e latine destinate a segnare nel profondo l’evoluzione di questa branca di studi; e proprio a questa istituzione, Detlef Heikamp volle donare, all’indomani del disastroso attentato del 1993, una preziosa selezione di reperti provenienti dalla sua raccolta di iscrizioni. Alle due giornate fiorentine hanno partecipato con entusiasmo i più autorevoli esperti del settore, i cui contributi, dieci in tutto, sono adesso raccolti in questo volume che offre un quadro aggiornato e puntuale dell’eccellenza della ricerca italiana nel campo dell’epigrafia greca e romana.
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Giovanni, Agosti y Isella Dante, eds. Antiquarie prospetiche romane. [Milano]: Fondazione Pietro Bembo, 2004.
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La familia romana: Aspetti giuridici ed antiquari. Roma: "L'Erma" di Bretschneider, 1994.
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Cristiano, Flavia. Figure dell'antiquariato librario e dell'editoria romana tra Otto e Novecento. Manziana (Roma): Vecchiarelli, 1995.
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Rita, Bellini Giovanna, ed. Minturnae antiquarium: Monete dal Garigliano. Roma: Soprintendenza archeologica per il Lazio, 1996.
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Raffaella, Farioli Campanati, ed. Bosra, antiquarium della cittadella: Materiali d'epoca romana, bizantina, medievale-islamica = Bosra, cytadel [i.e. citadel] antiquarium : Roman, Byzantine, mediaeval-Islamic finds. Ravenna: Edizioni del girasole, 2006.
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1958-, Pagano Mario, ed. L' Antiquarium di Ercolano. Napoli: Electa Napoli, 2000.
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Ascione, Gina Carla. L' Antiquarium di Ercolano. Napoli: Electa Napoli, 2000.
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Boris Stepanovitch, antiquaire: D'amour et d'objets. Rosemère, Québec: Humanitas, 2008.
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Society of Antiquaries of Scotland, ed. The antiquarian rediscovery of the Antonine Wall. Edinburgh: Society of Antiquaries of Scotland, 2012.
Buscar texto completoCapítulos de libros sobre el tema "Antiquaria romana"
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Bergmeier, Armin F. "Antiquarian Displays of Spolia and Roman Identity. San Marco, Merbaka, and the Seljuk Caravanserais". En Spoliation as Translation, 76–97. Brno, Czech Republic: Masarykova univerzita, 2021. http://dx.doi.org/10.1484/m.convisup-eb.5.130922.
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Montgomery, Alan. "‘Beyond the Vallum’: English interpretations of Scottish history". En Classical Caledonia, 71–89. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474445641.003.0005.
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Chapter four examines English attitudes towards Roman Scotland. It introduces the writings of William Stukeley, one of the most influential antiquarians working in England during the first half of the eighteenth century, looking in particular at the content of his 1720 essay An Account of a Roman Temple. While Stukeley was convinced, like Sir Robert Sibbald before him, that the Romans had conquered and civilised much of Scotland, fellow English antiquarian John Horsley took the view that they had in fact decided against colonising such a barren and inhospitable land. Horsley’s posthumously published 1732 work, Britannia Romana, sets out his pragmatic approach to Scotland’s ancient history and reveals an antiquarian who was far less influenced by patriotism and Romanism than many of his contemporaries.
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Jackson Williams, Kelsey. "The Old Roman Fashion". En The Antiquary, 74–94. Oxford University Press, 2016. http://dx.doi.org/10.1093/acprof:oso/9780198784296.003.0004.
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Fagan, Brian. "The Antiquarians". En From Stonehenge to Samarkand. Oxford University Press, 2006. http://dx.doi.org/10.1093/oso/9780195160918.003.0005.
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“Time we may comprehend,” wrote the English physician Sir Thomas Browne in 1643. “’Tis but five days older than ourselves.” Browne’s view of the past encompassed the Greeks and Romans and a humankind created by God in the Old Testament. Also in the seventeenth century, Archbishop James Ussher of Armagh in Ireland used the long genealogies in the Scriptures to calculate that the world had been created on the evening of October 22, 4004 B.C. Thus, according to Christian dogma, the entire span of human existence was a mere six thousand years. After the collapse of the Roman Empire, the study of the past fell into oblivion. Babylon reverted to desert; Petra slumbered in its secluded canyon. Ancient ruins of any kind were a curiosity, often thought to be the work of giants. With the Renaissance came a renewed interest in classical learning and in the remains of ancient civilizations. Thomas Browne and his English contemporaries were steeped in knowledge of ancient Greece and Rome. The Renaissance was an age of collectors and scholars, of acquisitive cardinals and nobles who flocked to Mediterranean lands and returned laden with antiquities for their private collections and for what were then known as “cabinets of curiosities.” Soon, a stream of young travelers followed in their footsteps to Italy, taking what became known as the “grand tour” as part of their education (see Chapter 3). Such often frivolous travelers became the first archaeological tourists, but not necessarily the most perceptive. By 1550, it was fashionable to be an antiquary, a collector or student of ancient things. But only the wealthiest traveler could afford a grand tour and could pay for classical treasures. The less affluent indulged their passion for the past at home, collecting Roman coins and inscriptions and, above all, traveling the countryside in pursuit of what the English schoolmaster William Camden (1551–1623) called “the backward-looking curiosity.” This open-ended inquisitiveness took Camden and his contemporaries to eroded burial mounds on windy uplands, to ancient fortifications in Denmark, and to the mysterious stone circles known as Stonehenge.
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O'Connor, Anne. "Before the Stone Age Existed". En Finding Time for the Old Stone Age. Oxford University Press, 2007. http://dx.doi.org/10.1093/oso/9780199215478.003.0009.
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What is the difference between temptation and geological time? The one is a wile of the devil and the other is a devil of a while. (Dawkins to Hughes, 17 March 1870: SMC: TMH) In the early eighteenth century, John Conyers, an apothecary and antiquary of London, discovered the body of an elephant as he was digging for gravel at Gray’s Inn Lane. Nearby lay a flint implement (Fig. 1.1). Today we might well call his elephant a ‘mammoth’ and refer the implement to the ‘Palaeolithic’ period; in 1715, however, Conyers’s beast was dated to the reign of Claudius, the Roman Emperor. This was the belief of John Bagford, an old friend of Conyers, a bookseller and one of the founder members of a tavern-based antiquarian club that was soon to become the Society of Antiquaries of London. At the time, a Roman elephant attacked by an Ancient Briton seemed a likely scenario to account for the curious occurrence of this animal in London, far from its hot and distant homeland. It would be a century and a half later when our ancestors were acknowledged as the contemporaries of such enormous animals: they would then be pictured in a newly-discovered geological world, more ancient than the time of the Romans or even the British natives described by Caesar. For Bagford and his contemporaries, the time allotted to humans, and even to the Earth itself, was not long. Their knowledge about the distant past was gathered from folklore or historical texts, and the Bible supplied a particularly important source of chronological information. Back in the seventeenth century, James Ussher (1581–1656) had famously calculated the age of the Earth and the Creation to date to 4004 BC. But Ussher did not, as is often believed, reach this date by counting back through the generations of the Bible; indeed, he could not. As John Fuller has observed, there is no fixed point from which to start counting: a vague gap divides the last of the Hebrew books from the year AD 1.
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Montgomery, Alan. "Walled out of humanity: Sir John Clerk and his circle". En Classical Caledonia, 33–51. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474445641.003.0003.
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This chapter concentrates on the life, work and circle of eminent Scottish antiquarian and self-avowed Romanist Sir John Clerk of Penicuik. It explores Clerk’s own fascination with ancient Rome, which had been inspired by both his education and a Grand Tour to Italy, and examines how this impacted on his own interpretations of Scotland’s heritage. As a key player in the formulation of the 1707 British Union, Clerk’s involvement in modern politics clearly influenced his view of the nation’s past. Also discussed here are Clerk’s important patronage of other antiquarians, particularly Alexander Gordon, whose iconic tome Itinerarium Septentrionale of 1726 would become a key text on Roman Scotland for decades to follow.
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Christian, Kathleen. "Roma caput mundi: Rome’s local antiquities as symbol and source". En Local antiquities, local identities, 57–78. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781526117045.003.0004.
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It will consider different antiquarian strategies in Rome adopted during a window of time (from the second half of the fifteenth century into the early sixteenth) when antiquity was open and available, to Romans and non Romans, to the lay nobility, to new men, to Cardinals and literati. A glimpse into the patronage of art, literature, architecture and festival décor by Cardinal Pietro Riario, Cardinal Raffaele Riario, Lorenzo Manlio, and as will be discussed in most detail, the Maffei family from Verona, will emphasize the variety and diversity of approaches to the antique, each re-using the past to establish a new beginning or a moment of the re-foundation of antique glory. Diverse strategies heralded the refoundation of Rome, in a way which vaunted the rise to prominence of a particular patron or family. This is seen by comparing the antiquarian strategies of foreigners and locals, of men of different ranks and with different social roles: those of Cardinals (the Riario), a native Roman (Manlio), and a family of non-native Veronese (the Maffei).
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De Jonge, Krista. "Resurrecting Belgica Romana: Peter Ernst von Mansfeld’s garden of antiquities in Clausen, Luxemburg, 1563–90". En Local antiquities, local identities, 237–60. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781526117045.003.0012.
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This chapter examines Peter Ernst von Mansfeld’s appropriation of local antiquities in his suburban residence and garden at Clausen, in Luxemburg. Mansfield, who would become the longest-serving governor of Luxemburg, built up an impressive collection of Gallo-Roman antiquities from Trier, Arlon and Metz. Mansfield constructed this complex, called La Fontaine, between 1563 and 1590 as a properly ‘antique’ setting, with a vaulted grotto and cryptoporticus. In this essays Mansfield’s antiquarian efforts are considered in the context of the broader search by Netherlandish humanists for archaeological evidence confirming their Roman roots. The Southern Low Countries, called Belgica after Julius Caesar’s Commentarii de bello Gallico, were known to have been once part of Roman Gaul, and even while it was still under construction, La Fontaine was visited by knowledgeable travellers hunting for the material remains of Belgica Romana. Later on, early accounts of the history of Gallo-Roman Luxemburg were greatly indebted to Mansfeld’s La Fontaine and its early chroniclers.
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Stevenson, Andrew J. "Gellius and the Roman Antiquarian Tradition". En The Worlds of Aulus Gellius, 118–56. Oxford University Press, 2004. http://dx.doi.org/10.1093/acprof:oso/9780199264827.003.0005.
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Olds, Katrina B. "Local antiquaries and the expansive sense of the past: a case study from Counter-Reformation Spain". En Local antiquities, local identities, 167–89. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781526117045.003.0009.
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In the seventeenth century, Spanish antiquarians collected inscriptions, coins, and other evidence of their community’s illustrious Christian origins, conflictive medieval past, and glorious present. Efforts to compile a suitable local history were particularly determined and prolific in the Andalusian diocese of Jaén, where two local enthusiasts of the past – Francisco de Rus Puerta and Martín Ximena Jurado – generated a voluminous body of manuscripts and printed books under the sponsorship of Jaén’s bishop. Like their counterparts elsewhere in Europe, Jaén’s antiquaries documented the past in both text and image, as the authors sketched coins, ruins in situ, and ongoing excavations for antiquities and saints’ relics. In these efforts, Greco-Roman antiquity played the handmaiden to the early Christian era, for it was of intense concern for Andalusian Catholics to prove that the Islamic invasion had not disrupted the region’s deep and essential Christian identity. In this way, ‘antiquity’ was a rather motley-coloured creature, encompassing not only the remains of Roman Hispania, but also including pre-Roman antiquities from Spain’s early Greek, Phoenician, and Celtiberian peoples, as well as Visigothic and some Islamic artefacts.