Literatura académica sobre el tema "Antigua – fiction"
Crea una cita precisa en los estilos APA, MLA, Chicago, Harvard y otros
Consulte las listas temáticas de artículos, libros, tesis, actas de conferencias y otras fuentes académicas sobre el tema "Antigua – fiction".
Junto a cada fuente en la lista de referencias hay un botón "Agregar a la bibliografía". Pulsa este botón, y generaremos automáticamente la referencia bibliográfica para la obra elegida en el estilo de cita que necesites: APA, MLA, Harvard, Vancouver, Chicago, etc.
También puede descargar el texto completo de la publicación académica en formato pdf y leer en línea su resumen siempre que esté disponible en los metadatos.
Artículos de revistas sobre el tema "Antigua – fiction"
1
Dalia, Albert. "Héroes luchadores: los valores esenciales de la tradición xia en la China antigua". Revista de Artes Marciales Asiáticas 6, n.º 2 (27 de mayo de 2012): 45. http://dx.doi.org/10.18002/rama.v6i2.7.
Texto completoResumen
The core values of China’s famed <em>wuxia </em>(heroic fiction) literature and cinema developed in response to the chaos and warfare of the Warring States Period (475-221 B.C.E.). In English, probably the best commercial source of information on this topic is Professor James J.Y. Liu’s book, <em>The Chinese Knight-Errant</em> (1967), which unfortunately is out of print. This article is based on that book, along with the author’s academic and literary work on the East Asian hero. These heroic values appear to be rooted in individualism, which would seem to contradict the region’s vaunted sense of group cohesiveness.
2
Ahmad Rabea, Reem y Nusaiba Adel Almahameed. "Genre Crossing in Jamaica Kincaid’s ‘Girl’: From Short Fiction to Poetry". Advances in Language and Literary Studies 9, n.º 3 (30 de junio de 2018): 157. http://dx.doi.org/10.7575/aiac.alls.v.9n.3p.157.
Texto completoResumen
The paper intends to reread Jamaica Kincaid’s short story, ‘Girl’ (1978) and provide new insights into its understanding. It aims to analyse the poetic qualities, word choice, and structure of the text that are left not fully discussed by recent scholarship. The structure as well as the poetic language of ‘Girl’ make it an unconventional piece of writing falling between two literary categories and so hard to classify. ‘Girl’ apparently violates rules and transgresses conventions by being both poetic and going beyond the traditional fictional structure of a short story. The paper argues that ‘Girl’ is an unconventional piece of literature that crosses the borders of a short story to poetry. First, it obviously lacks the traditional structure to be classified as a short story. Second, the text embraces several poetic techniques which reveal it as poetry written in prose. Therefore, the paper purports to carefully consider the poetic techniques and rhetorical devices found in ‘Girl’ and make it much closer to a prose poem than a short story. The story depicts a pre-adolescent female being dictated by the instructions of a sharp-tongued mother who teaches her how to become a lady- both in the private setting of the house as well as in public- in contrast to what it is like for a woman growing up in Antigua. The paper’s considerations of Kincaid’s depictions of mother, daughter, and their relationship illuminate the poetic traits found including repetition, sound devices and word choice. The paper’s interpretation of ‘Girl’ reveals its poetic nature for being thoroughly repetitive and alliterative piece. The text’s repetitive quality does not only stimulate the reader’s intellectual appreciation of the text’s thematic notions and meanings but also promotes an overall unifying effect.
3
López López, Carmen María. "Fabular la desmemoria: el ocaso de un mundo narrativo en El oscurecer (un encuentro) de Luis Mateo Díez = A telling tale of memory loss: a narrative world on the wane in El oscurecer (un encuentro) by Luis Mateo Díez". Estudios Humanísticos. Filología, n.º 39 (15 de diciembre de 2017): 297. http://dx.doi.org/10.18002/ehf.v0i39.4729.
Texto completoResumen
<p class="western" align="justify"><span><span style="font-family: 'book antiqua', serif;">El objetivo de este artículo es analizar el vínculo entre la desmemoria causada por el conflicto bélico de la Guerra Civil española y la desintegración del universo narrativo que sustenta la ficción literaria en </span><span style="font-family: 'book antiqua', serif;"><em>El oscurecer (un encuentro) (2002) </em></span><span style="font-family: 'book antiqua', serif;">de Luis Mateo Díez, un mundo ficticio que está a punto de desaparecer. De acuerdo con esto, el estudio se centra en diferentes elementos que arrojan luz sobre esta perspectiva: la desmemoria, la soledad, el silencio o la pérdida del lenguaje. </span></span></p><p class="western" align="justify"> </p><p class="Pa5">The purpose of this article is to analyze the link between the amnesia caused by the military conflict of the Spanish Civil World and the desintegration of narrative universe which supports the literary fiction in <em>El oscurecer (un encuentro) </em>(2002) by Luis Mateo Díez, a fictional world that is about to disappear. According to this, the study focuses on different aspects that shed light on this perspective: the forgetfulness, the isolation, the silence or the lack of language.</p><p class="western" align="justify"> </p><p class="Default"> </p><p class="western" align="justify"><span><span style="font-family: 'book antiqua', serif;"><br /></span></span></p>
4
KITLV, Redactie. "Book Reviews". New West Indian Guide / Nieuwe West-Indische Gids 72, n.º 3-4 (1 de enero de 1998): 305–62. http://dx.doi.org/10.1163/13822373-90002597.
Texto completoResumen
-Lennox Honychurch, Robert L. Paquette ,The lesser Antilles in the age of European expansion. Gainesville: University Press of Florida, 1996. xii + 383 pp., Stanley L. Engerman (eds)-Kevin A. Yelvington, Gert Oostindie, Ethnicity in the Caribbean: Essays in honor of Harry Hoetink. London: Macmillan Caribbean, 1996. xvi + 239 pp.-Aisha Khan, David Dabydeen ,Across the dark waters: Ethnicity and Indian identity in the Caribbean. London: Macmillan Caribbean, 1996. xi + 222 pp., Brinsley Samaroo (eds)-Tracey Skelton, Ralph R. Premdas, Ethnic conflict and development: The case of Guyana. Brookfield VT: Ashgate, 1995. xi + 205 pp.-Rosemarijn Hoefte, Basdeo Mangru, A history of East Indian resistance on the Guyana sugar estates, 1869-1948. Lewiston NY: The Edwin Mellen Press, 1996. xiv + 370 pp.-Rosemarijn Hoefte, Clem Seecharan, 'Tiger in the stars': The anatomy of Indian achievement in British Guiana 1919-29. London: Macmillan, 1997. xxviii + 401 pp.-Brian Stoddart, Frank Birbalsingh, The rise of Westindian cricket: From colony to nation. St. John's, Antigua: Hansib Publishing (Caribbean), 1996. 274 pp.-Donald R. Hill, Peter van Koningsbruggen, Trinidad Carnival: A quest for national identity. London: Macmillan Caribbean, 1997. ix + 293 pp.-Peter van Koningsbruggen, John Cowley, Carnival, Canboulay and Calypso: Traditions in the making. Cambridge: Cambridge University Press, 1996. xv + 293 pp.-Olwyn M. Blouet, George Gmelch ,The Parish behind God's back : The changing culture of rural Barbados. Ann Arbor: University of Michigan Press, 1997. xii + 240 pp., Sharon Bohn Gmelch (eds)-George Gmelch, Mary Chamberlain, Narratives of exile and return. London: Macmillan, 1997. xii + 236 pp.-Michèle Baj Strobel, Christiane Bougerol, Une ethnographie des conflits aux Antilles: Jalousie, commérages, sorcellerie. Paris: Presses Universitaires de France, 1997. 161 pp.-Abdollah Dashti, Randy Martin, Socialist ensembles: Theater and state in Cuba and Nicaragua. Minneapolis: University of Minnesota Press, 1994. xii + 261 pp.-Winthrop R. Wright, Jay Kinsbruner, Not of pure blood: The free people of color and racial prejudice in nineteenth-century Puerto Rico. Durham NC: Duke University Press, 1996. xiv + 176 pp.-Gage Averill, Deborah Pacini Hernandez, Bachata: A social history of a Dominican popular music. Philadelphia PA: Temple University Press, 1995. xxiii + 267 pp.-Vera M. Kutzinski, Lorna Valerie Williams, The representation of slavery in Cuban fiction. Columbia: University of Missouri Press, 1994. viii + 220 pp.-Peter Mason, Elmer Kolfin, Van de slavenzweep en de muze: Twee eeuwen verbeelding van slavernij in Suriname. Leiden: Koninklijk Instituut voor Taal-, Land- en Volkenkunde, 1997. 184 pp.-J. Michael Dash, Jean-Pol Madou, Édouard Glissant: De mémoire d'arbes. Amsterdam: Rodopi, 1996. 114 pp.-Ransford W. Palmer, Jay R. Mandle, Persistent underdevelopment: Change and economic modernization in the West Indies. Amsterdam: Gordon and Breach, 1996. xii + 190 pp.-Ramón Grossfoguel, Juan E. Hernández Cruz, Corrientes migratorias en Puerto Rico/Migratory trends in Puerto Rico. Edición Bilingüe/Bilingual Edition. San Germán: Caribbean Institute and Study Center for Latin America, Universidad Interamericana de Puerto Rico, 1994. 195 pp.-Gert Oostindie, René V. Rosalia, Tambú: De legale en kerkelijke repressie van Afro-Curacaose volksuitingen. Zutphen: Walburg Pers, 1997. 338 pp.-John M. Lipski, Armin J. Schwegler, 'Chi ma nkongo': Lengua y rito ancestrales en El Palenque de San Basilio (Colombia). Frankfurt: Vervuert, 1996. 2 vols., xxiv + 823 pp.-Umberto Ansaldo, Geneviève Escure, Creole and dialect continua: Standard acquisition processes in Belize and China (PRC). Amsterdam: John Benjamins, 1997. ix + 307 pp.
5
Lau, A. H. "Liver tolerance mediated by antigen presenting cells: fact or fiction?" Gut 52, n.º 8 (1 de agosto de 2003): 1075–78. http://dx.doi.org/10.1136/gut.52.8.1075.
Texto completo
6
Junghans, Richard P. "Cruel antibody fictions! Cellular antigen enumeration by ‘saturation’ binding". Immunology Today 20, n.º 9 (septiembre de 1999): 401–6. http://dx.doi.org/10.1016/s0167-5699(97)01178-x.
Texto completo
7
Khodabandeh Shahraki, Parisa, Ali Alavian-Mehr y Shirin Farjadian. "HLA-G: Facts and Fictions". Asian Pacific Journal of Cancer Biology 3, n.º 2 (6 de mayo de 2018): 37–45. http://dx.doi.org/10.31557/apjcb.2018.3.2.37-45.
Texto completoResumen
Human leukocyte antigen (HLA)-G is a nonclassical MHC class I molecule with modulatory effects on NK and T cells. Unlike classical HLA class I molecules, HLA-G has seven isoforms, three of which are soluble. Soluble HLA-G molecules are reportedly able to transduce negative signals to immune cells after interacting with their corresponding receptors. The expression of these molecules plays significant roles in maternal tolerance against semi-allogenic fetuses. Overexpression of HLA-G in tumors and increased serum levels of soluble HLA-G have been reported in different malignancies, and these changes may be involved in tumoral immune evasion and cancer progression. To improve immune responses against tumor cells, the downmodulation of HLA-G by siRNA or blocking monoclonal antibodies can be helpful in cancer immunotherapy. Additionally, HLA-G can be considered a potential biomarker for the diagnosis and/or prognosis of certain cancers. Although polymorphism of the HLA-G gene-coding region is more limited than in classical HLA class I, some genetic variations in regulatory regions of the gene control the expression level of this molecule. Furthermore, epigenetic factors such as infections may affect the expression of HLA-G in infection-related cancers.
8
Afonso, André Das Neves. "“EXCELLENTES REPRODUCÇÕES DE TRABALHOS ANTIGOS EM MARFIM”. OS FICTILE IVORIES DO MUSEU NACIONAL DE ARTE ANTIGA". ARTis ON, n.º 9 (26 de diciembre de 2019): 57–73. http://dx.doi.org/10.37935/aion.v0i9.239.
Texto completoResumen
As reproduções de objetos artísticos em gesso, galvanoplastia ou fotografi a assumiram-se como instrumentos fundamentais no quadro da museologia da segunda metade do século XIX, mais especifi camente no contexto das práticas colecionísticas, expositivas e pedagógicas dos museus de artes ornamentais, industriais ou decorativas. A Academia Real de Belas-Artes de Lisboa (ARBAL) formará coleções desta natureza, seja para fins de ensino académico ou fins museológicos. No presente texto debruçar-nos-emos em torno de uma coleção inédita de trinta e duas peças em gesso que reproduzem placas de marfim esculpido – os designados fictile ivories –, atualmente no acervo do Museu Nacional de Arte Antiga (MNAA), e que resultam de uma importante oferta do South Kensington Museum de Londres, em 1866, à Academia Real de Belas-Artes de Lisboa. Analisaremos o fenómeno da importância internacional das reproduções, a oferta realizada pelo museu londrino, a especifi cidade dos fictile ivories neste âmbito e, considerando as limitações de uma investigação ainda em curso, apresentaremos alguns dados de caraterização desta coleção.
9
Kaur, Gurpreet, Sanpreet Singh, Sidhanta Nanda, Mohammad Adeel Zafar, Jonaid Ahmad Malik, Mohammad Umar Arshi, Taruna Lamba y Javed Naim Agrewala. "Fiction and Facts about BCG Imparting Trained Immunity against COVID-19". Vaccines 10, n.º 7 (23 de junio de 2022): 1006. http://dx.doi.org/10.3390/vaccines10071006.
Texto completoResumen
The Bacille Calmette-Guérin or BCG vaccine, the only vaccine available against Mycobacterium tuberculosis can induce a marked Th1 polarization of T-cells, characterized by the antigen-specific secretion of IFN-γ and enhanced antiviral response. A number of studies have supported the concept of protection by non-specific boosting of immunity by BCG and other microbes. BCG is a well-known example of a trained immunity inducer since it imparts ‘non-specific heterologous’ immunity against severe acute respiratory syndrome coronavirus 2 (SARS-CoV-2), the virus responsible for the recent pandemic. SARS-CoV-2 continues to inflict an unabated surge in morbidity and mortality around the world. There is an urgent need to devise and develop alternate strategies to bolster host immunity against the coronavirus disease of 2019 (COVID-19) and its continuously emerging variants. Several vaccines have been developed recently against COVID-19, but the data on their protective efficacy remains doubtful. Therefore, urgent strategies are required to enhance system immunity to adequately defend against newly emerging infections. The concept of trained immunity may play a cardinal role in protection against COVID-19. The ability of trained immunity-based vaccines is to promote heterologous immune responses beyond their specific antigens, which may notably help in defending against an emergency situation such as COVID-19 when the protective ability of vaccines is suspicious. A growing body of evidence points towards the beneficial non-specific boosting of immune responses by BCG or other microbes, which may protect against COVID-19. Clinical trials are underway to consider the efficacy of BCG vaccination against SARS-CoV-2 on healthcare workers and the elderly population. In this review, we will discuss the role of BCG in eliciting trained immunity and the possible limitations and challenges in controlling COVID-19 and future pandemics.
10
Cornelsen, Elcio Loureiro. "O espaço da interdição interditado pela nostalgia e pelo riso: o Muro de Berlim e a "Alameda do Sol"". Aletria: Revista de Estudos de Literatura 15, n.º 1 (30 de junio de 2007): 82–97. http://dx.doi.org/10.17851/2317-2096.15.1.82-97.
Texto completoResumen
Resumo: O objetivo deste artigo é discutir alguns aspectos teóricos sobre a categoria de espaço na literatura contemporânea. A análise do romance Am Kürzeren Ende der Sonnenallee (1999), do escritor alemão Thomas Brussig, demonstra que o autor constrói o espaço ficcional como miniatura, por meio da redução de um trecho de rua na antiga Berlim Oriental que assume a função de centro das ações romanescas.Palavras-chave: espaço ficcional; romance de rua; Am Kürzeren Ende der Sonnenallee.Abstract: The objective of this article is to discuss some theoretical aspects about the space in the contemporary literature. On analyzing the novel Am Kürzeren Ende der Sonnenallee (1999), by the German writer Thomas Brussig, this paper argues that the author constructs the fictional space like a miniature by reduction of a small street in the former East Berlin as center of the actions.Keywords: fictional space; street novel; Am Kürzeren Ende der Sonnenallee.
Tesis sobre el tema "Antigua – fiction"
1
Rabau, Sophie. "Fictions de présence : la narration orale dans le texte romanesque du roman antique au XXe siècle /". Paris : H. Champion, 2000. http://catalogue.bnf.fr/ark:/12148/cb37107626j.
Texto completo
2
Bompaire, François. "Ironie et communication littéraire, à partir des fictions d’André Gide". Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL075.
Texto completoResumen
Face à l’incohérence apparente de la notion d’ironie, cette thèse vise, non à valoriser l’impossibilité de la définir et le protéisme de la notion, mais à construire une définition sur des principes alternatifs : attention aux traits communs plutôt qu’aux variations, aux processus longs qu’à la succession des significations, définition de l’ironie comme acte communicationnel plutôt que comme mécanique formelle. L’ironie, à partir du monde grec, est tenue pour un acte de communication, non réductible à la linguistique pragmatique : comment contrôler la socialisation en contexte dangereux, en se tenant au plus près de l’ennemi ? La résolution de ce problème dans l’échange passe par l’invention de formes, dont certaines, antiphrase en tête, s’autonomisent et deviennent des formes fixes, parmi d’autres, de l’ironie. Je m’efforce ensuite de suivre la façon dont se maintient cette définition non formelle en étant attentif, jusqu’au romantisme d’Iéna, à l’analyse de la communication à l’œuvre dans les réflexions sur l’ironie. L’œuvre fictionnelle d’André Gide, déployant une grande variété de formes d’ironie et habitée par le secret, biographique et sexuel, est relue comme remettant en jeu ce contrôle de la socialisation dangereuse et comme déployant, derrière la notion de collaboration, une réflexion sur la communication littéraire. D’autre part, l’œuvre d’André Gide est ressaisie dans la perspective d’une histoire de l’ironie au dix-neuvième siècle. L’antiphrase n’est alors pas centrale : à la figure de Voltaire s’attache l’idée de raillerie de l’idéal, qui constitue un poids sémantique déterminant l’adaptation des différentes traditions ironiques au cadre françaisFaced with the apparent inconsistency of the notion of irony, this PhD does not suggest to enhance the impossibility of defining the notion or its proteism, but to build a definition on alternative principles: the focus on common features instead of variations, on long term processes instead of the succession of meanings and the definition of irony as an act of communication rather than as a formal mechanic. Irony, ever since the Greek world, appears as an act of communication which cannot be reduced to pragmatic linguistics: how to control socialisation in a dangerous context, in staying as close to the enemy as possible? Solving this problem by exchanging supposes the invention of forms, some of which – first and foremost the antiphrasis – get autonomous and are fixed forms – but among others – of the irony. I then strive to follow the way in with this non formal definition is maintained by paying attention – until Jena romanticism – to the analysis of the communication at work in the reflexions on irony. André Gide’s fictional work displaying a great variety of forms of irony and being imbued with secret, both biographical and sexual, is read as questioning this control of dangerous socialisation and as laying out, beneath the notion of collaboration, a reflexion on literary communication. On the other hand André Gide’s work is reinterpreted in the perspective of a history of irony in the nineteenth century. The antiphrasis is the centre of perception of irony: to the figure of Voltaire is attached to the idea of taunting the ideal, which constitutes a semantic weight conditioning the adaptation of different ironic traditions to the French framework
3
Chazal, Benoît. "La rhétorique du blâme dans l'"Histoire Auguste"". Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCA151.
Texto completoResumen
La rhétorique du blâme dans l’Histoire Auguste se propose d’étudier comme un objet littéraire le recueil de biographies impériales connu sous le nom d’Historia Augusta, officiellement rédigé par six auteurs à la fin du IIIe siècle ap. J.C. et au début du IVe siècle ap. J.C., mais qui serait en réalité issu du fruit de l’imagination d’un unique rédacteur ayant vécu à la fin du IVe siècle ap. J.C., si l’on s’en tient à la thèse de l’historien allemand Hermann Dessau formulée à la fin du XIXe siècle. Le présent mémoire entend analyser les différentes stratégies destinées à dépeindre des images sombres d’une série d’empereurs légitimes et d’usurpateurs, compris dans la période historique qui débute avec le règne d’Hadrien et s’achève avec la chute de Carin (IIe-IIIe siècles ap. J.C.), dans un texte mêlant étroitement réalité et fiction. Le recours à des procédés de nature lexicale, stylistique, thématique et structurelle que l’on peut observer révèle l’importance de la mise en œuvre des ressources de la rhétorique épidictique, ainsi que la présence de nombreux phénomènes d’intertextualité, fondés notamment sur les Vies des douze Césars de Suétone, principal modèle du recueil. L’enquête conduit à un élargissement de la réflexion qui s’intéresse aux cibles de la critique. Si, derrière les figures des mauvais princes, le rédacteur cherche à fustiger les dérives du principat, il cherche également à mettre en oeuvre sa propre écriture, en tâchant de se distinguer des autres historiographes, dans un style qui accorde une large place à la fantaisie, à l’autodérision et au persiflage. Le mémoire s’efforce donc d’étudier la représentation des figures et des événements de l’histoire et de souligner les articulations entre poétique et rhétorique dans un texte majeur de la littérature latine de l’Antiquité tardiveRhetoric of Condemnation in the 'Historia Augusta' intends to study the collection of imperial biographies known as Historia Augusta as a literary object. The biographies were officially written by six authors at the end of the 3rd Century A.D. and at the beginning of the 4th Century A.D., but they were actually produced through the imagination of a single writer who lived at the end of the 4th Century A.D. according to the 19th Century thesis of the German historian Hermann Dessau. Through analysing a text that intricately mixes reality and fiction, this thesis will examine the different strategies intended to depict the sombre images of both legitimate and usurping emperors throughout the historical period that begins with Hadrian's reign and ends with the fall of Carin (2nd to 3rd Centuries A.D.). Observing the lexical, stylistic, thematic and structural methods reveals the importance of utilizing epideictic rhetoric as well as numerous intertextuality phenomena, particularly based on Suetonius's Vitae XII Caesarum, which is the main model of the collection. This inquiry drives to widen the thought interested by the target of the critic. If, behind the figures of bad princes, the writer tries to castigate the principate system that enables princely transgressions, he also tries to enhance his own writing. The writer tries to be different from other historiographers in a style that grants a large place to fantasy, self-mockery and raillery. This thesis endeavours, therefore, to study the representation of historical characters and events while underlining articulations between poetics and rhetoric in a major text of late Antiquity Latin literature
4
Bessières, Vivien. "Antiquité et postmodernité : les intertextes gréco-latins dans les arts à récit depuis les années soixante (fiction, théâtre, cinéma, série télévisée, bande dessinée)". Phd thesis, Université Toulouse le Mirail - Toulouse II, 2011. http://tel.archives-ouvertes.fr/tel-00663436.
Texto completoResumen
La postmodernité est peut-être une époque de crise des humanités : depuis les années 60, l'apprentissage du latin et du grec est en chute libre. Les arts n'en continuent pas moins, toutefois, de recourir à la matière antique. Dans les arts à récit, c'est-à-dire à dominante narrative, l'esthétique postmoderne traite moins l'Antiquité comme une source de genres à imiter et adapter, à la manière des classiques, ou comme un ensemble de récits à parodier et transposer, à la façon moderne, que comme un corpus de textes auquel recourir pour pasticher les genres, déconstruire les récits, et notamment les " méta-récits ", les grands récits à message, les idéologies. L'Antiquité gréco-latine y fonctionne soit comme un autre passé, un autre monde, païen, homo-érotique, à opposer au nôtre, soit comme un nôtre passé, impérialiste, sexiste, une origine des " grands récits ", à laquelle remonter pour les déconstruire. Cependant, l'esthétique postmoderne n'englobe pas tout l'art de l'époque postmoderne. Les esthétiques classiques et modernes continuent d'exister pendant cette période. Dans une perspective classique, le péplum, c'est-à-dire l'Antiquité envisagée comme un genre, se déplace du cinéma vers d'autres arts (série télévisée, bande dessinée), se servant de l'espace-temps antique comme moyen d'évasion mais aussi comme matière à réflexion sur le pouvoir, le rapport entre dominants et dominés, centre et marges. La transposition moderne des récits antiques n'en finit pas, elle, de jouer son rôle pour mythifier le quotidien et démythifier l'héroïsme. Autant de manières d'aborder aujourd'hui l'Antiquité, non plus seulement comme ce modèle en crise de la République des Lettres.
5
Sano, Lucia. "Das Narrativas Verdadeiras, de Luciano de Samósata: tradução, notas e estudo". Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-19012009-160813/.
Texto completoResumen
O objetivo deste estudo é analisar o romance grego , Das Narrativas Verdadeiras, de Luciano de Samósata (125-180 d.C.), considerando os objetivos expostos pelo autor no proêmio do texto e sua composição por meio da alusão a outros gêneros literários. Apresenta-se também uma tradução do texto em português.The aim of this study is to analyze the greek novel , True Histories, by Lucian of Samosata (circa 125-180 AD), regarding the aims exposed by the author in the prologue of the text, as well as its composition made by alluding to other literary genres. A Portuguese translation of the novel is also provided.
6
Brito, Tarsilla Couto de 1977. "O retorno de Astréia ou Fénelon e a arte de fugir ao tempo". [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269931.
Texto completoResumen
Orientador: Carlos Eduardo Ornelas BerrielTese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-22T06:03:43Z (GMT). No. of bitstreams: 1 Brito_TarsillaCoutode_D.pdf: 3083107 bytes, checksum: 65aa076e7788c2f35e1f9bbc6341c129 (MD5) Previous issue date: 2013
Resumo: Quando Fénelon decidiu escrever um espelho de príncipe literário para instruir o neto de Luís XIV nas artes de governar, não imaginou que seu texto fosse causar celeuma, muito menos que se produziria uma fortuna crítica tão vasta e multifacetada. Para além das leituras de caracteres com que o público da época se divertiu descobrindo as figuras reais por detrás das personagens, um dos problemas permanentes para a interpretação de As aventuras de Telêmaco é sua classificação. O livro não se enquadra perfeitamente na narrativa antiga, nem no romance. A despeito da função moralizante-educacional do texto, o personagem Telêmaco ganha autonomia ao ser, nos primeiro livros, narrador de si mesmo. Com isso, temos acesso a uma subjetividade inteiramente nova para um texto que se pretendia pedagógico. O caráter exemplar da epopéia homérica que inspira as aventuras é minado pelas armadilhas criadas pelos sentimentos do próprio herói na missão difícil de despojar-se de si mesmo. Por outro lado, o objetivo de seu texto prende-o às narrativas antigas de caráter moralizante - formar um reicristão. As aventuras de Telêmaco permanecem inscritas em um "tempo sem tempo", em que vemos as transformações sucederem-se umas às outras, sem podermos situá-las numa linha cronológica como no romance. A discussão sobre utopia vem, assim, renovar a discussão do gênero dessas Aventuras. Defendemos que a presença de um "país de nenhum lugar" nessa ficção pedagógica organiza sua estrutura narrativa e orienta seus procedimentos miméticos em função dos espaços visitados. Dividida em duas partes, a presente Tese busca, em um primeiro momento, descrever o texto literário Les aventures de Télémaque de Fénelon. Em termos estritamente literários, tratamos de sua estrutura narrativa, organizada em função de modelos e de antimodelos de governo; de sua linguagem mítico-alegórica que veicula um conteúdo moral e espiritual cristão; e de seu gênero literário. Com uma revisão bibliográfica, esboçamos as razões que fizeram da publicação do Telêmaco um escândalo; e ainda as alterações de sentido e modos de interpretação que o texto sofreu ao longo de uma fortuna crítica de 300 anos. Na segunda parte, nos dedicamos à análise de Salento, o último reino visitado pelo personagem principal, como uma utopia que propõe uma volta no tempo, de modo que afirmamos seu caráter conservador. Nossa proposta de estudo leva em consideração que o Telêmaco de Fénelon não é composto apenas de idéias políticas e religiosas, mas de um conflito entre diferentes concepções de história
Abstract: when Fenelon decided to write a literary mirror for princes to instruct Louis XIV's grandson in the arts of governing, he did not imagine that his text would cause a stir, or that it would produce such a vast and multifaceted critical fortune. Apart from the readings of characters which amused the audience that would try to discover the actual figures behind the characters, one of the perennial problems for the interpretation of The Adventures of Telemachus is its classification. The book does not fit neatly into the ancient narrative, neither into the novel. Despite the moralizing and educational function of the text, the character Telemachus gains autonomy being the narrator of him in the first book. With this, we access an entirely new subjectivity in a text that was intended to be pedagogical. The exemplary feature of the Homeric epic that inspires the adventures is undermined by the traps created by the hero's own feelings while he deals with the difficult task of divesting himself. Moreover, the purpose of the text - to form a Christian king - connects it with the moralizing ancient narratives. The Adventures of Telemachus remains enrolled in a "time out of time" in which we see the transformations following each other, being impossible to place them on a timeline like we do in the novel. The discussion of utopia has thus renewed the discussion about the genre in these adventures. We argue that the presence of a "country of nowhere" in this pedagogical narrative organizes its structure and guides its mimetic procedures according to the spaces visitEditora Divided in two parts, this thesis seeks, at first, to describe Fénelon's literary text, Les aventures de Télémaque. In strictly literary terms, we deal with its narrative structure, organized around government's models and antimodels; its mythical-allegorical language that conveys a moral and spiritual Christian content; and its literary genre. Through a bibliographical review, we outline the reasons that made Telemachus' publication a scandal, and also the changes of meaning and modes of interpretation that the text has suffered over a 300 years old critical fortune. In the second part, we are dedicated to the analysis of Salento, the last kingdom visited by the main character, as a utopia that offers a return on time, so we affirm its conservative feature. Our proposed study takes into consideration that Fénelon's Telemachus consists not only of political and religious ideas, but also of a conflict between different conceptions of history
Doutorado
Historia e Historiografia Literaria
Doutora em Teoria e História Literária
7
Romagnino, Roberto. "Origine, redéfinition, statut de l’ekphrasis romanesque au XVIIe siècle". Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040201.
Texto completoResumen
Notre thèse se propose comme objectif la définition et l’étude du traitement de l’ekphrasis dans la fiction narrative française en prose entre 1585 et 1660. L’ekphrasis y est comprise dans le sens ancien et rhétorique d’un discours doté d’évidence (enargeia), mettant son objet devant les yeux du lecteur/auditeur. En s’appuyant sur une rigoureuse enquête philologique, le présent travail vise d’abord à définir l’origine rhétorique de la notion d’ekphrasis et de tracer sa complexe cartographie sémantique entre l’Antiquité et la première modernité. L’enquête s’efforce ensuite de montrer l’attitude – de docilité ou de rébellion – de l’ekphrasis romanesque par rapport aux préceptes antiques et contemporains, par la mise en lumière des singularités d’écriture qui différencient la pratique des romanciers. Enfin, l’étude s’attache à dégager les effets que l’ekphrasis et plus en général le discours évident, dont les sources mettent en lumière l’étroit lien avec les passions, sont censés susciter chez le lecteurThe aim of this thesis is the definition and study of the treatment of ekphrasis in fictional prose narrative in French between 1585 and 1660. Ekphrasis is considered here in its ancient and rhetorical sense of a discourse having the quality of enargeia – that is, one that places its object before the eyes of the reader/listener.Based on a rigorous philological investigation, this paper aims first at defining the rhetorical origin of the concept of ekphrasis, and its complex semantic mapping between Antiquity and the early modern period.This research attempts then to shed light on the attitude (docility or rebellion) of fictional ekphrasis toward the ancient and contemporary precepts, by highlighting the singularities of writing that distinguish the practice of novelists.Finally, this study focuses on identifying the effects that ekphrasis, and more generally the figures of enargeia – of which the sources highlight the close link with the passions – are expected to arouse in the reader
8
Alves, Cristiane da Silva. "Novos tempos, vozes antigas : os narradores velhos na narrativa ficcional brasileira do século XXI : ou de como ficou difícil ouvir os velhos ou de como a ficção enfrenta o tabu da velhice". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2016. http://hdl.handle.net/10183/148946.
Texto completoResumen
Esta pesquisa busca examinar a presença de protagonistas-narradores em idade avançada e sua atuação nas narrativas ficcionais brasileiras publicadas na primeira década do século XXI. O objetivo é investigar a narrativa ficcional brasileira contemporânea que dá voz ao velho, permitindo que atue como sujeito e narrador da história, revelando a sua trajetória, o seu envelhecimento e o seu olhar sobre a sociedade. Para tanto, toma-se como corpus principal os livros Heranças, de Silviano Santiago, Leite Derramado, de Chico Buarque, Órfãos do Eldorado, de Milton Hatoum e O arroz de Palma, de Francisco Azevedo, cujo mote é uma espécie de autobiografia da personagem ficcional que, velha e experiente, faz um balanço da própria vida, apresentando ao leitor a sua história, ao mesmo tempo em que permite entrever certas passagens da história nacional. Pretende-se verificar as semelhanças, aproximações e diferenças que tais obras guardam entre si, bem como a possível relação com outras narrativas. Também será examinado o romance Milamor, de Livia Garcia-Roza que, diferente dos demais, traz uma personagem-narradora feminina, em vias de tornar-se idosa. A partir da análise do corpus, intenta-se averiguar em que medida a voz dos velhos está presente, bem como as questões relacionadas à velhice e/ou ao envelhecimento, ao lado de temas e fatos concernentes ao percurso histórico do país e a inserção (ou exclusão) dos velhos no cenário atual. Apesar do crescimento demográfico de indivíduos velhos no Brasil e em outras partes do mundo, sua voz não se faz ouvir de modo satisfatório; impera ainda o silenciamento das e sobre as pessoas velhas. A presença de diferentes obras trazendo à tona narradores velhos, todavia, acena como um indício de novas perspectivas no que se refere à compreensão e representação do envelhecimento e da velhice.This research seeks to examine the presence of protagonist-narrators in old age and his performance in Brazilian fictional narratives published in the first decade of this century. The aim is to investigate the contemporary Brazilian fictional narrative that gives voice to the old people, allowing them to act as main character and narrator of the story, revealing their path, their aging and their gaze on society. To this end, we take as the main corpus the books Heranças, by Silviano Santiago, Leite Derramado, by Chico Buarque, Órfãos do Eldorado, by Milton Hatoum and O arroz de Palma, by Francisco Azevedo, whose subject is a kind of autobiography of the fictional character that, old and experienced, takes stock of his life, showing to the reader his history, while allowing a glimpse of certain passages of national history. It is intended to verify the similarities, approximations and differences that such works have among themselves as well as possible links with other narratives. It will also be examined the novel Milamor, by Livia Garcia-Roza, that, unlike others, brings a character-female narrator, in the process of becoming old. From the corpus of analysis, an attempt is made to ascertain to what extent the voice of the old is present, as well as issues related to aging, along with themes and facts concerning the historical development of the country and the inclusion ( or exclusion) of the old people in the current scenario. Despite the population growth of older individuals in Brazil and other parts of the world, your voice is heard not satisfactorily; still rules their silencing. The presence of different works bringing up old narrators, however, looks an indication of new prospects with regard to the understanding and representation of aging and old age.
Esta investigación busca estudiar la presencia de protagonistas-narradores en edad avanzada y su actuación en las narrativas de ficción brasileñas publicadas en la primera década de este siglo. El objetivo es investigar la narrativa de ficción brasileña contemporánea que les da voz a los viejos, permitiendo que actúen como sujeto y narrador de la historia, revelando su trayectoria, su envejecimiento y su mirada sobre la sociedad. Para eso, tomamos como corpus principal los libros Heranças, de Silviano Santiago, Leite Derramado, de Chico Buarque, Órfãos do Eldorado, de Milton Hatoum y O arroz de Palma, de Francisco Azevedo, cuyo tema es un tipo de autobiografía del personaje de ficción que, viejo y experimentado, hace un balance de su propia vida, presentando al lector su historia, al mismo tiempo que nos permite vislumbrar algunos momentos de la historia nacional. Se pretende verificar las similitudes, diferencias y aproximaciones que dichas obras tienen entre sí, como también la posible relación con otras narraciones. También se examinará la novela Milamor, de Livia Garcia-Roza, que a diferencia de las otras tiene un personaje-narrador femenino, en camino de convertirse en vieja. A partir del análisis del corpus, se intenta determinar en qué medida la voz del anciano está presente, como las cuestiones relacionadas con la vejez y/o el envejecimiento, junto a los temas y los hechos relacionados con la evolución histórica del país y la inclusión (o exclusión) de personas viejas en el escenario actual. A pesar del crecimiento demográfico de individuos viejos en Brasil y en otras partes del mundo, su voz no se hace oír de modo satisfactorio. Sin embargo, la presencia de diferentes obras que sacan a la luz a los narradores ancianos se muestra como una señal de nuevas perspectivas en cuanto a la comprensión y la representación del envejecimiento y la vejez.
9
Maruotti, Amaranta. "La diàtriba cinico-stoica: uno strumento concettuale o un mito filologico? Analisi del dialogismo diatribico e del ruolo dell' interlocutore fittizio nella filosofia romana". Doctoral thesis, Università degli studi di Trento, 2016. https://hdl.handle.net/11572/368432.
Texto completoResumen
The starting point of our thesis is the critical discussion of a concept taken for granted by literary and ancient philosophy scholars. This is the cynic-stoic diatribe, so named because cynical themes would coexist with Stoic ones.
Our first step is assessing the accuracy of the widely accepted definition, which makes the connection between the diatribe and a tradition of topics relating to moral popular philosophy. Then we explain our choice to accept and to try to integrate recent scientific acknowledgments which accept the diatribe as a literary genre relating to the spiritual guidance method of the Socratic philosophical schools, with a particularly attentive focus on the relationship between master and disciple. Starting from this controversial genre of Greek origin, we analyze the transition to the Roman period, by first examining the terminological aspect and then the philosophical framing. Among the methods, defined as diatribic, we focus on the only feature which does not appear to be challenged and that for this exact reason could be the basis of the existence of the genre itself: dialogism and the presence of a fictitious interlocutor.
We then focus our attention on Seneca's work, and particularly on Letters to Lucilius, where the attempt to create a master-disciple relationship is intensely visible, and in which the presence of a fictitious interlocutor is structurally related to the development of this relationship. Then we discuss the diatribic forms of Roman satire, to reach Lucilius', Horace's and Persius' cases.
A brief presentation is finally devoted to the analysis of relations between the diatribe, the Second Sophistic and the religious preaching.
Libros sobre el tema "Antigua – fiction"
1
Blakeney, Jay. Antigua kiss. Sydney: Mills & Boon, 1985.
Buscar texto completo
2
Serrano, Marcela. Antigua vida mía. México, D.F: Aguilar, Altea, Taurus, Alfaguara, 1995.
Buscar texto completo
3
Serrano, Marcela. Antigua vida mía. Santiago de Chile: Aguilar Chilena de Ediciones, 1995.
Buscar texto completo
4
Hills, Leslie M. Murder in Antigua. North Charleston, South Carolina: CreateSpace Independent Publishing Platform, 2015.
Buscar texto completo
5
Klein, Elsbeth. Morgen in Antigua: Roman. Kampen: Kok, 2000.
Buscar texto completo
6
Serrano, Marcela. Antigua vida mía. Santiago de Chile, Chile: Alfaguara, 2011.
Buscar texto completo
7
illustrator, Crane Jack, ed. Saludos de la antigua Grecia. Orlando, Fla: Harcourt, 2009.
Buscar texto completo
8
Miralles, Francesc. Mika en la Antigua Grecia. Barcelona: Oniro, 2009.
Buscar texto completo
9
Murúa, Patricio Colombo. Historias y leyendas de la Grecia antigua. Salta, Argentina: Editorial Biblioteca de Textos Universitarios, 2001.
Buscar texto completo
10
Macdonald, Fiona. 100 cosas que debes saber sobre Antigua Roma. Tlalnepantla, Estado de México, México: Signo Editorial, 2007.
Buscar texto completoCapítulos de libros sobre el tema "Antigua – fiction"
1
Prenner, Antonella. "Le public complice d’une fiction. La prière au dieu Mars dans l’In Rufinum de Claudien". En L'hymne antique et son public, 541–53. Turnhout: Brepols Publishers, 2007. http://dx.doi.org/10.1484/m.rrr-eb.4.00423.
Texto completo
2
Mahé, Jean-Pierre. "La mission en Arménie de Mâr Gabryab, disciple de Mani : histoire et fiction". En JAOC Judaïsme antique et origines du christianisme, 387–92. Turnhout: Brepols Publishers, 2018. http://dx.doi.org/10.1484/m.jaoc-eb.5.115379.
Texto completo
3
Thomas, Sue. "The Gravity of Mary Prince’s History". En Britain's Black Past, 235–52. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789621600.003.0014.
Texto completoResumen
Sue Thomas uses this chapter to explore recent academic and creative projects about Mary Prince that reframe and add complexity to her story. Prince, enslaved in Bermuda, Grand Turk Island, Antigua and London, is best remembered for her influential slave narrative, The History of Mary Prince, published in 1831 by Thomas Pringle, secretary of the Anti-Slavery Society. The text was a graphic exposé of the atrocities of slavery and brought about a libel case against Pringle by one of Prince’s former owners. Thomas looks at work about Prince including Margot Maddison-MacFadyen’s archival research used both in her PhD dissertation and her historical fiction novella for young readers; themes of other-mothering explored in the poetry of Joan Anim-Addo; a video installation by Joscelyn Gardner using a toy theatre set that reflects on performative aspects of history through Prince’s story; and work by Cynthia M. Kennedy and Michele Speitz which brings attention to the harsh conditions of slaves working in Caribbean salt ponds as described by Prince. Finally, Thomas explores Prince’s conversion to Moravianism and how her experience of slavery chafed against the religious philosophy of quietism.
4
Bridges, Venetia. "Fictions of Antiquity". En The Oxford History of Poetry in English, 326–40. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780198839682.003.0019.
Texto completoResumen
Abstract This chapter surveys the significant yet frequently overlooked body of poetic material from the fifteenth century that focuses on antique narratives. It considers them through their approach to their inherited narratives. This approach allows a unified and contextually sensitive comparison to be made across a diverse corpus, including alliterative poetry, Scots works, long retellings of classical narratives, and shorter comic episodes, and it also enables lengthy works to be succinctly analysed. Particular kinds of works discussed are the narratives of Alexander (The Wars of Alexander and The Buik of King Alexander the Conquerour), narratives of Troy (Gest hystoriale/Destruction of Troy, Laud Troy Book), accounts drawn from Ovid and Virgil (John Metham, Amoryus and Cleopes), Charlemagne histories (The Sowdon of Babylon), and tales influenced by Chaucer (the Tale of Beryn).
5
"From history into fiction: Boccaccio's Filostrato and the question of foolish love". En Chaucer and the Tradition of the Roman Antique, 119–54. Cambridge University Press, 1992. http://dx.doi.org/10.1017/cbo9780511552991.005.
Texto completo
6
Cros, Nathalie y Dominique D' Almeida. "De Théron le pirate à Le Golif dit Borgnefesse : drapeau noir sur la fiction !" En Nouveaux horizons sur l’espace antique et moderne, 275–83. Ausonius Éditions, 2015. http://dx.doi.org/10.4000/books.ausonius.5412.
Texto completo
7
Nash, Alexandra. "Martuova svatba". En Orientalia Antiqua Nova XXII, 27–44. Západočeská univerzita v Plzni, 2022. http://dx.doi.org/10.24132/zcu.2022.11108-27-44.
Texto completoResumen
Marriage of Martu refers to the mythological text originating from early second millennia BC from the ancient Middle East. The work is closely related to the so called Amorite migration from the west into the collapsing Sumerian civilisation. This phenomena was long considered to be the leading cause of the fall of Ur III dynasty and various other city states of the time. More recent studies point to economic exhaustion caused by protracted warfare and famine brought about by climate change and earth salinization as being greater contributing factors. The title refers to the titular deity, who was a fictional anthropomorphic personification of the recently arrived Amorite tribal people. This is proven by the fact that Amorites themselves never worshipped such an entity and Martu himself was integrated into the established pantheon as a legitimate deity only after the Amorite people were already integrated into Mesopotamian society. The text itself sees Martu competing in various fighting games organized in Inab in order to win the hand of Adjar-kidug, the daughter of the city’s patron deity. He is ultimately successful and wins over the trust of the people and his bride to be, despite presented accusations that reflected the then stereotypical view the older native people likely had of the recently arrived tribal population. The aim of this paper is to introduce the myth and then provide contextual analysis within the social and political context of its time. It also briefly introduces a new interpretation of it. Said interpretation posits that the aim of the text was to legitimise a new Amorite ruling dynasty, or at least make their rule seem more acceptable to the indigenous population by granting it divine blessing. This would have precedent in religious ceremonies and texts from the same time period, which saw various Amorite rulers trying to establish continuity with the previous dynasties. Such practices also included marriage with daughters of the defeated lineages. Further evidence of likely Amorite authorship of the text is its optimistic wording when contrasted to other texts from its era, such as Lamentation over the city of Ur.
8
Herbert de la Portbarré-Viard, Gaëlle. "Un festin en peinture : Venance Fortunat entre fiction et réalité (CARM. 3, 13 c et 6, 7)". En Regards croisés sur le décor antique, 81–90. Hermann, 2023. http://dx.doi.org/10.3917/herm.darde.2023.01.0081.
Texto completo
9
"Political Theology: Religion as Legitimizing Fiction in Antique and Early Modern Critique". En Religion and Politics, 193–203. BRILL, 2005. http://dx.doi.org/10.1163/9789047407850_011.
Texto completo
10
De Temmerman, Koen y Julie Van Pelt. "Narratives of Imagination and Fiction in Late Antique Hagiography: Scholarship and Ways Forward". En Narrative, Imagination and Concepts of Fiction in Late Antique Hagiography, 3–26. BRILL, 2023. http://dx.doi.org/10.1163/9789004685758_002.
Texto completoActas de conferencias sobre el tema "Antigua – fiction"
1
Carrasco Gallegos, Brisa Violeta y Glenda Yanes Ordiales. "Morfogénesis de una ciudad turística: los lenguajes arquitectónicos desde el imaginario internacional de lo mexicano". En International Conference Virtual City and Territory. Barcelona: Centre de Política de Sòl i Valoracions, 2009. http://dx.doi.org/10.5821/ctv.7605.
Texto completoResumen
Las ciudades turísticas intentan recrear los imaginarios internacionales sobre culturas determinadas, adaptándose a las expectativas que se tengan sobre el sitio a visitar. Los imaginarios son la realidad social construida desde los ciudadanos. A través de ellos las personas aprehendemos y explicamos las percepciones que nos formamos sobre los otros, los eventos y relaciones, así como sobre las obras y objetos.
En las ciudades del turismo emergentes, la construcción de los equipamientos turísticos, tanto públicos, como privados, hace tabula rasa de la ciudad preexistente, dejando de lado las experiencias culturales
locales, para preparar un escenario óptimo, que haga atractivo el sitio al público extranjero. En ese sentido los referentes culturales de lo mexicano, plasmados en la arquitectura, retoman elementos de
distintas regiones y momentos históricos, acordes al imaginario internacional. Esos lenguajes arquitectónicos funcionan como referencia de autenticidad del espacio consumido, validando la experiencia turística.
El objetivo de este trabajo es dar luz sobre el origen de las formas arquitectónicas –la morfogénesis- de una ciudad turística emergente. Es decir, observaremos los lenguajes urbanos y arquitectónicos, y la
relación que los diseños exhibidos guardan hacia el imaginario internacional de la cultura mexicana. Para ello, utilizaremos como instrumentos los recorridos que los turistas hacen para acceder a los desarrollos
turísticos, las imágenes expuestas en lugares específicos, así como el análisis del relato emitido por el turista en relación a la experiencia vivida. Nuestros medios de acceso serán las imágenes reales
(tomadas in situ por las autoras) y aquellas recogidas de los sitios web de las cadenas hoteleras y de las bitácoras personales (blogs) de turistas disponibles en Internet. Con estos instrumentos pretendemos
asociar los lenguajes plásticos del sitio con aquellos provenientes de imaginarios internacionales sobre la cultura mexicana, más allá de los de la realidad del sitio analizado. Retomamos a manera de ejemplo dos
puntos de vista: el del promotor inmobiliario y del turista. El caso de estudio es Puerto Peñasco, Sonora, ciudad que ha sufrido una fuerte conversión a las
actividades turísticas en los últimos diez años y cuyo auge inmobiliario, representa un caso emblemático del turismo en el noroeste mexicano.
Adelantándonos a manera de breve conclusión, podemos señalar que las imágenes montadas en el armado y diseño del puerto anterior cumplen la paradójica función asentarse en la memoria del viajero (crear una ciudad memorable y singular), a la vez que autentifican la experiencia turística, es decir, son imágenes congruentes con el imaginario que el turista se ha formado aún antes de iniciar su recorrido, ya sea a través de los relatos de otros viajeros o del discurso del promotor inmobiliario. Ambos disponibles con la facilidad de un clic.
Por otro lado, los referentes buscados por los promotores turísticos, están ligados, mediante la arquitectura y el urbanismo a la antigua arquitectura mexicana, de las culturas prehispánicas, las haciendas rurales y la arquitectura colonial, que poco o nada tienen que, ver con las actualidad de las ciudades mexicanas y mucho menos con el entorno regional de Puerto Peñasco. Sin embargo, ese tratamiento permite la creación de un ambiente "ideal" para el acercamiento a la cultura mexicana que los turistas esperan.
Al contrastar los puntos de vista de un viajero y de un promotor inmobiliario de esta localidad portuaria, daremos cuenta de la ciudad deseada y de la ciudad ficción, acercándonos de esta manera a la "ciudad
real", que bien pareciera la copia de las dos anteriores. The tourist cities intend to recreate the international imaginaries about certain cultures, adapting to the given expectations of the visiting place. The imaginaries are the social reality built by the citizens. Through them, people seize and explain their perceptions on others, on events and relationships, and as well as on
objects.
In the emerging cities of tourism, the building up of equipment, public as well as private, ignores the preexisting city. Cultural local experiences are left aside to prepare an optimal scenario that would make
the place attractive for the foreign visitors. In this sense, the cultural references for “the Mexican” are
captured trough architecture. They take elements from different regions and different historical momentums, according to the international imaginary. These architectural languages works as an
authenticity reference for space, validating the tourist experience.
The objective of this paper is to throw light on the origin of architectural forms –the morphogenesis- in an emerging tourist city. We will look at the urban and architectural languages, as well as the connexion that the exhibit designs keep towards the Mexican culture international imaginary. In order to do so, we will take advantage of the itineraries the tourists follow to get to the tourist developments, of the images exposed in specific places, and of the tourists account of their experiences. Our means of access will be
the real images (taken by the author of this paper) and those collected in web sites of hotel chains and personal tourist journals (blogs). With these instruments we intend to associate the place plastic languages with those derived from international imaginaries on the Mexican culture. As an example we
take into account to points of view: the real estate promoter’s and the tourist’s.
The case of study is Puerto Peñasco, Sonora, a city that has suffered a tough switch to the tourist activities within the last ten years, and of which its real-estate growth represents an emblematic case in the
Mexican northwest.
Bringing forward a brief conclusion, it can be pointed out that the array of images and the port design achieve the paradoxical function settle themselves on the traveller’s memory (creating a memorable and
singular city), and at the same time they authenticate the tourist experience. In other words, these images are consistent with the imaginary that the tourists have formed even before they began their tour. This recreation of the images is accessible through the stories of other travellers or trough the speech of realestate promoters (realties), both of which available with a single “clic”.On other side, the references seek by the tourist realties are attached to the antique Mexican architecture: the pre-Hispanic cultures, the haciendas and the colonial period, that have very few or nothing to do with the regional environment of Puerto Peñasco. However, that array allows the creation of an "ideal"
environment, expected by the tourist to approach to the Mexican culture.
Finally, contrasting the point of view of a traveller and a real-estate promoter, we will expose the desired city and the fictional city. In this way, we will approach to the "real city", which now seems the copy of the other two.