Bibliografías temáticas / Anne of Denmark

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Literatura académica sobre el tema "Anne of Denmark"

Autor: Grafiati

Publicado: 11 de marzo de 2023

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Artículos de revistas sobre el tema "Anne of Denmark"

Honoré, M. y A. L. Jespersen. "Denmark ∙ Michael Honoré and Anne Louise Jespersen". European State Aid Law Quarterly 17, n.º 3 (2018): 428–30. http://dx.doi.org/10.21552/estal/2018/3/12.

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Hitchmough, Wendy. "‘Setting’ the Stuart court". Journal of the History of Collections 32, n.º 2 (9 de febrero de 2019): 245–64. http://dx.doi.org/10.1093/jhc/fhz004.

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Abstract This article interrogates three manuscript inventories for Anna of Denmark’s collection at the Tudor palace of Oatlands in Surrey, written at yearly intervals in 1616, 1617 and 1618. It explores the changing display of her paintings there in lavishly furnished settings and the positioning of a new portrait, Paul van Somer’s Anne of Denmark. Van Somer locates his subject in the hunting park at Oatlands with a representation, in the background, of an Inigo Jones gateway. This article explores Anna’s agency as a collector and patron. It proposes new readings for the interplay between portraiture, architecture, and the decorative and performing arts at the early Stuart court. Through a study of particular occasions at which they were seen by foreign ambassadors, it proposes a political currency for the queen’s collection and for van Somer’s portraits and Jones’s architecture, as integral components in the elaborate ‘performances’ of the court.

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Andersen, Elisabeth Muth, Søren Vigild Poulsen y Marianne Rathje. "Introduction: Language use in and about the net drama series SKAM". Scandinavian Studies in Language 10, n.º 2 (27 de agosto de 2019): 1–5. http://dx.doi.org/10.7146/sss.v10i2.115609.

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On January 30 2018, the University of Southern Denmark in Odense, Denmark, hosted a symposium entitled “Sproget i og omkring SKAM” (“The language in and around SKAM”). After the symposium, we issued a call on behalf of the journal Scandinavian Studies in Language, and two articles were published as a result, namely Jennifer Duggan and Anne Dahl’s article Fan translations of SKAM: Challenging Anglo linguistic and popular cultural hegemony in a transnational fandomand Elisabeth Muth Andersen and Søren Vigild Poulsen’s contribution Viewing, listening and reading along: Linguistic and multimodal constructions of viewer participation in the net series SKAM.

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PUGH, T. B. "A PORTRAIT OF QUEEN ANNE OF DENMARK AT PARHAM PARK, SUSSEX". Seventeenth Century 8, n.º 2 (septiembre de 1993): 167–80. http://dx.doi.org/10.1080/0268117x.1993.10555358.

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van Schaick, Bert, Albert Ruda, Kim Østergaard, Vincent Sagaert, Eugenia Dacoronia, Raffaele Caterina, Bénédicte Fauvarque-Cosson et al. "Recent case law/Arrêts récents/Aktuelle Gerichtsentscheidungen". European Review of Private Law 11, Issue 4 (1 de agosto de 2003): 555–78. http://dx.doi.org/10.54648/erpl2003035.

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Reporters Austria: Martin Stefula Belgium: Vincent Sagaert Denmark: Kim Østergaard, Christina Tvarnø, Andreas Tamasauskas England: Walter Cairns France: Bénédicte Fauvarque-Cosson, Valérie Pironon Germany: Matthias Hünert Greece: Eugenia Dacoronia Ireland: Máire Ní Shuilleabháin Italy: Raffaele Caterina Netherlands: Bert van Schaick Portugal: Paulo Mota Pinto Scotland: Hector MacQueen Spain: Miquel Martín-Casals, Jordi Ribot Igualada, Albert Ruda González Switzerland: Anne-Catherine Hahn

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Scarisbrick, Diana. "VIII. Anne of Denmark's Jewellery Inventory". Archaeologia 109 (1991): 193–238. http://dx.doi.org/10.1017/s0261340900014089.

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The inventory of the jewels of Anne of Denmark, wife of James I of England, belongs to a group of catalogues of personal jewellery of Tudor and Stuart royalty of which one of the most important is that made after the death of Henry VIII in 1550. It is now in the National Library of Scotland (Adv. MS 31.1.10) and was compiled in 1606, the last entry being dated January 1607. It records over four hundred items giving the weight of gold or silver, and the number and nature of the gems in each. The text was written in a neat secretary hand on the recto of each folio, the verso being left blank for later notes. Most of these, together with the marginalia and corrections to the main text, are in the same hand; but two other writers can be distinguished. The presence of these corrections and annotations show it to have been the working copy kept in the Jewel House.The detailed descriptions make it possible to trace some of the jewels in the earlier inventories of Henry VIII, Mary Tudor and Queen Elizabeth, and, in the case of the latter, to donors such as her favourite, the Earl of Warwick. On his accession James I declared certain jewels to be ‘individually and inseparably for ever annexed to the kingdome of this realme,’ but this did not prevent either their use at Court of subsequent dispersal.

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Payne, M. T. W. "An inventory of Queen Anne of Denmark's 'ornaments, furniture, householde stuffe, and other parcells' at Denmark House, 1619". Journal of the History of Collections 13, n.º 1 (1 de enero de 2001): 23–44. http://dx.doi.org/10.1093/jhc/13.1.23.

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Larsen, Anders Rhod, Anne Santerre Henriksen y Niels Frimodt-Møller. "1428. Increased Consumption of Pivmecillinam in Primary Care for Uncomplicated Urinary Tract Infection (uUTI) Is Not Associated With Increased Resistance Rates". Open Forum Infectious Diseases 8, Supplement_1 (1 de noviembre de 2021): S796. http://dx.doi.org/10.1093/ofid/ofab466.1620.

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Abstract Background The evolution of antibiotic resistance in Escherichia coli (E. coli) hampers the treatment of UTIs, mirroring the global public health concerns around antimicrobial resistance. Pivmecillinam, an oral prodrug of mecillinam (a β-lactam antibiotic), is used as first-line treatment for uUTIs in Denmark. Here, we examine the use of, and the prevalence of resistance to, mecillinam in Denmark in the primary care setting. Methods Nationwide data on the use of and resistance to pivmecillinam (reported as its active form, mecillinam) was extracted and examined from the Danish Integrated Antimicrobial Resistance Monitoring and Research Programme (DANMAP) 2019 report (www.danmap.org). Prevalence estimates of resistance reported by DANMAP 2019 were obtained from the Danish Microbiology Database (MiBA). Results In 2019, pivmecillinam accounted for about 27% of penicillins and 75% of penicillins with extended spectrum consumed in primary healthcare in Denmark. Pivmecillinam usage has increased primarily due to changes in recommendations for the treatment of uUTIs. Between 2010 and 2019, pivmecillinam usage in Denmark increased by 45% from 1.67 to 2.43, defined as daily doses per 1,000 inhabitants per day. In 2019, analysis of 83,850 urinary isolates from patients in the primary care setting with E. coli revealed a 5.3% resistance rate to mecillinam. Time-trend analysis using data from a 10-year period showed a small but significant decrease from the 5.5% resistance rate recorded in 2010 (p=0.001). In general, in spite of increasing use in Denmark, the development of resistance to pivmecillinam has remained low. In fact, a slight decline in pivmecillinam resistance was observed over the past decade. Conclusion Despite the rising number of UTIs and the increasing use of pivmecillinam for uUTI in Denmark, over the past decade, the development of resistance to pivmecillinam remains low. Disclosures Anne Santerre Henriksen, MS, Advanz (Consultant)Shionogi BV (Consultant)UTILITY Therapeutics (Consultant)

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Willumsen, Liv Helene. "Witchcraft against Royal Danish Ships in 1589 and the Transnational Transfer of Ideas". International Review of Scottish Studies 45 (1 de diciembre de 2020): 54–99. http://dx.doi.org/10.21083/irss.v45i0.5801.

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This article deals with transnational transfer of ideas about witchcraft at the end of the sixteenth century. The outset is alleged witchcraft performed against a royal Danish fleet that was to carry Princess Anne across the North Sea to her husband, King James VI of Scotland, autumn 1589, and following trials in Copenhagen. These include court records from witchcraft trials and diplomatic correspondence between Denmark, England and Scotland. By close-readings of these texts, a multi-layered narrative emerges. The article sheds light on the routes for transmission of witchcraft ideas, as well as the contemporary context for interpreting witchcraft notions.

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DiPasquale, Theresa M. ""Lunatique" Satire: Jonsonian Audacity, Lunar Astronomy, and Anne of Denmark in Donne's Ignatius His Conclave". Studies in Philology 115, n.º 1 (2018): 99–128. http://dx.doi.org/10.1353/sip.2018.0004.

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Tesis sobre el tema "Anne of Denmark"

McManus, Clare. "Silenced voices/speaking bodies : female performance and cultural agency in the court of Anne of Denmark (1603-19)". Thesis, University of Warwick, 1997. http://wrap.warwick.ac.uk/4220/.

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This study investigates the long-neglected cultural engagement of the court of Anne of Denmark, consort of James VI and I, revising her historiographical representation in the light of current gender theory. Focusing upon the masque performances of the English Jacobean court, I examine the genre's anomalous staging of Renaissance female performance and its contribution to the emergence of a more general female performance. Through detailed analysis of masque performances, I assess contemporary courtly attitudes towards female masquing and the performative representation of the courtly woman. This study is firmly interdisciplinary in its approach to female cultural production, investigating the texts of performance, embroidery, dance, patronage and commissioning, and religious and political engagement. This thesis breaks new ground in the detailed examination of the aesthetics of masque performance as tools of social and political engagement. This study decentres the anglocentricism prevalent in recent cultural criticism of the Jacobean court. My first: chapter traces Anne's life and performance in both the Danish and Scottish Renaissance courts, assessing the impact of these alternative models upon her cultural engagement. Chapters two and three continue the analysis of performance. The former discusses the danced performance of aristocratic identity and the way in which this facilitates female masque performance; the latter relates the performance of the female body in the major English Jacobean masques to performance space, costume and scenery. Tracing the line of female performance through the second decade of the seventeenth century, I analyse Robert White's Cupid's Banishment, the final masque of Anne's career. This reading encapsulates my discussion of female cultural agency through the autonomy of the Queen's court. Recycling memories of earlier performances, Cupid's Banishment stages disparate texts of female expressivity in a masque which contains perhaps the unique Jacobean staging of the female masquing voice.

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Baker, Anastasia Christine. "Anna of Denmark: Expressions of Autonomy and Agency as a Royal Wife and Mother". PDXScholar, 2012. https://pdxscholar.library.pdx.edu/open_access_etds/713.

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Anna of Denmark (12 December 1574 - 2 March 1619), the wife of King James VI/I of Scotland, England, and Ireland, was an intelligent and interesting woman who has, up until recently, been largely ignored by history. It has only been within the past two decades that any in-depth analysis of Anna has been done, and most of that analysis has focused on Anna's work with the Stuart court masque. The intent of this thesis has been to expand upon current scholarship regarding Anna, as well as to synthesize the various facets of Anna's life in order to put together a more comprehensive understanding of who Anna was and the various ways in which she expressed personal agency and autonomy as a queen consort as opposed to a queen regnant, and how she used the roles of royal wife and mother to further her own goals and interests. The work is divided into an introduction, three chapters, and a conclusion. The introduction offers a brief analysis of the primary and secondary sources, and details how these sources were used within the broader scope of the paper. This introductory section also examines Anna's early life in Denmark, her wedding, and her initial journey to Scotland. The second chapter focuses on Anna's relationships with her husband and children, and particularly how Anna established a niche for herself within first the Scottish, and later the English courts. By studying these relationships it is possible to study the ways in which Anna, as a queen consort, was able to create a court presence for herself. Chapter three analyzes Anna's relationships with other courtiers and, more specifically, what these relationships tell modern scholars about how Anna was able to exercise political influence and power both directly and indirectly. Anna's interactions with her courtiers illustrate how well she understood not only human nature, but the nature of court culture and politics. The fourth chapter presents an in-depth study of Anna's masquing career, and looks at how Anna used the court masque to not only establish a female presence on the stage, but also to fashion a public image for herself. Anna used the Stuart court masque in a way that no one had previously: she used it to express her social and political opinions, and through the court masque Anna was able to portray both who she was and how she wanted to be perceived. The final chapter covers Anna's final days and her lasting impact on English history. Anna of Denmark deserves to be brought out of the shadows of history, and this thesis has attempted to do just that. She was a bright, engaging young woman who, unfortunately, has largely been overshadowed by her husband and children. By studying Anna's various roles as wife, mother, friend, benefactor, and patron, it has been possible to bring forth a much more complete understanding of who this queen consort was and why she is important to a broader understanding of early modern English history.

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Middaugh, Karen Lee. "“The golden tree”: The court masques of Queen Anna of Denmark". Case Western Reserve University School of Graduate Studies / OhioLINK, 1994. http://rave.ohiolink.edu/etdc/view?acc_num=case1061385436.

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Price, Alice Margaret Rudy. "Reframing Anna Ancher: Danish Symbolist, Modernist and Independent Artist". Diss., Temple University Libraries, 2014. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/279922.

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Art History
Ph.D.
This dissertation reframes the Danish artist Anna Ancher (1859-1935) by expanding the context in which the artist has been considered, to position her as a Symbolist, modernist and independent artist. A revered and familiar artist in Denmark, most scholars discuss her paintings in association with the development of the art colony in Skagen, an important site of Denmark's Modern Breakthrough in the 1880s. The represented image of Ancher in paintings by male colonists during this period indicated her centrality within the group, depicted her as a fashionable bourgeois wife and respectable mother, but simultaneously neglected to reference the development of her professional practice. By 1889, Ancher had sold major paintings and gained national and international recognition. Michael Ancher's portrait of his wife in reform dress in Coming Home from Market (1902) signifies her freedom from conventional gender roles. Despite her affiliation with the Skagen colony, Ancher matured as a painter during the 1890s after its heyday. At this time Danish Symbolism and Vitalism came to eclipse the Naturalist orientation of the prior decade. The painter's study in Paris in 1889 and her contacts in cosmopolitan Copenhagen forged an avant-garde network that in many ways referenced, but also resisted, movements from the urban French center. An aesthetic that draws from the ostensibly contradictory and divergent ideas of Charles Baudelaire, Hans Christian Andersen and Friedrich Nietzsche can be found in Ancher's painting, positioning her alongside other Danish Symbolists. Ancher was also a native of the Jutland peninsula, which experienced the growth of pietist movements and major shifts impacting agricultural labor. Ancher's paintings of religion and harvest at the beginning of the twentieth century challenged contemporary French primitivist images of Breton peasants, especially those of Paul Gauguin. After 1900, Ancher's increasingly abstract paintings of unoccupied interiors reflect the complex modernist shift in valuation of the dwelling and a new emphasis on minimal decoration and strong planar surfaces in the home as conducive to physical and psychological health. In her paintings of her own studio, Ancher challenged normative gendered divisions in the organization of the home and asserted her identity as an autonomous artist.
Temple University--Theses

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Linnell, Anna-Marie. "Writing the Royal Consort in Stuart England". Thesis, University of Exeter, 2016. http://hdl.handle.net/10871/23628.

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This dissertation examines the literature of royal consorts in Stuart England. Critics and historians have devoted considerable attention to the creation of the monarch’s image during this tumultuous period, which witnessed two revolutions and the explosion of print. We know that the Stuart monarchs embraced different forms of visual media – including pageantry, portraiture and print – to disseminate their image within the court and to a broader public. However, the extensive literature about the royal consorts remains under-examined. My thesis makes an original contribution to scholarship by exploring what texts were written about the royal consorts, by whom, and how these writers constructed images of the royal consorts that participated in broader debates over the status of the monarchy. The dissertation is divided into two main parts. Part 1 comprises six chapters that analyse succession writing, when a new monarch came to the throne and established their iconography for the new reign. I draw on hundreds of texts that were printed about the Stuart consorts at these moments. These writings span a variety of genres, from poems and plays to sermons and political pamphlets. I investigate the literature of each succession in turn, analysing the main themes and motifs that emerged. This approach enables me to uncover a swathe of anonymous and under-utilised literature, but also re-interpret works by more canonical writers such as Aphra Behn. I ask how the royal consorts themselves, their spouses and members of the public could influence the creation of the royal consorts’ images at these moments. Critically, I also compare the conventions that were used to describe the consorts across the century. Part 2 analyses how writers re-constructed ideals for the royal consorts in Restoration England, as debates about the structure of the monarchy came to be more explicit. Chapter 7 concentrates on images of Henrietta Maria when she returned to England as Queen Mother. Chapter 8 asks how writers adapted former models of representation to praise Catherine, the infertile queen, when it became clear that she would not bear an heir. Finally, Chapter 9 examines the numerous secret histories and romances that were authored about Mary Beatrice’s purported behaviour during her exile in the 1690s. These chapters highlight the continued importance of these women and examines how writers constructed their legacies. As a whole, the literature about the royal consorts reveals a dynamic project as part of which authors engaged with and adapted earlier models of writing. This enabled them to address broader questions about changes in the nature of the Stuart monarchy and political life.

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OGGIANO, ELEONORA. "Rethinking royal spectacle in Elizabethan and Jacobean England". Doctoral thesis, 2012. http://hdl.handle.net/11562/399536.

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La tesi prende in esame gli intrattenimenti regali offerti a Elisabetta I, a Giacomo I Stuart e sua moglie Anna, in un periodo tra 1559 e il 1613. A quel tempo, varie forme di spettacolo venivano impiegate per celebrare ed intrattenere il sovrano, sia all’interno della corte che fuori. Considerando la diffusione di questi ‘spettacoli regali’ come un fenomeno che ha fortemente caratterizzato entrambi i periodi, scopo precipuo di questo studio sarà quello di indagarne lo sviluppo dall’epoca Elisabettiana a quella Giacomiana concentrandosi soprattutto sull’analisi del complesso rapporto fra ‘script’ e ‘testo spettacolare’. Fulcro dell’indagine saranno gli intrattenimenti organizzati in occasione della cerimonia d’entrata nella capitale del sovrano, come pure quelli allestiti durante i soggiorni estivi in provincia, ossia presso alcune città, le Università e le dimore della nobiltà. Attraverso la disamina congiunta di differenti tipologie di testo, fra le quali, ‘scripts’, lettere, dispacci e estratti da resoconti storici coevi, ciascun capitolo si propone di analizzare vari intrattenimenti, singolarmente o in gruppo, ponendo particolare attenzione al loro contesto ‘spettacolare’, al fine di tracciarne le modalità performative che li caratterizzano e individuare le diversità o corrispondenze nel passaggio da un’epoca all’altra. Partendo dal presupposto che questi intrattenimenti espongono il sovrano come ‘oggetto visibile’ e fulcro della performance ideando una ‘messa in scena’ intimamente legata a questioni ideologiche e politiche, l’indagine si offre inoltre di esaminare la complessa trama di riferimenti e allegorie che hanno contribuito a creare una sofisticata simbologia del potere regale attraverso la rappresentazione su vari scaffolds urbani e regionali di questa particolare categoria di spettacoli rinascimentali.
This thesis focuses on the outdoor entertainments staged before Queen Elizabeth, King James Stuart and his wife, Queen Anne, over a period of fifty years. This was a time when different pageant shows were mounted to celebrate and entertain the monarchs, both inside and outside the court. The aim of this study is to trace the development of royal pageantry in Elizabethan and Jacobean England by investigating the complex text/stage relationship pertaining to such multifaceted forms of spectacle. Special attention will be paid to civic ceremonies, entertainments on progress, at the Universities and at aristocratic country houses. Although these performances took place within a broader entertainment culture and were organized for diverse occasions, they were set up as ‘shows in progress’ which had at their centre a royal guest who often figured as both spectator and performer. The focus is on a variety of ceremonial events, whose analysis first aims at shedding light on the structure of their textual accounts in order to understand how these ‘shows’ were staged and identify their performative features. By gathering together different textual accounts, such as printed publications of urban processions, outdoor shows and court masques, as well as dispatches, letters, and historical records, each chapter undertakes a close reading of one particular royal spectacle with the aim to reconstruct its staging by drawing attention to its performative context. Since these ‘royal triumphals’ are especially concerned with the notion of sovereign power, special emphasis will be laid on the type of iconography which is textually inscribed in the entertainment script and visually displayed through its performance by concentrating on the relationship between of verbal text and visual display. A focus on these issues allows to build up a picture of the staging of these outdoor performances in the transition from Elizabethan to Jacobean entertaining culture, by highlighting their different or equivalent stage practices.

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Libros sobre el tema "Anne of Denmark"

Scotland's last royal wedding: The marriage of James VI and Anne of Denmark. Edinburgh: John Donald, 1997.

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Women on the Renaissance stage: Anna of Denmark and female masquing in the Stuart court (1590-1619). Manchester: Manchester University Press, 2002.

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Dunn-Hensley, Susan. Anna of Denmark and Henrietta Maria. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63227-8.

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Barroll, J. Leeds. Anna of Denmark, Queen of England: A cultural biography. Philadelphia: University of Pennsylvania Press, 2001.

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Marie, Martin Anne y Millwood Linda, eds. Dr. Annie Dove Denmark, South Carolina's first female college president. Charleston, SC: History Press, 2011.

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United States. Department of State, ed. Extradition: Instrument Amending the Treaty of June 22, 1972 between the United States of America and Denmark signed at Copenhagen, June 23, 2005, with annex. Washington, D.C.]: U.S. Dept. of State, 2012.

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Canada. Dept. of External Affairs. Pollution : exchange of notes between the government of Canada and the Government of the Kingdom of Denmark constituting an Agreement to amend Annex B of the 1983 Agreement relating to the marine environment =: Pollution : échange de notes entre le gouvernement du Canada et le gouvernement du Royaume du Danemark constituant un accord modifiant l'Annexe B de l'Accord de 1983 concernant le milieu marin. Ottawa, Ont: External Affairs Canada = Affaires extérieures Canada, 1992.

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Famous Lives: Anne Frank Denmark Co Edition. Hodder & Stoughton Childrens Division, 2000.

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Veerapen, Steven. Anne of Denmark: Queen in Two Kingdoms. Lang Publishing, Incorporated, Peter, 2021.

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Veerapen, Steven. Anna of Denmark. Peter Lang UK, 2021. http://dx.doi.org/10.3726/9781789973426.003.0016.

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Capítulos de libros sobre el tema "Anne of Denmark"

Botonaki, Effie. "Anne of Denmark and the Court Masque: Displaying and Authoring Queenship". En The Emblematic Queen, 133–54. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137303103_7.

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McManus, Clare. "‘Defacing the Carcass’: Anne of Denmark and Jonson’s The Masque of Blackness". En Refashioning Ben Jonson, 93–113. London: Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1007/978-1-349-26714-9_5.

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Beem, Charles. "“I Am Her Majesty’s Subject”: Queen Anne, Prince George of Denmark, and the Transformation of the English Male Consort". En The Lioness Roared, 101–39. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1007/978-1-137-09722-4_4.

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Dunn-Hensley, Susan. "Introduction". En Anna of Denmark and Henrietta Maria, 1–16. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63227-8_1.

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Dunn-Hensley, Susan. "Anna of Denmark and Henrietta Maria: Catholic Queens in a Protestant Land". En Anna of Denmark and Henrietta Maria, 17–44. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63227-8_2.

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Dunn-Hensley, Susan. "Witches and Queens: Queen Anna and Representations of Female Power". En Anna of Denmark and Henrietta Maria, 45–74. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63227-8_3.

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Dunn-Hensley, Susan. "Performing Power: Gender, Authority and Catholicism in Anna’s English Masques". En Anna of Denmark and Henrietta Maria, 75–107. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63227-8_4.

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Dunn-Hensley, Susan. "Finding Anna: Anna’s Influence on Early Jacobean Theatre and Her Legacy". En Anna of Denmark and Henrietta Maria, 109–39. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63227-8_5.

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Dunn-Hensley, Susan. "Henrietta Maria: The Esther to Her Oppressed People". En Anna of Denmark and Henrietta Maria, 141–64. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63227-8_6.

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Dunn-Hensley, Susan. "Envisioning a Catholic Utopia: The Faithful Shepherdess and The Shepherd’s Paradise". En Anna of Denmark and Henrietta Maria, 165–93. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63227-8_7.

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Actas de conferencias sobre el tema "Anne of Denmark"

Dalla Rosa, A. y S. Svendsen. "IEA-ECBCS Annex 51: Energy Efficient Communities. Experience from Denmark". En World Renewable Energy Congress – Sweden, 8–13 May, 2011, Linköping, Sweden. Linköping University Electronic Press, 2011. http://dx.doi.org/10.3384/ecp110573364.

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Informes sobre el tema "Anne of Denmark"

Baker, Anastasia. Anna of Denmark: Expressions of Autonomy and Agency as a Royal Wife and Mother. Portland State University Library, enero de 2000. http://dx.doi.org/10.15760/etd.713.

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