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Libros sobre el tema "American Folk and Theatre"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 21 de febrero de 2023

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1

Carlisle, Barbara. The crane wife: A folk tale from Japan : a theatre piece for adults and children. New Orleans: Anchorage Press, 1997.

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2

Moloney, Mick. Irish music on the American stage. Cork: Irish Traditional Music Society, University College, Cork, 1993.

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3

Saeed, Fouzia. Women in folk theatre. Islamabad, Pakistan: Lok Virsa, 1991.

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4

Patanaik, Dhirendranath. Folk theatre of Orissa. Bhubaneswar: Orissa Sangeet Natak Akademi,1998., 1998.

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5

Naikar, Basavaraj S. The folk-theatre of north-Karnataka. Dharwad: Prasaranga, Karnatak University, 1996.

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6

Brustein, Robert Sanford. Reimagining American theatre. Chicago: I.R. Dee, 1992.

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7

Reimagining American theatre. New York: Hill and Wang, 1991.

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8

Alvin, King Bruce, ed. Contemporary American theatre. New York: St. Martin's Press, 1991.

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9

King, Bruce, ed. Contemporary American Theatre. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21582-9.

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10

Shank, Theodore. American alternative theatre. New York: St. Martin's Press, 1988.

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11

Nasuruddin, Mohamed Ghouse. Traditional Malay theatre. Kuala Lumpur: Dewan Bahasa dan Pustaka, 2009.

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12

Nasuruddin, Mohamed Ghouse. Traditional Malay theatre. Kuala Lumpur: Dewan Bahasa dan Pustaka, 2009.

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13

American folk medicine. Glenwood, Ill: Meyerbooks, 1985.

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14

Mary, Black. American folk painting. New York: Bramhall House, 1987.

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15

name, No. American folk songs. Saint-Nicolas: ditions Doberman-Yppan, 2003.

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16

American folk tales. Genoa: Cideb Editrice, 1998.

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17

American folk sculpture. New York: Bonanza Books, 1985.

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18

Varadpande, M. L. History of Indian theatre: Loka Ranga, panorama of Indian folk theatre. New Delhi: AbhinavPubns., 1992.

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19

Varadpande, Manohar Laxman. Loka Ranga: Panorama of Indian folk theatre. New Delhi: Abhinav Publications, 1992.

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20

Paula, Vogel, ed. The American theatre reader: 25 years from American theatre magazine. New York: Theatre Communications Group, 2009.

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21

Kon, Cho Oh, ed. Traditional Korean theatre. Berkeley, Calif: Asian Humanities Press, 1988.

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22

Moazzam, Wasti y National Institute of Folk and Traditional Heritage, eds. Forgotten faces: Daring women of Pakistan's folk theatre. Islamabad: National Institute of Folk and Traditional Heritage, 2011.

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23

Folk theatre Pandwani: Based on the epic Mahabharata. New Delhi: Abhinav Publications, 2013.

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24

Mitchem, Stephanie Y. African American folk healing. New York: New York University Press, 2007.

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25

Lornell, Kip. Introducing American folk music. Madison, Wis: Brown & Benchmark, 1992.

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26

Wolf, Stacy. Beyond Broadway. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190639525.001.0001.

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As a ubiquitous national performance form, musical theatre—an utterly American, unapologetically commercial, earnestly popular, middlebrow genre of art and entertainment—has astonishing staying power. Local productions cross economic, racial, and geographic divides, assuming the status of a national folk practice. Shows are handed down across generations, remarkable in a country with so few common cultural experiences. Artists and audiences learn the Broadway canon, absorb the musical’s conventions, and have a lot of fun in the process. “Broadway,” as a globally recognizable brand, maintains its status as musical theatre’s birthplace, but the form persists in American culture thanks to amateur productions at high schools, community theatres, afterschool programs, summer camps, and dinner theatres. Beyond Broadway illustrates the widespread presence and persistence of musical theatre in US culture and examines it as a social practice: a live, visceral experience of creating, watching, and listening. Why does local musical theatre flourish in America? Why do people continue to find it pleasurable? Why do they passionately engage in an old-fashioned, slow artistic practice that requires intense, person-to-person collaboration? Why do audiences still flock to musicals in their hometowns? What does local musical theatre do? Beyond Broadway answers these questions by traveling across America, stopping at elementary schools, a middle school performance festival, afterschool programs, high schools, summer camps, state park outdoor theatres, community theatres, and dinner theatres. This expedition illustrates the musical’s abundance and longevity as a thriving social activity that touches millions of lives.
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27

American Reference Books Annual 1995. Libraries Unlimited, 1995.

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28

Carolina Folk Plays. Kessinger Publishing, LLC, 2007.

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29

Koch, Frederick H. Carolina Folk Plays. Kessinger Publishing, 2005.

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30

Folktales on Stage: Children's Plays for Reader's Theater (or Readers Theatre), With 16 Play Scripts From World Folk and Fairy Tales and Legends, Including Asian, African, Middle Eastern, European, and Native American. Shepard Publications, 2003.

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31

Folk Theatre. Raj Publications, India, 2004.

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32

Jaime, Díaz-Rozzotto, ed. Hommage à Jaime Díaz-Rozzotto: L'Amérique latine entre la dépendance et la libération = América Latina entre la dependencia y la liberación. Paris: Diffusion Les Belles lettres, 1990.

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33

American Theatre. Oxford University Press, 1997.

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34

Saxon, Theresa. American Theatre. Edinburgh University Press, 2011. http://dx.doi.org/10.1515/9780748631278.

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35

Reed, Sue Welsh, Abaigeal Duda, Gilian Ford Shallcross, Gerald W. R. Ward y Pamela A. Parmal. American Folk. MFA Publications, 2001.

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36

Museum of Fine Arts (Boston), ed. American folk. Boston: Museum of Fine Arts, 2001.

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37

Reed, Sue Welsh, Pamela Parmal, Abaigeal Duda, Gilian Ford Shallcross y Carol Troyen. American Folk. MFA Publications, 2002.

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38

Heinz, David. American folk. 2018.

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39

Lena, Jennifer C. Entitled. Princeton University Press, 2019. http://dx.doi.org/10.23943/princeton/9780691158914.001.0001.

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Two centuries ago, wealthy entrepreneurs founded the American cathedrals of culture—museums, theater companies, and symphony orchestras—to mirror European art. But today's American arts scene has widened to embrace multitudes: photography, design, comics, graffiti, jazz, and many other forms of folk, vernacular, and popular culture. What led to this dramatic expansion? This book shows how organizational transformations in the American art world—amid a shifting political, economic, technological, and social landscape—made such change possible. By chronicling the development of American art from its earliest days to the present, the book demonstrates that while the American arts may be more open, they are still unequal. It examines key historical moments, such as the creation of the Museum of Primitive Art and the funneling of federal and state subsidies during the New Deal to support the production and display of culture. Charting the efforts to define American genres, styles, creators, and audiences, the book looks at the ways democratic values helped legitimate folk, vernacular, and commercial art, which was viewed as nonelite. Yet, even as art lovers have acquired an appreciation for more diverse culture, they carefully select and curate works that reflect their cosmopolitan, elite, and moral tastes.
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40

Warner, Elizabeth A. Folk Theatre and Dramatic Entertainments in Russia (Theatre in Focus). Chadwyck-Healey, 1987.

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41

Brustein, Michael. Reimagining American Theatre. Hill and Wang, 2001.

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42

Ellison, Nancy. American Ballet Theatre. Universe Publishing, 2005.

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43

1933-, King Bruce, ed. Contemporary American theatre. London: Macmillan, 1991.

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44

Sayler, Oliver M. Our American Theatre. Parker Press, 2007.

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45

Publishing, RH Value. American Ballet Theatre. Random House Value Publishing, 1986.

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46

Brustein, Robert. Reimagining American Theatre. Farrar, Straus & Giroux, 2003.

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47

American Musical Theatre. Taylor & Francis Group, 2021.

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48

Porter, Steven. American Musical Theatre. Taylor & Francis Group, 2021.

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49

American Theatre Ensembles. Bloomsbury Publishing Plc, 2021. http://dx.doi.org/10.5040/9781350051577.

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50

King, Bruce. Contemporary American Theatre. Palgrave Macmillan, 2016.

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