Literatura académica sobre el tema "Altered books – england"

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Artículos de revistas sobre el tema "Altered books – england"

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Bodman, Sarah. "Book arts at the Centre for Fine Print Research in Bristol." Art Libraries Journal 32, no. 2 (2007): 15–20. http://dx.doi.org/10.1017/s0307472200019143.

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This article describes some of the research projects investigating contemporary artists’ books at the Centre for Fine Print Research at the University of the West of England in Bristol. As part of its remit, the Centre explores and promotes many aspects of the book arts including contemporary creative processes and outputs. Some recent projects include the Arcadia id est touring exhibition of 118 artists’ books on the themes ornature and the landscape; Bookmarks: infiltrating the library system; and the Regenerator altered books project. The Centre also works with artists, academics, curators,
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BUGYIS, KATIE ANN-MARIE. "THE DEVELOPMENT OF THE CONSECRATION RITE FOR ABBESSES AND ABBOTS IN CENTRAL MEDIEVAL ENGLAND." Traditio 71 (2016): 91–141. http://dx.doi.org/10.1017/tdo.2016.3.

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This article identifies, details, and contextualizes three stages in the development of the consecration rites for abbesses and abbots in liturgical books produced for bishops in England from 900 to 1200. It shows how these rites, through the prayers recited, insignia bestowed, chants sung, and bodily gestures performed, sought to articulate and impress the normative ideals of monastic leadership on those who were elected to exercise it and how liturgists variously altered these rites in response to changing ecclesiastical pressures. Most significantly, for much of the late Anglo-Saxon period,
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Gil-Leiva, Isidoro, Mariângela Spotti Lopes Fujita, Pedro Díaz Ortuño, and Daniela Majorie dos Reis. "The Abandonment of the Assignment of Subject Headings and Classification Codes in University Libraries Due to the Massive Emergence of Electronic Books." KNOWLEDGE ORGANIZATION 47, no. 8 (2020): 646–67. http://dx.doi.org/10.5771/0943-7444-2020-8-646.

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The massive and unstoppable emergence of electronic books in libraries has altered their organization. This disruptive technology has led to structural changes. Currently, an e-book exists only if its metadata exists. The objective of this article is to analyse the impact that the massive incorporation of electronic books in university library systems is having in the processes of assignment of subject headings and classification codes. We carried out a survey of more than six hundred libraries, which means almost all the university libraries in Portugal, Spain, England, United States, Brazil,
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Gil-Leiva, Isidoro, Lopes Fujita Mariângela Spotti, Ortuño Pedro Díaz, and Reis Daniela Majorie Dos. "The Abandonment of the Assignment of Subject Headings and Classification Codes in University Libraries Due to the Massive Emergence of Electronic Books." Knowledge Organization 47, no. 8 (2020): 646–67. https://doi.org/10.5771/0943-7444-2020-8-646.

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The massive and unstoppable emergence of electronic books in libraries has altered their organization. This disruptive technology has led to structural changes. Currently, an e-book exists only if its metadata exists. The objective of this article is to analyse the impact that the massive incorporation of electronic books in university library systems is having in the processes of assignment of subject headings and classification codes. We carried out a survey of more than six hundred libraries, which means almost all the university libraries in Portugal, Spain, England, United States, Brazil,
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Edwards, Rachael C., Joy Perry, and Nicola Walshe. "Socioeconomic Variation in Emotional, Cognitive, and Behavioural Engagement with the Climate Crisis in England: Perspectives for Education." Behavioral Sciences 15, no. 4 (2025): 407. https://doi.org/10.3390/bs15040407.

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Issues of economic inequality are inextricably linked to the present climate and environmental crisis, with disadvantaged groups facing disproportionate impacts. This paper explores the intersection of socioeconomic status (SES) and degrees of emotional, cognitive, and behavioural engagement with the climate crisis, as well as equity in the provision of climate change and sustainability education (CCSE). We surveyed over 2000 students (ages 11–14) in England, comparing responses between students with the most (n = 599) and fewest (n = 389) books at home (as a proxy for SES). Students from lowe
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Ensminger, David Allen. "Populating the Ambient Space of Texts: The Intimate Graffiti of Doodles. Proposals Toward a Theory." M/C Journal 13, no. 2 (2010). http://dx.doi.org/10.5204/mcj.219.

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In a media saturated world, doodles have recently received the kind of attention usually reserved for coverage of racy extra marital affairs, corrupt governance, and product malfunction. Former British Prime Minister Blair’s private doodling at a World Economic Forum meeting in 2005 raised suspicions that he, according to one keen graphologist, struggled “to maintain control in a confusing world," which infers he was attempting to cohere a scattershot, fragmentary series of events (Spiegel). However, placid-faced Microsoft CEO Bill Gates, who sat nearby, actually scrawled the doodles. In this
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Seale, Kirsten. "Doubling." M/C Journal 8, no. 3 (2005). http://dx.doi.org/10.5204/mcj.2372.

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 ‘Artists are replicants who have found the secret of their obsolescence.’ (Brian Massumi)
 
 
 The critical reception to British writer Iain Sinclair’s most recent novel Dining on Stones (or, the Middle Ground) frequently focused on the British writer’s predilection for intertextual quotation and allusion, and more specifically, on his proclivity for integrating material from his own backlist. A survey of Dining on Stones reveals the following textual duplication: an entire short story, “View from My Window”, which was published in 2003; excerpts from a 2002
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Allen, Rob. "Lost and Now Found: The Search for the Hidden and Forgotten." M/C Journal 20, no. 5 (2017). http://dx.doi.org/10.5204/mcj.1290.

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The Digital TurnMuch of the 19th century disappeared from public view during the 20th century. Historians recovered what they could from archives and libraries, with the easy pickings-the famous and the fortunate-coming first. Latterly, social and political historians of different hues determinedly sought out the more hidden, forgotten, and marginalised. However, there were always limitations to resources-time, money, location, as well as purpose, opportunity, and permission. 'History' was principally a professionalised and privileged activity dominated by academics who had preferential access
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Child, Louise. "Magic and Spells in <em>Buffy the Vampire Slayer</em> (1997-2003)." M/C Journal 26, no. 5 (2023). http://dx.doi.org/10.5204/mcj.3007.

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Introduction Many examinations of magic and witchcraft in film and television focus on the gender dynamics depicted and what these can reveal about attitudes to women and power in the eras in which they were made. For example, Campbell, in Cheerfully Empowered: The Witch-Wife in Twentieth Century Literature, Television and Film draws from scholarship such as Greene's Bell, Book and Camera, Gibson's Witchcraft Myths in American Culture, and Murphy's The Suburban Gothic in American Popular Culture to suggest connections between witch-wife narratives and societal responses to feminism. Campbell e
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Quan, Alexander. "Addressing Shortcomings in Contingency Standards of Care." Voices in Bioethics 8 (September 17, 2022). http://dx.doi.org/10.52214/vib.v8i.9991.

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Photo by Adhy Savala on Unsplash ABSTRACT During a crisis, when healthcare capacity becomes overwhelmed and cannot meet regular standards of patient care, crisis standards of care are invoked to distribute scarce hospital space, staff, and supplies. When transitioning between conventional standards of care and crisis standards, hospitals may have to manage resources under scarcity constraints in an intermediate phase defined as the contingency phase. While much attention has been paid to the ethics of crisis standard of care protocols, contingency measures were more widely implemented, though
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Libros sobre el tema "Altered books – england"

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1849-1923, Mallock W. H., ed. A humument: A treated Victorian novel. 2nd ed. Thames and Hudson, 1997.

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1849-1923, Mallock W. H., ed. A humument: A treated Victorian novel. Thames and Hudson, 1987.

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Gruber, Elizabeth D. The Eco-Self in Early Modern English Literature. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463728881.

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The Eco-Self in Early Modern English Literature tracks an important shift in early modern conceptions of selfhood, arguing that the period hosted the birth of a new subset of the human, the eco-self, which melds a deeply introspective turn with an abiding sense of humans’ embedment in the world. A confluence of cultural factors produced the relevant changes. Of paramount significance was the rapid spread of literacy in England and across Europe: reading transformed the relationship between self and world, retooled moral reasoning, and even altered human anatomy. This book pursues the salutary
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Altered States. ISIS Audio Books, 2001.

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Altered States. Vintage, 1998.

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Altered states. Penguin, 1997.

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Altered States. Penguin Books, Limited, 2016.

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Altered States. Penguin Books, Limited, 2016.

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(Narrator), Steven Crossley, ed. ALTERED STATES AUDIO CASSETTE UNABRIDGED. Dual Dolphin, 1997.

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Phillips, Tom. A Humument: A Treated Victorian Novel, Revised Edition. Thames & Hudson, 1998.

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Capítulos de libros sobre el tema "Altered books – england"

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Little, Katherine C. "Good Literature [bonae litterae] and the Good." In Humanism and Good Books in Sixteenth-Century England. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780192883193.003.0006.

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Abstract The humanist project was inherently contradictory, yoking together two traditions, the classical and Christian, that did not always match easily or smoothly. Doubts about that project, the usefulness of classical texts for Christian readers, emerged in the mid-sixteenth century, after the initial bloom of confidence in humanism began to fade. John Phillip’s play, The Play of Patient Grissell, explores these inevitable contradictions through a medieval exemplum, famously adapted by Geoffrey Chaucer: the story of Patient Griselda. For Philip, the exemplum as a form, a short story with a
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Smith, Jeremy L. "East’s Last Years, His Legacy, And The Two Music Patents Of The Early Stuart Era (1603-16n)." In Thomas East And Music Publishing In Renaissance England. Oxford University PressNew York, NY, 2003. http://dx.doi.org/10.1093/oso/9780195139051.003.0009.

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Abstract The accession of James VI of Scotland to the throne of England in 1603 brought with it new prospects for East’s firm. It is well known that one of the greatest achievements of the early reign of James I was the abolition of many of the most abhorred monopolies established by his predecessors. For East, however, what was more significant were the opportunities opened to him not by the abolition of monopolies but by shifts in power in the music patents that controlled his trade. The Stationers’ Company established a publishing corporation called the English Stock that assumed the owners
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Milder, Robert. "An Arch between Two Lives: Melville and the Mediterranean, 1856-57." In Exiled Royalties. Oxford University PressNew York, NY, 2006. http://dx.doi.org/10.1093/oso/9780195142327.003.0007.

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Abstract Perhaps nothing is more remarkable in Melville’s remarkable career than that an intellectual and imaginative life lived intensely and, as it seemed, leading to a literary and philosophical cul-de-sac should have had its creative sequel, its “afterlife,” to use John Updike’s resonant term. The gate way between Melville’s lives was the trip he took to Europe and the Levant in 1856-57, a journey funded by his father-in-law, Judge Shaw, in response to family concern over physical and psychological ailments that seemed to threaten outright collapse. The Mediterranean had fascinated Melvill
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Werlin, Julianne. "Conclusion." In Writing at the Origin of Capitalism. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198869467.003.0007.

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The formation of a national market in sixteenth- and seventeenth-century England was both predicated on and entailed a revolution of communications, which altered the patterns of circulation, form, and character of English writing. Many aspects of the literature of early modern England, in turn, developed in response to these changes in the use and dissemination of texts. Taken together, these two simple assertions outline the argument of this book, while investigations of their implications make up its substance....
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Elmer, Peter. "Introduction." In Medicine in an Age of Revolution. Oxford University PressOxford, 2023. http://dx.doi.org/10.1093/oso/9780198853985.003.0001.

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Abstract This chapter sets the context of the book in the wider issues relating to the relationship between medicine, religion and politics in seventeenth-century England. In particular, it seeks to re-examine the role of puritanism in fostering medical change in the period. The chapter looks at ways in which the historiography of the period has allowed for a new approach to the subject, particularly in relation to altered perceptions of what it means to talk about puritanism in the period and its essential conservatism. This chapter then sets the scene for a major re-investigation of the role
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MacConochie, Alex. "Introduction." In Staging Touch in Shakespeare's England. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780192857361.003.0001.

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The introduction situates theatrical contact within the period’s burgeoning discourse on manners and interpersonal behavior in conduct literature, arguing that plays do not depict codes and norms of touch. Instead, the drama participates in the construction of new ideas about conduct, civility, rudeness, and decorum. This argument, as the introduction details, necessitates a sociology or social semiotics of touch in action, rather than a phenomenology of contact. Likewise, the scope is different from other studies: erotic contact is treated as a subset of touch practices in a variety of contex
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Herissone, Rebecca. "Compositional Rules." In Music Theory in Seventeenth-Century England. Oxford University PressOxford, 2000. http://dx.doi.org/10.1093/oso/9780198167006.003.0005.

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Abstract ALTHOUGH the rules governing the harmonic organization of a piece of music were revolutionized during the seventeenth century, instructions for writing note-against-note counterpoint and progressions showed little development in English theory, and many remained closely related to those of the Renaissance. This principle is aptly demonstrated by Campion’ s New Way of Making Fowre Parts in Counterpoint. As we have seen, this book included the earliest references in English theory to triadic inversion, and it also portrayed harmonic tonality for the first time, as described in Chapter 6
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Pentland, Gordon. "Introduction." In Liberty, Property and Popular Politics. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474405676.003.0001.

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This book is a collection of essays that explore themes relating to liberty, property and popular politics in England and Scotland during the period 1688–1815 in honour of H. T. Dickinson. The first section deals with politics both inside and outside of the British Parliament and offers insights on the central theme of ‘the way in which elite politics and popular politics inform, influence and interact with each other’. The second section examines ‘the ideas, principles and assumptions of those engaged in the struggle to defend, amend or radically alter the political and social order’, includi
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Herold-Zanker, Katharina. "‘Feeling Oriental’." In Decadence and Orientalism in England and Germany, 1880-1920. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/9780191990489.003.0004.

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Abstract This chapter shift the focus onto German decadence. This portion of the book on Paul Scheerbart’s and German-Jewish author Else Lasker-Schüler’s Decadent Oriental fiction of the 1890s and the 1910s reads their shared Nietzschean ‘Anti-Europäertum’ [Anti-Europeanness] as a form of self-Orientalization. Scheerbart’s art historic journalism and interest in Ancient Babylon and Assyria shaped his dramas and short fiction, presenting the East as stage or mirror to Western modernity’s shortcoming. Scheerbart’s architectural writing dedicated to Glasarchitektur, however, also projects a hopef
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Reed, Walter L. "In the Beginning: Dialogue in Genesis and the Gospels." In Dialogues of the Word. Oxford University PressNew York, NY, 1993. http://dx.doi.org/10.1093/oso/9780195079975.003.0001.

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Abstract “Literary criticism, long thought to be peripheral or even irrelevant to biblical studies, has emerged since the mid-1970s as a new major focus of academic biblical scholarship in North America, England, and Israel.” In The Literary Guide to the Bible, Robert Alter and Frank Kermode thus take note of a recent shift in the scholarly study of the Bible, a shift to which they have both made major contributions. This movement can be observed among staunch biblicists as well as theological liberals; it has taken place in the ranks of the most contemporary of literary theorists as well as a
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