Tesis sobre el tema "Albese"
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RAMELLA, GAL MARTINA. "L’architettura religiosa medievale nella diocesi di Alba. Un’analisi territoriale su relazioni, tipologie e caratteristiche delle chiese albesi tra X e XIII secolo". Doctoral thesis, Politecnico di Torino, 2018. http://hdl.handle.net/11583/2710705.
Texto completoStich, Peter Maria Andreas Georg [Verfasser], Gunther [Akademischer Betreuer] [Gutachter] Reinhart y Albert [Gutachter] Albers. "Interaktiver simulationsgestützter Entwurf mechatronischer Verarbeitungssysteme / Peter Maria Andreas Georg Stich ; Gutachter: Albert Albers, Gunther Reinhart ; Betreuer: Gunther Reinhart". München : Universitätsbibliothek der TU München, 2017. http://d-nb.info/1139843915/34.
Texto completoEisenmann, Maria. "Das amerikabild im werk Edward Albees : eine imagologisch-didaktische analyse /". Heidelberg : Universitätsverlag Winter, 2004. http://catalogue.bnf.fr/ark:/12148/cb39274649c.
Texto completoKucuk, Hale. "Edward Albee'". Master's thesis, METU, 2008. http://etd.lib.metu.edu.tr/upload/12610243/index.pdf.
Texto completos traces in the dramatization of uncertainty, alienation and the question of freedom. Albee&rsquo
s characters do not have fixed identities, and they suffer from their identity problems. The notion of Other enhances this uncertainty. The ambiguity of existence, whether they really are or not, presents another problem for these characters. Their lives are based on illusions, and the line between the reality and fantasy is absent. Alienation of the human being from the self and the others is another existential theme that Albee deals with. Alienation is partly caused by lack of communication, and as a result, the isolated self is entrapped in his own condition. Freedom becomes a confusing question in his works as it makes the characters anxious while choosing one option among various others on his own, and as it renders the characters responsible for their free choices. So, the characters tend to be passive agents in life, which is in fact another choice. Albee extends Beckett&rsquo
s absurdist ideas and adopts the Absurd Drama to highlight his social concerns as he is also a social critic. The targets of his criticism are materialism, loss of values and broken human relationships. The playwright challenges the audience for a reform on these points.
Basdevant-Corbier, Patricia. "Edward Albee, dramaturge iconoclaste". Thesis, Aix-Marseille, 2017. http://www.theses.fr/2017AIXM0399.
Texto completoA patrician key figure of the theatrical landscape, the worthy heir of Eugene O’Neill, Tennessee Williams and Arthur Miller, Edward Albee (1928-2017) has breathed new life into the American theatre. His iconoclastic body of work, which was met with sneering, dismay or enthusiasm, disproves the split between the real, its appearances and imagination. An imaginative, provocative playmaker, Albee aims at producing a “realistic” drama by tackling the problem of the links between appearances and reality in the Theatrum Mundi on various levels : social (role and human dimension), logical (meaning and absurdity), psychological (reason and madness), as well as on the level of performance (character and actor). Through the game metaphor, this study focuses on the playwright’s last plays, which are rife with philosophical interrogations and stage the Subject’s initiatory journey between representation and experience, imagination and reality. As a player, Albee’s protean character prepares backstage to audition for his role on the stage of the Theatrum Mundi. Imbued with mystery, poetry, wisdom, comicality and pathos, the playwright’s original playground, where an experience of truth is under way, brings forth an optimistic, humanistic vision that opens onto the aesthetic experience of catharsis
Strazzabosco, L. "La sostenibilità degli interventi su alberi veterani: un protocollo per la valutazione integrata e la cura". Doctoral thesis, Università degli studi di Padova, 2014. http://hdl.handle.net/11577/3425281.
Texto completoLo scopo dello studio è stato quello di sviluppare e implementare un protocollo per l'analisi del rischio e la valutazione di alberi veterani in luoghi aperti al pubblico. Uno dei principali obiettivi dei piani di gestione dei siti storici è la conservazione degli alberi " fondatori". Molti degli alberi "fondatore" superstiti sono sottoposti a pratiche gestionali inadeguate, che ha abbassato la loro speranza di vita e notevolmente ridotto il loro fattore di sicurezza biomeccanico. Il protocollo messo a punto per la valutazione di questi alberi si basa su due tipi di analisi: una valutazione biologica di salute degli alberi e il benessere e un nuovo metodo per la valutazione biomeccanica della stabilità dell'albero ( OREBLA - un foglio di lavoro digitale basato modellazione albero e sistema di valutazione ). La valutazione biologica di salute degli alberi è un passo fondamentale per valutare la capacità di un albero veterano di reagire alle pratiche di gestione che comportano la riduzione della biomassa. In particolare l'attività metabolica del sistema radicale viene valutata mediante la misurazione del contenuto di amido radice che è stato dimostrato essere correlata alla risposta albero alle pratiche di gestione. OREBLA è uno strumento integrato analisi biomeccanica , che comprende una modellazione della struttura ad albero basato sul protocollo EUROCODE per la valutazione del fattore di sicurezza di strutture esposta al vento. La valutazione si basa su dati dendrometriche e diagnostici, strumenti non invasivi, per il tronco e gli arti di analisi ( Sonic e tomografia elettrica), e anche su una valutazione del rischio di fallimento albero a causa della zolla fratturazione (Pulling Test). Il protocollo è stato testato nella valutazione degli alberi veterani " fondatori " del Parco Revedin Bolasco a Castelfranco Veneto ( Italia).
Layer, Michael Verfasser], Bernd-Robert [Akademischer Betreuer] Höhn y Albert [Akademischer Betreuer] [Albers. "Einfluss der Schmierstoffadditivierung auf das Reibungsverhalten nasslaufender Reibschaltelemente / Michael Layher. Gutachter: Bernd-Robert Höhn ; Albert Albers. Betreuer: Bernd-Robert Höhn". München : Universitätsbibliothek der TU München, 2011. http://d-nb.info/1013435869/34.
Texto completoCha, Wan-Gi [Verfasser], Wolfram [Akademischer Betreuer] Volk, Wolfram [Gutachter] Volk y Albert [Gutachter] Albers. "Formability consideration in bead optimization to stiffen deep drawn parts / Wan-Gi Cha ; Gutachter: Wolfram Volk, Albert Albers ; Betreuer: Wolfram Volk". München : Universitätsbibliothek der TU München, 2019. http://d-nb.info/1191369501/34.
Texto completoAlbert, Mathieu. "Transformations des pratiques de recherche en sciences économiques et en sociologie dans deux universités québécoises : instrumentalisation d : a production du savoir? /". Thèse, Montréal : Université de Montréal, 1999. http://www.theses.umontreal.ca/theses/pilote/albert/these.html.
Texto completoMode d'accès : Web Genre de fichier informatique: Monographie électronique en format HTML. Titre de l'écran-titre (visionné le 5 nov. 2002) Disponible à partir du catalogue en ligne des thèses soutenues à l'Université de Montréal. CaQTU CaQTU
Leite, André Luiz [UNESP]. "O zoológico existencialista de Edward Albee". Universidade Estadual Paulista (UNESP), 2006. http://hdl.handle.net/11449/91594.
Texto completoA obra de arte dramática, diferentemente de outras formas artístico-literárias, é a que de forma mais prática e imediata estabelece uma relação entre seu realizador e o público ao qual ela é destinada. Contudo, o drama moderno, produzido a partir do final do século XIX, passou por uma série de crises e adaptações quanto à forma e ao conteúdo, decorrentes de várias mudanças ocorridas nos mais diversos setores da sociedade. Edward Albee é um dos maiores dramaturgos norte-americanos da segunda metade do séc. XX. Seguindo uma tradição que produziria grandes talentos como Eugene O'Neill, Tennessee Williams e Arthur Miller, o novo autor surge em 1958 com seu texto, The Zoo Story, associado ao Teatro do Absurdo. A peça de forma minimalista põe em cena dois bancos de praça e duas personagens: Peter que é a própria personificação do self made man, já que está enjaulado aos ideais e aos valores burgueses de vida, e Jerry o outsider ou o transeunte permanente que não se insere nos padrões, no código moral e de valores socialmente estabelecidos. Entretanto, ou por isso mesmo, possui uma capacidade reflexiva extremamente aguçada. O objetivo é tratar de um aspecto da peça - a questão da absurvidade e da liberdade, como formas de transcender a angústia existencial e a vida sem significado em um contexto destituído de símbolos metafísicos. Analisar-se-ão os elementos relacionados a estes tópicos bem como o modo que servem de instrumento para o esvaziamento da ideologia burguesa, que culmina na crítica ácida que Edward Albee desfere ao American way of life.
Dramatic art, differently from other literacy-artistic forms, is the one that most practically and immediately establishes a relationship between its producer and the audience it is created for. However, modern drama, produced since the end of nineteenth century, has gone through many crises and adaptations in its form and content, originated from many changes occured in the various instances of society. Edward Albee is one of the major American playwrights of the second half of the twentieth century. Following a tradition which produced gifted authors such as Eugene O'Neill, Tennessee Williams and Arthur Miller, the new author appears with his play The Zoo Story in 1958, associated to the Theater of the Absurd. The play, in a minimalist way, stages two park benches and two characters: Peter, the personification of the self made man, encaged in the bourgeois ideals and values of life; and Jerry, the outsider or the permanent transient who does not fill in the patterns, in the moral code or the established social values. However, or because of this, he has a sharpened reflexive ability. The aim of our search is to treat one aspect of the play - absurdity and freedom - a means of transceding existential anguish and life without meaning in a context deprived of metaphysical symbols. We intend to analyze elements related to these topics, as well as the way they function as instruments for the emptying bourgeois ideology which, ends up the sour criticism Albee aims at the American way of life.
Leite, André Luiz. "O zoológico existencialista de Edward Albee /". Araraquara : [s.n.], 2006. http://hdl.handle.net/11449/91594.
Texto completoBanca: Iná Camargo Costa
Banca: Maria Clara Bonetti Paro
Resumo: A obra de arte dramática, diferentemente de outras formas artístico-literárias, é a que de forma mais prática e imediata estabelece uma relação entre seu realizador e o público ao qual ela é destinada. Contudo, o drama moderno, produzido a partir do final do século XIX, passou por uma série de crises e adaptações quanto à forma e ao conteúdo, decorrentes de várias mudanças ocorridas nos mais diversos setores da sociedade. Edward Albee é um dos maiores dramaturgos norte-americanos da segunda metade do séc. XX. Seguindo uma tradição que produziria grandes talentos como Eugene O'Neill, Tennessee Williams e Arthur Miller, o novo autor surge em 1958 com seu texto, The Zoo Story, associado ao Teatro do Absurdo. A peça de forma minimalista põe em cena dois bancos de praça e duas personagens: Peter que é a própria personificação do self made man, já que está enjaulado aos ideais e aos valores burgueses de vida, e Jerry o outsider ou o transeunte permanente que não se insere nos padrões, no código moral e de valores socialmente estabelecidos. Entretanto, ou por isso mesmo, possui uma capacidade reflexiva extremamente aguçada. O objetivo é tratar de um aspecto da peça - a questão da absurvidade e da liberdade, como formas de transcender a angústia existencial e a vida sem significado em um contexto destituído de símbolos metafísicos. Analisar-se-ão os elementos relacionados a estes tópicos bem como o modo que servem de instrumento para o esvaziamento da ideologia burguesa, que culmina na crítica ácida que Edward Albee desfere ao American way of life.
Abstract: Dramatic art, differently from other literacy-artistic forms, is the one that most practically and immediately establishes a relationship between its producer and the audience it is created for. However, modern drama, produced since the end of nineteenth century, has gone through many crises and adaptations in its form and content, originated from many changes occured in the various instances of society. Edward Albee is one of the major American playwrights of the second half of the twentieth century. Following a tradition which produced gifted authors such as Eugene O'Neill, Tennessee Williams and Arthur Miller, the new author appears with his play The Zoo Story in 1958, associated to the Theater of the Absurd. The play, in a minimalist way, stages two park benches and two characters: Peter, the personification of the self made man, encaged in the bourgeois ideals and values of life; and Jerry, the outsider or the permanent transient who does not fill in the patterns, in the moral code or the established social values. However, or because of this, he has a sharpened reflexive ability. The aim of our search is to treat one aspect of the play - absurdity and freedom - a means of transceding existential anguish and life without meaning in a context deprived of metaphysical symbols. We intend to analyze elements related to these topics, as well as the way they function as instruments for the emptying bourgeois ideology which, ends up the sour criticism Albee aims at the American way of life.
Mestre
Bloch, Max. "Albert Südekum (1871-1944) : ein deutscher Sozialdemokrat zwischen Kaiserreich und Diktatur : eine politische Biographie /". Düsseldorf : Droste, 2009. http://d-nb.info/991907183/04.
Texto completoGürtler, Matthias Rudolf [Verfasser], Udo [Akademischer Betreuer] [Gutachter] Lindemann y Albert [Gutachter] Albers. "Situational Open Innovation : Enabling Boundary-Spanning Cooperation in Small and Medium-sized Enterprises / Matthias Rudolf Gürtler ; Gutachter: Udo Lindemann, Albert Albers ; Betreuer: Udo Lindemann". München : Universitätsbibliothek der TU München, 2016. http://d-nb.info/1122482167/34.
Texto completoGürtler, Matthias Rudolf Verfasser], Udo [Akademischer Betreuer] [Lindemann y Albert [Gutachter] Albers. "Situational Open Innovation : Enabling Boundary-Spanning Cooperation in Small and Medium-sized Enterprises / Matthias Rudolf Gürtler ; Gutachter: Udo Lindemann, Albert Albers ; Betreuer: Udo Lindemann". München : Universitätsbibliothek der TU München, 2016. http://nbn-resolving.de/urn:nbn:de:bvb:91-diss-20161125-1307361-1-1.
Texto completoWilberg, Julian Malte Maximilian Verfasser], Udo [Akademischer Betreuer] [Lindemann, Udo Gutachter] Lindemann, Albert [Gutachter] [Albers y Johannes [Gutachter] Fottner. "From data to value: facilitating strategy development for connected products / Julian Malte Maximilian Wilberg ; Gutachter: Udo Lindemann, Albert Albers, Johannes Fottner ; Betreuer: Udo Lindemann". München : Universitätsbibliothek der TU München, 2020. http://nbn-resolving.de/urn:nbn:de:bvb:91-diss-20200108-1468778-1-8.
Texto completoWilberg, Julian Malte Maximilian [Verfasser], Udo [Akademischer Betreuer] Lindemann, Udo [Gutachter] Lindemann, Albert [Gutachter] Albers y Johannes [Gutachter] Fottner. "From data to value: facilitating strategy development for connected products / Julian Malte Maximilian Wilberg ; Gutachter: Udo Lindemann, Albert Albers, Johannes Fottner ; Betreuer: Udo Lindemann". München : Universitätsbibliothek der TU München, 2020. http://d-nb.info/1211086976/34.
Texto completoMidence, Diaz Luis Fernando. "THE GOAT OR, WHO IS SYLVIA?: A PERFORMANCE AT MIAMI UNIVERSITY". Oxford, Ohio : Miami University, 2007. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1179850855.
Texto completoReif, Anne-Kathrin. ""Die Welt bietet nicht Wahrheiten sondern Liebesmöglichkeiten" zur Bedeutung der Liebe im Werk von Albert Camus /". [S.l. : s.n.], 1999. http://deposit.ddb.de/cgi-bin/dokserv?idn=964176254.
Texto completoSchaffner, Alain. "Le goût de l'absolu : l'enjeu de la littérature dans l'oeuvre d'Albert Cohen /". Paris : H. Champion, 1999. http://catalogue.bnf.fr/ark:/12148/cb37042261d.
Texto completoTorma, Frank. "Edward Albee's Tiny Alice : alienation and desire in the religious subject /". Connect to resource, 1987. http://rave.ohiolink.edu/etdc/view.cgi?acc%5Fnum=osu1261413372.
Texto completoBaciu, Virginia. "Albert Camus in Rumänien". Universität Potsdam, 2009. http://opus.kobv.de/ubp/volltexte/2009/2951/.
Texto completoDeWaters, Diane K. (Diane Kay). "Albert Speer at Nuremberg". Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc500301/.
Texto completoTurano, Giuseppina. "Dipendenze sintattiche in albanese /". Padova : Unipress, 1995. http://catalogue.bnf.fr/ark:/12148/cb37628883f.
Texto completoSismo, Alessandra. "Gli alberi di decisione". Master's thesis, Alma Mater Studiorum - Università di Bologna, 2012. http://amslaurea.unibo.it/4127/.
Texto completoAlbes, Wolf-Dietrich. "Albert Camus und der Algerienkrieg : die Auseinandersetzung der algerienfranzösischen Schriftsteller mit dem "directeur de conscience" im Algerienkrieg, 1954-1962 /". Tübingen : M. Niemeyer, 1990. http://catalogue.bnf.fr/ark:/12148/cb354551724.
Texto completoAndermann, Ulrich. "Albert Krantz : Wissenschaft und Historiographie um 1500 /". Weimar : H. Böhlaus Nachf, 1999. http://catalogue.bnf.fr/ark:/12148/cb376294660.
Texto completoContient une liste des oeuvres d'Albert Krantz, de leurs éditions et sources. Bibliogr. p. 542-334. Index.
Albert-Lorincz, Hunor Boulicaut Jean-François. "Contributions aux techniques de prise de décision et de valorisation financière". Villeurbanne : Doc'INSA, 2007. http://docinsa.insa-lyon.fr/these/pont.php?id=albert-lorincz.
Texto completoGURGA, Gezim. "Il Vangelo di San Matteo - variante inedita del manoscritto di Piana". Doctoral thesis, Università della Calabria, 2006. http://hdl.handle.net/10447/281119.
Texto completoNeumann, Michael. "Der pikarische Moralist : A. V. Thelens antifaschistischer Roman "Die Insel des zweiten Gesichts" /". Wiesbaden : Dt. Univ.-Verl, 2000. http://www.gbv.de/dms/bs/toc/313795096.pdf.
Texto completoHaouet, Mohamed-Kameleddine. "Les objets dans l'oeuvre narrative d'Albert Camus /". Tunis : Faculté des sciences humaines et sociales : ALIF, Éd. de la Méditerranée, 1994. http://catalogue.bnf.fr/ark:/12148/cb37040978k.
Texto completoMichon-Bertout, Laure. "L'écriture de l'histoire dans l'oeuvre d'Albert Cohen /". Caen : [Rouen] ; [Le Havre] : Presses universitaires de Caen ; Publications des Universités de Rouen et du Havre, 2005. http://catalogue.bnf.fr/ark:/12148/cb40030648r.
Texto completoSvensson, Dan. "Eskapism : En analys av Edward Albees Who's Afraid of Virginia Woolf?" Thesis, Växjö University, School of Humanities, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-1945.
Texto completoCelotto, Emanuela. "Albert Camus : démocratie et totalitarisme". Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030038.
Texto completoThis thesis proposes a reading of Camus’ creation from the democratic and antitotalitarian perspective in order to demonstrate the innovative aspect of his thought, which is more actual than ever. One hundred years after the birth of the writer, Nobel Prize for literature, his work opens up new lines of thought halfway between philosophy, science, politics and literature. After a general introduction to the concepts of totalitarianism and democracy, we will proceed to the more specifically study of the author. We sketch a portrait of Camus as a committed journalist in the battles of his time and we will discuss a comparative analysis between Camus and intellectuals and thinkers who influenced his democratic thought and inspired his thinking on totalitarianism. Then, we will focus the analysis on certain works : journalistic (Actuelles I, II, III ) and philosophical essays (The Rebel), fictional works, such as The Plague, and three plays Caligula, The Just Assassins and The State of siege. Based on this selection of works, we will examine the technique adopted by Camus to transfer into the fictional the democratic debate against the totalitarianism of his era. Finally, we will study from a lexicological point of view the terms of totalitarianism and democracy, and all their synonyms within the semantic field of anti-totalitarian debate
Ballard, Lauren. "Albert Camus: A Conscientious Witness". Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/cmc_theses/458.
Texto completoAlbert, Mario [Verfasser]. "Computing Quot Schemes / Mario Albert". Kassel : Universitätsbibliothek Kassel, 2017. http://d-nb.info/1128611562/34.
Texto completoStüben, Albert [Verfasser]. "Jahresabschlussfeststellung und Gesellschafteranerkenntnis / Albert Stüben". Frankfurt : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2013. http://d-nb.info/1042471592/34.
Texto completoMachado, Patrícia de Oliveira. "Absurdo, revolta, ação : Albert Camus". reponame:Repositório Institucional da UnB, 2010. http://repositorio.unb.br/handle/10482/8387.
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Em nossa dissertação, procuramos pensar a ação a partir do itinerário filosófico de Albert Camus. A princípio, investigaremos as possibilidades da ação a partir da fratura entre o homem e o mundo, ao que Camus denomina absurdo. Ação que não pode redundar em suicídio filosófico ou físico, posto que esses são modos de trair a constatação da absurdidade da vida. A ação absurda não pode mais visar o absoluto e se fiar em valores transcendentes e absolutos. Ela tem que respeitar os limites agora descobertos: a relatividade e a ignorância humana frente ao futuro. Por isso, a atitude coerente ao absurdo é “viver mais”, “bater todos os recordes”, já que o homem tem apenas o presente. Mas tal atitude não pode fundamentar uma regra de conduta, não pode oferecer uma referência para a ação frente aos outros homens. A ação tem de ser pensada a partir da revolta, pois ela pode nos revela um valor, em nome do qual o homem pode agir. Pela revolta, o homem toma consciência de um valor comum a todos os homens; é a descoberta de uma natureza humana. É a fidelidade a essa natureza que deve conduzir e limitar a ação revoltada. ________________________________________________________________________________________ ABSTRACT
In this dissertation we try to think actions from the philosophic itinerary of Albert Camus. At first, we investigate the possibilities of actions from the rupture of man and the world, what Camus denominates 'absurd'. Actions that cannot end in some kind of philosophical ou physical suicide, given that those are ways of betraying the verification of the absurdity of life. The absurd action cannot look for the absolute nor trust transcendental and absolute values. It has to respect the limits now discovered: human relativity and ignorance in face of the future. As a result, a coherent attitude towards the absurd is to 'live more', 'brake all records', given that man has only the present. But such an attitude cannot found a rule of conduct, cannot offer a reference for an action with regard to other men. The action has to be thought from the revolt itself, since it can reveal us a value, in the name of which man can act. By the revolt man becomes aware of a common value to all men; and that is the discovery of a human nature. It is the fidelity with respect to that nature that has to conduct and limit the revolted action.
Boucrot, Marc. "Recherches sur Albert Peyriguère, écrivain". Lille 3 : ANRT, 1986. http://catalogue.bnf.fr/ark:/12148/cb375945143.
Texto completoCamille, Mildred Rejane. "Albert Samain et son temps /". Ann Arbor [Mich.] : University Microfilms International, 1986. http://catalogue.bnf.fr/ark:/12148/cb40965852x.
Texto completoMarocchi, Fabio. "Apprendimento di alberi di decisione". Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2015. http://amslaurea.unibo.it/8429/.
Texto completoKorreshi, Jonida. "Italianismi nel linguaggio politico albanese". Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2015. http://amslaurea.unibo.it/8887/.
Texto completoOliveira, Bernardo Jefferson de. "A revolta em Albert Camus". Universidade Federal de Minas Gerais, 1988. http://hdl.handle.net/1843/BUBD-9W9JCP.
Texto completoZunker, Kimberly A. "Albee mortuary patterns : a reassessment of commissary site burial context". Virtual Press, 2002. http://liblink.bsu.edu/uhtbin/catkey/1236380.
Texto completoDepartment of Anthropology
Hoxha, Jetmira <1977>. "Analisi comparativa relativa all'impatto sociale, culturale e linguistico dell' immigrazione contemporanea albanese all'interno della realtà veneta". Doctoral thesis, Università Ca' Foscari Venezia, 2012. http://hdl.handle.net/10579/1185.
Texto completoThis thesis is concerned with the analysis of the peculiar aspects characterizing the contemporary migration phenomena of the Albanians from the Balkan area to the Venetian region. It explores three disciplinary fields: the social, the cultural and sociolinguistic studies. In the first part, the respective phenomenology and historical framework of the migration’ events (1990-2010) are reconstructed in order to explore their delineating features. Besides, the contemporary Albanian society’s background (1985-2010) is studied with the purpose of compounding an integral view of the intersected trajectories of the Albanians in the history of their land of origin/of emigration, before their arrival in their land of immigration. The second part of this thesis includes the fieldworks’ results related to the social question of the different Albanian focus groups examined in Venetian region and Albania, compatible with the transnational vision of migration as a double social fact that concerns the researches conducted in either the emigration or the immigration contexts of the migrant. The third part of the study is concerned with the exported, evolved or transformed aspects of Albanian culture in the observed subjects, with particular attention to the second generation’ Albanians. In the fourth part, the linguistic productions of the second generation’ Albanians are analysed in order to verify the difficulties of preservation of the Albanian language, the differentiated linguistic practises of L1 and L2 (bilingual mode and code-switching) in the respective domains (social or family).
Lavoie, Frank. "Vie, existence et dignité humaine, recontre entre Albert Camus, l'écrivain, et Albert Jacquard, le généticien". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/MQ65218.pdf.
Texto completoLavoie, Frank. "Vie, existence et dignité humaine : "rencontre" entre Albert Camus, l'écrivain, et Albert Jacquard, le généticien /". Thèse, Chicoutimi : Université du Québec à Chicoutimi, 2001. http://theses.uqac.ca.
Texto completoChefu, Joseph. "Albert Einstein - ein Missverständnis : der Glaube in der Physik-Theorie ; eine neue Sicht der Leistungen des Physik-Nobelpreisträgers / Joseph Chefu". Göttingen Cuvillier, 2008. http://d-nb.info/987758764/04.
Texto completoTuschy, Silja [Verfasser], Albert [Akademischer Betreuer] Brühl, Albert [Gutachter] Brühl y Alexander [Gutachter] Hartmann. "Pflegeaufwand und Pflegeleistungen auf der Intensivstation / Silja Tuschy ; Gutachter: Albert Brühl, Alexander Hartmann ; Betreuer: Albert Brühl". Vallendar : Philosophisch-Theologische Hochschule Vallendar, 2019. http://d-nb.info/1196525927/34.
Texto completoCane, Olgert <1979>. "Odin Mondvalsen come viaggiatore nella letteratura albanese del realismo socialista". Master's Degree Thesis, Università Ca' Foscari Venezia, 2017. http://hdl.handle.net/10579/10452.
Texto completoMusaku, Julia <1991>. "Folklori shqipetar ne shekuj (Il folclore albanese nei secoli)". Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/14819.
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