Literatura académica sobre el tema "Alberto Savinio"
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Artículos de revistas sobre el tema "Alberto Savinio"
Roić, Sanja. "Alberto Savinio i Balkan". Italica Belgradensia 2023, Speciale (2023): 53–65. http://dx.doi.org/10.18485/italbg.2023.ns_vuco.4.
Texto completoGordon, Mel. "Alberto Savinio and the Teatro Metafisico". Performing Arts Journal 9, n.º 1 (1985): 83. http://dx.doi.org/10.2307/3247819.
Texto completoEpstein, Mark. "Book Review: Alberto Savinio: Lo psichismo delle forme". Forum Italicum: A Journal of Italian Studies 34, n.º 2 (septiembre de 2000): 594–96. http://dx.doi.org/10.1177/001458580003400231.
Texto completoRicci, Roberta. "Grecità (e romanticismo) nella "mitologia moderna" di Alberto Savinio". Quaderni d'italianistica 17, n.º 1 (1 de abril de 1996): 33–59. http://dx.doi.org/10.33137/q.i..v17i1.10319.
Texto completoZudini, Claudia. "La presenza degli animali nell’opera narrativa di Alberto Savinio". Italies, n.º 12 (1 de diciembre de 2008): 299–318. http://dx.doi.org/10.4000/italies.1322.
Texto completoHeyd, Milly. "ALBERTO SAVINIO: THE PHOTOGRAPH AND THE MIRROR IMAGE, PART II". Source: Notes in the History of Art 8, n.º 2 (enero de 1989): 32–36. http://dx.doi.org/10.1086/sou.8.2.23202534.
Texto completoLizza, Marinella. "Il mito di Alcesti in Alberto Savinio e Corrado Alvaro". Italian Culture 22, n.º 1 (enero de 2004): 47–69. http://dx.doi.org/10.1179/itc.2004.22.1.47.
Texto completoGiammei, Alessandro. "Stratigraphy of Andromeda: Giorgio de Chirico, Alberto Savinio, Origins, and Originality". Modernism/modernity 25, n.º 1 (2018): 21–43. http://dx.doi.org/10.1353/mod.2018.0001.
Texto completoGutiérrez, María Elena. "LA POETICA DEL LAPSUS: INCONSCIO E LINGUAGGIO NELL'OPERA DI ALBERTO SAVINIO". Forum Italicum: A Journal of Italian Studies 31, n.º 2 (septiembre de 1997): 439–57. http://dx.doi.org/10.1177/001458589703100207.
Texto completoTramuta, Marie-José. "Alberto Savinio, scénariste de la vie de saint François : la tentation épique". Double jeu, n.º 13 (31 de diciembre de 2016): 37–45. http://dx.doi.org/10.4000/doublejeu.333.
Texto completoTesis sobre el tema "Alberto Savinio"
Bernet, Thomas. "L'ironie d'Alberto Savinio à la croisée des discours : lecture sémiotique de l'"Introduction à une vie de Mercure" et d'"Achille énamouré mêlé à l'Evergète /". Bern : P. Lang : Éd. scientifiques européennes, 1999. http://catalogue.bnf.fr/ark:/12148/cb38877915h.
Texto completoCarbone, Rocco. "Alberto Savinio et la France". Paris 3, 1993. http://www.theses.fr/1994PA030154.
Texto completoThe first chapter of this thesis, images of paris, examines the numerous texts in wich savinio evokes the city that most influenced his artistic and literary formation. The second chapter, french friends, lays out the importance of the arguments he is concerned with. The tendency towards autobiographical writings causes savinio to blend the france he knew with the people he met; however this assimilation has only a limited documentary face value : savinio's 'french friends' are by all means the counterparts with whom he discussed his own artistic and creative world. Although maintaining a thematic argumentation, in the third chapter (avant-gardes), the research outlines some specific moments and themes of davinio's cultural formation : his relationship with the historical avant-gardes, and his standing in relation to these evolutions of artistic thought. Finally, the fourth chapter (french writers) investigates a littleknown aspect in savinip's literary work : his critical writing dealing with works and authors in french literature. The appendix added tho the thesis collects unpublished and rare texts by the italian writer
LIJOI, LUCILLA. "Il sognatore sveglio - Alberto Savinio 1933-1943". Doctoral thesis, Università degli studi di Genova, 2019. http://hdl.handle.net/11567/943915.
Texto completoGrewe, Andrea. "Melancholie der Moderne : Studien zur Poetik Alberto Savinios /". Frankfurt am Main : V. Klostermann, 2001. http://catalogue.bnf.fr/ark:/12148/cb39259459x.
Texto completoPicciaiola, Samanta. "Recherches sur le théâtre de Alberto Savinio (1891-1952)". Paris 4, 2008. http://www.theses.fr/2008PA040233.
Texto completoThis study focuses on the concept fo theatre, as developed by Alberto Savinio since his first theatrical play written in French ("Les Chants de la mi-mort"). The study will, first, highlight the influence of Apollinaire on the work of Savinio and, then, will stress the importance of Pirandello, who can be considered his master on the theatrical subject. "Capitanon Ulisse" and "Alcesti di Samuele" représent the higthest form of his theatrical expression to suche and extent that these two pièces can be considéred as interlinked in an ideal metaphysical diptych. In both plays, Savinio tackles the concept of regeneration of the tragedy : similarly to the story of "Capitano Ulisse", were the adventures of the Homeric hero are reinterpreted, the figure of Alcesti appears anew in the story of Mrs Goerz, an Jewish woman who lives during the period of national socialism. Savinio's work, which is the result of a collection of short stories ("Il suo nome", "La famiglia Mastinu") will be characterised by a revisitation of meta-theatrical factors, which were already present in previous pièces. In "Emma B, vedova Giocasta", Savinio chooses a lighter option : the one act play. This choix leads to a condensation of dramaturgy, since it is composed of one pièce and of one single feverish waiting movement of the main character
Di, Gregorio Roberto <1994>. "Il teatro dei Dioscuri: Giorgio de Chirico e Alberto Savinio". Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/17945.
Texto completoCAPOBIANCO, Lillo. "Hermaphrodito di Alberto Savinio tra modernità e tradizione del mito". Doctoral thesis, Università degli Studi di Palermo, 2014. http://hdl.handle.net/10447/91027.
Texto completoWeidlich, Martin. "De revolutionibus ordinum caelestium terrestriumque Alberto Savinio zwischen Kopernikus und Ptolemäus". Wilhelmsfeld Egert, 2003. http://deposit.ddb.de/cgi-bin/dokserv?id=2807048&prov=M&dok_var=1&dok_ext=htm.
Texto completoFerri, Giulia. "Retour à la terre des pères : sentiment d'appartenance et quete des origines (Giuseppe Ungaretti et Alberto Savinio)". Thesis, Université Grenoble Alpes, 2020. http://www.theses.fr/2020GRALL016.
Texto completoDuring the first half of the 20th century in Italy, the theme of national belonging was at the center of the political and cultural debate: the post-unitary discussions on national identity, the patriotism of interventionists, post-World War I, and later fascist, nationalism. Among the Italian intellectuals of the time, many shared double origins: their families were Italian, and yet they were born and raised abroad. Their belonging to the homeland was not automatic. I have looked at the way in which their need for an identity relates to the tensions that were shaking the country, their involvement in the political events of those years, and wondered whether it is possible to isolate any similarities between them that might be connected to their multicultural origins.In November 1927, an interview to Alberto Savinio was published in the Parisian journal “Comœdia.” In it, he criticized Italian art and claimed that he lived in Paris because the mental openness of the French favored artistic development. At the height of Fascism, these declarations bothered a number of Italian intellectuals, who accused him of not loving his homeland. He was therefore excluded from national cultural life for a few years. Giuseppe Ungaretti stood up for him, despite both having declared his Fascism and not sharing a particularly close relationship with Savinio. They had met in Paris in the early 1910s, when they both gravitated around Soffici and his group, especially Apollinaire, who was a fundamental reference: he was their artistic guide, but also someone who shared their uprootedness, since he was French by adoption. His enrollment in the French army was therefore particularly significant for them. Savinio and Ungaretti kept in touch throughout the decade and collaborated to the projects of journals such as “La Vraie Italie” and “Commerce,” whose goal was to make Italian art better known in France. Starting in 1925, their relationship became strained, also due to a general climate of mistrust, but the “Comœdia” affair shows us that their supernational conception of culture surpasses personal issues. Nevertheless, they often seemed to contradict this idea, repeatedly emphasizing Italy’s superiority compared to other countries and displaying growing nationalism, which reached its apex when they adhered to Fascism. They took part in World War I as a way of claiming their belonging to the Italian nation, but it was starting from the following years that they began to show their patriotism by exalting the fighters, criticizing peace agreements that proved unfavorable to Italy, and affirming the idea of Italy’s intellectual primacy. Their support of Fascism was the natural consequence. During the “Ventennio,” Savinio and Ungaretti wrote several articles in journals that were supportive of Mussolini, where they employed many of the rhetorical topoi of those years. This is the extreme point in their search for Italianness: the affirmation of their identity went beyond the individual and found its place within the collective dimension of the “State.” World War II, which they considered madness, brought about a change of heart regarding the regime. Ungaretti and Savinio shared the idea that Fascism had betrayed its principles. Italy’s greatness needed to play within a universal context, rather than an enclosed one. They thought that in order to achieve a collective renaissance, it was necessary to surpass national egotism and come back to Europe’s Christian spirit. Therefore, the need for an Italian identity faded into the background compared to the necessity of a European identity
Zudini, Claudia. "L'artiste "orphelin" : stratégies d'autonomie dans l'écriture d'Alberto Savinio". Paris 8, 2007. http://www.theses.fr/2007PA083723.
Texto completoThis dissertation will provide a critical approach to the literary works of Alberto Savinio from the perspective of his assertion of an ideal « orfanismo ». In spite of the various references to the ancient literary tradition present in his works, this term refers to Savinio’s will to reject his literary fathers and to establish his own identity as an author. We have explored this notion by looking at strategies of narration ("Angelico o la notte di maggio"), of intertextuality ("La casa ispirata", "Angelico o la notte di maggio", "La nostra anima", "Emma B. Vedova Giocasta"), and linguistic strategies used in the texts ("Hermaphrodito", "La nostra anima", « Scendere dalla collina », « Mia madre non mi capisce », "Tragedia dell’infanzia")
Libros sobre el tema "Alberto Savinio"
Sgroi, Alfredo. Alberto Savinio. [Palermo, Italy]: Palumbo, 2009.
Buscar texto completoDell'Arco, Maurizio Fagiolo. Alberto Savinio. Milano: Fabbri, 1989.
Buscar texto completoPia, Vivarelli, Baldacci Paolo y Fondazione Antonio Mazzotta, eds. Alberto Savinio. Milano: Edizioni G. Mazzotta, 2002.
Buscar texto completoCenter for Italian Modern Art (New York, N.Y.), ed. Alberto Savinio. New York, NY: Center for Italian Modern Art, 2017.
Buscar texto completoMastronardi, Gianluca Renato. Alberto Savinio scenografo. Roma: Edizioni Efesto, 2015.
Buscar texto completoSavinio, Alberto. Alberto Savinio: Dessins. Les Sables d'Olonne: Musée de l'Abbaye Sainte-Croix, 1987.
Buscar texto completoAbbaye Sainte-Croix (Les Sables-d'Olonne, France). Musee., ed. Alberto Savinio: Dessins. Les Sables-d'Olonne [France]: Musée de l'Abbaye Sainte-Croix, 1987.
Buscar texto completo1891-1952, Savinio Alberto, Barbero Luca M, Fagiolo dell'Arco Maurizio 1939- y Centro Saint-Bénin (Aosta Italy), eds. Alberto Savinio: Pittore di teatro = Alberto Savinio : peintre de théâtre. Milano: Fabbri, 1991.
Buscar texto completo1891-1952, Savinio Alberto, ed. Alberto Savinio alla Scala. Milano: Amici della Scala, 2015.
Buscar texto completoVivarelli, Pia. Alberto Savinio: Catalogo generale. Milano: Electa, 1996.
Buscar texto completoCapítulos de libros sobre el tema "Alberto Savinio"
Wild, Gerhard. "Savinio, Alberto". En Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17868-1.
Texto completoWild, Gerhard. "Alberto Savinio". En Kindler Kompakt Italienische Literatur 20. Jahrhundert, 76–78. Stuttgart: J.B. Metzler, 2016. http://dx.doi.org/10.1007/978-3-476-05534-7_9.
Texto completoWild, Gerhard. "Savinio, Alberto: Hermaphrodito". En Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17869-1.
Texto completoWeidlich, Martin. "Savinio, Alberto: Tragedia dell'infanzia". En Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17870-1.
Texto completoWeidlich, Martin. "Savinio, Alberto: Nuova enciclopedia". En Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17872-1.
Texto completoSchultz, Joachim. "Savinio, Alberto: Ascolto il tuo cuore, città". En Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17871-1.
Texto completoMeineke, Eva-Tabea. "»Brückenbogen strahlender Rettung«. Musikalität und Gesang in der surrealistischen Rilke-Rezeption (Alberto Savinio und Louis Aragon)". En Rilkes Musikalität, 155–72. Göttingen: V&R unipress, 2019. http://dx.doi.org/10.14220/9783737010320.155.
Texto completoJordison, Shantel S. y Niloo Hojjati. "Non-Renewable Resource Revenue Savings and Distribution in Canada: Alberta". En Sovereign Wealth Funds, Local Content Policies and CSR, 215–30. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-56092-8_11.
Texto completoMason, David L. "Albert Wachowski, ‘The Polish Building and Loan Associations’ (1914)". En The American Savings and Loan Industry, 1831-1935 Vol 4, 95–98. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003547303-21.
Texto completoMason, David L. "Albert Shaw, History of Cooperation in the United States (1888)". En The American Savings and Loan Industry, 1831-1935 Vol 4, 45–58. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003547303-13.
Texto completoActas de conferencias sobre el tema "Alberto Savinio"
RANIS, GUSTAV. "COMMENTS ON ALBERT ANDO'S “DEMOGRAPHY AND AGGREGATE SAVING”". En Proceedings of the Economic Development of ROC and the Pacific Rim in the 1990s and Beyond. WORLD SCIENTIFIC, 1994. http://dx.doi.org/10.1142/9789814440998_0014.
Texto completoLeijtens, Johan, Dick Broekmans y Frank Stelwagen. "Everything you always wanted to demand from a digital Sunsensor but couldn't get". En ESA 12th International Conference on Guidance Navigation and Control and 9th International Conference on Astrodynamics Tools and Techniques. ESA, 2023. http://dx.doi.org/10.5270/esa-gnc-icatt-2023-003.
Texto completoVanderSchee, David A. "Field Performance and Surge Testing of Centrifugal Compressors". En 1998 2nd International Pipeline Conference. American Society of Mechanical Engineers, 1998. http://dx.doi.org/10.1115/ipc1998-2126.
Texto completoThomas, Lance N. y Rick A. Marsden. "Buried SAGD Flow Lines". En 2002 4th International Pipeline Conference. ASMEDC, 2002. http://dx.doi.org/10.1115/ipc2002-27121.
Texto completoDoering, Raymond y Randy Robertson. "Screw Anchor Buoyancy Control Saves an Estimated $12 Million for Enbridge Pipeline". En 2000 3rd International Pipeline Conference. American Society of Mechanical Engineers, 2000. http://dx.doi.org/10.1115/ipc2000-120.
Texto completo"Controlled experiment for estimating the energy-saving potential and indoor thermal comfort improvement by the use of high albedo surfaces on pitched concrete roofs". En Countermeasures to Urban Heat Islands. BS Publications, 2022. http://dx.doi.org/10.37285/bsp.ic2uhi.19.
Texto completoOates, Brenden, Erk Kurban, Marilyn Smith y Juergen Rauleder. "Evaluation of High- and Mid-Fidelity Computational Fluid Dynamics for Complex Ship Airwake Analysis with New Experimental Data". En Vertical Flight Society 79th Annual Forum & Technology Display. The Vertical Flight Society, 2023. http://dx.doi.org/10.4050/f-0079-2023-17973.
Texto completoBeauregard, Yannick y Andrea Mah. "Assessing Soil Corrosivity for Buried Structural Steel". En 2020 13th International Pipeline Conference. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/ipc2020-9285.
Texto completoDagnino, Aldo. "An Intelligent Concrete Mix Design System". En ASME 1999 Design Engineering Technical Conferences. American Society of Mechanical Engineers, 1999. http://dx.doi.org/10.1115/detc99/eim-9013.
Texto completoWorthingham, Robert, Tom Morrison y Guy Desjardins. "Comparison of Estimates From a Growth Model 5 Years After the Previous Inspection". En 2000 3rd International Pipeline Conference. American Society of Mechanical Engineers, 2000. http://dx.doi.org/10.1115/ipc2000-208.
Texto completoInformes sobre el tema "Alberto Savinio"
Bretz, S. E. y H. Akbari. Durability of high-albedo roof coatings and implications for cooling energy savings. Final report. Office of Scientific and Technical Information (OSTI), junio de 1994. http://dx.doi.org/10.2172/10180653.
Texto completoMuelaner, Jody, ed. Unsettled Issues in Commercial Vehicle Platooning. SAE International, noviembre de 2021. http://dx.doi.org/10.4271/epr2021027.
Texto completoQueensland Government Savings Bank - Brisbane (Head Office) - Pass Books - No. 168382 - Brown, Albert J. - 1888-1897. Reserve Bank of Australia, marzo de 2021. http://dx.doi.org/10.47688/rba_archives_2006/20782.
Texto completoCOLD FORMED STEEL SHEAR WALL RACKING ANALYSIS THROUGH A MECHANISTIC APPROACH: CFS-RAMA. The Hong Kong Institute of Steel Construction, septiembre de 2022. http://dx.doi.org/10.18057/ijasc.2022.18.3.2.
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