Tesis sobre el tema "Agressivité dans la danse"
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Loison, Anais. "Rencontres spectaculaires sous surveillance : processus d’exclusion, de légitimation et d’intégration de l’oeuvre agressive en danse contemporaine". Electronic Thesis or Diss., Paris 8, 2018. http://www.theses.fr/2018PA080122.
Some contemporary or multidisciplinary dance works programmed in French auditoriums seem to have been made to reach the audience and to make their ethical compass, their emotional stability and their physical comfort shaken. These artistic creations received strong press contradictions in both general and specialised dance magazines. They are the target of a concealed discredit from the aestheticians who place them at the border of rightful aesthetic choreographies. They would exert a hold on performers due to their violence and would deploy aggressiveness against the public. Those lockings under the form of attacks are targeting artists, performance lovers but also dancers who are making the scene exist. They take the form of similar elements of language and follow similar argumentative logic whatever the speakers are. The framework of the depreciative rhetoric is forged by common sites which grants its a strong immunity against its critical examination. Today the situation is stabilised, however these sort of moves considered as erroneous continue to be supplied by speeches of those who has to judge them. In this thesis, we will analyse how a precise description of a criminal contemporary dance work is depicted. We will question the multiple consequences of this stabilized negative judgement around certain practices of the gaze – desire to show, to be seen and desire to see works – targeting choreographic works considered as violent
Maurice-Gélinas, Caroline. "La clozapine et les neurostéroïdes dans la modulation de comportements associés au suicide dans un modèle murin de schizophrénie". Mémoire, Université de Sherbrooke, 2017. http://hdl.handle.net/11143/11958.
Abstract : Suicide in schizophrenia is 5 times higher than in the general population. Compelling evidence now suggest that suicide in schizophrenia does not involve serotonin neurotransmission, at odds with general population. We recently described and characterized a murine Two-Hit Model of Suicide-related behavior in a schizophrenia-like context (THMS) (gestational inflammation followed by adolescent social isolation). In this model, clozapine normalized prepulse inhibition, aggressiveness, impulsivity and anxietylike behaviours in THMS mice. While the basis of clozapine superior effectiveness on suicidal behaviors in schizophrenic patients is not well understood, previous works has revealed that clozapine alters central neurosteroid (NS) levels, such as allopregnanolone. The present work was to evaluate if the effectiveness of clozapine for reducing the risk of recurrent suicidal behaviors is mediated through NS modulation. Finasteride, a 5α- reductase inhibitor was injected alone or before clozapine treatment in controls (ctl) and THMS mice. Prepulse inhibition (PPI), resident intruder test (RI) and exploratory behaviors (EB) were performed to assess the sensorimotor gating, aggressiveness/impulsivity and anxiety-like responses, respectively. Results showed that (1) PPI deficits in THMS mice are normalized by clozapine treatment (2) Finasteride administration to THMS mice elicited worsen aggressive behaviors in RI and clozapine eliminates these aggressive behaviors in THMS mice. However, finasteride did not reverse clozapine anti-aggressive effects. (3) Clozapine elicited sedation-like effect on locomotor activities in THMS mice, that was reversed by finasteride. These results suggest that the effects of clozapine on locomotor activity may be mediated following NS modulation and that the aggressive behaviors observed in THMS mice may be related to a down-regulation of NS. Analyzis of GABAA receptor subunits and 5αR subunits reveal no change between groups. Further experiments will be required to understand the seemingly contradictory results of CE and RI, but we demonstrate for the first time in a model that it is possible for clz to have an effect by NS modulation. Further research is needed to clarify if the antiaggressive effects of clozapine are mediated by NS modulation but we demonstrated for the first time in a sthat NS modulation is possible.
Jung, Jérome. "Agressivité instrumentale et émotionnelle : élaboration et mise en oeuvre d'un questionnaire psychométirque au sein d'une population S.T.A.P.S". Toulon, 2003. http://www.theses.fr/2003TOUL0018.
Aggressives behaviors arc unfortunately convenient current in sport and psychometric tools permitting the assessment of aggressiveness are numerous. However, no instrument took in consideration the distinction between instrumental aggressiveness thai is premeditated (to gel something of presenting) and emotional aggressiveness underlain by the immediate anger (to cause a physical or psychological damage to others). The major objective of this study, was to elaborate such a tool on being able with this tool to verify (he level of sportsman aggressiveness according to their sex and thctr type of practice. We advance the following main hypotheses: 1) women present on an instrumental lower aggressive arrangement plan to men; 2) sportsmen fighting present some lower aggressive arrangements to other sportsmen, hi a first time a survey permitted us to elaborate a version of a questionnaire differentiating the instrumental aggressiveness and the emotional aggressiveness. Once the purged questionnaire, a second survey validated his factorial structure. It permitted us to get a psychometric valid tool, the QAIE (Questionnaire of Instmmenlal and Emotional aggressiveness). We compared and correlated for an external validation, the QAIE with the QPS and with the "Aggression Questionnaire" of Buss and Peny (1992). To finish, we applicated the QAIE in order lo study differences of aggressiveness levels at students in STAPS according to the kind and the type of practice. We crossed results with a questionnaire of sexual roles to understand the role of the kind better while doing in aggressiveness the supplementary hypothesis that sexual role, more that the genetic sex, is "the explanation" of the classic difference of aggressiveness between men and women. The gotten results permit to reject the first hypothesis and arc in favor of the second. One of perspective will be to penetrate more in detail in the analysis while studying effects following every type of practice (soccer, handball, rugby, swimming, dance. . . ) and according to the level of practice (international, national, regional, departmental. . . )
Albouza, Youssef. "Le système des valeurs des athlètes et leur rôle dans la régulation de leur agressivité lors des pratiques sportives compétitives". Thesis, Lyon 1, 2014. http://www.theses.fr/2014LYO10098/document.
This thesis aims to study aggressive behavior by analyzing how they fit or not in a global value system implemented by each individual according to on his or her education and personality. Thus, the question is to study what are the factors that can lead to the emergence of aggressive responses of the athlete according to different parameters such as sex, type of practice, reactions to the referee's decisions, socio motor behavior, and resilience to frustration or provocation. The aim is to explain who the athlete’s system of values may or may not have a direct and indirect influence on their aggressive behavior through sociocognitive self-regulatory mechanisms which well be identified. In this context, five empirical studies have been conducted about more than 1,393 competitors. The main results of these surveys : 1) Confirm the validity of the theory of basic values (Schwartz, 1992) in the sports field ; 2) Propose a new athlete’s sports values questionnaire (QVSA) ; 3) Make it clear that the values of the athletes can have a double impact (negative or positive) on aggressive behavior across different socio-cognitive mechanisms. These studies conclude that the more athlete promote values such as Respect the rules, Benevolence and Enjoyment, more pacifies or inhibits his or her aggressive behavior. On the contrary, if the athlete values based on the assertion of social status, or the exercise of power, his or her more likely to express aggression, which will be all the less acceptable according to the rules of the game
Traclet, Alan. "Légitimité perçue des comportements d'agression dans la pratique du football : influence de la perspective adoptée par les joueurs". Rennes 2, 2006. http://www.theses.fr/2006REN20001.
The aim of this explanatory study is to examine the influence of the perspective adopted by soccer players on the perceived legitimacy of aggression in football. The game reality shows some differences of interpretation between the players, according to the perspective that they can adopt in the situation. Differences exist also between the aggressor and the referee. In others words, it is important to take into account the actor/self's and the observer/other's perspectives. Studies on the “perspective-related differences” have suggested to each perspective correspond to a different interpretation of what is aggressive/illegitimate (e. G. , Mummendey & Otten, 1989). The results of own work indicate (a) a persistent effect of the perspective adopted by players on the perceived legitimacy of aggression, (b) an influence of situational information on the self-other divergence, and (c) differences of perceptions between the “agressors” players and the referees/coaches
Marchand-Bonfils, Claudette. "La relation d'agression dans le harcèlement sexuel : référentiels psychopathologiques et concept d'accompagnement". Rennes 2, 2001. http://www.theses.fr/2001REN20040.
Harassment is part of the abuse area and belongs to sexual field in criminal law in France. Therefore, policies concerning criminal matters had to take care of this social problem with the focus of sexual violence for women. The historical, anthropological, axiological deconstruction of male and female relations leads to the modeling -crossing sanitary and social areas- of practices : prevention, control and problem solving resolution of the phenomen. In a security axis, this deconstruction allows to locate risks, dangers, insecurity. It is also useful for the analysis of actual preventive and therapeutic mesures in their positive points and failings, so as to lead to new treatments, new places and conjure a psychological guidance model different from the therapeutic one already existing, close to the judicial area. In a psychopathological theorical axis, this work and research of the different psychopathological referentials has given the opportunity to experiment a modeling centred on hated and disgrace through the discourse on experiences of women victims who had to put up with sexual harassment. This modeling, in an anthropological and psychopathological orientation, questions the notion of pathology. This modeling is recevant for men and women, attackors and attacked ones ; thus the possibility to conceive a personal and social mutation of both people involved. This psychopathological research is part of elaboration of criminal policies. In this very way this research participates in the preservation and in the quality maintenance of social bonds
Dionne, Ginette. "Considérations génétiques et environnementales dans l'association entre le développement du langage et l'agressivité physique à la petite enfance". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ57932.pdf.
Bissonnette, Catherine. "Évolution de la victimisation durant le primaire selon la perspective des enseignants et rôle de l'agressivité réactive comme facteur de prédisposition". Thesis, Université Laval, 2013. http://www.theses.ulaval.ca/2013/30242/30242.pdf.
Kouklia, Charlotte. "Dominance, hostilité et expressivité vocale dans le débat politique ˸ étude perceptive et acoustique du conseil municipal de Montreuil (93100)". Thesis, Sorbonne Paris Cité, 2019. http://www.theses.fr/2019USPCA013/document.
This dissertation studies the relationship between the expression of controlled aggressive attitudes and the perception of dominance, based on extracts from televised sessions of the Municipal Council of Montreuil during 2013; a period marked by a lively and hostile political climate. We constituted a corpus of spontaneous speech extracts from the Mayor, Dominique Voynet, and four of her opponents. During subsequent recording sessions, the five speakers were asked to read transcriptions of their own speech extracts in a neutral tone (25 stimuli per speaker). They also participated in a self-evaluation questionnaire that focused on the perception of emotional profiles in their own stimuli. The results of the speakers’ perceptive evaluations were compared to those of a control group of naïve listeners. All speakers were perceived as slightly hostile, discontent and dominant, despite the variability observed in the self-evaluated profiles. The original and re-read extracts were compared in their prosodic- syntactic structure as well as their temporal and melodic characteristics. We show that: 1) some speakers seem to rely mostly on melodic parameters whereas others primarily use temporal parameters, 2) nevertheless, general trends emerge regarding the speech correlates of hostility and dominance in our corpus, notably: a) discrepancies between the syntactic and the prosodic structure of the extracts, b) reduction or absence of pre-pausal final syllabic lengthening, c) large variations in F0 range on both sides of silent pauses
Frigout, Jérôme. "La pratique du karaté en milieu carcéral, savoir frapper ou savoir vivre ? : karaté et vertus éducatives prétendues : observation comparée du contrôle de l’agressivité dans le cadre de la pratique de cette activité en détention". Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCB133/document.
At the Detention center of Fresnes, some prisoners go in for karate. If the benefits of sport in prison are an accepted principle, what about educational effects of the practice of a combat sport in prison? The analysis of sports practice aggressiveness in karate will verify if this activity brings a regulation of affects, by comparing 188 observations realized in associative environment and 77 in detention. These observations discriminate licit aggressiveness, on a scale of gradual values from 2 to 2 (on the basis of warning objective behavioral indicators of the degree of aggressiveness). Pushing aside preconceived ideas, the results reveal that the associative karateka (AK) is more aggressive - on the plan "praxique" (1,71, standard deviation = 0,58) and "kinesique" (1,42, s-d = 0,81) - than the prisoner karateka (PK) - respectively 0,86, s-d = 1,17 and 0,3, s-d = 1,08. On their side, the processes of civility express themselves on averages of -2,00 for the AK against -0,81 for the PK. Can the karate then have a place in prison as sports activity? The answer seems affirmative. Subject to global rehabilitation process, this activity can not however guarantee by itself to resolve the problem of the reintegration
Dugay, Frédéric. "PAR-3 et carcinome rénal à cellules claires : rôle dans la tumorigénèse". Thesis, Rennes 1, 2014. http://www.theses.fr/2014REN1B014.
Kidney cancers represent about 3% of all adults’ malignancies. The most common form of kidney cancer is renal carcinoma of which 70 % of cases are defined as clear cell Renal Cell Carcinoma (ccRCC). We undertook a systematic review of all ccRCCs with a total of 89 patients who underwent nephrectomy surgery. We assessed the karyotype profile of all patients that we correlate with an immunohistochemical features and tumor symptoms. This study demonstrates a high impact of chromosomal abnormalities on patients’ diagnosis and prognosis. Some of these abnormalities have been submitted in other publications as the loss of the chromosome 3 p-arm which has a diagnosis impact, and the loss of the chromosome 9 or it s p-arm that have a poor prognosis impact. We selected two cell lines (R-180 and R-305) derived from ccRCC surgical specimens of a patient with unfavorable clinical course (R-180 cells) and a patient with favorable prognosis (R-305 cells) to identify genetic and molecular features that may explain the survival difference of the two patients. The cytogenetic analysis of these cell lines revealed that the pard3 gene was amplified only in the R-180 cell line that was derived from an aggressive ccRCC. The pard3 gene amplification was associated with overexpression of the encoded protein and altered cytoskeleton organization. PAR-3 knockdown in R-180 cell restored the cytoskeleton organisation and reduced cell migration in comparison to non-transfected cells. These results suggest PAR-3 role in R-180 migration cells line. With a view to corroborate the relevance of this new biomarker PAR-3 in ccRCC, we have studied 101 tumors using immunohistochemical methods. We proved a significant correlation between PAR-3 overexpression in the primitive tumor and, the decreasing of overall and free progression survival independently of other risk factors as metastasis. We also fund that the overexpression of PAR-3 is associated with an unfavorable clinical and immunohistochemical prognosis factors such as: stage III -IV in fuhrman system grading ,tumor necrosis, sarcomatoide component, supra renal metastasis, cancer spreading (surrounding fat and hilar), eosinophil component , none inactivate VHL gene, high tumor stage, lymph nodes spread, metastasis and ECOG scale. Our results reveal that the PAR-3 overexpression is associated with significant risk of ccRCCs mortality and spreading tumor. Immunohistochemical screening may be usefulness to identify patient’s high spreading risk whether the lack of the habitual prognosis parameters. Other studies are in progress to integrate this biomarker in nomograms and also to evaluate the impact on ccRCC’s resistance to targeted therapy
Daniel, Grégory. "Interaction entre dispersion et syndromes comportementaux : causes et conséquences : approche empirique dans une population fragmentée de passereaux". Thesis, Lyon 1, 2015. http://www.theses.fr/2015LYO10350/document.
Dispersal is a key like history trait for ecological and evolutionary processes in wild population. The last researching particularly focused on the correlation between behavioural trait and dispersal, in order to emphasize the existence of behavioural syndromes of dispersal, and on the estimation of the genetic basis of the dispersal behaviour. Dispersant individuals could not be a random part of the population, but individuals showing particular strategies, that help them to succeed in their dispersal attempt. This thesis has three main aims of research. The first is to show a genetic basis of the dispersal propensity in a fragmented population of collared flycatchers (Ficedulla albicollis). We shown not only the genetic bases of the dispersal, but also a non-random spatial distribution of relationship between individuals in this population, that might be due to genetic effects on the decision rules of habitat choice in this population. The second aim concerns phenotypic and genetic correlation between the natal dispersal and a behavioural trait, the nest-defense behaviour, in the alpin swift (Tachymarpis melba). We shown that natal dispersal and nest-defense behaviour are negatively correlated at a phenotypic level, but also at a genetic level in theses populations. Finally, the third aim attempt to test the existence of behavioural syndrome of dispersal, that is if dispersant individuals have a particular behavioural profile, which enable them to colonize new sites, in the collared flycatcher
Duryadi, Dedy. "Rôle possible du comportement dans l'évolution de deux souris "Mus macedonicus" et "Mus spicilegus" en Europe centrale". Montpellier 2, 1993. http://www.theses.fr/1993MON20107.
Courtial, Julia. "Pouvoir pathogène et résistance : implication des toxines dans l’interaction carotte-Alternaria dauci". Thesis, Angers, 2019. http://www.theses.fr/2019ANGE0008.
Alternaria leaf blight, caused by the necrotrophic fungus Alternaria dauci, is the most damaging foliar disease of carrots, especially because it hampers leaf-pull harvesting. Only partially – and insufficiently – resistant cultivars exist. In general, partial resistance mechanisms are poorly understood, so we chose to study them in this interaction. Previous results obtained in the lab highlighted a correlation between plant resistance to the fungus and plant cell resistance toward fungal toxins. It was also shown using carrot cell suspensions that fungal exudates’ toxicity was only present in the organic phase. These results led us to better characterize the toxins produced by A. dauci, in order to get a deeper understanding of carrot cell resistance mechanisms toward those toxins. HPLC analysis of the exudates from different fungal strain uncovered a correlation between toxin production and the aggressiveness of the fungal strains, suggesting that toxin production is an important component of said aggressiveness. We extracted, purified and characterize one of these candidates, and named it aldaulactone. Using a new image analysis protocol, we demonstrated the toxicity of Aldaulactone on carrot cell suspensions. Transcriptomic data from Alternaria dauci were used to explore the biosynthesis pathway of Aldaulactone. Candidate Genes were selected and their level of expression compared with aldaulactone production in various A. dauci cultures
Sanou, Famara Hyacinthe. "Stratégies relationnelles entre concurrents dans les industries de réseau : le cas des opérateurs de téléphonie mobile". Thesis, Montpellier 1, 2011. http://www.theses.fr/2011MON10070/document.
This thesis examines the types of relational strategies that firms can adopt with their competitors in a network industry : the mobile phone industry. It also purposes to highlight the determinants of these strategic choices and their implication. Finally, it aims to make a comparison of the performances of firms, according to their relational strategies choises. To address these concerns, we used, on one hand the method of structured content analysis so as to identify the strategic movements of the mobile phone operators of different countries and geographical areas ; on the other hand, we used two methods (exploratory and confirmatory) analysis for data processing. Through this thesis, we highlight three key findings : The first result shows that competitive aggressiveness, cooperativeness and coopetition are the viable relational strategies in the mobile phone industry. The second major result shows that the sectorial variables such as industrial concentration, sectorial maturity ; or more or less international presence appear to be factors determining the strategic behavior (aggressive, cooperative and coopetitive) of the mobile operators ; as well that more aggressiveness and more cooperativeness lead to better performance. Finally, it is shown in this study that the performance of the firm depends on the strategy (aggressive, cooperative, or coopetitive) adopted by the mobile operator, but also on its geographical location
Moisuc, Alexandrina. "Les réactions des gens face aux incivilités et aux immoralités dans des situations publiques". Thesis, Clermont-Ferrand 2, 2016. http://www.theses.fr/2016CLF20002.
People treated unfairly, cultural assets in danger, discrimination against minorities, sexual harassment, bullying and violence are just a few uncivil and immoral behaviors that we can witness in public settings. What is our immediate reaction? The present research examined the personality characteristics of individuals who "speakup" and confront perpetrators of uncivil or immoral behaviors (Chapter 1 & Chapter 2). We tested whether those who intervene tend to be "bitter complainers" or "well-adjusted leaders".The first two studies, measured numerous individual differences that are directly implicated in bystander’s intervention. The results clearly confirmed the well-adjusted leader hypothesis. Participants' self-reported tendency to confront perpetrators correlated positively with social responsibility, acceptance by peers, independent self-construal, emotion regulation, persistence, self-directedness, age, and monthly salary, but not with aggressiveness. Three additional studies provide support for the "well-adjusted leader" hypothesis. Altruism, moral outrage, personal implication, political liberalism, and extraversion were positively related to people's self-reported reactions. The data provided no support for the idea that high self esteemor being aggressive is necessary to confront the perpetrator of an uncivil/immoral behavior. We discuss the implications of these findings for the perpetuation and change of social norms. We also examined the effect of social distance between a bystander and the perpetrator of an uncivil/immoral behavior on the bystander's tendency to "speak up" and confront the perpetrator about his/her behavior (Chapter 3). We presented 26 uncivil and immoral behaviors to middle schoolers, high schoolers and university students and asked them to indicate how they would react if they were to witness each of the behaviors. We manipulated the relationship to the perpetrator who was described as a friend, an acquaintance, or a stranger. Results showed that smaller the social distance between the bystander and the perpetrator of the uncivil/immoral behavior the greater the self-reported likelihood that the bystander will express his/her disapproval to the perpetrator. The findings speak to the role of close relationships in the perpetuation of social norms. They also suggest ways to curb antisocial behaviors in a variety of school and organizational settings
Perelman, Olga. "Dynamique psychique paternelle dans la situation échographique : approche clinique et projective de la paternité durant la grossesse". Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCB101.
This research project aims to explore the psychic processes at work in men who become fathers for the first time during obstetric ultrasounds of pregnancy. The thesis thus crosses the question of the construction of paternity during pregnancy with the intrapsychic movements resulting from the ultrasound situation. Faced with the current medical imaging techniques that punctuate antenatal consultations and in which men regularly participate, the experience of previous research and theoretical-clinical contributions invites us to consider the unique case of obstetrical ultrasound examination as a relevant axis to investigate. Indeed, the ultrasound is a particular situation because of the condensation of medical and psychic dimensions, projective and fantasy. In addition, during pregnancy, future fathers go through an updating of their first identificatory processes such as infantile sexuality, identification and narcissistic processes. The archaic and Oedipal conflictualities which concern ambivalent movements of libidinal and aggressive impulses, are replayed at the time of the transition to paternity. It is a narcissistic crisis because of the re-articulation of these conscious and unconscious elements during pregnancy for the becoming father, given the reminder of the castration complex and the narcissistic injury resulting from sexual differentiation. From these theoretical contributions, the question of the potential rivalry and the development of aggressiveness that accompanies it, is a central point of our study. This doubly processed question shows up in men becoming fathers, during pregnancy. On the one hand, on its Oedipal side, considering the issues of place and the loss of love of the maternal object toward this rival represented by the child to born. On the other hand, on its more archaic side, the rivalry is considered more in connection with a procreative maternal imago and fantasies of envy and possession of maternal contents. The study problematic is the following: during pregnancy, among men becoming fathers for the first time, how are the movements of aggressiveness and ambivalence conflict expressed? How do the representations of the ultrasound situation relate to the treatment of these aggressiveness movements? 9 French men expecting a first child were included, from a health center in Paris. Semi-structured individual interviews were conducted with fathers at each ultrasound of the pregnancy. They had to make a drawing of what they saw on the ultrasound image. They also had to fill in self-questionnaires at each time of the research. Finally, the assessment of projective tests (Rorschach and TAT) took place in the sixth month of pregnancy. In the light of our results, we first underline the fantastical efflorescence of the ultrasound situation. We confirm that this situation is a revealer of the psychic movements at work during pregnancy and in particular of instinctual ambivalence. It appears that the period of becoming a father condenses a revival of the Oedipal and fraternal complexes to which the ultrasound situation is added as a containing or disruptive setting. At the same time, our findings conclude that the emergence of aggressiveness is more a sign of an elaborate fate of paternal function. The recognition of sexual differentiation between the father and his partner is put forward as a factor in the development of aggressiveness. We found two sides to the handing over of psychic bisexuality and the treatment of psychosexual developmental regression. They are structured around variations of rivalries
El, Sayed Hussein Jomaa Ihsan. "Rôle de CRIPTO dans la transition épithéliale-mésenchymateuse du cancer de la prostate et son impact sur la modulation de la communication intercellulaire". Thesis, Paris Est, 2016. http://www.theses.fr/2016PESC0075.
Prostate cancer (PCa) remains at the top of the list of the most common malignant tumors and the dominant cause of mortality and morbidity in men worldwide. Detection of tumor biomarkers to aid differentiate indolent from severe PCa cases and well-choose patients at high risk for intensive treatment. The founding member of EGF-CFC protein superfamily, CRIPTO, is widely implicated in embryonic development and is found to be expressed in a wide spectrum of human tumors. As its role in PCa was still unclear, we aimed to investigate expression profile of CRIPTO in PCa and relate its potential impact on prostate malignancy.Prostatic tissues and cell lines, both normal and cancerous, were engaged in experimental studies and design was based on techniques used in biochemistry, cellular and molecular biology.CRIPTO showed to be upregulated in 37.9% of PCas, while being absent or marginally detected in benign conditions. Our results displayed that CRIPTO overexpression promoted epithelial-mesenchymal transition (EMT) associated with enhanced migration capacity and survival under stress conditions due to propensity to stimulate PI3K/AKT and FGFR1/ERK signaling pathways.More interestingly, tumor mesenchymal like cells overexpressing CRIPTO secreted vesicles excessively. Thus we attempted to uncover the role of these vesicles in the progression of PCa. Extracellular vesicles derived from these cells were highly capable to modulate androgen receptor signaling through TGF-ß pathway and rendering the recipient prostatic cells more aggressive by acquisition of mesenchymal features.Our results highlight a new substantial function of CRIPTO in PCa and put in evidence its importance as a new promising target for PCa treatment. Moreover, we emphasize on an original role of mesenchymal extracellular vesicles in the interclonal communication to carry and transfer tumorigenic contents and enhance progression of PCa. This opens new scopes towards better understanding of vesicles secreted by prostate cancer cells and their impact to better cure the disease
Pereira, Braz Ana Cristina. "L'ironie dans le discours parlementaire portugais : degrès d'implicitation, indices linguistiques et stratégies discursives". Thesis, Paris 8, 2017. http://www.theses.fr/2017PA080078.
The subject of this study is a semantic, pragmatic and discursive analysis of irony in Portuguese parliamentary debate. We study in particular the implicitation degrees of ironic criticism, the signals, the functions and the discursive strategies of irony. Our interdisciplinary theoretical approach covers the multiple forms that irony takes in our corpus, and includes operating concepts deriving from : the speech act theory (Austin 1962 and Searle 1969 and 1979) ; Grice´s conversational maxims (1975) ; the antiphrastic irony´s point of view (Kerbrat-Orecchioni 1980) ; the linguistic theory of polyphony (Ducrot 1984) ; the verbal politeness theory (Brown & Levinson 1987 and Kerbrat-Orecchioni 2005 and 2010) and studies on argumentation (Amossy 2000). The first part of this work focuses on the characteristics of the Portuguese parliamentary discourse and on the critical analysis of different studies on irony. In the second part, we study the different forms of irony in our corpus and identify the most common signals of irony. In the third part, we focus on the main discursive functions and strategies that underlie the use of irony in the discursive genre being analysed. This approach has allowed us to conceive irony as an axiological linguistic-discursive mechanism that aims to depreciate someone, while supporting argumentation and persuasion
O objeto de estudo deste trabalho é a análise semântico-pragmático-discursiva da ironia no debate parlamentar português. São estudados em particular os graus de implicitação da crítica irónica, os índices, as funções e as estratégias discursivas da ironia. A abordagem teórica interdisciplinar permite contemplar a multiplicidade de formas de expressão da ironia no nosso corpus e inclui conceitos operatórios oriundos nomeadamente: da teoria dos atos de fala (Austin 1962 e Searle 1969 e 1979); das máximas conversacionais de Grice (1975); da perspetiva antifrástica da ironia (Kerbrat-Orecchioni 1980); das teorias da polifonia linguística (Ducrot 1984) e da cortesia verbal (Brown & Levinson 1987 e Kerbrat-Orecchioni 2005 e 2010), assim como dos estudos sobre a argumentação (Amossy 2000). A primeira parte do trabalho é dedicada à caracterização do discurso parlamentar português e à análise crítica de determinados estudos sobre a ironia. Na segunda parte, estudamos as várias formas de manifestação da ironia no corpus em análise, estabelecendo três grandes classes de ironia a partir dos diferentes graus de implicitação da apreciação irónica; identificamos igualmente os índices de ironia mais frequentes. Na terceira parte, debruçamo-nos sobre as principais funções e estratégias discursivas da ironia que subjazem à utilização da ironia no género discursivo em questão. Este procedimento permitiu-nos considerar a ironia como um mecanismo linguístico-discursivo de natureza axiológica, que visa a desqualificação de outrem, estando ao serviço da argumentação e da persuasão
Fabbri, Lucilla. "Rôle de la forme hypoxique VDAC1, VDAC1-∆C, dans l’expression du cil primaire et la progression tumorale". Electronic Thesis or Diss., Université Côte d'Azur (ComUE), 2019. http://www.theses.fr/2019AZUR6033.
Voltage-dependent anion channel1 (VDAC1) is a porin of the mitochondrial outer membrane that plays a very important role in the regulation of cellular metabolism and apoptosis. As a consequence of hypoxia (i.e. decrease of oxygen availability), a new form of VDAC1, VDAC1-∆C, is produced from a microfusion between abnormally enlarged mitochondria and endolysosomes. Through this mechanism, the endolysosomal asparagine endopeptidase Legumain (LGMN) mediates the cleavage of VDAC1 at specific sites. Clear cell Renal Cell Carcinoma (ccRCC) is the most common form of kidney cancer characterized by loss or mutation of VHL tumor suppressor gene, occurring in both sporadic and hereditary ccRCCs. VHL inactivation is responsible for the normoxic stabilization of hypoxia-inducible transcription factors (HIFs) and thus a dysregulation of the hypoxic pathway. Moreover, ccRCC is usually characterized by loss of the primary cilium (PC) a non-motile sensory organelle of cell surface, making this cancer a model of ciliopathy. The primary cilium serves a number of key functions, among which cell signalization and cell cycle regulation are of special interest in tumorigenesis. In vitro, we demonstrated the presence of VDAC1-∆C in RCC4 cells, stabilizing both HIF1-α and HIF2-α. VDAC1-∆C was not detected in RCC4 cells re-expressing the wt pVHL (RCC4+pVHL), without HIFs stabilization. The absence of VDAC1-∆C in these cells was correlated with a low expression of LGMN and with the increase of the number of ciliated cells compared to RCC4 cell line. The silencing of VDAC1 or of LGMN in RCC4 cells abolished the presence of VDAC1-∆C and significantly increased both the number of ciliated cells and their invasive potential. In parallel, we demonstrated that a restrict group of patients, in a cohort of 19 ccRCC patients, were characterized by the absence of VDAC1-∆C, low expression of LGMN and an increase in ciliated cells.We found a gene signature based on GLI and IFT20 genes, which are markers of PC activity and formation respectively, whose overexpression (GLI1+/IFT20+) reflected the increase of PC expression. This classification, based on VDAC1, LGMN and the genes GLI1 and IFT20, was reinforced from the study of a TCGA cohort of 375 non-metastatic ccRCC. 48 patients (GLI1+/IFT20+)/375, about 12% of patients, had a poor prognosis in terms of overall survival and disease free survival. We found that an epithelial to mesenchymal transition (EMT) signature and maintenance of glycolytic metabolism were at the basis of the increase in tumor aggressiveness. Moreover, we found that patients with i) an increased expression of PC, ii) the absence of VDAC1-∆C and iii) a GLI1+/IFT20+ signature were more resistant to sunitinib, the current standard of care treatment for metastatic ccRCC, and we confirmed the same results in vitro, in ccRCC cell lines. However, since the immunophenoscore was in favor to GLI1+/IFT20+ group of patients, immunotherapy could be a particularly beneficial treatment. To understand the VDAC1-∆C -dependent restraint of PC expression, RAS-transformed mouse embryonic fibroblasts (MEF) cell lines knockout for VDAC1 (Vdac1-/-) expressing i) human VDAC1 wt (VDAC1+/+), ii) a non- cleavable form of VDAC1 (VDAC1Mut) and iii) only the truncated form of VDAC1 (VDAC1-STOP) have been engineered. We first determined that VDAC1-∆C is involved in the increase of glycolysis and respiration and that VDAC1-∆C confers the capability to metabolize more metabolites. We also demonstrated that VDAC1-∆C inhibits PC formation, thus participating to the ciliopathic phenotype of tumors. Finally, we demonstrated that the presence of VDAC1-∆C can also occur in normoxia upon silencing of the iron-sulfur biosynthetic machinery in mitochondria or with impaired iron homeostasis, attributing a new role to VDAC1 in the context of iron deprivation.Thus, my research demonstrated a new function of VDAC1 and, in particular, of VDAC1-∆C in both hypoxic and normoxic contexts
Pereira, Braz Ana Cristina. "L'ironie dans le discours parlementaire portugais : degrès d'implicitation, indices linguistiques et stratégies discursives". Electronic Thesis or Diss., Paris 8, 2017. http://www.theses.fr/2017PA080078.
The subject of this study is a semantic, pragmatic and discursive analysis of irony in Portuguese parliamentary debate. We study in particular the implicitation degrees of ironic criticism, the signals, the functions and the discursive strategies of irony. Our interdisciplinary theoretical approach covers the multiple forms that irony takes in our corpus, and includes operating concepts deriving from : the speech act theory (Austin 1962 and Searle 1969 and 1979) ; Grice´s conversational maxims (1975) ; the antiphrastic irony´s point of view (Kerbrat-Orecchioni 1980) ; the linguistic theory of polyphony (Ducrot 1984) ; the verbal politeness theory (Brown & Levinson 1987 and Kerbrat-Orecchioni 2005 and 2010) and studies on argumentation (Amossy 2000). The first part of this work focuses on the characteristics of the Portuguese parliamentary discourse and on the critical analysis of different studies on irony. In the second part, we study the different forms of irony in our corpus and identify the most common signals of irony. In the third part, we focus on the main discursive functions and strategies that underlie the use of irony in the discursive genre being analysed. This approach has allowed us to conceive irony as an axiological linguistic-discursive mechanism that aims to depreciate someone, while supporting argumentation and persuasion
O objeto de estudo deste trabalho é a análise semântico-pragmático-discursiva da ironia no debate parlamentar português. São estudados em particular os graus de implicitação da crítica irónica, os índices, as funções e as estratégias discursivas da ironia. A abordagem teórica interdisciplinar permite contemplar a multiplicidade de formas de expressão da ironia no nosso corpus e inclui conceitos operatórios oriundos nomeadamente: da teoria dos atos de fala (Austin 1962 e Searle 1969 e 1979); das máximas conversacionais de Grice (1975); da perspetiva antifrástica da ironia (Kerbrat-Orecchioni 1980); das teorias da polifonia linguística (Ducrot 1984) e da cortesia verbal (Brown & Levinson 1987 e Kerbrat-Orecchioni 2005 e 2010), assim como dos estudos sobre a argumentação (Amossy 2000). A primeira parte do trabalho é dedicada à caracterização do discurso parlamentar português e à análise crítica de determinados estudos sobre a ironia. Na segunda parte, estudamos as várias formas de manifestação da ironia no corpus em análise, estabelecendo três grandes classes de ironia a partir dos diferentes graus de implicitação da apreciação irónica; identificamos igualmente os índices de ironia mais frequentes. Na terceira parte, debruçamo-nos sobre as principais funções e estratégias discursivas da ironia que subjazem à utilização da ironia no género discursivo em questão. Este procedimento permitiu-nos considerar a ironia como um mecanismo linguístico-discursivo de natureza axiológica, que visa a desqualificação de outrem, estando ao serviço da argumentação e da persuasão
Cascarino, Adrien. "Regards croisés sur les scarifications adolescentes : une approche réflexive entre psychanalyse et sociologie". Thesis, Université de Paris (2019-....), 2020. https://theses.md.univ-paris-diderot.fr/CASCARINO_Adrien_va2.pdf.
This thesis studies the reactions, representations and affects caused by the practices of self-injury by adolescents hospitalized in psychiatry. It is based on a critical and historical analysis of the psychiatric and psychoanalytical literature and on a 9-month ethnographic field study in a psychiatric unit of long term hospitalization. During this field study, 36 non-directive research interviews have been conducted with caregivers, patients and the parents of these patients. These interviews were recorded, transcribed and analyzed according to the methodology of the grounded theory.The representation of self-injuring patients in the scientific literature is very similar to the feelings expressed by caregivers confronted with self-injury and revolves around four main notions: trauma, deficit, control and aggression. Rather than locating the origin of the feelings triggered by self-injury only within the patients (a psychological perspective), or only within the caregivers (a sociological perspective), this study shows that these feelings are aroused by the encounter between an adolescent and a caregiver around the self-injury.When it is not limited to a disembodied repetition, this encounter induces in all the protagonists back an ambivalent desire of body plasticity at the intrapsychic level and an intimate, perfect and preverbal communication at the intersubjective level. Nevertheless, at the same time, the clinical scene of the self-injury recalls the deficiency and the alterity of each of the protagonists and, above all, the failure, frightening and necessary, of the Nebenmensch (near human being).Faced with the intrapsychic and intersubjective wavering provoked by the scarification, both in the adolescent and in the supposed caregiver, it is the existence of reflective and debating spaces and the capacity to show oneself as "defective enough", much more than the belief in a universal and deficient etiology, that allows the clinical encounter to become a field of (inter)subjective construction rather than a terrain of struggle, of control and normative subjugation
Leclercq, Bastien. "Rôle de la rétine dans les fonctions non-visuelles : traitement des informations relatives à la photopériode et impact de la lumière bleue sur le comportement". Thesis, Strasbourg, 2021. http://www.theses.fr/2021STRAJ099.
The intrinsically photosensitive retinal ganglion cells (ipRGCs) constitute a key interface in the regulation of our physiology and behaviours by light. First, this thesis demonstrates that the ipRGCs are sufficient to ensure a normal photoperiod integration. Mice without rods nor cones still encode photoperiod variation through melatonin secretion and display photoperiod-dependent locomotor activity changes. This is the first time we describe photoperiod-dependent changes of the ipRGCs. These data suggest that the retina itself could integrate the photoperiod locally, and thus constitute an adaptative mechanism to regulate both visual and non-visual functions depending on the seasons. Secondly, this thesis assessed the effects of screen overexposure and notably to blue light enrichment on aggressive/anxious behaviour. ipRGCs are particularly sensitive to blue light (460-480nm) and are connected to various brain structures involved in behaviour regulation. We show that exposure to a blue light-enriched environment can modify behaviour such as aggressiveness
Ruel, Marianne. "Les chrétiens et la danse dans la France moderne : XVIe-XVIIIe siècle /". Paris : H. Champion, 2006. http://catalogue.bnf.fr/ark:/12148/cb40969668q.
Paul, Anne-Marie. "Danse et subjectivation à l'adolescence : de la danse dans la culture à la danse comme médiation thérapeutique". Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCC065.
Dance is a taboo, paradoxical art, and is naturally therapeutic in adolescence – as is play for the child. In reaction to the turmoil of puberty, expressing the dancing impulse favours narcissistic reassurance through the auto-eroticism of danced movement, which summons the archaic identification with the mother’s body, the passivity which is proper to the feminine, and the discovery of the “other sex”. This research work aims on one hand at thinking through culture’s modern enthusiasm for dance, whether artistic or as a leisure pursuit, as one of the new forms of expression of the social bond and what (with Freud) we could call “civilized sexual morality”, taking up a collective feminine eroticism whilst organizing it as a symbolic expression in order to create new territories of the political. It also aims at affirming that a certain form of dance therapy, which I shall call mediation dance, belongs to the psychoanalytic field, so as to support the place of psychoanalysis in the treatment of pathologies in contempo-rary clinical practice, and to envisage adapting its techniques to current modalities of the ex-pression of subjectivity (of which adolescence, as the ultimate case, is the paradigm). The clinical material comprises written and filmed documents, analysis of my group therapy prac-tice, and psychotherapeutic interviews.From an anthropological point of view, classical dance appears to be an attempt to mas-ter the overflowing Eros of Dionysian dance; in contrast, free dance, which emerged in the west at the same time as psychoanalysis, aims to unveil the truth of desire through seeking the natural gesture. While it achieves an “other” jouissance, improvised dance (whether urban or contem-porary) is in fact a transitional experience which, in the very dance movement representing birth, allows the subject to experience separation and to move to the inter-subjective encounter which guarantees intra-subjective construction. A group of dancers is a crowd organized by the aesthetic ideal of rhythm, and can thus appear as an essential form of the group and a priv-ileged place of subjectivation for the contemporary adolescent, who finds a place to satisfy his/her need for collective identification and initiation rituals which leave the imprint of culture on the body. In this way dance can be thought of, with psychoanalysis, as a therapeutic medi-ation which is particularly indicated for adolescents suffering from serious narcissistic pathol-ogies. The study of a mediation group associating dance and writing in an outpatient unit shows how improvised dance, like a “danced squiggle” reveals to patients their unconscious body image, which is transformed in transference through contact with therapists and the group. For these adolescents with symbolisation problems, writing supports the subjectivising properties of dance which are deployed in the meeting space
Huré, Kathleen. "Traitement de l'information sociale et statuts dans le bullying chez les adolescents". Thesis, Tours, 2014. http://www.theses.fr/2014TOUR2012/document.
Bullying is an insidiously aggressive behavior characterized by repetitiveness, asymmetry (a bully dominating his victim) and intent to do harm (Olweus, 1993). Any individual concerned will fall into one of four categories: bully, victim, bully/victim or not involved. If numerous researchers have taken an interest in the psychopathological impact of bullying on its victims, there have been few studies devoted to the differences in the psychology of adolescents depending on their status in bullying. Our research refers to the theoretical pattern of Crick and Dodge (1994) to process social information. They contend the information will be processed in six stages in interaction with the central nervous system which involves the regulation of emotions and the command of social skills. We have carried out two experiments. In the course of semi-Structured individual interviews, seven hundred and seventeen (717) secondary school students answered different sets of questions about bullying and social information processing mechanisms. In both studies we have performed statistical analyses. The main results show different types of information processing depending on the status in bullying
Lepeltier, Sandra. "Intégration d'éléments contextuels dans le jugement de blâme : exemples du contexte socio-émotionnel et du genre : approches vie-entière et développementale". Thesis, Tours, 2018. http://www.theses.fr/2018TOUR2003/document.
This thesis revolves around two problematics. How is the socio-emotional context integrated in the judgment of blame, in order to reduce the sanction given to the perpetrator (life-span approach)? How is gender -the perpetrator’s and the victim’s- integrated in the judgment of blame of preadolescents, adolescents and young adults? Eventually, does the gender factor have an influence on the integration of the socio-emotional context? Results showed that socio-emotional context is not integrated in the same way depending on participants’ age. Multiplicative algebra develops later compared with the integration of intention and consequence. It seems that it is more difficult to integrate socio-emotional contexts than intention or consequence in the judgment of blame. Moreover, a sufficient cognitive level and no lack of identification processes are needed to be able to integrate socio-emotional context and consequences multiplicatively. Gender is also integrated in the judgment of blame as soon as adolescence –with less severity towards girls– and this factor has an influence on the integration of socio-emotional context. These data are congruent with the literature: daily incivilities that are not related to gender can be mitigated depending on the gender of protagonists. To conclude, this doctoral thesis allowed to complete research on the extension of judgment of blame: socio-emotional context and gender are mitigating circumstances in judgment of blame. The integration of those factors is not the same depending on age
Cuisinier-delorme, Samuel. "Danse cosmique, danse tragique : mort et renaissance de l'anatomie chorégraphiée dans le répertoire shakespearien". Thesis, Clermont-Ferrand 2, 2013. http://www.theses.fr/2013CLF20014.
This dissertation explores the use of dance in William Shakespeare’s works,from stage performance to the highly symbolical value of choreography. Most of his plays refer to dance, and it is included in more than a dozen works. In Elizabethan and Jacobean times, dancing was a necessary accomplishment for actors,for they were often called upon to dance during a performance. The aim of this study is to examine how the choreographic art is included in his plays, and what dance styles may be adopted, for the only indication given in the texts is a stage direction calling for“a dance”. Particular emphasis will be placed on the role and functions of the dance both in Shakespeare’s dramatic works and Renaissance England. When dancing is not intended for performance on stage, Shakespeare nonetheless refers to it in most of his plays to provide the audience with metaphorical imagery. The linguistic analysis of the semantic and lexical fields leads to a deeper understanding and exploration of the diegetic structure of his works. At that time, dance was also an accepted symbol of harmony, and Shakespeare used it as a pattern to comment on “the attempt to achieve order in a discordant world”(Alan Brissenden, Shakespeare and the Dance). It passes visual comments on the playsand suggests a scheme that structures them. This dissertation aims at analysing howdance relates to the cosmic ideas of the Renaissance, and how Shakespeare departs from this ideology. Could the dance turn into a tragic dance rather than a cosmic one?
Crémézi, Sylvie. "L'élaboration du sens dans la danse contemporaine". Paris 4, 1990. http://www.theses.fr/1990PA040082.
For these past ten years, the most archaic scenic art has been again in the fore ground of the artistic panorama and has regained its function of major art today's dance, the geology of the human psyche and of the states of the body expresses this necessity of being bound again with the sacred. The dance movement is not only generator of meaning but also regenerative. Dance reminds one of the mythical virtue of the stage, so that man finally inhabits his body
Necker, Sophie. "Transmettre la danse à l'école : socio-ethnographie de l'atelier de danse dans le contexte scolaire français". Thesis, Metz, 2007. http://www.theses.fr/2007METZ019L.
In France, there is a dance transmission at school which is made via a partnership between teachers and choreographic artists. The thesis suggests a participating observation of this original educational form which is the organised dance workshop in the school context. After having identified the characteristic educational situations of this transmission form, it tries to specify the different stakes - technical, aesthetic, ethical types - inherent to the interaction between artists and teachers as well as artists and children. The educational tools drawn from the repeated experience of the workshop, providing the best possible transposition of the choreographic experiential conditions, are targeted and related with quality criteria claimed by the different partners. The research work contributes in that way to the analysis of the professional process of this transmission form
Jacotot, Sophie. "Danses modernes des Amériques dans la société parisienne de l'entre-deux-guerres /". Paris : Paris 1 Sorbonne, 2003. http://catalogue.bnf.fr/ark:/12148/cb401327538.
Dereux, Véronique. "Recherche sur les valeurs éducatives dans l'apprentissage de la danse". Poitiers, 2003. http://www.theses.fr/2003POIT5003.
Dávila, Ramírez Tania Violeta Broyer Gérard. "La souffrance du corps vécu dans la danse professionnelle". Lyon : Université Lumière Lyon 2, 2006. http://demeter.univ-lyon2.fr/sdx/theses/lyon2/2006/davilaramirez_tv.
Wakim, Gulnar. "Le langage contemporain dans la danse au Moyen-Orient". Paris, EHESS, 2008. http://www.theses.fr/2008EHES0331.
Ln the 20 th century, dance in the middle east struggled for its evolution, Through decades existence, this discipline was and still an integrated part of the community and ail along It remained a non legit practice, and its professional existence remained dishonoring, Somewhere between legit and non legit the evolution of dance was crippled due to this status, however it continued to defy society, and made its way into the future, Beyond its festive aspect, dance was a starting point in my research, It's about answering the fundamental question: how to define one or more contemporary dance languages? If we insist on the word contemporary, ifs because the oriental dance is still lost somewhere between its traditional aspect and western modernism. Research was built around the alphabet of an artistic language for a legitimate practice, for an art in favor of its community, this research aimed for decomposing this art, dance versus religion, dance vs society and dance vs politics
Dávila, Ramírez Tania Violeta. "La souffrance du corps vécu dans la danse professionnelle". Lyon 2, 2006. http://theses.univ-lyon2.fr/documents/lyon2/2006/davilaramirez_tv.
Every one of us knows that we are living in a complex world where the symptoms can be the manifestation of our times; they are coming to us like a hieroglyphics that we must decipher. The Dance, as an institution, is a paradigm of the speech of the social ideal, where dancers are immersed and are prisoner in a strict alienation, they have to follow the rules and contributes the social control. They are obligated to build a representation of their body image that modifies their psychosomatic balance. However this suffering of the Dancer body's, we can find that it appears in a paradoxical way, because it becomes with a certain "enjoyment". The physical suffering of the body is a complex phenomena that appears in the professional classic dancers groups, as a result of a consecutive psychic suffering and some others influences like society, politics, culture and economy. This sufferance can be found like alimentary disorders as anorexia and bulimia produced by the violence existent in the dancing media who tries to build one perfect and performed body model. In order to better understand how the esthetic production are pronounced in a symbolic way in the desire of other, we have to follow the narcissism of the dancer, who carry him to have one suffer body as a manifestation of their identity. What are they searching of or what have they lost in this exercise of speak with out voice but communicating with the dance of their body's? Why must they support so much pain and suffering?
Lakshmanan-Minet, Nicolas. "La danse des temps dans l'épopée, d'Homère au Roland". Thesis, Normandie, 2017. http://www.theses.fr/2017NORMR089/document.
The Homeric and Virgilian epics, as well as the Chanson de Roland are full of tenseswitching, the use of which might seem capricious to the modern reader. It is in fact much better understood when bodies’ presence is taken into account — these bodies being the bard’s one as well as the audience’s. Postures, gestures, moves, eyes, breath, music are joint partners to tenseswitching, so that tenses really dance in epics. This study is firstly about how each one of the main narrative tenses dances in Homer and the Roland, and also in the Æneid. Then it studies the way tenses dance in each of the small pieces we find in the classical epics as well as in the Roland : the laisses
Légeret, Katia. "Danse traditionnelle de l'Inde : le bharata nâtyam dans l'art des karana-s". Paris 1, 1996. http://www.theses.fr/1996PA010661.
In india, the 108 karana-s are the most ancient alphabet of poses and steps. The author of this thesis interpretes it in the style of bharata-natyam. In the first part, the historical and religious origins of this dance of art are analysed. Then the 108 karana-s are technically analysed with their spatiotemporal structures and their symbolical functions. The second part gives the french traduction of the natya-sastra (sanscrit) about the 108 karana-s with commentaries and photographies
Kubiszewski, Violaine. "Le bullying en milieu scolaire : son évaluation, ses specificités dans les cyber-espaces, et les liens entretenus avec le sommeil". Thesis, Tours, 2012. http://www.theses.fr/2012TOUR2023.
The aim of this study was to investigate bullying in schools. At first, we assessed the validity of a widespread questionnaire devoted to evaluate school-bullying. Second, we investigated the overlap between school-bullying and cyber-bullying. At least, we examined the relation between school-bullying and sleep. Individual interviews were conducted with 1422 middle- and high-school students (Girls = 47%, Boys=53%, Mean age=14.3±2.7 y.o).Results of our first study show that the French adaptation of the revised Olweus Bully/Victim Questionnaire (1996) is a valid instrument for measuring bullying in adolescents (α= 0.75 ; χ²/ddl= 7 ; RMSEA=0.064 ; GFI=0.95 ; AGFI=0.93 ; construct validity). More than one adolescent in four is involved in bullying: 18% as “victim”, 9% as “bully” and 3% as “bully/victim”. Results of our second study show that cyber-bullying and bullying do not overlap: students involved in each of these forms of Bullying are not the same and they do not experienced the same psychosocial problems.Our third study shows that sleep is associated with profiles in school-bullying. Victims have higher complains related to subjective sleep quality. Bullies’ sleep/wake patterns are more irregular and their sleep duration is lower than their schoolmates. Then, there is a moderator effect of sleep on psychosocial problems related to bullying.Given the sizable proportion of adolescents involved in bullying and its significant relationship with health criterion, the issue warrants serious school and public health attention. More studies should be conducted in order to implement relevant school-based intervention programs
Jarrasse, Bénédicte. "Les deux corps de la danse : l'imaginaire de la danse théâtrale dans la littérature et l'iconographie européennes : 1830-1870". Thesis, Strasbourg, 2014. http://www.theses.fr/2014STRAC011.
Around 1830, Romanticism prevails on theatre stages. The new perspective on performance as a whole leads to a new perception of ballet. However, ballet struggles to assert its specificity and in the battle of words that unfolds, the ballerina, rather than the ballet, becomes the main focus onstage. The ballerina cristallizes the duality that is key to the Romantic vision. She thus finds herself at the heart of a campaign to elevate her to the status of legend, which is also a way for ballet to gain recognition. The narrative of ballet, from this point onwards, has to rely on a mythography. What is ultimately at stake is the definition of the Romantic dancing body. The mythologizing process creates a chaste body : the glorious dancing body. However, this metaphorical body is but the antithesis of another one : the earthy dancing body. Finally, it is backstage in the theatre that the dancing body is unveiled at work, frail and in pain, forever the price to pay for enchantment
Almeida, Marcia Soares de. "Les affections plastiques du corps et la danse contemporaine". Paris 1, 2009. http://www.theses.fr/2009PA010693.
Park, Soyoung. "Le paradoxe du mouvement dans l'art pictural : interface, peinture et danse". Paris 1, 2001. http://www.theses.fr/2001PA010519.
Denoual, Fabienne. "Le corps/objet dans les arts plastiques et la danse contemporaine". Paris 1, 2006. http://www.theses.fr/2006PA010641.
Guillard, Yves. "Danse et sociabilite. Les societes choregraphiques dans l'ouest de la france". Paris, EHESS, 1995. http://www.theses.fr/1995EHES0324.
From 1867 to 1939 many dance societies appeared and developped in the west of france, specialised in character dances. Inaugurated by investigations into rural populations of the south of sarthe department, participative observation knew a second step with the creation of a new society trying to bring back to life, by transposing it throw the time, the old dancer's adventure. The problematic spred later to towns of the low loire valley, adopting the approach of regressive history. The first part of this thesis envisages successively the six main settlings'chronology. The second part tackles the entire of these sociabilities as a whole lot whose coherence is demonstrated. First the postulant is integrated into the society, he becomes prevot, then maitre, learning a long and difficult repertoire. Later on, shows are examined in their context. At last the study of societies'organisation treats of their life and their social status between town and country, civilian and military, scholarly and popular. . . And through the regional space
Montabord, Karine. "Dada et la danse : dans les interstices de l'interdisciplinarité (1913-1924)". Electronic Thesis or Diss., Bourgogne Franche-Comté, 2023. http://www.theses.fr/2023UBFCH032.
The backbone of this study is the fact that dance, even if not continuous, is a constant in dada events. Past researches focus on the meeting in Zurich, between the dadaists, Rudolf Laban dance school and Mary Wigman, however dance itself has never been the central point of a global study, taking into account a larger group of Dada locations. This thesis studies the events that took place between 1913 and 1924 in the four major hearts of Dada : New York, Zurich, Berlin and Paris as well as Geneva and the Dada Tour in the Netherlands. The argument of this work is approached from two angles: first, an emphasis on identifying (who dances, what, when and why? How does dance take place in the events? ) and second, putting the emphasis on the impact that dance within the dada movement had on artistic production, especially for the visual arts. Dance is not approached as an isolated event but instead is linked with other dada activities, in the context of an interdisciplinary exchange. Dadaists meet in cafes, private lounges, concert halls and ballrooms, dance is part of their everyday life and is thus approached initially as a social practice, as entertainment meaning leisure but also the diversion of forms of expression. Dance is also used as a medium favoring interdisciplinary exploration, kinesthetic experiences that artists can then transpose in their works, thanks to common elements between dance and visual arts. Thereafter, the traces of dance can be explored, as a subject as well as a metaphor. Finally, dadaists call for a renewal of the materials of art. However, during the events, the body is seen as a crucial material, readily available for artists. Hence, the interest taken in materiality and plasticity of the body also establishes a path towards dance
Feuillet, Isabelle. "La danse du peintre : essai d'analyse d'une pratique picturale". Rennes 2, 1998. http://www.theses.fr/1998REN20032.
We propose a comparative analysis between a form of pictural practice and contemporary dance. The progressive approach sets in a first place, the problem of the model and otherness. The classical model is analysed in its relation to the painter along with the dancer model. It is the presence / absence of the model which draws our attention here. The drawing will endeavour to assimilate all the tension and energy a dancing body can convey, and so to the limits of representation
Lhortolat, Elisa. "Les représentations de genre dans la danse orientale et la danse American Tribal : regards croisés sur des pratiques et des discours". Thesis, Université Côte d'Azur, 2020. http://www.theses.fr/2020COAZ2019.
This inquiry starts with the practice of bellydance in France, marked today by numerous debates around tradition and modernity. Two practices will thus be compared. On the one hand, bellydance known as Sharki, which is considered as the most “authentic” practice and the closest to the Egyptian tradition. On the other hand, the American Tribal dance, which emerged in the United States in the specific context of counter-culture.Based on fieldwork, some cross-questions common to these two practices are arising. Those are mostly about the vision of the body and the gender issues, in these almost exclusively female practices. Through the analysis of the practices and the discourses, two archetypes of femininity appear implicitly, raising the question of the construction and the representation of the feminine, but also, paradoxically, of the masculine in these two different forms of dance, yet so close one to the other. This research puts into question the construction of these stereotypical visions of the feminine, through the history of these dance forms but also in terms of movement. What are these images and imaginary representations of the feminine, and consequently, of the masculine, how are they brought into play ? How are they embodied in dance movement ?
Blouin, Claudia y Claudia Blouin. "Le potentiel théâtral et dramaturgique de la musique dans le processus de création chorégraphique". Master's thesis, Université Laval, 2017. http://hdl.handle.net/20.500.11794/28271.
Le présent mémoire de maîtrise présente une recherche-création réalisée dans le cadre du programme Littérature et arts de la scène et de l’écran de l’Université Laval et qui s’intéresse à la problématique du potentiel théâtral et dramaturgique de la musique prise comme « texte » en vue de la création de séquences de danse théâtralisée. L’auteur y présente d’abord le cadre théorique et conceptuel lié aux trois relations interartistiques impliquées dans son sujet : musique et théâtre, théâtre et danse et danse et musique. Elle prend alors appui notamment sur les écrits d’Adolphe Appia, Michèle Febvre et Jean-Jacques Nattiez et sur l’expérience de praticiens tels qu’Anne Teresa de Keersmaeker et Pina Bausch. De cette base réflexive, elle tire des outils permettant de dégager le potentiel recherché et de l’appliquer à la mise en mouvement de la musique. Elle expérimente également avec ces outils dans la mise en marche d’un processus de création dont les différentes étapes, qui s’étendent de la recherche de musique à la présentation publique des séquences réalisées, sont exposées dans ce mémoire. Les deux séquences de danse théâtralisée De fil en fils et Fuis-moi je te suis…, dont la captation vidéo se trouve en annexe, font l’objet d’une analyse visant à découvrir les divers éléments musicaux ayant participé à induire une forme de théâtralité.
This master’s thesis presents a research-creation completed in Laval University’s Littérature et arts de la scène program and focuses on the question of music’s theatrical and dramaturgical potential when used as « text » in the creation of theatrical dance sequences. The author first presents a theoretical and conceptual framework linked to the three inter-artistic relationships implied in her subject: music and theater, theater and dance and dance and music. She supports her ideas with the works of Adolphe Appia, Michèle Febvre and Jean-Jacques Nattiez as well as with the practical experience of Anne Teresa de Keersmaeker and Pina Bausch choreographies. From this reflexive framework she finds the tools needed to release the music’s potential and to set it in motion. She also experiments with these tools to implement a creative process from the search for music to the public presentation of the constructed sequences, which are exposed in this thesis. Both theatrical dance sequences De fil en fils and Fuis-moi je te suis…, the video recording of which can be found in the annex, are analyzed in order to discover the different musical elements that encouraged their theatrical form.
This master’s thesis presents a research-creation completed in Laval University’s Littérature et arts de la scène program and focuses on the question of music’s theatrical and dramaturgical potential when used as « text » in the creation of theatrical dance sequences. The author first presents a theoretical and conceptual framework linked to the three inter-artistic relationships implied in her subject: music and theater, theater and dance and dance and music. She supports her ideas with the works of Adolphe Appia, Michèle Febvre and Jean-Jacques Nattiez as well as with the practical experience of Anne Teresa de Keersmaeker and Pina Bausch choreographies. From this reflexive framework she finds the tools needed to release the music’s potential and to set it in motion. She also experiments with these tools to implement a creative process from the search for music to the public presentation of the constructed sequences, which are exposed in this thesis. Both theatrical dance sequences De fil en fils and Fuis-moi je te suis…, the video recording of which can be found in the annex, are analyzed in order to discover the different musical elements that encouraged their theatrical form.
Menicacci, Armando. "Rapports entre danse et technolo[g]ies dans la création et la pédagogie : expériences, réflexions, et propositions". Paris 8, 2003. http://www.theses.fr/2003PA083700.
The artistic creation makes more and more use of technologies on stage. But technologies also imply the creation of new scenes (Internet and off-line supports) as new spaces of choreographic performance. In the first chapter of our work, we study the history of the artists who were the first to use certain devices or to create new ones for their own artistic needs. Then, we report experiences of artistic creations in which we took part directly. We conclude the first chapter on an analysis of various aspects related to the appearance of various technologies in dance. The arrival of the devices on the physical scene but also the bearing of the knowledge to make dance in what we call the "numerical scene". In the second chapter, dedicated to dance pedagogy with digital technologies, we analyze the moste powerful tools in this field. At the beginning, we analyze William Forsythe's CDROM "Improvisation technologies". Then we report our pedagogic experience of computer-assisted choreography in Paris 8 University (from 1998 to nowadays) to dig the relevance of these devices in dance teaching. The use of the software "Life forms" enabled us to revisit certain topics treated in "Body movement analysis" from another angle. In the third chapter we approach the elaboration of a DVDROM project for the "Body movement analysis" theory developped by Hubert Godard. We conclude the research task with an examination of what we crossed as questionings about the relationship between dance and digital technologies from a pedagogical and artistic viewpoint. We also present what could be the development lines of dance pedagogy with the help of technological devices, and what could be their practical and intellectual consequences on the training of the dancer
Tsikoura, Charitini. "Antigone et Médée dans la danse : perspectives genrées : France, Grèce, Royaume-Uni, 1993-2015". Thesis, Paris 10, 2020. http://faraway.parisnanterre.fr/login?url=http://bdr.parisnanterre.fr/theses/intranet/2020/2020PA100039/2020PA100039.pdf.
The aim of this thesis is to study the profile of two archetypal ancient heroines, Antigone and Medea, under a gender perspective, based on a corpus of twelve performances including a choreographic score (or entirely choreographed), presented between 1993 and 2015 in France, Greece and/or the United Kingdom.Evaluating the gender features related (without being limited) to the profile of those emblematic heroines in each production revealed that gender does not only study stereotypes and discriminations against women and confirmed that they are not the only ones affected by gender inequalities since biological sex is only one of the parameters causing these inequalities. A chronological path uncovers the other parameters taken into account in gender research thus allowing to follow the traces of its evolution and to understand how creators (choreographers and stage directors) illustrate the changes that occur and how these changes are reflected in their work. The major axes of research, namely sex, social class and ethnicity are not mutually exclusive; on the contrary they intertwine, overlap and articulate becoming intrinsic to each other (inseparable) therefore suggesting intersectionality within gender. Associating the notion of intersectionality to gender enables the study of identities in a non-segmented way. By choosing dance as a support material, by drawing examples from ancient tragedy and by taking under consideration the complexity of Antigone and Medea’s personalities/identities whilst understanding their multidimensionality to further explore their dynamics.Consequently, the analysis of dance performances - in France, Greece and the United Kingdom - illustrates the intertwinement of gender relations with other power relations (and vice versa) and underlines the changes that occur in the choreography per se on one hand and in the staging of emblematic figures such as Antigone and Medea on the other. Emphasis is placed on promoting their singularity and respecting their composite personality combining identity fragments alluding by extension to a new "definition" of the individual
Ruel, Robins Marianne. "Les chrétiens et la danse dans la France moderne : XVIe-XXVIIIe siècle". Paris 1, 1999. http://www.theses.fr/1999PA010560.
Dancing generated some important political and religious debates in the early modern France. This work analyzes those debates, beginning with their precedents in medieval sermons and in the danse macabre. During the sixteenth century, the quarrel became confessional in nature, as the rejection of dancing became a means to define the protestant community. Over the next two centuries, that confessional dimension of the debate intersected with complex social and cultural trajectories. Differing attitudes toward dance often reflected contrary understandings of the body. For the courtly tradition, the body offered the best means to literally incorporate signs of high birth and proper education and training. For many religious authorities, the body was a veil rather than a telling sign. While the debates about courtly or elite dancing raged, a movement to repress popular dancing swept across the kingdom. Authorities of both church and state argued that dancing was contrary to social and moral order. It was an occasion for unruly social gatherings, and therefore violence, as well as an occasion for sexual encounters, and therefore promiscuity. The repressive measures directed against dancing did not however succeed in ridding the French of their ingrained habits. Dancing continued to function as a ritual that reflected, enhanced and projected visions of the social order within rural communities. As a form of courtship, it also aided the social body in its need to reproduce itself. Finally, dancing as religious ritual expressed an inclusive understanding of the realms of the living and the dead, and a familiarity with god and the saints that opponents of dance read as irreverence. Indeed, it was on the latter front, the attempt to convince its flock that dancing was irreverent and inappropriate for worship, that the church was perhaps most successful. And that very success deprived the church from one its most significant religious rituals