Artículos de revistas: "Afro -Cuban culture"

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Benson, Devyn Spence. "Redefining Mestizaje: How Trans-Caribbean Exchanges Solidified Black Consciousness in Cuba". Small Axe: A Caribbean Journal of Criticism 25, n.º 2 (1 de julio de 2021): 91–108. http://dx.doi.org/10.1215/07990537-9384286.

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This essay recovers the history of 1960s and 1970s black movements in Cuba through an examination of works by Afro-Cuban intellectuals and their meetings with Caribbean thinkers to show the coexistence of mestizaje and black consciousness as a defining, but overlooked, feature of black activism in Cuba. While the existing literature locates black consciousness in the English- and French-speaking Caribbean, this essay highlights how Afro-Cubans in Spanish-speaking countries were not only aware of but also adapted Caribbean ideologies to local circumstances. Using oral histories, cultural productions, and meetings between Caribbean intellectuals, this examination of Afro-Cuban activism reframes the period leading up to Nancy Morejón’s 1982 Nación y mestizaje en Nicolás Guillén to show that the poet was one of many artists-activists who resurrected black history, revalued African culture and black identity, and promoted Caribbean black consciousness in Cuba despite state attempts at censorship. For Morejón that meant offering a definition of mestizaje that goes through and coexists with black consciousness.

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2

García Yero, Cary Aileen. "To Whom It Belongs: The Aftermaths of Afrocubanismo and the Power over Lo Negro in Cuban Arts, 1938–1958". Latin American Research Review 57, n.º 1 (marzo de 2022): 1–18. http://dx.doi.org/10.1017/lar.2022.1.

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AbstractThis article explores the impact of Afrocubanismo on the development of Cuba’s arts during the 1940s and 1950s. The article follows the discursive output of artists, intellectuals, and cultural policymakers of different racial backgrounds over the deployment of lo negro to construct cubanidad. It argues that, if the 1920s and 1930s experienced a movement towards the construction of a homogeneous mestizo Cuba, the following decades reveal an effort by some artists to desyncretize lo cubano. While some intellectuals constructed notions of authenticity that circumscribed black art to black artists, many white Cuban artists in turn embraced elite Hispanic heritage as their main creative language while valorizing some Afro-Cuban artists’ recreations of lo negro. The article also demonstrates that the scholarly debates about cultural appropriation in recent decades have a long history within the Afro-Cuban community. It shows how Afro-Cuban artists and intellectuals pioneered arguments about the exploitative use of lo negro to make national art and the central role of culture in shaping racial inequality.

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3

Cunha, Olívia M. G. "Travel, Ethnography, and Nation in the Writings of Rómulo Lachatañéré and Arthur Ramos". New West Indian Guide / Nieuwe West-Indische Gids 81, n.º 3-4 (1 de enero de 2007): 219–57. http://dx.doi.org/10.1163/22134360-90002482.

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Analyses how the traveling to and residence in the US of Arthur Ramos from Brazil and Rómulo Lachtañéré from Cuba, between 1939 and 1952, influenced their (anthropological) writings on Afro-American cultures and religions, specifically with regard to the relation between nation and race. Author describes that while Ramos and Lachatañéré went to the US under differing conditions, in the case of Lachatañéré in exile, and had dissimilar intellectual and political perspectives, their writings during and after their stay revealed identical approaches to interpreting the relation between nation and race in respectively Brazil and Cuba. She describes how Ramos and Lachatañéré developed a broader perspective on Afro-American culture, whilst moving in the same intellectual, anthropological circles, including contacts with Melville Herskovits and Fernando Ortiz, in the US. Author relates how both compared between African-Americans, in Louisiana in the case of Ramos and in New York in the case of Lachatañéré, and Afro-Brazilians and Afro-Cubans (including Caribbean migrants in the US), and thus between different race relations in the US, Brazilian, and Cuban contexts.

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4

Cunha, Olívia M. G. "Travel, Ethnography, and Nation in the Writings of Rómulo Lachatañéré and Arthur Ramos". New West Indian Guide / Nieuwe West-Indische Gids 81, n.º 3-4 (1 de enero de 2008): 219–57. http://dx.doi.org/10.1163/13822373-90002482.

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Analyses how the traveling to and residence in the US of Arthur Ramos from Brazil and Rómulo Lachtañéré from Cuba, between 1939 and 1952, influenced their (anthropological) writings on Afro-American cultures and religions, specifically with regard to the relation between nation and race. Author describes that while Ramos and Lachatañéré went to the US under differing conditions, in the case of Lachatañéré in exile, and had dissimilar intellectual and political perspectives, their writings during and after their stay revealed identical approaches to interpreting the relation between nation and race in respectively Brazil and Cuba. She describes how Ramos and Lachatañéré developed a broader perspective on Afro-American culture, whilst moving in the same intellectual, anthropological circles, including contacts with Melville Herskovits and Fernando Ortiz, in the US. Author relates how both compared between African-Americans, in Louisiana in the case of Ramos and in New York in the case of Lachatañéré, and Afro-Brazilians and Afro-Cubans (including Caribbean migrants in the US), and thus between different race relations in the US, Brazilian, and Cuban contexts.

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5

Fuente, Alejandro de la. "Recent Works on Afro-Cuban Culture". Latin American and Caribbean Ethnic Studies 3, n.º 1 (marzo de 2008): 109–19. http://dx.doi.org/10.1080/17442220701865895.

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6

Román, Reinaldo. "Governing Man-Gods: Spiritism and the Struggle for Progress in Republican Cuba". Journal of Religion in Africa 37, n.º 2 (2007): 212–41. http://dx.doi.org/10.1163/157006607x184834.

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AbstractThis article explores the contrasting careers of two Spiritist healers, one Spanish-born and the other Afro-Cuban. It suggests that the prosecution of the black man-god (Hilario Mustelier) and the public celebration of the ministry of the Spaniard (Juan Manso) attest to the consolidation of a political rationality burgeoning in Cuba at the turn of the twentieth century. Under this regime, government officials and journalists sought to alter the conditions that gave rise to 'fanaticism' to promote the modernization of the nascent republic. Following a discussion of the notions of race and culture underpinning Cuban discourses of progress, the article offers a critique of the scholarly literature dealing with Afro-Cuban religions and syncretism.

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7

Martin Demers, Stephane. "Recreating Collective Memories of Africa in the Afro-Caribbean Diaspora". Caribbean Quilt 6, n.º 1 (4 de febrero de 2022): 90–96. http://dx.doi.org/10.33137/cq.v6i1.36932.

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Forced to succumb to a life of enslavement, African-turned-Afro-Caribbean slaves devel- oped a collective image of their beloved homeland and forged an unbreakable chain of solidarity among their many ethnicities. The collective recreation of Africa as manifest in the imagination of Afro-Caribbean slaves through the practice of Cuban Santería and Haitian Vodou in sixteenth- to eigh- teenth-century Cuba and Haiti catalyzed their resistance to European subjugation. In partic- ular, these recreated cultural memories served as a foundation for the enslaved to subvert the dominant culture and resist enslavement. Syncretism fails to properly acknowledge the Afro-Caribbean slaves’ efforts in challenging the imperial regime and the role these efforts played in maintaining their African roots. The tumultuous yet hopeful history through which Cuban Santería and Haitian Vodou evolved reveals that the African spirit continuously takes on new forms but never dies.

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8

WIRTZ, KRISTINA. ":Afro-Cuban Theology: Religion, Race, Culture, and Identity". American Anthropologist 109, n.º 3 (septiembre de 2007): 558–59. http://dx.doi.org/10.1525/aa.2007.109.3.558.

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9

Vernooij, Joop. "Afro-Cuban theology. Religion, Race, Culture, and Identity". Exchange 37, n.º 1 (2008): 96–97. http://dx.doi.org/10.1163/157254308x251403.

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10

Martínez-Fernández, Luis. "Afro-Cuban Theology: Religion, Race, Culture, and Identity". Hispanic American Historical Review 88, n.º 3 (1 de agosto de 2008): 506–7. http://dx.doi.org/10.1215/00182168-2008-339.

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11

Otero, Solimar y Kristina Wirtz. "Juramentos and Firmas : Narrating Assemblages in Afro-Cuban Religions". Narrative Culture 11, n.º 1 (marzo de 2024): 51–75. http://dx.doi.org/10.1353/ncu.2024.a928440.

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Abstract: This essay examines narratives produced with entities in Cuban Palo traditions for the purpose of invoking copresences through the assemblage of images, words, and bodies. The dead, nkisi, tell multilayered, coded stories of strife and affliction in ways that weaponize practitioners and objects. We bring together primary sources from the Lydia Cabrera Papers, alongside ethnographic encounters in Cuba with Congo-inspired material, culture, and spiritual elders to trace the afterlives of narrating assemblages. Following Édouard Glissant, we further argue for an understanding of Palo narratives as sites of revelation and opacity whose fugitivity pushes against colonial practices of knowability and appropriation.

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12

Palmié, Stephan. "Santería grand slam: Afro-Cuban religious studies and the study of Afro-Cuban religion". New West Indian Guide / Nieuwe West-Indische Gids 79, n.º 3-4 (1 de enero de 2005): 281–300. http://dx.doi.org/10.1163/22134360-90002510.

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[First paragraph]Living Santería: Rituals and Experiences in an Afro-Cuban Religion. MICHAEL ATWOOD MASON. Washington DC: Smithsonian Institution Press, 2002. ix + 165 pp. (Paper US$ 16.95)Divine Utterances: The Performance of Afro-Cuban Santería. KATHERINE J. HAGEDORN. Washington DC: Smithsonian Institution Press, 2001. xvi + 296 pp. (Cloth US$ 40.00)The Light Inside: Abakuá Society Arts and Cuban Cultural History. DAVID H. BROWN. Washington DC: Smithsonian Institution Press, 2003. xix + 286 pp. (Cloth US$ 44.23)Santería Enthroned: Art, Ritual, and Innovation in an Afro-Cuban Religion. DAVID H. BROWN. Chicago: The University of Chicago Press, 2003. xx + 413 pp. (Paper US$ 38.00)Ethnographic objects behave in curious ways. Although they clearly are “our constructions,” field sites and even topically circumscribed (rather than spatially delimited) ethnographic problems lead double lives: places and problems change not merely because they factually undergo historical changes, but because researchers come to them from historically no less changeable epistemic vantage points. One can imagine generational cohorts of ethnographers marching across the same geographically or thematically defined terrain and seeing different things – not just because of substantial changes that have factually occurred, but because they have come to ask different questions. The process obviously has its dialectical moments. The figures we inscribe in writing from fleeting observations (based on changing theoretical conceptions) are no less subject to history than the empirical grounds from which our discursive efforts call them forth. The result is a curious imbrication of partially autonomous, but also partly overlapping, historicities of lives and texts which, at times, are more difficult to keep apart than it would seem at first glance. At least in the study of Afro-Cuban religious culture, the two practical and discursive fields – one circumscribed by the practical, but perhaps misleading label “Afro-Cuban religion,”1 and the other designated by whatever term one might like to affix to the study of it – cannot be easily separated: much as in the Brazilian case (Braga 1995, Capone 1999, Matory 1999, 2001), practitioners of Afro-Cuban religions and their ethnographers have engaged each other in a dialogue since at least the second decade of the twentieth century. That it took us so long to understand this fact has much to do with the way both “Afro-Cuban religion” and “Afro-Cuban ethnography” originally (and lastingly) became discursively objectified: the former largely under the sign of a search for “authentically African” elements in New World cultural practices, the second as an instrument for “verifying” (and thereby authorizing) such “Africanisms” (Scott 1991).

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13

Palmié, Stephan. "Santería grand slam: Afro-Cuban religious studies and the study of Afro-Cuban religion". New West Indian Guide / Nieuwe West-Indische Gids 79, n.º 3-4 (1 de enero de 2008): 281–300. http://dx.doi.org/10.1163/13822373-90002510.

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[First paragraph]Living Santería: Rituals and Experiences in an Afro-Cuban Religion. MICHAEL ATWOOD MASON. Washington DC: Smithsonian Institution Press, 2002. ix + 165 pp. (Paper US$ 16.95)Divine Utterances: The Performance of Afro-Cuban Santería. KATHERINE J. HAGEDORN. Washington DC: Smithsonian Institution Press, 2001. xvi + 296 pp. (Cloth US$ 40.00)The Light Inside: Abakuá Society Arts and Cuban Cultural History. DAVID H. BROWN. Washington DC: Smithsonian Institution Press, 2003. xix + 286 pp. (Cloth US$ 44.23)Santería Enthroned: Art, Ritual, and Innovation in an Afro-Cuban Religion. DAVID H. BROWN. Chicago: The University of Chicago Press, 2003. xx + 413 pp. (Paper US$ 38.00)Ethnographic objects behave in curious ways. Although they clearly are “our constructions,” field sites and even topically circumscribed (rather than spatially delimited) ethnographic problems lead double lives: places and problems change not merely because they factually undergo historical changes, but because researchers come to them from historically no less changeable epistemic vantage points. One can imagine generational cohorts of ethnographers marching across the same geographically or thematically defined terrain and seeing different things – not just because of substantial changes that have factually occurred, but because they have come to ask different questions. The process obviously has its dialectical moments. The figures we inscribe in writing from fleeting observations (based on changing theoretical conceptions) are no less subject to history than the empirical grounds from which our discursive efforts call them forth. The result is a curious imbrication of partially autonomous, but also partly overlapping, historicities of lives and texts which, at times, are more difficult to keep apart than it would seem at first glance. At least in the study of Afro-Cuban religious culture, the two practical and discursive fields – one circumscribed by the practical, but perhaps misleading label “Afro-Cuban religion,”1 and the other designated by whatever term one might like to affix to the study of it – cannot be easily separated: much as in the Brazilian case (Braga 1995, Capone 1999, Matory 1999, 2001), practitioners of Afro-Cuban religions and their ethnographers have engaged each other in a dialogue since at least the second decade of the twentieth century. That it took us so long to understand this fact has much to do with the way both “Afro-Cuban religion” and “Afro-Cuban ethnography” originally (and lastingly) became discursively objectified: the former largely under the sign of a search for “authentically African” elements in New World cultural practices, the second as an instrument for “verifying” (and thereby authorizing) such “Africanisms” (Scott 1991).

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14

Arnedo-Gómez, Miguel. "Debates on Racial Inequality and Afro-Cuban Culture inAdelante". Bulletin of Spanish Studies 88, n.º 5 (julio de 2011): 711–35. http://dx.doi.org/10.1080/14753820.2011.587969.

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15

Rudakoff, Judith. "Cuba “AsiSomos” and the Fine Art of Survival". Canadian Theatre Review 78 (marzo de 1994): 59–60. http://dx.doi.org/10.3138/ctr.78.010.

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From September 12-19, 1993, I co-ordinated a Theatre and Fine Arts Delegation which travelled in Cuba. The primary goal of this delegation was to begin to explore the Fine Arts in several regions of the country with particular emphasis on learning how the social, economic, political and religious conditions affect the contemporary creative work in terms of themes, imagery, form and structure and even, at times, venue. This was my second of five trips planned this year, facilitated by the Cuban Ministry of Culture and their Canadian representatives, Canada-Cuba Sports and Culture Festivals. The first trip, last spring, was a whirlwind immersion as we travelled to eight cities in seven days. The September journey was less frenzied and involved less travel within the country: we spent time in Cienfuegos, Trinidad de Cuba and Havana. As well, our interests on this delegation were focused primarily on Theatre (and attendance of the International Festival of Latin-American Theatre in Havana) and, more marginally, on Santería (the widely practised, syncretized Afro-Cuban religion that combines Yoruban spiritual belief and ritual with Catholicism) and its continued influence on the Fine Arts in Cuba.

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16

Duany, Jorge. "After the Revolution: The Search for Roots in Afro-Cuban Culture". Latin American Research Review 23, n.º 1 (1988): 244–55. http://dx.doi.org/10.1017/s002387910003483x.

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17

Del Rosario Díaz, María. "The tragedy of the ñáñigos: Genesis of an unpublished book". New West Indian Guide / Nieuwe West-Indische Gids 79, n.º 3-4 (1 de enero de 2005): 229–37. http://dx.doi.org/10.1163/22134360-90002507.

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Reconstructs Fernando Ortiz' s anthropological study on Afro-Cuban culture since the early 20th c., in particular on the Abakuá male secret societies, also called "ñañigos", with origins in African societies in the Calabar region. Author describes how Ortiz developed from earlier positivist, criminological approaches to broader, appreciative studies of Afro-Cuban culture, with a lasting interest in the Abakuá societies. Ortiz studied several aspects of Abakuá and collected much data and information, and referred to Abakuá aspects in works from the 1930s and 1940s, and wrote articles on specific Abakuá aspects in the 1950s. Author shows how Ortiz from 1917 onward in his correspondence stated repeatedly to fellow-scholars his goal of writing a comprehensive, extensive monograph on Abakuá, for which he collected much information during his life. In the 1950s he cooperated for this purpose with Vera Rubin from Columbia University. Author points out, however, how this monograph on Abakuá, while probably written by Ortiz at the end of his life, and seen by some, cannot be found in the present.

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18

Del Rosario Díaz, María. "The tragedy of the ñáñigos: Genesis of an unpublished book". New West Indian Guide / Nieuwe West-Indische Gids 79, n.º 3-4 (1 de enero de 2008): 229–37. http://dx.doi.org/10.1163/13822373-90002507.

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Reconstructs Fernando Ortiz' s anthropological study on Afro-Cuban culture since the early 20th c., in particular on the Abakuá male secret societies, also called "ñañigos", with origins in African societies in the Calabar region. Author describes how Ortiz developed from earlier positivist, criminological approaches to broader, appreciative studies of Afro-Cuban culture, with a lasting interest in the Abakuá societies. Ortiz studied several aspects of Abakuá and collected much data and information, and referred to Abakuá aspects in works from the 1930s and 1940s, and wrote articles on specific Abakuá aspects in the 1950s. Author shows how Ortiz from 1917 onward in his correspondence stated repeatedly to fellow-scholars his goal of writing a comprehensive, extensive monograph on Abakuá, for which he collected much information during his life. In the 1950s he cooperated for this purpose with Vera Rubin from Columbia University. Author points out, however, how this monograph on Abakuá, while probably written by Ortiz at the end of his life, and seen by some, cannot be found in the present.

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19

Bravo, Alex. "The preservation of afro-cuban culture in the writings of Lydia Cabrera". Revista Surco Sur 5, n.º 8 (marzo de 2015): 31–35. http://dx.doi.org/10.5038/2157-5231.5.8.23.

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20

Cardoza-Orlandi, Carlos F. "Afro-Cuban Theology: Religion, Race, Culture, and Theology - By Michelle A. Gonzalez". Religious Studies Review 35, n.º 2 (junio de 2009): 136. http://dx.doi.org/10.1111/j.1748-0922.2009.01348_1.x.

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21

Hackett, Susanne. "A re-visionist Her-story of De cierta manera ([1974] 1977): Reading Yoruba myth in Sara Gómez’s revolutionary classic¹". Studies in Spanish & Latin-American Cinemas 18, n.º 2 (1 de junio de 2021): 195–210. http://dx.doi.org/10.1386/slac_00046_1.

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Recent scholarship on Sara Gómez has expanded upon existing discourse on her work beyond her singular feature film, De cierta manera/One Way or Another ([1974] 1977) to examine not only her earlier documentary shorts of the 1960s, but to demonstrate the impact that her body of work has had on a subsequent generation of Cuban filmmakers who continue her mission to critique the Revolution through an antiracist and feminist lens ‐ contemporary filmmakers such as Gloria Rolando, Sandra Gómez and Susana Barriga. This article seeks to push this conversation forward by arguing several interrelated points: (1) that De cierta manera contains symbolic, visually embedded references to a specific patakí (myth) about the Afro-Cuban orishas Ogun and Ochún; (2) that De cierta manera holds this in common with Gloria Rolando’s Oggun: An Eternal Presence (1991), which tells the patakí in a more explicit manner, and therefore the two films warrant comparison and (3) lastly, that this interpretation of De cierta manera offers a novel take on a ‘classic’ Cuban revolutionary film, offering additional interpretive layers that do not change the message of the film, per se, but complicate it by adding an additional filter through which to view and interpret it: that of Yoruba moral philosophy. The Afro-Cuban word patakí in Cuban Lucumí liturgical speech refers to a parable with a moral lesson, and is derived from the word pàtàkì, which means ‘[something] important’ in the Yorùbá language of West Africa. This article will attempt to answer how and why this particular myth is ‘important’ (pàtàkì) to the reading of De cierta manera and argue for a broader re-centring and privileging of African-derived philosophical frameworks within Cuban intellectual history and popular culture.

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22

Ortiz García, Carmen. "SEÑORAS DE LA TRADICIÓN. MUJERES FOLKLORISTAS EN CUBA." Revista Andaluza de Antropología, n.º 19 (2021): 151–73. http://dx.doi.org/10.12795/raa.2021.19.10.

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In the history of Cuban anthropology, little attention has been paid to several women who have, nevertheless, obtained professional recognition from the international academic community. Calixta Guiteras Holmes is one such case, with her unique characters. Another less known but equally relevant woman was Carolina Poncet de Cárdenas, who formed a generation of highly active female pedagogues and folklorists. A different place is required to situate the life and work of a person who could be considered the modern founder of studies on Afro-Cuban religions, the writer and anthropologist Lydia Cabrera, who has only recently begun to be acknowledged by intellectual circles in official Cuban culture. An examination of these three figures is undertaken, and their contributions to anthropology are analyzed, opposing the hegemonic account of the history of science where the role of founders has generally been attributed to men. Likewise, the issues of institutional visibility and continuity and the lines of research in the Cuban academic world dedicated to anthropology and folklore are discussed, with the ultimate goal of bringing the contributions of these women researchers to the fore.

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23

Ortiz García, Carmen. "SEÑORAS DE LA TRADICIÓN. MUJERES FOLKLORISTAS EN CUBA." Revista Andaluza de Antropología, n.º 19 (2020): 151–73. http://dx.doi.org/10.12795/raa.2020.19.10.

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In the history of Cuban anthropology, little attention has been paid to several women who have, nevertheless, obtained professional recognition from the international academic community. Calixta Guiteras Holmes is one such case, with her unique characters. Another less known but equally relevant woman was Carolina Poncet de Cárdenas, who formed a generation of highly active female pedagogues and folklorists. A different place is required to situate the life and work of a person who could be considered the modern founder of studies on Afro-Cuban religions, the writer and anthropologist Lydia Cabrera, who has only recently begun to be acknowledged by intellectual circles in official Cuban culture. An examination of these three figures is undertaken, and their contributions to anthropology are analyzed, opposing the hegemonic account of the history of science where the role of founders has generally been attributed to men. Likewise, the issues of institutional visibility and continuity and the lines of research in the Cuban academic world dedicated to anthropology and folklore are discussed, with the ultimate goal of bringing the contributions of these women researchers to the fore.

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24

Baguer, Grizel Hernández. "Fernando Ortiz on Music: Selected Writings of Afro-Cuban Culture by Robin D. Moore". Caribbean Studies 47, n.º 2 (2019): 166–1639. http://dx.doi.org/10.1353/crb.2019.0023.

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25

Font-Navarrete, David. "Writing Orisha Music: Text, Tradition, and Creativity in Afro-Cuban Liturgy". Religions 12, n.º 11 (3 de noviembre de 2021): 964. http://dx.doi.org/10.3390/rel12110964.

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This essay examines the flow of music associated with orisha—anthropomorphic deities—across networks defined variously by art, scholarship, folklore, and religion, all of which overlap and nourish each other. Transmitted via oral tradition, written texts, and multimedia technologies, a handful of orisha-themed songs are analyzed as case studies in the subtle nexus of liturgy and cultural authenticity. Taken together, the songs shed light on a broader phenomenon in which creatively-minded, ostensibly-secular iterations of culture play a significant role in the dissemination and ongoing codification of ritual orthodoxy. Orisha music traditions are analyzed as a fertile ground for a multitude of devotional and/or artistic expressions, many of which have a particularly ambiguous relationship to the concept of religion. In this context, the fluid movements of orisha music between ostensibly sacred and secular contexts can be usefully understood as not only common, but as a conspicuous and characteristic aspect of the tradition. The essay’s structure and rhetorical strategies offer distinct layers of cultural and historical commentary, reflecting a multi-vocal tradition of exchanges among orisha music scholars, artists, and ritual experts. The essay’s historical analysis of orisha music further suggests that a host of subtle, seldom-discussed phenomena—multilingualism, liturgical ambiguity, and transmission via multimedia technologies—are not necessarily aberrant or irregular, but rather vital themes which have resonated clearly across the Afro-Atlantic for at least a century. By obligating us to attend to both musical meaning and cultural context, the essay’s case studies of orisha music shed light on the mingling and synthesis of elements from varied historical sources, languages, and cultural idioms, each of which represent distinct notions of tradition, creativity, religiosity, and secularism.

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26

Benson, Devyn Spence. "Cuba Calls: African American Tourism, Race, and the Cuban Revolution, 1959–1961". Hispanic American Historical Review 93, n.º 2 (1 de mayo de 2013): 239–71. http://dx.doi.org/10.1215/00182168-2077144.

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Abstract This essay explores the role that conversations about race and racism played in forming a partnership between an African American public relations firm and the Cuban National Tourist Institute (INIT) in 1960, just one year after Fidel Castro’s victory over Fulgencio Batista. The article highlights how Cuban revolutionary leaders, Afro-Cubans, and African Americans exploited temporary transnational relationships to fight local battles. Claiming that the Cuban Revolution had eliminated racial discrimination, INIT invited world champion boxer Joe Louis and 50 other African Americans to the island in January 1960 to experience “first class treatment — as first class citizens.” This move benefited Cuban revolutionary leaders by encouraging new tourism as the number of mainstream white American travelers to the island declined. The business venture also allowed African Americans to compare racial violence in the US South to the supposed integrated racial paradise in Cuba and foreshadowed future visits by black radicals, including NAACP leader Robert F. Williams. The politics expressed by Cuban newspapers and travel brochures, however, did not always fit with the lived experiences of Afro-Cubans. This essay uncovers how Afro-Cubans threatened national discourses by invoking revolutionary promises to denounce continued racial segregation in the very facilities promoted to African American tourists. Ultimately, ideas about race did not just cross borders between Cuba and the United States in 1960. Rather, they constituted and constructed those borders as Afro-Cubans used government claims to reposition themselves within the new revolutionary state.

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27

Schmidt, Jalane D. "The Antidote to Wall Street?" Latin American Perspectives 43, n.º 3 (19 de febrero de 2016): 163–85. http://dx.doi.org/10.1177/0094582x16629460.

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When revolutionary Cuba’s governmental cultural policy apparatus cast Afro-Cuban religions as “folklore,” certain religious forms, especially Santería, gained visibility in scholarly investigations, publications, documentary films, and state-sponsored cultural programming. Since the 1990s these discursive treatments of Santería have been monetized by the Cuban tourism industry and state-owned manufacturers and repackaged as merchandise that garners the attention and revenues of Cuban consumers and international visitors. This “ethno-business” produces a paradox: Afro-Cuban popular religions—long admired by the nation’s intellectual and artistic avant-garde as subaltern cultural rebuttals of dominant Cuban bourgeois opinion and U.S. economic pressures alike—are now promoted and consumed in a manner that conforms to neoliberal logic. The Cuban state confronts the challenges of late socialism with the methods of late capitalism. To some extent, the commodification of Afro-Cuban religions acts to fortify and extend revolutionary cultural policy. Cuando el aparato de cultura política del gobierno revolucionario cubano calificó las religiones afro-cubanas como “folclore,” ciertas formas religiosas, sobre todo la Santería, adquirieron visibilidad en investigaciones académicas, publicaciones, documentales, y programación cultural estatal. Desde la década de los noventa estos tratos discursivos de la Santería han sido monetizados por la industria turística cubana y los fabricantes estatales y empaquetado como mercancía que atrae atención e ingresos de los consumidores cubanos y las visitas internacionales. Este “etno-negocio” provoca una paradoja: las religiones populares afro-cubanas —largamente admiradas igualmente por la vanguardia intelectual y artística de la nación como refutaciones culturales subalternas de la opinión burgués cubana dominante como por las presiones económicas estadounidenses— son ahora promocionadas y consumidas conforme a la lógica neoliberal. El estado cubano encara los desafíos del socialismo tardío con los métodos del capitalismo tardío. En cierta medida, la mercantilización de las religiones afro-cubanas actúan para fortalecer y extender la política cultural revolucionaria.

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Palmié, Stephan y Elizabeth Pérez. "'An All Too Present Absence: Fernando Ortiz's Work on Abaku? in its Sociocultural Context". New West Indian Guide / Nieuwe West-Indische Gids 79, n.º 3-4 (1 de enero de 2005): 219–28. http://dx.doi.org/10.1163/22134360-90002506.

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Focusses on the Abukuá associations, Afro-Cuban male initiatory secret societies, as such originated in Regla, Havana in 1836. Authors describe how Abakuá titleholders gained powerful social and labour positions in the Havana area, and how they were eventually outlawed in 1876. They point out how Abakuá societies by and since then were designated as negative and criminal in the public sphere, and condemned by many writers and politicians. They show how published accounts of Abakuá since the late 19th c and early 20th c. were thus seldom merely descriptive, but were presented as proof of Cuba's lagging modernity, and of a for some undesired Africanization. They further relate how Fernando Ortiz's studies and work on Abakuá fit in this. They note how Ortiz' s earlier "criminal anthropology" work on Abakuá was in the same negative and criminalizing vein, yet they point at changes, as in time he described and evaluated Abakuá as more positive, and as part of Cuban culture. They describe how Ortiz dedicated much effort to studying different aspects of Abakuá, and that extensive notations on these became part of his archive, which, as he told fellow-scholars, he would work out in an eventual monograph on Abakuá. The authors deplore that this monograph was not only never published, but also seems to have been lost.

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29

Palmié, Stephan y Elizabeth Pérez. "'An All Too Present Absence: Fernando Ortiz's Work on Abaku? in its Sociocultural Context". New West Indian Guide / Nieuwe West-Indische Gids 79, n.º 3-4 (1 de enero de 2008): 219–28. http://dx.doi.org/10.1163/13822373-90002506.

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Focusses on the Abukuá associations, Afro-Cuban male initiatory secret societies, as such originated in Regla, Havana in 1836. Authors describe how Abakuá titleholders gained powerful social and labour positions in the Havana area, and how they were eventually outlawed in 1876. They point out how Abakuá societies by and since then were designated as negative and criminal in the public sphere, and condemned by many writers and politicians. They show how published accounts of Abakuá since the late 19th c and early 20th c. were thus seldom merely descriptive, but were presented as proof of Cuba's lagging modernity, and of a for some undesired Africanization. They further relate how Fernando Ortiz's studies and work on Abakuá fit in this. They note how Ortiz' s earlier "criminal anthropology" work on Abakuá was in the same negative and criminalizing vein, yet they point at changes, as in time he described and evaluated Abakuá as more positive, and as part of Cuban culture. They describe how Ortiz dedicated much effort to studying different aspects of Abakuá, and that extensive notations on these became part of his archive, which, as he told fellow-scholars, he would work out in an eventual monograph on Abakuá. The authors deplore that this monograph was not only never published, but also seems to have been lost.

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Quesada, Sarah Margarita. "The Dual Biopolitics in the Cuban Postplantation of Gloria Rolando’s Raíces de mi corazón". Small Axe: A Caribbean Journal of Criticism 25, n.º 2 (1 de julio de 2021): 50–68. http://dx.doi.org/10.1215/07990537-9384212.

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This essay focuses on the “dual” biopolitics of Cuban filmmaker Gloria Rolando’s Raíces de mi corazón (Roots of My Heart, 2001). In her film about an antiblack genocide in early-twentieth-century Cuba, Rolando seeks to recover the suppressed 1912 massacre of members of the black Cuban Partido Independiente de Color (the Independent Party of Color) and thousands of other Afro-Cubans through the plane of the intimate. The author argues that Rolando’s film challenges the myth of racial equality throughout Cuba’s modern history by celebrating Afro-Cuban traditions, from orisha rituals to patakíes (Afro-Cuban oral tradition), over a reappropriated plantational space in which black sensuality contests negative biopolitical forms. Rolando not only draws from transnational critical race theory to address the myth of Latin American exceptionalism, she also challenges Michel Foucault’s conceptualization of biopolitics casting black sensuality over racial violence.

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KITLV, Redactie. "Book Reviews". New West Indian Guide / Nieuwe West-Indische Gids 81, n.º 1-2 (1 de enero de 2007): 101–62. http://dx.doi.org/10.1163/22134360-90002479.

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Frederick H. Smith; Caribbean Rum: A Social and Economic History (Franklin W. Knight)Stephan Palmié; Wizards and Scientists: Explorations in Afro-Cuban Modernity and Tradition (Julie Skurski)Miguel A. De la Torre; The Quest for the Cuban Christ: A Historical Search (Fernando Picó)L. Antonio Curet, Shannon Lee Dawdy & Gabino La Rosa Corzo (eds.); Dialogues in Cuban Archaeology (David M. Pendergast)Jill Lane; Blackface Cuba, 1840-1895 (Arthur Knight)Hal Klepak; Cuba’s Military 1990-2005: Revolutionary Soldiers during Counter-Revolutionary Times (Antoni Kapcia)Lydia Chávez (ed.); Capitalism, God, and a Good Cigar: Cuba Enters the Twenty-First Century (Ann Marie Stock)Diane Accaria-Zavala & Rodolfo Popelnik (eds.); Prospero’s Isles: The Presence of the Caribbean in the American Imaginary (Sean X. Goudie)Alexandra Isfahani-Hammond (ed.); The Masters and the Slaves: Plantation Relations and Mestizaje in American Imaginaries (Danielle D. Smith) David J. Weber; Bárbaros: Spaniards and Their Savages in the Age of Enlightenment (Neil L. Whitehead)Larry Gragg; Englishmen Transplanted: The English Colonization of Barbados, 1627-1660 (Richard S. Dunn)Jon F. Sensbach; Rebecca’s Revival: Creating Black Christianity in the Atlantic World (Aaron Spencer Fogleman)Jennifer L. Morgan; Laboring Women: Reproduction and Gender in New World Slavery (Verene A. Shepherd)Jorge Luis Chinea; Race and Labor in the Hispanic Caribbean: The West Indian Immigrant Worker Experience in Nineteenth-Century Puerto Rico, 1800-1850 (Juan José Baldrich)Constance R. Sutton (ed.); Revisiting Caribbean Labour: Essays in Honour of O. Nigel Bolland (Mary Chamberlain)Gert Oostindie; Paradise Overseas: The Dutch Caribbean: Colonialism and its Transatlantic Legacies (Bridget Brereton)Allan Pred; The Past Is Not Dead: Facts, Fictions, and Enduring Racial Stereotypes (Karen Fog Olwig)James C. Riley; Poverty and Life Expectancy: The Jamaica Paradox (Cruz María Nazario)Lucia M. Suárez; The Tears of Hispaniola: Haitian and Dominican Diaspora Memory (J. Michael Dash)Mary Chamberlain; Family Love in the Diaspora: Migration and the Anglo-Caribbean Experience (Kevin Birth)Joseph Palacio (ed.); The Garifuna: A Nation Across Borders (Grant Jewell Rich)Elizabeth M. DeLoughery, Renée K. Goss on & George B. Handley (eds.); Caribbean Literature and the Environment: Between Nature and Culture (Bonham C. Richardson)Mary Gallagher (ed.); Ici-Là: Place and Displacement in Caribbean Writing in French (Christina Kullberg)David V. Moskowitz; Caribbean Popular Music: An Encyclopedia of Reggae, Mento, Ska, Rock Steady, and Dancehall (Kenneth Bilby)John H. McWhorter; Defining Creole (Bettina M. Migge)Ellen M. Schnepel; In Search of a National Identity: Creole and Politics in Guadeloupe (Paul B. Garrett)

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KITLV, Redactie. "Book Reviews". New West Indian Guide / Nieuwe West-Indische Gids 81, n.º 1-2 (1 de enero de 2008): 101–62. http://dx.doi.org/10.1163/13822373-90002479.

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Frederick H. Smith; Caribbean Rum: A Social and Economic History (Franklin W. Knight)Stephan Palmié; Wizards and Scientists: Explorations in Afro-Cuban Modernity and Tradition (Julie Skurski)Miguel A. De la Torre; The Quest for the Cuban Christ: A Historical Search (Fernando Picó)L. Antonio Curet, Shannon Lee Dawdy & Gabino La Rosa Corzo (eds.); Dialogues in Cuban Archaeology (David M. Pendergast)Jill Lane; Blackface Cuba, 1840-1895 (Arthur Knight)Hal Klepak; Cuba’s Military 1990-2005: Revolutionary Soldiers during Counter-Revolutionary Times (Antoni Kapcia)Lydia Chávez (ed.); Capitalism, God, and a Good Cigar: Cuba Enters the Twenty-First Century (Ann Marie Stock)Diane Accaria-Zavala & Rodolfo Popelnik (eds.); Prospero’s Isles: The Presence of the Caribbean in the American Imaginary (Sean X. Goudie)Alexandra Isfahani-Hammond (ed.); The Masters and the Slaves: Plantation Relations and Mestizaje in American Imaginaries (Danielle D. Smith) David J. Weber; Bárbaros: Spaniards and Their Savages in the Age of Enlightenment (Neil L. Whitehead)Larry Gragg; Englishmen Transplanted: The English Colonization of Barbados, 1627-1660 (Richard S. Dunn)Jon F. Sensbach; Rebecca’s Revival: Creating Black Christianity in the Atlantic World (Aaron Spencer Fogleman)Jennifer L. Morgan; Laboring Women: Reproduction and Gender in New World Slavery (Verene A. Shepherd)Jorge Luis Chinea; Race and Labor in the Hispanic Caribbean: The West Indian Immigrant Worker Experience in Nineteenth-Century Puerto Rico, 1800-1850 (Juan José Baldrich)Constance R. Sutton (ed.); Revisiting Caribbean Labour: Essays in Honour of O. Nigel Bolland (Mary Chamberlain)Gert Oostindie; Paradise Overseas: The Dutch Caribbean: Colonialism and its Transatlantic Legacies (Bridget Brereton)Allan Pred; The Past Is Not Dead: Facts, Fictions, and Enduring Racial Stereotypes (Karen Fog Olwig)James C. Riley; Poverty and Life Expectancy: The Jamaica Paradox (Cruz María Nazario)Lucia M. Suárez; The Tears of Hispaniola: Haitian and Dominican Diaspora Memory (J. Michael Dash)Mary Chamberlain; Family Love in the Diaspora: Migration and the Anglo-Caribbean Experience (Kevin Birth)Joseph Palacio (ed.); The Garifuna: A Nation Across Borders (Grant Jewell Rich)Elizabeth M. DeLoughery, Renée K. Goss on & George B. Handley (eds.); Caribbean Literature and the Environment: Between Nature and Culture (Bonham C. Richardson)Mary Gallagher (ed.); Ici-Là: Place and Displacement in Caribbean Writing in French (Christina Kullberg)David V. Moskowitz; Caribbean Popular Music: An Encyclopedia of Reggae, Mento, Ska, Rock Steady, and Dancehall (Kenneth Bilby)John H. McWhorter; Defining Creole (Bettina M. Migge)Ellen M. Schnepel; In Search of a National Identity: Creole and Politics in Guadeloupe (Paul B. Garrett)

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KITLV, Redactie. "Bookreviews". New West Indian Guide / Nieuwe West-Indische Gids 83, n.º 1-2 (1 de enero de 2009): 121–86. http://dx.doi.org/10.1163/13822373-90002463.

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Afro-Atlantic Dialogues: Anthropology in the Diaspora, edited by Kevin A. Yelvington (reviewed by Aisha Khan)Central Africans, Atlantic Creoles, and the Foundation of the Americas, 1585-1660, by Linda M. Heywood & John K. Thornton (reviewed by James H. Sweet)An Eye for the Tropics: Tourism, Photography, and Framing the Caribbean Picturesque, by Krista A. Thompson (reviewed by Carl Thompson)Taíno Indian Myth and Practice: The Arrival of the Stranger King, by William F. Keegan (reviewed by Frederick H. Smith) Historic Cities of the Americas: An Illustrated Encyclopedia, by David F. Marley (reviewed by Richard L. Kagan) Arming Slaves: From Classical Times to the Modern Age, edited by Christopher Leslie Brown & Philip D. Morgan (reviewed by James Sidbury)Sweet Negotiations: Sugar, Slavery, and Plantation Agriculture in Early Barbados, by Russell R. Menard (reviewed by Kenneth Morgan)Jamaica in 1850 or, The Effects of Sixteen Years of Freedom on a Slave Colony, by John Bigelow (reviewed by Jean Besson) Moral Capital: Foundations of British Abolitionism, by Christopher Leslie Brown (reviewed by Cassandra Pybus) Caribbean Journeys: An Ethnography of Migration and Home in Three Family Networks, by Karen Fog Olwig (reviewed by George Gmelch) Afro-Caribbean Immigrants and the Politics of Incorporation: Ethnicity, Exception, or Exit, by Reuel R. Rogers (reviewed by Kevin Birth) Puerto Rican Arrival in New York: Narratives of the Migration, 1920-1950, edited by Juan Flores (reviewed by Wilson A. Valentín-Escobar)The Conquest of History: Spanish Colonialism and National Histories in the Nineteenth Century, by Christopher Schmidt-Nowara (reviewed by Aline Helg)Gender and Slave Emancipation in the Atlantic World, edited by Pamela Scully & Diana Paton (reviewed by Bernard Moitt) Gender and Democracy in Cuba, by Ilja A. Luciak (reviewed by Florence E. Babb) The “New Man” in Cuba: Culture and Identity in the Revolution, by Ana Serra (reviewed by Jorge Duany) Lydia Cabrera and the Construction of an Afro-Cuban Cultural Identity, by Edna M. Rodríguez-Mangual (reviewed by Brian Brazeal) Worldview, the Orichas, and Santeria: Africa to Cuba and Beyond, by Mercedes Cros Sandoval (reviewed by Elizabeth Pérez)The 1812 Aponte Rebellion in Cuba and the Struggle against Atlantic Slavery, by Matt D. Childs (reviewed by Manuel Barcia) Caliban and the Yankees: Trinidad and the United States Occupation, by Harvey R. Neptune (reviewed by Selwyn Ryan) Claims to Memory: Beyond Slavery and Emancipation in the French Caribbean, by Catherine A. Reinhardt (reviewed by Dominique Taffin) The Grand Slave Emporium, Cape Coast Castle and the British Slave Trade, by William St. Clair (reviewed by Ray A. Kea) History of the Caribbean, by Frank Moya Pons (reviewed by Olwyn M. Blouet) Out of the Crowded Vagueness: A History of the Islands of St Kitts, Nevis & Anguilla, by Brian Dyde (reviewed by Karen Fog Olwig) Scoping the Amazon: Image, Icon, Ethnography, by Stephen Nugent (reviewed by Neil L. Whitehead)

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BURDICK, JOHN. "Michelle A. Gonzalez, Afro-Cuban Theology: Religion, Race, Culture and Identity (Gainesville, FL: University Press of Florida, 2006), pp. xi+191, $59.95, hb." Journal of Latin American Studies 39, n.º 3 (26 de julio de 2007): 693–94. http://dx.doi.org/10.1017/s0022216x07003070.

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Badiane, Mamadou. "Miguel Arnedo-Gómez. Uniting Blacks in a Raceless Nation: Blackness, Afro-Cuban Culture, and Mestizaje in the Prose and Poetry of Nicolás Guillén. Lewisburg: Bucknell University Press, 2016." Revista Iberoamericana 84, n.º 264 (25 de octubre de 2018): 818–21. http://dx.doi.org/10.5195/reviberoamer.2018.7640.

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KITLV, Redactie. "Book Reviews". New West Indian Guide / Nieuwe West-Indische Gids 67, n.º 1-2 (1 de enero de 1993): 109–82. http://dx.doi.org/10.1163/13822373-90002678.

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-Louis Allaire, Samuel M. Wilson, Hispaniola: Caribbean chiefdoms in the age of Columbus. Tuscaloosa: University of Alabama Press, 1990. xi + 170 pp.-Douglas Melvin Haynes, Philip D. Curtin, Death by migration: Europe's encounter with the tropical world in the nineteenth century. Cambridge: Cambridge University Press, 1989. xviii + 251 pp.-Dale Tomich, J.H. Galloway, The sugar cane industry: An historical geography from its origins to 1914. Cambridge: Cambridge University Press, 1989. xii + 266 pp.-Myriam Cottias, Dale Tomich, Slavery in the circuit of sugar: Martinique and the world economy, 1830 -1848. Baltimore: John Hopkins University Press, 1990. xiv + 352 pp.-Robert Forster, Pierre Dessalles, La vie d'un colon à la Martinique au XIXe siècle. Pré-senté par Henri de Frémont. Courbevoie: s.n., 1984-1988, four volumes, 1310 pp.-Hilary Beckles, Douglas V. Armstrong, The old village and the great house: An archaeological and historical examination of Drax Hall Plantation, St Ann's Bay, Jamaica. Chicago: University of Illinois Press, 1990. xiii + 393 pp.-John Stewart, John A. Lent, Caribbean popular culture. Bowling Green OH: Bowling Green State University Popular Press, 1990. 157 pp.-W. Marvin Will, Susanne Jonas ,Democracy in Latin America: Visions and realities. New York: Bergin & Garvey Publishers, 1990. viii + 224 pp., Nancy Stein (eds)-Forrest D. Colburn, Kathy McAfee, Storm signals: Structural adjustment and development alternatives in the Caribbean. London: Zed books, 1991. xii + 259 pp.-Derwin S. Munroe, Peggy Antrobus ,In the shadows of the sun: Caribbean development alternatives and U.S. policy. Carmen Diana Deere (coordinator), Peter Phillips, Marcia Rivera & Helen Safa. Boulder CO: Westview Press, 1990. xvii + 246 pp., Lynne Bolles, Edwin Melendez (eds)-William Roseberry, Louis A. Pérez, Jr., Lords of the mountain: Social banditry and peasant protest in Cuba, 1878-1918. Pittsburgh: University of Pittsburgh Press, 1989. xvii + 267 pp.-William Roseberry, Rosalie Schwartz, Lawless liberators, political banditry and Cuban independence. Durham NC: Duke University Press, 1989. x + 297 pp.-Robert L. Paquette, Robert M. Levine, Cuba in the 1850's: Through the lens of Charles DeForest Fredricks. Tampa: University of South Florida Press, 1990. xv + 86 pp.-José Sánchez-Boudy, Gustavo Pérez Firmat, The Cuban condition: Translation and identity in modern Cuban literature. Cambridge: Cambridge University Press, 1989. viii + 185 pp.-Dick Parker, Jules R. Benjamin, The United States and the origins of the Cuban revolution: An empire of liberty in an age of national liberation. Princeton: Princeton University Press, 1990. xi + 235 pp.-George Irvin, Andrew Zimbalist ,The Cuban economy: Measurement and analysis of socialist performance. Baltimore: John Hopkins University Press, 1989. xiv + 220 pp., Claes Brundenius (eds)-Menno Vellinga, Frank T. Fitzgerald, Managing socialism: From old Cadres to new professionals in revolutionary Cuba. New York: Praeger, 1990. xiv + 161 pp.-Patricia R. Pessar, Eugenia Georges, The making of a transnational community: Migration, development, and cultural change in the Dominican republic. New York: Columbia University Press, 1990. xi + 270 pp.-Lucía Désir, Maria Dolores Hajosy Benedetti, Earth and spirit: Healing lore and more from Puerto Rico. Maplewood NJ: Waterfront Press, 1989. xvii + 245 pp.-Thomas J. Spinner, Jr., Percy C. Hintzen, The costs of regime survival: Racial mobilization, elite domination and control of the state in Guyana and Trinidad. Cambridge: Cambridge University Press, 1989. x + 240 pp.-Judith Johnson, Morton Klass, Singing with the Sai Baba: The politics of revitalization in Trinidad. Boulder CO: Westview, 1991. xvi + 187 pp.-Aisha Khan, Selwyn Ryan, The Muslimeen grab for power: Race, religion and revolution in Trinidad and Tobago. Port of Spain: Inprint Caribbean, 1991. vii + 345 pp.-Drexel G. Woodson, Patrick Bellegarde-Smith, Haiti: The Breached Citadel. Boulder CO: Westview Press, 1990. xxi + 217 pp.-O. Nigel Bolland, Howard Johnson, The Bahamas in slavery and freedom. Kingston, Jamaica: Ian Randle; London: James Currey, 1991. viii + 184 pp.-Keith F. Otterbein, Charles C. Foster, Conchtown USA: Bahamian fisherfolk in Riviera beach, Florida. (with folk songs and tales collected by Veronica Huss). Boca Raton: Florida Atlantic University Press, 1991. x + 176 pp.-Peter van Baarle, John P. Bennett ,Kabethechino: A correspondence on Arawak. Edited by Janette Forte. Georgetown: Demerara Publishers, 1991. vi + 271 pp., Richard Hart (eds)-Fabiola Jara, Joop Vernooij, Indianen en kerken in Suriname: identiteit en autonomie in het binnenland. Paramaribo: Stichting Wetenschappelijke Informatie (SWI), 1989. 178 pp.-Jay Edwards, C.L. Temminck Groll ,Curacao: Willemstad, city of monuments. R.G. Gill. The Hague: Gary Schwartz/SDU Publishers, 1990. 123 pp., W. van Alphen, R. Apell (eds)-Mineke Schipper, Maritza Coomans-Eustatia ,Drie Curacaose schrijvers in veelvoud. Zutphen: De Walburg Pers, 1991. 544 pp., H.E. Coomans, Wim Rutgers (eds)-Arie Boomert, P. Wagenaar Hummelinck, De rotstekeningen van Aruba/The prehistoric rock drawings of Aruba. Utrecht: Uitgeverij Presse-Papier, 1991. 228 pp.-J.K. Brandsma, Ruben S. Gowricharn, Economische transformatie en de staat: over agrarische modernisering en economische ontwikkeling in Suriname, 1930-1960. Den Haag: Uitgeverij Ruward, 1990. 208 pp.-Henk N. Hoogendonk, M. van Schaaijk, Een macro-model van een micro-economie. Den Haag: STUSECO, 1991. 359 pp.-Bim G. Mungra, Corstiaan van der Burg ,Hindostanen in Nederland. Leuven (Belgium)/ Apeldoorn (the Netherlands): Garant Publishers, 1990. 223 pp., Theo Damsteegt, Krishna Autar (eds)-Adrienne Bruyn, J. van Donselaar, Woordenboek van het Surinaams-Nederlands. Muiderberg: Dick Coutinho, 1989. 482 pp.-Wim S. Hoogbergen, Michiel Baud ,'Cultuur in beweging': creolisering en Afro-Caraïbische cultuur. Rotterdam: Bureau Studium Generale, 1989. 93 pp., Marianne C. Ketting (eds)

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KITLV, Redactie. "Book reviews". New West Indian Guide / Nieuwe West-Indische Gids 86, n.º 3-4 (1 de enero de 2012): 309–407. http://dx.doi.org/10.1163/13822373-90002420.

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A World Among these Islands: Essays on Literature, Race, and National Identity in Antillean America, by Roberto Márquez (reviewed by Peter Hulme) Caribbean Reasonings: The Thought of New World, The Quest for Decolonisation, edited by Brian Meeks & Norman Girvan (reviewed by Cary Fraser) Elusive Origins: The Enlightenment in the Modern Caribbean Historical Imagination, by Paul B. Miller (reviewed by Kerstin Oloff) Caribbean Perspectives on Modernity: Returning Medusa’s Gaze, by Maria Cristina Fumagalli (reviewed by Maureen Shay) Who Abolished Slavery: Slave Revolts and Abolitionism: A Debate with João Pedro Marques, edited by Seymour Drescher & Pieter C. Emmer, and Abolitionism and Imperialism in Britain, Africa, and the Atlantic, edited by Derek R . Peterson (reviewed by Claudius Fergus) The Mediterranean Apprenticeship of British Slavery, by Gustav Ungerer (reviewed by James Walvin) Children in Slavery through the Ages, edited by Gwyn Campbell, Suzanne Miers & Joseph C. Miller (reviewed by Indrani Chatterjee) The Invisible Hook: The Hidden Economics of Pirates, by Peter T. Leeson (reviewed by Kris Lane) Theorizing a Colonial Caribbean-Atlantic Imaginary: Sugar and Obeah, by Keith Sandiford (reviewed by Elaine Savory) Created in the West Indies: Caribbean Perspectives on V.S. Naipaul, edited by Jennifer Rahim & Barbara Lalla (reviewed by Supriya M. Nair) Thiefing Sugar: Eroticism between Women in Caribbean Literature, by Omise’eke Natasha Tinsley (reviewed by Lyndon K. Gill) Haiti Unbound: A Spiralist Challenge to the Postcolonial Canon, by Kaiama L. Glover (reviewed by Asselin Charles) Divergent Dictions: Contemporary Dominican Literature, by Néstor E. Rodríguez (reviewed by Dawn F. Stinchcomb) The Caribbean Short Story: Critical Perspectives, edited by Lucy Evans, Mark McWatt & Emma Smith (reviewed by Leah Rosenberg) Society of the Dead: Quita Manaquita and Palo Praise in Cuba, by Todd Ramón Ochoa (reviewed by Brian Brazeal) El Lector: A History of the Cigar Factory Reader, by Araceli Tinajero (reviewed by Juan José Baldrich) Blazing Cane: Sugar Communities, Class, and State Formation in Cuba, 1868-1959, by Gillian McGillivray (reviewed by Consuelo Naranjo Orovio) The Purposes of Paradise: U.S. Tourism and Empire in Cuba and Hawai’i, by Christine Skwiot (reviewed by Amalia L. Cabezas) A History of the Cuban Revolution, by Aviva Chomsky (reviewed by Michelle Chase) The Cubalogues: Beat Writers in Revolutionary Havana, by Todd F. Tietchen (reviewed by Stephen Fay) The Devil in the Details: Cuban Antislavery Narrative in the Postmodern Age, by Claudette M. Williams (reviewed by Gera Burton) Screening Cuba: Film Criticism as Political Performance during the Cold War, by Hector Amaya (reviewed by Ann Marie Stock) Perceptions of Cuba: Canadian and American Policies in Comparative Perspective, by Lana Wylie (reviewed by Julia Sagebien) Forging Diaspora: Afro-Cubans and African Americans in a World of Empire and Jim Crow, by Frank Andre Guridy (reviewed by Susan Greenbaum) The Irish in the Atlantic World, edited by David T. Gleeson (reviewed by Donald Harman Akenson) The Chinese in Latin America and the Caribbean, edited by Walton Look Lai & Tan Chee-Beng (reviewed by John Kuo Wei Tchen) The Island of One People: An Account of the History of the Jews of Jamaica, by Marilyn Delevante & Anthony Alberga (reviewed by Barry Stiefel) Creole Jews: Negotiating Community in Colonial Suriname, by Wieke Vink (reviewed by Aviva Ben-Ur) Only West Indians: Creole Nationalism in the British West Indies, by F.S.J. Ledgister (reviewed by Jerome Teelucksingh) Cultural DNA: Gender at the Root of Everyday Life in Rural Jamaica, by Diana J. Fox (reviewed by Jean Besson) Women in Grenadian History, 1783-1983, by Nicole Laurine Phillip (reviewed by Bernard Moitt) British-Controlled Trinidad and Venezuela: A History of Economic Interests and Subversions, 1830-1962, by Kelvin Singh (reviewed by Stephen G. Rabe) Export/Import Trends and Economic Development in Trinidad, 1919-1939, by Doddridge H.N. Alleyne (reviewed by Rita Pemberton) Post-Colonial Trinidad: An Ethnographic Journal, by Colin Clarke & Gillian Clarke (reviewed by Patricia van Leeuwaarde Moonsammy) Poverty in Haiti: Essays on Underdevelopment and Post Disaster Prospects, by Mats Lundahl (reviewed by Robert Fatton Jr.) From Douglass to Duvalier: U.S. African Americans, Haiti, and Pan Americanism, 1870-1964, by Millery Polyné (reviewed by Brenda Gayle Plummer) Haiti Rising: Haitian History, Culture and the Earthquake of 2010, edited by Martin Munro (reviewed by Jonna Knappenberger) Faith Makes Us Live: Surviving and Thriving in the Haitian Diaspora, by Margarita A. Mooney (reviewed by Rose-Marie Chierici) This Spot of Ground: Spiritual Baptists in Toronto, by Carol B. Duncan (reviewed by James Houk) Interroger les morts: Essai sur le dynamique politique des Noirs marrons ndjuka du Surinam et de la Guyane, by Jean-Yves Parris (reviewed by H.U.E. Thoden van Velzen & W. van Wetering)

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38

Palmié, Stephan. "Making sense of Santería: three books on Afro-Cuban religion". New West Indian Guide / Nieuwe West-Indische Gids 70, n.º 3-4 (1 de enero de 1996): 291–300. http://dx.doi.org/10.1163/13822373-90002624.

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[First paragraph]Santeria from Africa to the New World: The Dead Sell Memories. GEORGE BRANDON. Bloomington: Indiana University Press, 1993. x + 206 pp. (Cloth US$31.50) Working the Spirit: Ceremonies of the African Diaspora. JOSEPH M. MURPHY. Boston: Beacon, 1994. xiii + 263 pp. (Cloth US$ 25.00)Walking with the Night: The Afro-Cuban World of Santeria. RAUL CANIZARES. Rochester VT: Destiny Books, 1993. xii + 148 pp. (Paper US$ 12.95)Since 1959, the steady exodus from revolutionary Cuba has led to the gradual emergence of an Afro-Cuban religious diaspora in the United States. While this phenomenon has attracted scholarly attention for some time, the literature has grown particularly rapidly in recent years. It is, perhaps, not entirely fortuitous that a spate of current academic publications on the subject coincided with a scramble by the popular media to exploit its exotic potential in the context of the 1993 U.S. Supreme Court case on animal sacrifice. Clearly, what has come to be called an Afro-Cuban "cultic renaissance" in exile holds promise both for sensationalist journalism and certain kinds of theoretical projects. Partly articulating with older, but politically reinvigorated debates about the relations between African and African-American cultures, partly addressing fundamental questions about conventional models of cultural boundedness and coherence, and, finally, calling into question both popular and academic notions of "modernity" (and its inevitable counterpart "tradition"), the 292 New West Indian Guide/Nieuwe West-Indische Gids vol. 70 no. 3 &4 (1996)problems posed by the emergence of an Afro-Cuban religious diaspora in the United States present a timely challenge.

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39

Gelado, Viviana. "La legitimación de la música afrocubana en la crítica periodística de Alejo Carpentier". Aletria: Revista de Estudos de Literatura 17 (28 de octubre de 2015): 67. http://dx.doi.org/10.17851/2317-2096.17.0.67-73.

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No marco do questionamento da “alta” cultura e da arte como instituição, levado a cabo pelos movimentos de vanguarda na América Latina, este trabalho analisa os meios utilizados por Alejo Carpentier no exercício da crítica musical, desenvolvida em crônicas jornalísticas e orientada pelo propósito de legitimar a música afro-cubana através do questionamento da cultura musical institucionalizada no final da década de vinte em Cuba.

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KITLV, Redactie. "Book Reviews". New West Indian Guide / Nieuwe West-Indische Gids 68, n.º 1-2 (1 de enero de 1994): 135–205. http://dx.doi.org/10.1163/13822373-90002664.

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-Peter Hulme, Simon Gikandi, Writing in limbo: Modernism and Caribbean literature. Ithaca: Cornell University Press, 1992. x + 260 pp.-Charles V. Carnegie, Alistair Hennessy, Intellectuals in the twentieth-century Caribbean (Volume 1 - Spectre of the new class: The Commonwealth Caribbean). London: Macmillan, 1992. xvii 204 pp.-Nigel Rigby, Anne Walmsley, The Caribbean artists movement, 1966-1972: A literary and cultural history. London: New Beacon Books, 1992. xx + 356 pp.-Carl Pedersen, Tyrone Tillery, Claude McKay: A black poet's struggle for identity. Amherst: University of Massachusetts Press, 1992. xii + 235 pp.-Simone Dreyfus, Irving Rouse, The Tainos: Rise and decline of the people who greeted Columbus. New Haven: Yale University Press, 1992. xii + 211 pp.-Louis Allaire, Antonio M. Stevens-Arroyo, Cave of the Jagua: The mythological world of the Taino. Alburquerque: University of New Mexico Press, 1988. xiii + 282 pp.-Irving Rouse, William F. Keegan, The people who discovered Columbus: The prehistory of the Bahamas. Gainesville: University of Florida Press, 1992. xx + 279 pp.-Neil L. Whitehead, Philip P. Boucher, Cannibal encounters: Europeans and Island Caribs, 1492-1763. Baltimore: John Hopkins University Press, 1992. xii + 217 pp.-Peter Kloos, Kaliña, des amérindiens à Paris: Photographies du prince Roland. Présentées par Gérard Collomb. Paris: Créaphis, 1992. 119 pp.-Maureen Warner-Lewis, Alan Gregor Cobley ,The African-Caribbean connection: Historical and cultural perspectives. Bridgetown, Barbados: Department of History, University of the West Indies, Cave Hill, 1990. viii + 171 pp., Alvin Thompson (eds)-H. Hoetink, Jean-Luc Bonniol, La couleur comme maléfice: une illustration créole de la généalogie des 'Blancs' et des 'Noirs'. Paris: Albin Michel, 1992. 304 pp.-Michael Aceto, Richard Price ,Two evenings in Saramaka. Chicago and London: University of Chicago Press, 1991. xvi + 417 pp., Sally Price (eds)-Jorge Pérez Rolón, Vernon W. Boggs, Salsiology: Afro-Cuban music and the evolution of Salsa in New York City. New York: Greenwood, 1992. xvii + 387 pp.-Martin F. Murphy, Sherri Grasmuck ,Between two islands: Dominican international migration. Berkeley: University of California Press, 1991. xviii + 247 pp., Patricia R. Pessar (eds)-Rosario Espinal, Richard S. Hillman ,Distant neighbors in the Caribbean: The Dominican Republic and Jamaica in comparative perspective. New York: Praeger, 1992. xviii + 199 pp., Thomas D'Agostino (eds)-Svend E. Holsoe, Neville A.T. Hall, Slave society in the Danish West Indies: St. Thomas, St. John and St. Croix. Edited by B.W. Higman. Mona, Jamaica: University of the West Indies Press, 1992. xxiv + 287 pp.-Light Townsend Cummins, Francisco Morales Padrón, The journal of Don Francisco Saavedra de Sangronis 1780-1783. Translated by Aileen Moore Topping. Gainesville: University of Florida Press, 1989. xxxvii + 380 pp.-Francisco A. Scarano, Laird W. Bergad, Cuban rural society in the nineteenth century: The social and economic history of monoculture in Matanzas. Princeton: Princeton University Press, 1990. xxi + 425 pp.-Robert L. Paquette, Larry R. Jensen, Children of colonial despotism: Press, politics, and culture in Cuba, 1790-1840. Tampa: University of South Florida Press, 1988. xviii + 211 pp.-Robert L. Paquette, Anton L. Allahar, Class, politics, and sugar in colonial Cuba. Lewiston NY; The Edwin Mellen Press, 1990. xi + 217 pp.-Aline Helg, Josef Opatrny, U.S. Expansionism and Cuban annexationism in the 1850s. Prague: Charles University, 1990. 271 pp.-Rita Giacalone, Humberto García Muñiz ,Bibliografía militar del Caribe. Río Piedras PR: Centro de Investigaciones Históricas, Universidad de Puerto Rico, 1992. 177 pp., Betsaida Vélez Natal (eds)-Carlos E. Santiago, Irma Tirado de Alonso, Trade issues in the Caribbean. Philadelphia: Gordon & Breach, 1992. xv + 231 pp.-Drexel G. Woodson, Frantz Pratt, Haiti: Guide to the periodical literature in English, 1800-1990. Westport CT: Greenwood, 1991. xiv + 313 pp.-Gary Brana-Shute, Livio Sansone, Hangen boven de oceaan: het gewone overleven van Creoolse jongeren in Paramaribo. Amsterdam: Het Spinhuis, 1992. 58 pp.-Ronald Gill, Dolf Huijgers ,Landhuizen van Curacao en Bonaire. Amsterdam: Persimmons Management. 1991. 286 pp., Lucky Ezechiëls (eds)-Alex van Stipriaan, Waldo Heilbron, Colonial transformations and the decomposition of Dutch plantation slavery in Surinam. Amsterdam: Amsterdam centre for Caribbean studies (AWIC), University of Amsterdam, 1992. 133 pp.-Rosemarijn Hoefte, Bea Lalmahomed, Hindostaanse vrouwen: de geschiedenis van zes generaties. Utrecht: Jan van Arkel, 1992. 159 pp.-Aart G. Broek, Peter Hoefnagels ,Antilliaans spreekwoordenboek. Amsterdam: Thomas Rap, 1991. 92 pp., Shon Wé Hoogenbergen (eds)

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Abreu, Christina D. "The Story of Benny “Kid” Paret: Cuban Boxers, the Cuban Revolution, and the U.S. Media, 1959-1962". Journal of Sport History 38, n.º 1 (1 de abril de 2011): 95–113. http://dx.doi.org/10.5406/jsporthistory.38.1.95.

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Abstract This article examines the personal life history and professional boxing career of Afro-Cuban boxer Benny “Kid” Paret between 1959 and 1962. Paret died nine days after suffering a brutal beating in the ring at the hands of Emile Griffith, and this article focuses on the public discourse surrounding his death in the context of strained U.S.-Cuba relations, increased Cuban migration to the United States after 1959, and race and ethnic identity formation. Using major U.S. newspapers, magazines, and boxing periodicals as well as African-American and Spanish-language newspapers, this article contributes to a growing body of literature on Latino/as, race, and sport.

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McLeod, Marc. "“We Cubans Are Obligated Like Cats to Have a Clean Face”: Malaria, Quarantine, and Race in Neocolonial Cuba, 1898-1940". Americas 67, n.º 1 (julio de 2010): 57–81. http://dx.doi.org/10.1353/tam.0.0272.

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In a paper presented to the Academy of Medical, Physical and Natural Sciences of Havana on December 14, 1923, Dr. Jorge LeRoy y Cassá identified the “unsanitary immigration” to Cuba of Haitians and British West Indians as his country's most pressing health problem. “Those undesirable elements,” he contended, had introduced malaria, smallpox, typhoid fever, and intestinal parasites into eastern Cuba, maladies which then spread to the rest of the island. Through their “vices,” “violent crimes,” and “nefarious practices of brujerí;a [witchcraft],” in fact, Afro-Caribbean immigrants constituted a “double threat”—moral as well as physical—to the health of the Cuban nation. Somewhat surprisingly, the man who was later hailed as the “Father of Cuban Sanitary Statistics” mustered no direct evidence to support his condemnation of West Indian immigration on medical grounds. But such proof was hardly necessary for his esteemed audience. Although the medical doctors and public health officials assembled before LeRoy y Cassa at the Academy of Sciences may have differed on the issue of prohibiting.

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Gutiérrez, Mariela A. "Afro-Cuban Lyrics and Thematics in the ‘Canción Cubana’ as Musical Genre". Hispanic Research Journal 14, n.º 4 (agosto de 2013): 295–312. http://dx.doi.org/10.1179/1468273713z.00000000050.

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KITLV, Redactie. "Book reviews". New West Indian Guide / Nieuwe West-Indische Gids 86, n.º 1-2 (1 de enero de 2012): 109–96. http://dx.doi.org/10.1163/13822373-90002427.

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The African Diaspora: A History Through Culture, by Patrick Manning (reviewed by Joseph C. Miller) Atlas of the Transatlantic Slave Trade, by David Eltis & David Richardson (reviewed by Ted Maris-Wolf) Abolition: A History of Slavery and Antislavery, by Seymour Drescher (reviewed by Gregory E. O’Malley) Paths to Freedom: Manumission in the Atlantic World, edited by Rosemary Brana-Shute & Randy J. Sparks (reviewed by Matthew Mason) You Are All Free: The Haitian Revolution and the Abolition of Slavery, by Jeremy D. Popkin (reviewed by Philippe R. Girard) Fighting for Honor: The History of African Martial Arts in the Atlantic World, by T .J. Desch Obi (reviewed by Flávio Gomes & Antonio Liberac Cardoso Simões Pires) Working the Diaspora: The Impact of African Labor on the Anglo-American World, 1650-1850, by Frederick C. Knight (reviewed by Walter Hawthorne) The Akan Diaspora in the Americas, by Kwasi Konadu (reviewed by Ray Kea) Tradition and the Black Atlantic: Critical Theory in the African Diaspora, by Henry Louis Gates Jr. (reviewed by Deborah A. Thomas) From Africa to Jamaica: The Making of an Atlantic Slave Society, 1775-1807, by Audra A. Diptee (reviewed by D.A. Dunkley) Elections, Violence and the Democratic Process in Jamaica 1944-2007, by Amanda Sives (reviewed by Douglas Midgett) Caciques and Cemi Idols: The Web Spun by Taino Rulers between Hispaniola and Puerto Rico, by José R. Oliver (reviewed by Brian D. Bates) The Latin American Identity and the African Diaspora: Ethnogenesis in Context, by Antonio Olliz Boyd (reviewed by Dawn F. Stinchcomb) Reconstructing Racial Identity and the African Past in the Dominican Republic, by Kimberly Eison Simmons (reviewed by Ginetta E.B. Candelario) Haiti and the Haitian Diaspora in the Wider Caribbean, edited by Philippe Zacaïr (reviewed by Catherine Benoît) Duvalier’s Ghosts: Race, Diaspora, and U.S. Imperialism in Haitian Literatures, by Jana Evans Braziel (reviewed by J. Michael Dash) Mainland Passage: The Cultural Anomaly of Puerto Rico, by Ramón E. Soto-Crespo (reviewed by Guillermo B. Irizarry) Report on the Island and Diocese of Puerto Rico (1647), by Diego de Torres y Vargas (reviewed by David A. Badillo) Land Reform in Puerto Rico: Modernizing the Colonial State, 1941-1969, by Ismael García-Colón (reviewed by Ricardo Pérez) Land: Its Occupation, Management, Use and Conceptualization. The Case of the Akawaio and Arekuna of the Upper Mazaruni District, Guyana, by Audrey J. Butt Colson (reviewed by Christopher Carrico) Caribbean Religious History: An Introduction, by Ennis B. Edmonds & Michelle A . Gonzalez (reviewed by N. Samuel Murrell) The Cross and the Machete: Native Baptists of Jamaica – Identity, Ministry and Legacy, by Devon Dick (reviewed by John W. Pulis) Swimming the Christian Atlantic: Judeoconversos, Afroiberians and Amerindians in the Seventeenth Century, by Jonathan Schorsch (reviewed by Richard L. Kagan) Kosmos und Kommunikation: Weltkonzeptionen in der südamerikanischen Sprachfamilie der Cariben, by Ernst Halbmayer (reviewed by Eithne B. Carlin) That Infernal Little Cuban Republic: The United States and the Cuban Revolution, by Lars Schoultz (reviewed by Antoni Kapcia) Voice of the Leopard: African Secret Societies and Cuba, by Ivor L. Miller (reviewed by Elizabeth Pérez) Guantánamo: A Working-Class History between Empire and Revolution, by Jana K. Lipman (reviewed by Barry Carr) Packaged Vacations: Tourism Development in the Spanish Caribbean, by Evan R. Ward (reviewed by Polly Pattullo) Afro-Greeks: Dialogues Between Anglophone Caribbean Literature and Classics in the Twentieth Century, by Emily Greenwood (reviewed by Gregson Davis) Caribbean Culture: Soundings on Kamau Brathwaite, edited by Annie Paul (reviewed by Paget Henry) Libertad en cadenas: Sacrificio, aporías y perdón en las letras cubanas, by Aída Beaupied (reviewed by Stephen Fay) The Trickster Comes West: Pan-African Influence in Early Black Diasporan Narratives, by Babacar M’baye (reviewed by Olabode Ibironke) Cheddi Jagan and the Politics of Power: British Guiana’s Struggle for Independence, by Colin A. Palmer (reviewed by Jay R. Mandle) A Language of Song: Journeys in the Musical World of the African Diaspora, by Samuel Charters (reviewed by Kenneth Bilby) Man Vibes: Masculinities in Jamaican Dancehall, by Donna P. Hope (reviewed by Eric Bindler)

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Gámez Torres, Nora. "Unbecoming blackness: the diaspora cultures of Afro-Cuban America". Ethnic and Racial Studies 37, n.º 5 (15 de octubre de 2013): 889–90. http://dx.doi.org/10.1080/01419870.2013.847200.

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Dejmannee, Tisha. "Unbecoming blackness: the diaspora cultures of Afro-Cuban America". Social Identities 19, n.º 2 (marzo de 2013): 273–74. http://dx.doi.org/10.1080/13504630.2013.789221.

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de la Fuente, Alejandro y Stanley R. Bailey. "THE PUZZLE OF RACIAL INEQUALITY IN CUBA, 1980s–2010s". Du Bois Review: Social Science Research on Race 18, n.º 1 (2021): 73–96. http://dx.doi.org/10.1017/s1742058x21000060.

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AbstractContrasting perspectives on racism and racial inequality collide in contemporary Cuba. On the one hand, government officials argue that Cuba is a racially egalitarian country; though vestiges of historical racism subsist, systematic discrimination does not. On the other hand, social movement actors and organizations denounce that racism and discrimination are systemic and affect large sectors of the Afro-Cuban population. To draw these visions into scholarly dialogue, our analytic strategy consists in the comparative examination of both narratives as well as the empirical bases that sustain them. Using data from the 1981, 2002, and 2012 Cuban Censuses for the first time, as well as various non-census evidentiary sources, both quantitative and qualitative, we examine how racial inequality has evolved in Cuba during the last decades. Our analyses of census data suggest that racial stratification has a limited impact on areas such as education, health care, occupation, and positions of leadership. We find, nonetheless, that an expanding and strikingly racialized private sector is fueling dramatic income inequality by skin color beyond the reach of official census data. Our analysis sheds light on how different data can convey profoundly different pictures of racial inequality in a given context. Moreover, we highlight that significant contradictions can coexist in the lived experiences of racism and racial inequality within a single country context.

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Gloria J. Morrissey. "Afro-Cuban Tales (review)". Journal of American Folklore 123, n.º 488 (2010): 239–40. http://dx.doi.org/10.1353/jaf.0.0134.

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KITLV, Redactie. "Book Reviews". New West Indian Guide / Nieuwe West-Indische Gids 78, n.º 3-4 (1 de enero de 2004): 305–71. http://dx.doi.org/10.1163/13822373-90002515.

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-Bill Maurer, Mimi Sheller, Consuming the Caribbean: From Arawaks to Zombies. New York: Routledge, 2003. ix + 252 pp.-Norman E. Whitten, Jr., Richard Price ,The root of roots: Or, how Afro-American anthropology got its start. Chicago: Prickly Paradigm Press/University of Chicago Press, 2003. 91 pp., Sally Price (eds)-Holly Snyder, Paolo Bernardini ,The Jews and the expansion of Europe to the West, 1450-1800. New York: Berghahn Books, 2001. xv + 567 pp., Norman Fiering (eds)-Bridget Brereton, Seymour Drescher, The mighty experiment: Free labor versus slavery in British emancipation. New York: Oxford University Press, 2002. 307 pp.-Jean Besson, Kathleen E.A. Monteith ,Jamaica in slavery and freedom: History, heritage and culture. Kingston; University of the West Indies Press, 2002. xx + 391 pp., Glen Richards (eds)-Michaeline A. Crichlow, Jean Besson, Martha Brae's two histories: European expansion and Caribbean culture-building in Jamaica. Chapel Hill: University of North Carolina Press, 2002. xxxi + 393 pp.-Christopher Schmidt-Nowara, Joseph C. Dorsey, Slave traffic in the age of abolition: Puerto Rico, West Africa, and the Non-Hispanic Caribbean, 1815-1859. Gainesville: University Press of Florida, 2003. xvii + 311 pp.-Arnold R. Highfield, Erik Gobel, A guide to sources for the history of the Danish West Indies (U.S. Virgin Islands), 1671-1917. Denmark: University Press of Southern Denmark, 2002. 350 pp.-Sue Peabody, David Patrick Geggus, Haitian revolutionary studies. Bloomington: Indiana University Press, 2002. xii + 334 pp.-Gerdès Fleurant, Elizabeth McAlister, Rara! Vodou, power, and performance in Haiti and its Diaspora. Berkeley: University of California Press, 2002. xviii + 259 pp. and CD demo.-Michiel Baud, Ernesto Sagás ,The Dominican people: A documentary history. Princeton NJ: Marcus Wiener, 2003. xiii + 278 pp., Orlando Inoa (eds)-Samuel Martínez, Richard Lee Turits, Foundations of despotism: Peasants, the Trujillo regime, and modernity in Dominican history. Stanford CA: Stanford University Press, 2003. x + 384 pp.-Eric Paul Roorda, Bernardo Vega, Almoina, Galíndez y otros crímenes de Trujillo en el extranjero. Santo Domingo: Fundación Cultural Dominicana, 2001. 147 pp.''Diario de una misión en Washington. Santo Domingo: Fundación Cultural Dominicana, 2002. 526 pp.-Gerben Nooteboom, Aspha Bijnaar, Kasmoni: Een spaartraditie in Suriname en Nederland. Amsterdam: Uitgeverij Bert Bakker, 2002. 378 pp.-Dirk H.A. Kolff, Chan E.S. Choenni ,Hindostanen: Van Brits-Indische emigranten via Suriname tot burgers van Nederland. The Hague: Communicatiebureau Sampreshan, 2003. 224 pp., Kanta Sh. Adhin (eds)-Dirk H.A. Kolff, Sandew Hira, Het dagboek van Munshi Rahman Khan. The Hague: Amrit/Paramaribo: NSHI, 2003. x + 370 pp.-William H. Fisher, Neil L. Whitehead, Dark Shamans: Kanaimà and the poetics of violent death. Durham NC: Duke University Press, 2002. 309 pp.-David Scott, A.J. Simoes da Silva, The luxury of nationalist despair: George Lamming's fiction as decolonizing project. Amsterdam: Rodopi, 2000. 217 pp.-Lyn Innes, Maria Cristina Fumagalli, The flight of the vernacular. Amsterdam: Rodopi, 2001. xvi + 303 pp.-Maria Cristina Fumagalli, Tobias Döring, Caribbean-English passages: Intertextuality in a postcolonial tradition. London: Routledge, 2002. xii + 236 pp.-A. James Arnold, Celia Britton, Race and the unconscious: Freudianism in French Caribbean thought. Oxford: Legenda, 2002. 115 pp.-Nicole Roberts, Dorothy E. Mosby, Place, language, and identity in Afro-Costa Rican literature. Columbia: University of Missouri Press, 2003. xiii + 248 pp.-Stephen Steumpfle, Philip W. Scher, Carnival and the formation of a Caribbean transnation. Gainesville: University Press of Florida, 2003. xvi + 215 pp.-Peter Manuel, Frances R. Aparicho ,Musical migrations: transnationalism and cultural hybridity in Latin/o America, Volume 1. With Maria Elena Cepeda. New York: Palgrave Macmillan, 2003. 216 pp., Candida F. Jaquez (eds)-Jorge Pérez Rolón, Maya Roy, Cuban Music. London: Latin America Bureau/Princeton NJ: Markus Wiener Publishers, 2002. ix + 246 pp.-Bettina M. Migge, Gary C. Fouse, The story of Papiamentu: A study in slavery and language. Lanham MD: University Press of America, 2002. x + 261 pp.-John M. McWhorter, Bettina Migge, Creole formation as language contact: the case of the Suriname creoles. Amsterdam: John Benjamins, 2003. xii + 151 pp.

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Aparicio, Frances R. "From Afro-Cuban Rhythms to Latin Jazz". Hispanic American Historical Review 88, n.º 2 (1 de mayo de 2008): 350–51. http://dx.doi.org/10.1215/00182168-2007-157.

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