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Libros sobre el tema "African americans – history – drama"

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Publicado: 25 de julio de 2024

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1

Sanders, Jeff. Readers theatre for African American history. Westport, Conn: Teachers Idea Press, 2008.

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2

Trudier, Harris, ed. Reading contemporary African American drama: Fragments of history, fragments of self. New York: Peter Lang, 2007.

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3

Hill, Errol. A history of African American theatre. Cambridge: Cambridge University Press, 2003.

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4

Vysot͡sʹka, N. O. Na perekhresti t͡syvilizat͡siĭ: Afro-amerykansʹka drama i͡ak mulʹtykulʹturnyĭ fenomen. Kyïv: Kyïvsʹkyĭ derz͡h. linhvistychnyĭ universytet, 1997.

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5

Carrier, Naomi Mitchell. "Go down, Old Hannah": The living history of African American Texans. Austin: University of Texas Press, 2010.

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6

Anderson, Lisa M. Black feminism in contemporary drama. Urbana: University of Illinois Press, 2007.

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7

Andrews, Eula Banks. The psalms of slavery: A drama in song. Colorado Springs, Co (314 W. Willamette Ave, Colorado Springs 80905): E.B. Andrews, 1986.

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8

Walker, Phillip E. Can I speak for you brother?: A one-man play depicting Black leaders. 2a ed. Aiea, HI: That New Pub. Co., 1990.

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9

Jackson, Barbara Dean. Mighty African children move victoriouslyinto the twenty-first century! (New York?): B.D. Jackson, 1988.

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10

Wistrand, Carolyn Nur. Beauty in Black performance: Plays for African American youth. Trenton NJ: Africa World Press, 2006.

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11

Jackson, Barbara Dean. Mighty African children move victoriously into the twenty-first century! [New York?]: B.D. Jackson, 1988.

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12

R, Carter Steven. Hansberry's drama: Commitment amid complexity. New York, N.Y., U.S.A: Penguin Group, 1993.

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13

Flowers, H. D. Blacks in American theatre history: Images, realities, potential. 3a ed. Dubuque, Iowa: Kendall/Hunt Pub., 2000.

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14

Wilson, August. Three plays. Pittsburgh, Pa: University of Pittsburgh Press, 1991.

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15

Doyle, Ruby Wilkins. A Richard Allen celebration: Religious plays and pageants for all age groups. Winona, MN (107 Lafayette, Winona 55987): Apollo Books, 1985.

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16

O'Hara, Robert. Insurrection: Holding history. New York: Theatre Communications Group, 1999.

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17

Errol, Hill, ed. The Theatre of Black Americans: A collection of critical essays. New York, NY: Applause, 1987.

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18

Errol, Hill, ed. The Theatre of Black Americans: A collection of critical essays. New York: Applause, 1990.

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19

Joyce, Ostrow Eileen, ed. Center stage: An anthology of twenty-one contemporary Black-American plays. Urbana: University of Illinois Press, 1991.

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20

A beautiful pageant: African American theatre, drama, and performance in the Harlem Renaissance, 1910-1927. New York: Palgrave Macmillan, 2002.

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21

Pereira, Kim. August Wilson and the African-American odyssey. Urbana: University of Illinois Press, 1995.

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22

Bada, Valérie. Mnemopoetics: Memory and slavery in African American drama. Bruxelles: P.I.E. Peter Lang, 2008.

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23

Krasner, David. Resistance, parody, and double consciousness in African American theatre, 1895-1910. New York: St. Martin's Press, 1997.

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24

The Cambridge companion to African American theatre. Cambridge: Cambridge University Press, 2012.

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25

Carter, Steven R. Hansberry's drama: Commitment amid complexity. Urbana: University of Illinois Press, 1991.

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26

Asher, Sandy. A woman called Truth. Woodstock, Ill: Dramatic Pub. Co., 1989.

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27

Asher, Sandy. A woman called Truth: A play in two acts celebrating the life of Sojourner Truth. Woodstock, Ill: Dramatic Pub., 1993.

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28

Faith, Jackson Pamela y Karimah, eds. Black comedy: Nine plays : a critical anthology with interviews and essays. New York: Applause, 1997.

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29

Association for Theatre in Higher Education (U.S.). Conference. Blackstream: Black Theatre Association presents select papers from the 1995 Association for Theatre in Higher Education's San Francisco Conference. Editado por Elam Harry Justin y Black Theatre Association. Chicago, IL: Black Theatre Association of the Association for Theatre in Higher Education (ATHE), 1997.

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30

Elam, Harry Justin. The past as present in the drama of August Wilson. Ann Arbor: University of Michigan Press, 2004.

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31

Elam, Harry Justin. The past as present in the drama of August Wilson. 2a ed. Ann Arbor: University of Michigan Press, 2006.

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32

Hay, Samuel A. African American theatre: An historical and critical analysis. Cambridge [England]: Cambridge University Press, 1994.

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33

Hay, Samuel A. African American theatre: A historical and critical analysis. Cambridge: Cambridge University Press, 1994.

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34

Hay, Samuel A. African American theatre: A historical and critical analysis. Cambridge: Cambridge University Press, 1994.

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35

The impact of race: Theatre and culture. New York: Applause Theatre & Cinema Books, 2003.

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36

Coleman, Gregory D. We're heaven bound!: Portrait of a Black sacred drama. Athens: University of Georgia Press, 1994.

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37

Wilson, August. Two trains running. Alexandria, VA: Alexander Street Press, 2004.

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38

Wilson, August. Two trains running. New York: Plume, 1992.

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39

Wilson, August. Two trains running. New York: Theatre Communications Group, 2008.

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40

Effiong, Philip U. In search of a model for African-American drama: A study of selected plays by Lorraine Hansberry, Amiri Baraka, and Ntozake Shange. Lanham, MD: University Press of America, 2000.

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41

Henry, Miller. Theorizing black theatre: Art versus protest in critical writings, 1898-1965. Jefferson, N.C: McFarland & Co., 2011.

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42

Phillips, Caryl. Rough crossings. London: Oberon Books, 2007.

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43

Williams, Dana A. Contemporary African American female playwrights: An annotated bibliography. Westport, Conn: Greenwood Press, 1998.

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44

Benson, Kathleen, Virginia Schomp, James Haskins, Pearl Sharp y Anne Devereaux Jordan. Drama of African-American History Group 1 (The Drama of African-American History). Benchmark Books (NY), 2006.

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45

The Reconstruction Era (The Drama of African-American History). Benchmark Books (NY), 2006.

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46

Benson, Kathleen y Haskins James. Africa: A Look Back (The Drama of African-American History). Benchmark Books (NY), 2006.

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47

Leonard, David J. y Lisa Guerrero, eds. African Americans on Television. ABC-CLIO, LLC, 2013. http://dx.doi.org/10.5040/9798400608049.

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A comprehensive look at the history of African Americans on television that discusses major trends in black TV and examines the broader social implications of the relationship between race and popular culture as well as race and representation. Previous treatments of the history of African Americans in television have largely lacked theoretical analysis of the relationship between representations and social contexts. African Americans on Television: Race-ing for Ratings fills the existing void by supplying fundamental history with critical analyses of the racial politics of television, documenting the considerable effect that television has had on popular notions of black identity in America since the inception of television. Covering a spectrum of genres—comedy, drama, talk shows, television movies, variety shows, and reality television, including shows such as Good Times, The Oprah Winfrey Show, and Chappelle's Show—this insightful work traces a cultural genealogy of African Americans in television. Its chronological analysis provides an engaging historical account of how African Americans entered the genre of television and have continued to play a central role in the development of both the medium and the industry. The book also tracks the shift in the significance of African Americans in the television market and industry, and the changing, but enduring, face of stereotypes and racism in American television culture.
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48

Anderson, Lisa M. Black Feminism in Contemporary Drama. University of Illinois Press, 2008.

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49

Major voices: The drama of slavery. New Milford, CT: Toby Press, 2005.

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50

Slavery And Resistance (The Drama of African-American History). Benchmark Books (NY), 2006.

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