Literatura académica sobre el tema "African American aesthetics"
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Artículos de revistas sobre el tema "African American aesthetics"
Pyrova, Tatiana Leonidovna. "Philosophical-aesthetic foundations of African-American hip-hop music". Философия и культура, n.º 12 (diciembre de 2020): 56–62. http://dx.doi.org/10.7256/2454-0757.2020.12.34717.
Texto completoMcGowan, Grace. "“I Know I Can’t Change the Future, But I Can Change the Past”: Toni Morrison, Robin Coste Lewis, and the Classical Tradition". Contemporary Women's Writing 13, n.º 3 (noviembre de 2019): 339–56. http://dx.doi.org/10.1093/cww/vpaa001.
Texto completoKumar, Fayaz Ahmad y Colette Morrow. "Theorizing Black Power Movement in African American Literature: An Analysis of Morrison's Fiction". Global Language Review V, n.º IV (30 de diciembre de 2020): 45–53. http://dx.doi.org/10.31703/glr.2020(v-iv).06.
Texto completoDeFrantz, Thomas F. "African American Dance - Philosophy, Aesthetics, and ‘Beauty’". Topoi 24, n.º 1 (enero de 2005): 93–102. http://dx.doi.org/10.1007/s11245-004-4165-7.
Texto completoDjeDje, Jacqueline Cogdell. "APPALACHIAN BLACK FIDDLING: HISTORY AND CREATIVITY". African Music: Journal of the International Library of African Music 11, n.º 2 (1 de diciembre de 2020): 77–101. http://dx.doi.org/10.21504/amj.v11i2.2315.
Texto completoSchur, Richard. "Post-Soul Aesthetics in Contemporary African American Art". African American Review 41, n.º 4 (1 de diciembre de 2007): 641. http://dx.doi.org/10.2307/25426982.
Texto completoSherrard-Johnson, C. "Revolutionary Potential: African-American Aesthetics in the Depression Era". American Literary History 27, n.º 2 (23 de febrero de 2015): 351–62. http://dx.doi.org/10.1093/alh/ajv005.
Texto completoJenkins, Chris. "Assimilation and Integration in Classical Music Education". Action, Criticism, and Theory for Music Education 21, n.º 2 (septiembre de 2022): 156–81. http://dx.doi.org/10.22176/act21.2.156.
Texto completoMoore, Jeania Ree V. "African American Quilting and the Art of Being Human: Theological Aesthetics and Womanist Theological Anthropology". Anglican Theological Review 98, n.º 3 (junio de 2016): 457–78. http://dx.doi.org/10.1177/000332861609800302.
Texto completoCrawford, Margo Natalie. "What Time Is It When You’re Black?" South Atlantic Quarterly 121, n.º 1 (1 de enero de 2022): 153–72. http://dx.doi.org/10.1215/00382876-9561601.
Texto completoTesis sobre el tema "African American aesthetics"
Gibson, Ebony Z. "Art for whose Sake?: Defining African American Literature". Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/aas_theses/17.
Texto completoPotter, Lawrence T. "Harlem's forgotten genius : the life and works of Wallace Henry Thurman /". free to MU campus, to others for purchase, 1999. http://wwwlib.umi.com/cr/mo/fullcit?p9946287.
Texto completoEllis, Aimé Jero. "The "bad nigger" in contemporary Black popular culture : 1940 to the present /". Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.
Texto completoSilvio, Carl. "The institutional production of literary value studies of African-American popular music lyrics and the avant-garde /". Morgantown, W. Va. : [West Virginia University Libraries], 2001. http://etd.wvu.edu/templates/showETD.cfm?recnum=2061.
Texto completoTitle from document title page. Document formatted into pages; contains iii, 310 p. Includes abstract. Includes bibliographical references (p. 301-310).
Moskowitz, Alex. "American Imperception: Literary Form, Sensory Perception, and Political Economy in Nineteenth-Century American Literature". Thesis, Boston College, 2021. http://hdl.handle.net/2345/bc-ir:109138.
Texto completoThesis advisor: Jennifer Greiman
“American Imperception” explores how early American writers investigated the role that political economy plays in the relation between sensory perception and knowledge. This dissertation argues that nineteenth-century American writers used literature to teach their readers to understand how economic forms and forms of economic activity fundamentally shape and train the sensorium to sense in historically and contextually specific ways. In “American Imperception,” I show how literature can make legible otherwise insensible forms of social and economic relations. The impossibility of sensing social and economic form—and the way in which that impossibility is rendered through literature—is what I call in this project “imperception.” Imperception describes the way in which literary form makes intelligible the structures of social, political, and economic life: structures that themselves cannot be sensed directly and which therefore cannot be directly represented by literature. “American Imperception” is focused on how literature interacts with social life within a capitalist modernity defined by the value form and the commodity form, and how literature formalizes the structures of social life through a specifically literary logic, transforming them into something that can be read where they cannot be seen, heard, felt, or represented. This dissertation draws on Karl Marx’s thinking on the senses and the suprasensible to consider how U.S. writers of the nineteenth-century mobilized literary form to make thinkable forms of sociality that cannot be contained by the imperceptible nature of sociality under capital. As I show in this dissertation, the political economy of social life determines what can be sensed, just as what can be sensed marks the horizon of political and social possibility
Thesis (PhD) — Boston College, 2021
Submitted to: Boston College. Graduate School of Arts and Sciences
Discipline: English
Hopkins, Richard L. D. "Reggae in the Motor City: The Afropolitan Aesthetics of Reggae in Detroit, MI". Bowling Green State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1573002146396538.
Texto completoIsaac, Rochell J. "AFRICAN HUMANISM: A PRAGMATIC PRESCRIPTION FOR FOSTERING SOCIAL JUSTICE AND POLITICAL AGENCY". Diss., Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/186541.
Texto completoPh.D.
This study explores an African conception of Humanism as distinct from the European model and challenges the notion that Humanism is an entirely European construct. I argue that the ideological core of Humanism originated in ancient Kemet, the basis of which frames the African worldview. Furthermore, the theoretical framework provided by the African Humanistic paradigm serves as a model for structuring inter and intra group relations, for tackling notions of difference and issues of fundamentalism, for addressing socio-economic political concerns, and finally, to shift the currents of political rhetoric from one of jouissance to a more progressive and pragmatic stance.
Temple University--Theses
Reed, Caroliese Frink. "Aesthetic Re-Creation and Regeneration in African American Storytelling: The Works of Torrence, Goss and Alston". Diss., Temple University Libraries, 2015. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/362263.
Texto completoPh.D.
From the animal and trickster tales told by enslaved Africans in America to current education and performance based storytelling by contemporary African American storytellers, this study traces the aesthetics and epistemologies of the collaborative African diasporic oral expressive traditions. Through systematic analysis based on data derived from bibliographic and archival sources, interviews, and participant observation, it delineates the progression of the repertoire and content of Blackstorytelling through the lives and works of national and internationally known storytellers, Jackie Torrence, Linda Goss and Charlotte Blake Alston. Its theoretical framework is inspired by Kariamu Welsh Asante’s aesthetic senses coupled with pertinent ideas of other scholars in the field. The study demonstrates the existence of significant evidence of cultural preservation and artistic re-interpretation of the African aesthetic in Blackstorytelling. The genre comprises both traditional and contemporary expressions of African American culture. As such, it is a major component of the universal African oral continuum
Temple University--Theses
White, Theresa Renee. "Media as pedagogy and socializing agent influences of feminine beauty aesthetics in American teen-oriented films and magazines on African American adolescent female self image /". Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1610103761&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Texto completoThompson, Sheneese. "Oshun, Lemonade and Other Yellow Things: Philosophical and Empirical Inquiry into Incorporation of Afro-Atlantic Religious Iconography". The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1555573211820986.
Texto completoLibros sobre el tema "African American aesthetics"
1944-, Baer Hans A., Polk Noel y University of Southern Mississippi, eds. Black church ritual and aesthetics. Hattiesburg: University of Southern Mississippi, 1985.
Buscar texto completoDriskell, David C. African American visual aesthetics: A postmodernist view. Washington: Smithsonian Institution Press, 1995.
Buscar texto completoOmry, Keren. Cross-rhythms: Jazz aesthetics in African-American literature. London: Continuum, 2008.
Buscar texto completoCross-rhythms: Jazz aesthetics in African-American literature. London: Continuum, 2008.
Buscar texto completoLooking for Harlem: Urban aesthetics in African American literature. London: Pluto Press, 2000.
Buscar texto completoKariamu, Welsh-Asante, ed. The African aesthetic: Keeper of the traditions. Westport, Conn: Greenwood Press, 1993.
Buscar texto completoGabbin, Joanne V. Sterling A. Brown: Building the Black aesthetic tradition. Charlottesville: University Press of Virginia, 1994.
Buscar texto completoMoten, Fred. In the break: The aesthetics of the Black radical tradition. Minneapolis: University of Minnesota Press, 2003.
Buscar texto completoShockley, Evie. Renegade Poetics: Black Aesthetics and Formal Innovation in African American Poetry. Iowa City: University of Iowa Press, 2011.
Buscar texto completoBlack intellectuals, Black cognition, and a Black aesthetic. Westport, Conn: Praeger, 1997.
Buscar texto completoCapítulos de libros sobre el tema "African American aesthetics"
Taylor, Clyde R. "Black Cinema and Aesthetics". En A Companion to African-American Philosophy, 399–406. Malden, MA, USA: Blackwell Publishing, 2007. http://dx.doi.org/10.1002/9780470751640.ch26.
Texto completoSimpson, Lorenzo C. "Critical Theory, Aesthetics, and Black Modernity". En A Companion to African-American Philosophy, 386–98. Malden, MA, USA: Blackwell Publishing, 2007. http://dx.doi.org/10.1002/9780470751640.ch25.
Texto completoLewis-Mhoon, Abena. "Foraging Fashion: African American Influences on Cultural Aesthetics". En Soul Thieves, 61–75. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137071392_5.
Texto completoSchur, Richard. "Stomping the Blues No More? Hip Hop Aesthetics and Contemporary African American Literature". En New Essays on the African American Novel, 201–20. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1007/978-0-230-61275-4_14.
Texto completoCooper, Preston Park. "“A Beautiful Black Butterfly”: Eastern Aesthetics and Postmodernism in Ishmael Reed’S Japanese by Spring". En Cross-Cultural Visions in African American Literature, 177–90. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230119123_9.
Texto completoUwakweh, Pauline Ada. "Mobilities as Transnational Literary Aesthetics in Adichie's Americanah". En Women Writers of the New African Diaspora, 68–85. London: Routledge, 2022. http://dx.doi.org/10.4324/9780429296383-5.
Texto completoThompson, Mark Christian. "Aesthetic Hygiene: Marcus Garvey, W.E.B. Du Bois, and the Work of Art". En A Companion to African American Literature, 243–53. Oxford, UK: Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444323474.ch16.
Texto completoSackeyfio, Rose A. "Negotiating identity and Pan-African aesthetics in Americanah by Chimamanda Ngozi Adichie". En West African Women in the Diaspora, 53–66. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003219323-5.
Texto completoMoody, Shirley C. "Anna Julia Cooper, Charles Chesnutt, and The Hampton Folklore Society—Constructing a Black Folk Aesthetic through Folklore and Memory". En New Essays on the African American Novel, 13–32. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1007/978-0-230-61275-4_2.
Texto completoTredell, Nicolas. "‘Hasn’t got any name’: Aesthetics, African Americans and Policemen in The Great Gatsby". En Reassessing the Twentieth-Century Canon, 27–42. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137366016_3.
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