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Libros sobre el tema "Affect (Psychology) in art"

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Autor: Grafiati
Publicado: 25 de julio de 2024
Última modificación: 30 de julio de 2024

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1

1944-, Malone Patrick Thomas, ed. The art of intimacy. New York: Prentice Hall Press, 1987.

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2

1944-, Malone Patrick Thomas, ed. The art of intimacy. New York: Prentice Hall Press, 1987.

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3

1944-, Malone Patrick Thomas, ed. The art of intimacy. New York: Simon & Schuster, Inc., 1992.

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4

Malone, Thomas Patrick. The art of intimacy. New York: Simon & Schuster, 1992.

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5

Malone, Thomas Patrick. The art of intimacy. London: Simon & Schuster, 1987.

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6

Chin-sŏk, Ch'oe. Kamŭng ŭi yumullon kwa yesul: Materialism and art in affect. Sŏul T'ŭkpyŏlsi: Tosŏ Ch'ulp'an b, 2020.

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7

Baudoin, Tanja. Reading/feeling. Amsterdam: If I Can't Dance, I Don't Want To Be Part of Your Revolution, 2013.

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8

Kultura afektu, afekty w kulturze (Conference) (2014 Kraków, Poland). Kultura afektu, afekty w kulturze: Humanistyka po zwrocie afektywnym. Warszawa: Instytut Badań Literackich PAN Wydawnictwo, 2015.

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9

Loveless, Peggy. Does self-stereotyping affect performance on the ACT assessment? Iowa City, Iowa: ACT, Inc., 2000.

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10

Loveless, Peggy. Does self-stereotyping affect performance on the ACT assessment? Iowa City, Iowa: ACT, Inc., 2000.

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11

Loveless, Peggy. Does self-stereotyping affect performance on the ACT assessment? Iowa City, Iowa: ACT, Inc., 2000.

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12

England) Liverpool Biennial of Contemporary Art (6th 2010 Liverpool. Touched. Editado por Domela Paul y Biggs Lewis. [Liverpool]: Liverpool Biennial of Contemporary Art, 2011.

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13

Sandblom, Philip. Creativity and disease: How illness affects literature, art, and music. New York: Marion Boyars, 1992.

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14

Sandblom, Philip. Creativity and disease: How illness affects literature, art, and music. New York, NY: Marion Boyars, 1995.

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15

Sandblom, Philip. Creativity and disease: How illness affects literature, art, and music. 7a ed. New York: Marion Boyars, 1992.

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16

Günther, Rosmarie. Emotionen in Geschichte und Literatur. St. Ingbert: Röhrig Universitätsverlag, 2012.

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17

Bizyuk, Aleksandr. Fundamentals of abnormal psychology. ru: INFRA-M Academic Publishing LLC., 2020. http://dx.doi.org/10.12737/974663.

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The textbook is a Supplement to the course of lectures given at the faculties of psychology, where one of the sections of this discipline is clinical psychology. This publication has been updated to reflect the 11th International classification of diseases, changes in which also affect the classification aspects of mental disorders. In order to implement the principle of consistency in mastering knowledge of pathopsychology, the material is given in the context of General and clinical psychology, which facilitates the holistic assimilation of the specifics of this science and understanding its place among other related Sciences. In accordance with the requirements of didactics, the structuring of the material is based on the principle "from simple to complex"; at the end of each paragraph, test questions are offered, finding answers to which in the text of the book forms the core knowledge of the reader. The Chapter devoted to disorders of specific mental functions, in addition to General theoretical data, provides brief descriptions of psychodiagnostic techniques designed to assess the qualitative and quantitative parameters of recorded changes. When writing the book, we used a rich domestic and foreign material published in numerous sources. Meets the requirements of Federal state educational standards of higher education of the latest generation. It is intended for students of psychological, pedagogical and medical universities, primarily clinical psychologists, as well as for a wide range of specialists working in the information field of problems of the ratio of normal and altered psyche.
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18

Richardson, Michael. Traumatic affect. Newcastle upon Tyne: Cambridge Scholars Pub., 2013.

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19

Esquivel, John Corso. Feminist Subjectivities in Fiber Art and Craft: Shadows of Affect. Taylor & Francis Group, 2019.

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20

Zieke, Lars, Anna Pawlak y Isabella Augart. Ars - Visus - Affectus: Visuelle Kulturen des Affektiven in der Frühen Neuzeit. de Gruyter GmbH, Walter, 2016.

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21

Ars - Visus - Affectus: Visuelle Kulturen des Affektiven in der Frühen Neuzeit. de Gruyter GmbH, Walter, 2016.

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22

Esquivel, John Corso. Feminist Subjectivities in Fiber Art and Craft: Shadows of Affect. Taylor & Francis Group, 2019.

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23

Feminist Subjectivities in Fiber Art and Craft: Shadows of Affect. Taylor & Francis Group, 2019.

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24

Esquivel, John Corso. Feminist Subjectivities in Fiber Art and Craft: Shadows of Affect. Taylor & Francis Group, 2019.

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25

Esquivel, John Corso. Feminist Subjectivities in Fiber Art and Craft: Shadows of Affect. Taylor & Francis Group, 2019.

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26

Schilo, Ann. Visual Arts Practice and Affect: Place, Materiality and Embodied Knowing. Rowman & Littlefield International, 2016.

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27

Schilo, Ann. Visual Arts Practice and Affect: Place, Materiality and Embodied Knowing. Rowman & Littlefield International, 2016.

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28

Schilo, Ann. Visual Arts Practice and Affect: Place, Materiality and Embodied Knowing. Rowman & Littlefield Publishers, Incorporated, 2016.

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29

Zieke, Lars, Anna Pawlak y Isabella Augart. Ars - Visus - Affectus: Visuelle Kulturen des Affektiven in der Frühen Neuzeit. de Gruyter GmbH, Walter, 2016.

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30

Bal, Mieke, Antje Krause-Wahl, Serjoscha Wiemer y Heike Oehlschlägel. Affekte: Analysen ästhetisch-Medialer Prozesse. Transcript Verlag, 2015.

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31

Empathic vision: Affect, trauma, and contemporary art. Stanford, Calif: Stanford University Press, 2005.

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32

Saarinen, Jussi. Affect in Artistic Creativity: Painting to Feel. Taylor & Francis Group, 2020.

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33

Saarinen, Jussi. Affect in Artistic Creativity: Painting to Feel. Taylor & Francis Group, 2020.

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34

Affect in Artistic Creativity: Painting to Feel. Taylor & Francis Group, 2020.

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35

Pettit, Michael. Governed By Affect. Oxford University PressNew York, 2024. http://dx.doi.org/10.1093/oso/9780197621851.001.0001.

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Abstract Governed by Affect offers a new history of psychology’s contradictory and contested public life in the United States and beyond since World War II, with a special emphasis on a series of transformations that have occurred since the 1970s. For both policymakers and ordinary people, the discipline of psychology has come to furnish a seemingly inexhaustible array of tools and concepts for making individuals healthier, wealthier, and happier. At the heart of this psychologized neo-liberalism is the notion that attention or the will exists as a scarce resource in a distracted and tempting world. Breaking with the austere and deliberative rationality of Cold War cognitive science, the new psychology depicts individuals as beholden to their unbridled passions and wants. At the same time of this unprecedented cultural influence, psychologists’ expertise came under greater scrutiny than ever before, with the discipline finding itself mired in a pair of moral and epistemological crises which threaten to overturn the field’s self-image as an objective science and a helping profession. The book traces a series of key transformations: a switch from psychology identifying as a social science to a health science; the greater engagement of psychological scientists in the realms of self-help and public policy; and the overshadowing of cognitive science by theories of affect. These three transformations—in psychology’s political economy, in its public engagement, and in its theories of the self—constitute distinct but interconnected areas of analysis for constructing a new history of the psychological society. Such a perspective offers a critical genealogy of the stakes and public face of psychology at a time when the provision of mental health services and the use of behavioral interventions to improve both personal and social well-being are acute matters of concern.
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36

Blair, John, Mary-Elizabeth O'Brien, Jennifer Marston William, Muriel Cormican y Nancy Nenno. Tender Gaze: Compassionate Encounters on the German Screen, Page, and Stage. Boydell & Brewer, Limited, 2021.

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37

Blair, John, Mary-Elizabeth O'Brien, Jennifer Marston William, Muriel Cormican y Nancy Nenno. Tender Gaze: Compassionate Encounters on the German Screen, Page, and Stage. Boydell & Brewer, Incorporated, 2021.

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38

Tender Gaze: Compassionate Encounters on the German Screen, Page, and Stage. Boydell & Brewer, Incorporated, 2021.

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39

Music, Dance, Affect, and Emotions in Latin America. Lexington Books/Fortress Academic, 2017.

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40

Martin, Jeffrey J. Negative Affect. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190638054.003.0020.

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Experiencing negative affect during training and during competition is common. Much of the disability sport psychology research on negative affect has not been embedded in common sport theories of anxiety. This chapter presents an overview of the most common concepts and theories regarding anxiety and stress in sport. It also discusses the body of literature in disability sport that addresses negative affect. Most of the research in disability sport on negative affect has been on anxiety and stress, and other negative emotions such as shame, disappointment, frustration, grief, or disgust have not been examined. For athletes with disabilities there are many potential sources of stress, such as a person’s impairment, impairment effects, general sport, disability sport, and non-sport-related considerations. All of these factors can be stressful and tax an athlete’s ability to manage challenges that influence the ability to train and compete optimally. The chapter concludes with a discussion of how the classification process and the wheelchair in various wheelchair sports can also induce anxiety.
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41

Afecto, archivo, memoria: Territorios y escrituras del pasado. México, D.F: Universidad Iberoamericana, 2016.

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42

Haltung und Affekt. Bohlau Verlag GmbH u. Co. KG, 2019.

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43

Feeling Film: Affect and Authenticity in Popular Cinema. Routledge, 2014.

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44

Singh, Greg. Feeling Film: Affect and Authenticity in Popular Cinema. Taylor & Francis Group, 2014.

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45

Singh, Greg. Feeling Film: Affect and Authenticity in Popular Cinema. Taylor & Francis Group, 2014.

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46

Singh, Greg. Feeling Film: Affect and Authenticity in Popular Cinema. Taylor & Francis Group, 2014.

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47

Feeling Film: Affect and Authenticity in Popular Cinema. Taylor & Francis Group, 2014.

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48

Feeling Film: Affect and Authenticity in Popular Cinema. Routledge, 2014.

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49

Markwica, Robin. The Logic of Affect. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198794349.003.0002.

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Chapter 2 develops the logic of affect, or emotional choice theory, as an alternative action model besides the traditional logics of consequences and appropriateness. Drawing on research in psychology and sociology, the model captures not only the social nature of emotions but also their bodily and dynamic character. It posits that the interplay between identities, norms, and five key emotions—fear, anger, hope, pride, and humiliation—can shape decision-making in profound ways. The chapter derives a series of propositions how these five key emotions tend to influence the choice behavior of political leaders whose countries are targeted by coercive diplomacy. These propositions specify the affective conditions under which target leaders are likely to accept or reject a coercer’s demands. Even when emotions produce powerful impulses, humans will not necessarily act on them, however. The chapter thus also incorporates decision-makers’ limited ability to regulate their emotions into the logic of affect.
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50

Bennett, Jill. Empathic Vision: Affect, Trauma, and Contemporary Art (Cultural Memory in the Present). Stanford University Press, 2004.

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