Tesis sobre el tema "810/820"

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1

Jorsch-Peußner, Alexandra [Verfasser]. "Berlin Stories. Berlin as a Metaphysical City in English and American Literature / Alexandra Jorsch-Peußner". Aachen : Shaker, 2012. http://d-nb.info/1066196680/34.

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Feßler, Nadine [Verfasser] y Raoul [Akademischer Betreuer] Eshelman. "Being struck by the event : literature and its subjects after postmodernism / Nadine Feßler. Betreuer: Raoul Eshelman". München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2015. http://d-nb.info/111294298X/34.

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3

Peters, Maria Verena [Verfasser]. "Crossover literature and age in crisis at the turn of the 21st century : Harry Potter’s kidults and the Twilight moms / Maria Verena Peters". Siegen : Universitätsbibliothek der Universität Siegen, 2018. http://d-nb.info/1161942939/34.

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4

Meyer, Neele [Verfasser] y Bernhard [Akademischer Betreuer] Teuber. "Glocalizing genre fiction in the global South : Indian and Latin American post-millennial crime fiction / Neele Meyer ; Betreuer: Bernhard Teuber". München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2017. http://d-nb.info/1198111828/34.

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5

Usbeck, Frank. ""Keep that Fan Mail Coming." Ceremonial Storytelling and Audience Interaction in a US Soldier’s Milblog". De Gruyter, 2014. https://tud.qucosa.de/id/qucosa%3A38569.

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The wars in Afghanistan and Iraq initiated a surge of texts by US soldiers who utilized recent Web 2.0 technology to forge new types of war narratives, such as the so-called “milblogs.” Milblogs merge letter and journal writing with journalistic reporting, and they maintain contact between soldiers and their social environment. They are at once public and private communication. Military psychology since Vietnam has referred to warrior traditions of Native American communities to discuss public narration and ceremonial acknowledgment of a soldier’s war experience as vital elements for veteran readjustment and trauma recovery. This article analyzes an exemplary milblog to argue that the interaction between blogger and audience does similar cultural work and has comparable ceremonial and, therefore, therapeutic functions: Soldiers publicly share their experience, reflect on it with their audience, receive appreciation and support, and thus mutually (re-)negotiate group identity.
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6

Thai, Son Doan. "Lyapunov Exponents for Random Dynamical Systems". Doctoral thesis, Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2010. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-25314.

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In this thesis the Lyapunov exponents of random dynamical systems are presented and investigated. The main results are: 1. In the space of all unbounded linear cocycles satisfying a certain integrability condition, we construct an open set of linear cocycles have simple Lyapunov spectrum and no exponential separation. Thus, unlike the bounded case, the exponential separation property is nongeneric in the space of unbounded cocycles. 2. The multiplicative ergodic theorem is established for random difference equations as well as random differential equations with random delay. 3. We provide a computational method for computing an invariant measure for infinite iterated functions systems as well as the Lyapunov exponents of products of random matrices
In den vorliegenden Arbeit werden Lyapunov-Exponented für zufällige dynamische Systeme untersucht. Die Hauptresultate sind: 1. Im Raum aller unbeschränkten linearen Kozyklen, die eine gewisse Integrabilitätsbedingung erfüllen, konstruieren wir eine offene Menge linearer Kyzyklen, die einfaches Lyapunov-Spektrum besitzen und nicht exponentiell separiert sind. Im Gegensatz zum beschränkten Fall ist die Eingenschaft der exponentiellen Separiertheit nicht generisch in Raum der unbeschränkten Kozyklen. 2. Sowohl für zufällige Differenzengleichungen, als auch für zufällige Differentialgleichungen, mit zufälligem Delay wird ein multiplikatives Ergodentheorem bewiesen. 3.Eine algorithmisch implementierbare Methode wird entwickelt zur Berechnung von invarianten Maßen für unendliche iterierte Funktionensysteme und zur Berechnung von Lyapunov-Exponenten für Produkte von zufälligen Matrizen
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7

Spitz, Alice [Verfasser]. "Power plays : the representation of mother-daughter disputes in contemporary plays by women ; a study in discourse analysis / vorgelegt von Alice Spitz". 2006. http://d-nb.info/979505364/34.

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8

Weigelt, Christian Volker Kurt [Verfasser]. "Rediscovering addicts : constructions of the drug addict in English and American narrative literature (1822 - 1999) / von Christian Volker Kurt Weigelt". 2005. http://d-nb.info/977164756/34.

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9

Weimbs, Catrin [Verfasser]. "Utopic bodies, dystopic subjects : dialogues between literature and theory / vorgelegt von Catrin Weimbs". 2010. http://d-nb.info/1010953702/34.

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10

Schwabe, Sandra [Verfasser]. "Literaturkritik im Zeichen von Re-education und Demokratisierung : Rezeption und kulturpolitische Funktion britischer und US-amerikanischer Literatur in Deutschland zwischen 1945 und 1949 / von Sandra Schwabe". 2009. http://d-nb.info/1000888312/34.

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11

Plaschka, Oliver [Verfasser]. "Verlorene Arkadien : das pastorale Motiv in der englischen und amerikanischen fantastischen Literatur ; H.P. Lovecraft, James Branch Cabell, Mervyn Peake, William Gibson / von Oliver Plaschka". 2009. http://d-nb.info/999205609/34.

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12

Hild, Cornelia [Verfasser]. ""Not blood relations, ink relation" : Autobiographie und Fiktion / vorgelegt von Cornelia Hild". 2007. http://d-nb.info/993538401/34.

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13

Pärsch, Sibylle [Verfasser]. "Differenz und Interdependenz : die Krise der Metaerzählungen und ihre Folgen in Salman Rushdies The Satanic Verses und Don DeLillos Underworld / vorgelegt von Sibylle Pärsch". 2007. http://d-nb.info/98473595X/34.

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14

Pattenden, Frieda [Verfasser]. "Reading "Quality American Television" Drama : a student-centred learning concept based on The Sopranos / vorgelegt von Frieda Pattenden". 2010. http://d-nb.info/1010482459/34.

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15

Trampus, Sonja [Verfasser]. "Bilingual instruction of commercial subjects in the context of teaching Business English : bilingual versus non-bilingual students at the Bundeshandelsakademie 1 Salzburg / vorgelegt von Sonja Trampus". 2009. http://d-nb.info/100323268X/34.

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16

Schneider, Barbara [Verfasser]. "Journeys to the self and Germany : study abroad narratives in the context of American culture / vorgelegt von Barbara Schneider". 2007. http://d-nb.info/997742771/34.

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17

Fischer, Anne-Rose [Verfasser]. "Erlesene Stimmen : semantische und funktionale Analyse von Stimmdarstellungen in englischen fiktionalen Texten / vorgelegt von Anne-Rose Fischer". 2005. http://d-nb.info/974402850/34.

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18

Faísco, Cátia. "Despidos em palco: a representação de Sarah Kane e Mark Ravenhill em Portugal". Master's thesis, 2014. http://hdl.handle.net/1822/33035.

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Dissertação de mestrado em Mediação Cultural e Literária (área de especialização em Cinema e Literatura)
Despidos em Palco - A representação de Sarah Kane e Mark Ravenhill em Portugal, pretende analisar as peças Ruínas e Purificados de Sarah Kane, e Foder e ir às Compras e Algumas Polaroids Explícitas de Mark Ravenhill, da perspetiva textual e do ponto de vista das representações em Portugal. Esta dissertação também foca o contexto cultural no qual as peças foram escritas (Inglaterra) e no qual foram representadas (Portugal). As peças que foram escolhidas para esta dissertação, no caso de Sarah Kane, resume-se ao facto de Ruínas ter tido um grande impacto em Inglaterra e porque Purificados, foi uma das peças que mais me marcou enquanto espetadora. No que diz respeito à obra de Ravenhill, as duas peças escolhidas foram as que as companhias portugueses mais representaram. Concluindo, esta investigação pretende iniciar uma pesquisa dramatúrgica no contexto da dramaturgia britânica contemporânea, que apesar de ser muito importante para investigadores, atores e encenadores, ainda continua por explorar, em Portugal.
Naked on Stage – The performance of Sarah Kane and Mark Ravenhill in Portugal, aims to analyze the plays Blasted and Cleansed, from Sarah Kane and Shopping and Fucking and Some Explicit Polaroids, from Mark Ravenhill, from the perspective of the text itself and from the point of view of the performances staged in Portugal. This research will also focus on the cultural context in England, in which these plays were written, and in Portugal, in which they were performed. These plays were chosen because, in Kane's case, Blasted had a huge impact in England and because Cleansed was one of the plays that really fulfilled me as a spectator. As for Ravenhill’s work, the two plays were the ones that the Portuguese chose to present more often on stage. To conclude, this research aims to be the beginning of a dramaturgic research in the context of contemporary British dramaturgy, which despite being vital for researchers, actors and directors, are still left unexplored, in Portugal.
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