Literatura académica sobre el tema "1940-"

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Artículos de revistas sobre el tema "1940-"

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SANTOS-SILVA, ANTONIO y LARRY G. BEZARK. "The primary types of Bisaltes (Bisaltes) Thomson of the Museu de Zoologia, Universidade de São Paulo, with notes and synonymies regarding other species of this subgenus and Bisaltes (Craspedocerus) Aurivillius (Coleoptera, Cerambycidae, Lamiinae)". Zootaxa 5165, n.º 1 (13 de julio de 2022): 95–106. http://dx.doi.org/10.11646/zootaxa.5165.1.4.

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Photographs of the primary type (holotype or syntype) of eleven species of Bisaltes are provided for the first time: Bisaltes buquetii Thomson, 1868; Bisaltes flaviceps Breuning, 1940; Bisaltes fuscoapicalis Breuning, 1950; Bisaltes fuscodiscalis Breuning, 1943; Bisaltes fuscomarmoratus Breuning, 1966; Bisaltes pictus Breuning, 1940; Bisaltes strandi Breuning, 1940; Bisaltes subreticulatus Aurivillius, 1920; Bisaltes triangularis Breuning, 1940; Bisaltes (Craspedocerus) ptericoptoides Breuning, 1942 and Craspedocerus poecilus Aurivillius, 1900. Bisaltes (Bisaltes) picticornis Galileo & Martins, 2003 is synonymized with Bisaltes (Bisaltes) spegazzinii Bruch, 1911; Bisaltes (Bisaltes) petilus Galileo & Martins, 2009 is synonymized with Bisaltes (Bisaltes) pulvereus (Bates, 1866); Bisaltes (Bisaltes) argentiniensis Breuning, 1971 is synonymized with Bisaltes (Bisaltes) adustus (Burmeister, 1865); and Bisaltes (Bisaltes) columbianus Breuning, 1971 is synonymized with Bisaltes (Craspedocerus) poecilus Aurivillius, 1900. Photographs of the four primary types of species of Bisaltes (Bisaltes) at the Museu de Zoologia, Universidade de São Paulo are provided. The inclusion of Bisaltes venezuelensis in this genus is questioned. The difference between Bisaltes (Bisaltes) and Bisaltes (Craspedocerus) is discussed and questioned.
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Гареева .,, Г. Н. y И. А. Мустафина . "Тема войны и мира в башкирской поэзии". ТЕНДЕНЦИИ РАЗВИТИЯ НАУКИ И ОБРАЗОВАНИЯ 97, n.º 4 (2023): 49–52. http://dx.doi.org/10.18411/trnio-05-2023-194.

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В конце тридцатых годов ХХ века, в пору усиления международной напряженности, в башкирской поэзии одной из центральных тем становится тема войны и мира. Один из ведущих поэтов того времени Рашит Нигмати в стихотворениях и поэмах «Голос истории» (1935), «Письма к дочери» (1938), «Военные эпизоды» (1940), «Он повседневно совершает подвиг» (1940). Основное направление творчества Р.Нигмати в годы Великой Отечественной войны более емко и точно определено в названии его книги «Песни любви и ненависти» (1941). Также тема Великой Отечественной войны нашла свое яркое отражение в сборниках стихов другого не менее талантливого поэта Мустая Карима. В поэтических сборниках «Мой конь» (1943), «Стихотворения» (1945), поэмах «Декабрьская песня» (1942), «Ульмасбай» (1942-1944), «Черные воды» (1961). М.Карим отразил трагизм войны, героизм наших солдат, гуманистическую миссию Красной Армии
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Mazur, Marcin Łukasz. "Chóralne wydania polskich kolęd na obczyźnie w czasach II wojny światowej". Muzyka 67, n.º 2 (8 de julio de 2022): 91–112. http://dx.doi.org/10.36744/m.1295.

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Podczas wojny i okupacji w wielu miejscach, w których przebywali Polacy powstawały chóry i zespoły śpiewacze. Na ich potrzeby zostały wydane na obczyźnie śpiewniki z polskimi kolędami w opracowaniach na chór a cappella. Śpiewnikom tym poświęcony jest niniejszy artykuł. W l. 1940–46 w Villard-de-Lans koło Grenoble działało polskie Gimnazjum i Liceum im. C. Norwida. Na potrzeby chóru szkolnego, prowadzonego przez Ernesta Bergera (1904–58), matematyka i dyrektora szkoły powstał Zbiór pieśni kościelnych E. Bergera (Villard de Lans 1941). Rudolf Rygiel (1910–86), uczestnik kampanii wrześniowej, w 1940 r. dotarł do Francji, gdzie włączył się czynnie do działalności ruchu oporu oraz działał jako dyrygent i kompozytor. W 1941 r. wydał trzeci zeszyt Echa ojczystego zawierający dwadzieścia trzy kolędy na chór męski a cappella. Jednym z najważniejszych polskich zespołów w Wielkiej Brytanii był założony w 1940 r. Chór Wojska Polskiego. Z chórem pracował m.in. Henryk Hosowicz (1910–69), który na potrzeby zespołu wydał dwa śpiewniki kolędowe na czterogłosowy chór męski a cappella: 16 kolęd (1940) i 50 kolend (1942). W 1944 r. w Jerozolimie nakładem Ministerstwa Wyznań Religijnych i Oświecenia Publicznego wydany został obszerny Zbiór pieśni polskich w opracowaniu Juliusza Leo (1901–62), który zawiera 180 utworów: 150 świeckich i 30 religijnych. W grudniu 1945 r. Sekcja Wydawnicza 2 Korpusu wydała zbiór kolęd na chór męski a cappella w przedwojennych opracowaniach Kazimierza Garbusińskiego i Gerarda Płachetki. Autor zbioru Kolendy polskie (1945), ppor. Feliks Kapała (ur. 1909), był weteranem walk nad Bzurą, a potem jeńcem Oflagu VIIA Murnau. W zbiorze Kapały znajduje się dwadzieścia pięć kolęd w różnych układach. Kompozytor Szymon Laks (1901–83) w czasie wojny był więźniem obozu w Oświęcimiu. Zbiór pt. Pięć kolęd został wydany już po wojnie przez Związek Polskich Kół Muzyczno-Teatralnych we Francji. Omówienie wymienionych wojennych wydań kolęd na zespoły chóralne jest przyczynkiem do historii polskiej tradycji muzycznej.
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Отрощенко, Иванна Витальевна. "Тувинская Народная Республика накануне вхождения в состав СССР глазами советского дипломата". New Research of Tuva, n.º 4 (29 de noviembre de 2019): 207–15. http://dx.doi.org/10.25178/nit.2019.4.17.

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В статье исследуется ряд резонансных аспектов политической истории Тувинской Народной Республики накануне ее присоединения к Советскому Союзу. Дневниковые записи поверенного в делах СССР в ТНР М. Г. Сущевского (1942–1943) позволяют, в частности, проанализировать ранний, подготовительный этап этого процесса и локализировать хронологическую дату, с которой советское руководство начало прорабатывать этот вопрос, — 18 марта 1943 г. Уделяется внимание и другим явлениям общественно-политической жизни ТНР, связанным с принятием тувинской элитой решения о присоединении к СССР, таким как деятельность государственных органов (Малого хурала), политические репрессии, которые продолжались в республике и в 1940-е гг.Освещаются вопросы эмиграции тувинских аратов в МНР и принудительное переселение этнических тувинцев из Монголии в Туву 1930–1940-х гг. Рассматривается вопрос о границе, который с начала 1930-х гг. стал ключевым в отношениях между МНР и ТНР и оставался таким до вхождения Тувы в состав СССР в октябре 1944 года.Исследование опирается в том числе на неопубликованные «Дневники поверенного в Делах СССР в ТНР т.т. Сущевского и Бударина». 10.12.1942–30.11.1943», которые хранятся в Архиве внешней политики Российской Федерации, в фонде 06 «Секретариат В. М. Молотова».
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POLOTOW, DANIELE y ANTONIO D. BRESCOVIT. "Revision of the new wandering spider genus Ohvida and taxonomic remarks on Celaetycheus Simon, 1897 (Araneae: Ctenidae)". Zootaxa 2115, n.º 1 (22 de mayo de 2009): 1–20. http://dx.doi.org/10.11646/zootaxa.2115.1.1.

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The new ctenid genus Ohvida is proposed to include eight species: Ohvida fulvorufa (Franganillo, 1931) comb. nov. (type species) (= Celaetycheus cabriolatus Franganillo, 1930 syn. nov.; = C. cabriolatus pardosiformis Franganillo, 1930 syn. nov.; = C. fulvorufus afoliatus Franganillo, 1931 syn. nov.), O. isolata (Bryant, 1940) comb. nov., O. vernalis (Bryant, 1940) comb. nov., O. brevitarsus (Bryant, 1940) comb. nov., O. coxanus (Bryant, 1940), comb. nov., and three new species, O. turquino sp. nov. (all species from Cuba), and O. andros sp. nov. and O. bimini sp. nov. (both species from The Bahamas). Species of Ohvida differ from all other ctenid spiders by the presence of a retrodorsal projection on the cymbium of the male pedipalp and by a basal position of the lateral spurs on the female epigyne. The genus Celaetycheus Simon, 1897 is reviewed to only include its type species, C. flavostriatus Simon, 1897 from Brazil. We propose the following synonyms and new combinations: Ctenus ottleyi (Petrunkevitch, 1930) (= Celaetycheus strenuus Bryant, 1942 syn. nov. and C. modestus Bryant, 1942 syn. nov.); Ctenus delesserti (Caporiacco, 1947) comb. nov., and Leptoctenus paradoxus (F.O. P.-Cambridge, 1900) comb. nov. Celaetycheus modestus Bryant, 1942 is considered incertae sedis.
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PESCHANSKI, DENIS. "Legitimacy/Legitimation/Delegitimation: France in the Dark Years, a Textbook Case". Contemporary European History 13, n.º 4 (noviembre de 2004): 409–23. http://dx.doi.org/10.1017/s0960777304001870.

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The history of France's defeat, occupation and subsequent liberation may be read, and written, as a constant struggle for legitimacy. Here the diverse candidates for legitimacy are analysed (Pétain, de Gaulle and the internal Resistance) as well as the agents of legitimation, and the arbiters of that process of legitimation (French society, the German occupier, Britain and the United States). Four successive configurations are distinguished within that struggle for legitimacy: summer 1940 to spring 1941, the time of the defeat; summer and autumn 1941, when French society called into question the legitimacy of the Vichy French State; the crossroads of greatest legitimacy between late 1942 and mid-1943, which also marked the period of greatest fragility for de Gaulle; and spring to autumn 1944, when the key question was which state should be rebuilt.
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Богатов, В. В. "Семья, детство, начало пути в науку, "Природа"". Priroda, n.º 3 (2020): 47–52. http://dx.doi.org/10.7868/s0032874x20030060.

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Всегда интересно узнавать, с чего начиналась жизнь выдающихся людей, где истоки их дарований, почему и как удалось им так много свершить. Поэтому так ценна информация о родных и близких Владимира Леонтьевича Комарова, о детстве и молодости известного ботаника, члена-корреспондента (1914) и академика (1920), вице президента (1930-1936) и президента (1936-1945) АН СССР, Героя Социалистического Труда (1943), президента Всесоюзного ботанического общества (с 1930 г.) и почетного президента Географического общества СССР (с 1940 г.).
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Barros, Gustavo. "O desenvolvimento do setor siderúrgico brasileiro entre 1900 e 1940: Crescimento e substituição de importações". Estudos Econômicos (São Paulo) 45, n.º 1 (marzo de 2015): 153–83. http://dx.doi.org/10.1590/0101-4161201545153gbs.

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Resumo No início do século XX, o setor siderúrgico brasileiro tinha muito pouca expressão prática. Contudo, quando a Companhia Siderúrgica Nacional foi criada, em 1941, como uma resposta ao problema siderúrgico nacional, o setor siderúrgico doméstico já era bem mais significativo. De fato, entre 1900 e 1940, e sobretudo nas décadas de 1920 e 1930, o setor siderúrgico brasileiro foi capaz de conduzir um importante processo de desenvolvimento. A reconstrução desse processo de evolução setorial, centrado no processo global de crescimento da produção siderúrgica, na sua composição e na substituição de importações que o setor foi capaz de realizar, é o objeto deste trabalho. Além disso, o artigo faz uma avaliação crítica dos dados quantitativos disponíveis sobre o setor no período, complementando-os e os expandindo, e procura fazer um uso analítico mais sistemático deles.
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Labanca, Nicola. "L'esercito e la contraerea 1940-1943". ITALIA CONTEMPORANEA, n.º 263 (diciembre de 2011): 207–16. http://dx.doi.org/10.3280/ic2011-263002.

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Questo articolo, basato su fonti archivistiche inedite, analizza l'organizzazione della difesa contraerea, la parte ‘attiva' della protezione antiaerea allestita dal regime fascista durante la seconda guerra mondiale. Essa rivelava forti contraddizioni: il ruolo centrale era del ministero della Guerra, ma la direzione era presso il ministero dell'Interno; militare era il sottocapo di Stato Maggiore per la difesa territoriale (che fu molto attivo nel cercare di riformare l'organizzazione della difesa aerea), ma i suoi poteri erano limitati. Nel primo anno di guerra, 1940- 1941, la contraerea del regime fascista non dovette fronteggiare attacchi analoghi a quelli portati contro la Germania nazista. Nel secondo, 1941-1942, alcune riforme furono introdotte e in questo settore il rapporto fra Italia e Germania fu percepito come importante dal regime fascista. Verso la fine della guerra fascista, fra 1942 e 1943, l'Italia subě i maggiori bombardamenti e la difesa contraerea si rivelň complessivamente insufficiente. Nel gioco fra riforme e struttura del sistema, nonostante l'attivismo del sottocapo, le sfide si rivelarono troppo forti per i mezzi che il regime poteva attivare.
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Rudling, Per Anders. "The Cult of Roman Shukhevych in Ukraine: Myth Making with Complications". Fascism 5, n.º 1 (26 de mayo de 2016): 26–65. http://dx.doi.org/10.1163/22116257-00501003.

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Ukrainian president Viktor Iushchenko’s posthumous designation of Roman Shukhevych (1907–1950), the supreme commander of the Ukrainian Insurgent Army (upa) as a Hero of Ukraine in 2007 triggered intense, and polarized debates in Ukraine and abroad, about Second World War-era Ukrainian nationalism and its place in history. Particularly sensitive are Roman Shukhevych’s whereabouts in 1940–1943, when he served in German uniform, as a Hauptmann, or captain, in the battalion Nachtigall in 1941 thereafter, in 1942–1943 in Schutzmannschaft battalion 201, taking part in ‘anti-partisan operations’ in occupied Belarus. This article analyzes the controversy regarding the memory of Roman Shukhevych.
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Tesis sobre el tema "1940-"

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Kousouris, Dimitris. "Une épuration ordinaire : les procès des collaborateurs en Grèce (1944-1949) comme composante de la reconstruction judiciaire en Europe". Paris, EHESS, 2009. http://www.theses.fr/2009EHES0141.

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La thèse porte sur I'histoire de l'épuration judiciaire des collaborateurs des forces d'occupation en Grèce après la libération du pays en 1944. L'épuration se déroula dans le contexte d'une guene civile qui, déclenchée déjà sous I'Ocrupation, n'a pourtânt pas pris fin qu'en 1949, date dans laquelle se déroulèrent aussi les derniers proces du Tribunal Special des Collaborateurs d'Athènes. I,es differentes éûapes de Ia juridicisation de la question des collaborateurs décrivent comment les camps du conflit interne furent adaptés aux lignes de démarcation des conflits internationaux : la naissance rnême de I'opposition ente Resistance et Collaboration exprimait I'alignement des camps internes aux deux camps de la Seconde Guere mondiale. Nous étudions donc cette épuration comme oomposante d'une guerre civile à la fois interne et intemationale. L'exploration des différents aspects, qualitatifs et quantitatifs, des épurations administratives et pénales, révèle que h voie judiciaire fut un moyen très efficace aux mains des élites étatiques. Dans un premier temps, la mise en place de ces épurations entérina le mythe d'une nation unanimement résistante : le nouveau régime intégra dans cette fiction une bonne partie des anciens collaborateurs, tout en en excluant la résistanse de masse. L'appropriation symbolique de la victoire antifasciste permit au pouvoir judiciaire de restaurer son autorité et de preparer la mise en place, dès 1946, d'un état d'exception anticomrnuniste. Enfin, en identifîant I'ennemi de I'intérieur avec celui de I'extérieur (les pays voisins qui passaient alors au camp communiste), l'épuration judiciaire assura la transformation de la Grèce en frontière de la Guerre Froide
This dissertation studies the judiciary purge of the Axis' collaborators in Greece after the country's libération in l9M. That purge took place into the context of a civil war that had started during the foreign occupation and finished in 1949, when the Special Collaborators' Courts finished working. The different stages ofjuridicisation of the question describe how the two camps of the internal conflict aligned themselves on the lines that separated the camps of the civil war. Hence, we study the purge as a component of a civil war that was at the same time internal and international. The various qualitative and quantitative aspects of the administrative purges, reveal that the the purge was an effective instrument in the hands of the successor élites. In the beginning, the the trials inaugurated the myth of a global and unanimous national resistance that permitted to the new régime to incorporate into the state apparatus a part of excollaborators, mainly inthe armed forces. The symbolic appropriation of the antifascist victory permitted to the judiciary to restore its authority as well as to prepare, by 1946, the institution of an anticommunist state of emergency. Finally, by identiffing the internal and the external ennemy, mainly close to the northern frontier of the counfry, the judiciary'purge carried out the transformation of the greek frontier into frontier of the Cold War
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Tech, Andrea. "Arbeitserziehungslager in Nordwestdeutschland 1940 - 1945 /". Göttingen : Vandenhoeck & Ruprecht, 2003. http://www.gbv.de/dms/bs/toc/359535488.pdf.

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Evans, Gary. "The British Cavalry 1920-1940". Thesis, University of Kent, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.594400.

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Malcolmson, Catherine Margaret. "Constructing Charles Dickens, 1900-1940". Thesis, University of Leicester, 2013. http://hdl.handle.net/2381/27742.

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This thesis examines the popular and cultural legacy of Charles Dickens in the period 1900-1940. During this period Dickens was largely ignored or derided within the academy but his works remained consistently marketable to a popular audience. The thesis explores Dickens’s mass cultural appeal, assessing what the term ‘Dickensian’ represented in the early decades of the twentieth century and evaluating Dickens’s role as a national figure. This thesis engages with recent scholarship in the fields of Dickens criticism, heritage studies and material culture to explore a popular appreciation of Dickens which is characterised by its language of feeling and affect. The first chapter situates Charles Dickens’s literary standing and cultural legacy in the light of both critical and popular responses to his work. The chapter charts the development of the Dickens Fellowship and examines the role of this literary society in constructing and promoting a selective public image of Dickens. Chapter Two examines the motivations behind different forms of collecting, and suggests that collecting can be understood as a form of popular engagement with Dickens’s writing. The chapter contends that Dickensian collecting differs significantly from broader collecting practices and can be viewed as a more generous model of collecting. The idea of collecting as a popular response to Dickens is extended in Chapter Three which takes as its focus one particular form of book collecting: the practice of grangerization. Grangerization is characterised as an alternative reading practice through which the experience of reading a text could be extended. Two further alternative reading practices are explored in Chapters Four and Five. Chapter Four demonstrates how in founding the ‘Dickens House Museum’, the Dickens Fellowship aimed to create a permanent memorial site for Dickens. The chapter highlights the language of feeling utilised in the promotional material for the museum and argues that the items selected for display were designed to produce an emotional and imaginative response in the museum’s visitors. Chapter Five considers how readers expressed their engagement with Dickens’s works through literary pilgrimages to sites from his novels. The chapter suggests that these pilgrimages represent an active reading of Dickens’s novels, which offer readers a participatory experience of immersion in the world of the narrative. It argues that this kind of immersive experience is generated by the strong affective responses of many readers to Dickens’s writings.
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Cooper, Molly Malloy. "Japanese American wages, 1940-1990". Columbus, OH : Ohio State University, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1064341404.

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Thesis (Ph. D.)--Ohio State University, 2003.
Title from first page of PDF file. Document formatted into pages; contains xi, 132 p. Includes abstract and vita. Advisor: Richard H. Steckel, Dept. of Economics. Includes bibliographical references (p. 126-132).
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Bertrand-Dorléac, Laurence. "Art, culture et société : l'exemple des arts plastiques à Paris entre 1940 et 1944". Paris, Institut d'études politiques, 1990. http://www.theses.fr/1990IEPP0015.

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L'occupation allemande et le régime de Vichy font culminer en France la crise des valeurs humanistes. En art, la situation doit beaucoup à l'héritage de l'avant-guerre, mais des ruptures d'intensité et de nature modifient la scène artistique. L'art, objet d'orgueil patriotique, est accusé de refléter et d'alimenter la décadence moderne : l'absence d'idéal, l'individualisme et la démocratie. Sous la révolution nationale, il devient un instrument privilégié de redressement et de rénovation, après un retour à l'ordre et à la tradition. Le Secrétariat général des beaux-arts envisage une politique largement consensuelle en faveur de la tradition , du beau métier, de l'art monumental et des thèmes édifiants. Mais le milieu artistique, par nature hostile au dirigisme d'Etat, résiste aux positions officielles en matière de corporatisme et d'exclusion. En outre, très peu d'artistes acceptent de servir le service artistique du Maréchal attaché à sa personne. Si peu d'artistes entrent dans la résistance, certains créent des oeuvres subversives, tandis que la majorité est attentiste et nourrit de sa production les imaginaires d'un public exceptionnellement nombreux à fréquenter les lieux d'art. Le régime nazi, quant à lui, procède à ses propres démonstrations artistiques, encourage par les ultracistes francais comme Rebatet, et conforte par le voyage en Allemagne d'artistes reconnus : vlaminck, Derain, Despiau, etc. Mais les autorités nazies se consacrent essentiellement à l'exclusion des artistes juifs et francs-maçons, tandis qu'elles tolèrent l'exposition d'oeuvres "dégénérées". Enjeu pour des pouvoirs autoritaires visant au contrôle de la société, et exutoire pour une population dans l'attente d'un retour "à la normale", l'art et ses modalités d'existence servent à leur manière à éclairer l'histoire de cette époque
In France, the humanistic values crisis culminated during the German occupation and the Vichy regime. During this period , art inherited much of the pre-war situation. But disruptions, both in intensity and nature modified the artistical scene. Art, as an expression of patriotic pride was is considered as a reflection of modern decadence : the lack of ideal, individualism, and democracy. Under the "national revolution" art became an instrument of development and revival after a return to order and tradition. In many respects, the "Secretariat general des beaux-arts" thought of a widely approved art policy magnifying the tradition, the fine craft, the monumentalism and the edifying subjects. The artistic world, by nature reluctant to state dirigism, resisted against the governmental positions concerning corporatism and exclusion policy. Besides, few artists accepted to serve the "service artistique du Marechal" which was attached to his person. If some artists entered the French resistance movement, some created subversive works while the majority of them staid aside and bred on its production the fancy of the many people visiting various art places. The German regime, on its side, proceeded with its own exhibitions, being encouraged by French ultras as Rebatet, and being comforted by the German journey of some famous artists : Vlaminck, Derain, Despiau, etc. Meanwhile the nazi authorities spent most of their time on their exclusion policy towards jewish and mason artists. Censorship was discontinued against the exhibition of works considered as "degenerated". Art was a stake for an authoritarian power aiming at controlling society, and an outlet for a population looking forward to returning back to normality
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Alary, Éric. "La ligne de démarcation (1940-1944)". Paris, Institut d'études politiques, 2001. http://www.theses.fr/2001IEPP0036.

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L'armistice franco-allemand du 22 juin 1940, instaure une ligne de démarcation qui sépare la France en deux grandes zones d'inégale superficie. D'est en ouest, puis du nord au sud, sur près de 1200km, treize départements français divisés ont connu une situation géographique, économique, administrative et humaine singulière, pendant près de quatre années. A partir de l'étude d'archives françaises et allemandes, et grâce à la réalisation d'une cartographie inédite, la ligne de démarcation se révèle être un bon observatoire des problèmes posés aux Français par l'occupation allemande et des modifications subies dans leur vie quotidienne. Cela permet d'analyser, sous un angle neuf, les rapports franco-allemands. La thèse apporte aussi un éclairage sur l'opinion des Français face à la division territoriale du pays. La ligne de démarcation constitue un observatoire intéressant des problèmes concrets posés aux Français par l'occupation territoriale allemande, même s'il reste géographiquement limité. Peu à peu, la limite militaire est devenue une frontière entre les hommes, privés de se raconter, de se rencontrer entre les deux zones. L'espace quotidien de plusieurs millions de Français est bouleversé. Les "frontaliers" ont connu des difficultés spécifiques, mais ont su s'adapter. Toutefois, une minorité d'individus a décidé de ne pas respecter les lois allemandes en vigueur sur la ligne de démarcation. Les passeurs clandestins forment un monde hétéroclite où de nombreuses motivations s'entremêlent, les plus nobles comme les moins avouables. Une fraction minime des passeurs appartient réellement à la Résistance, organisée avec très peu de moyens sur l'ensemble du territoire national, mais frappée par les répressions franco-allemandes. Il s'agit surtout d'une Résistance de connivence et de relais. Enfin, les clandestins de la ligne ne représentent pas un enjeu de mémoire important, même s'il y a une réactivation du souvenir, à l'occasion des célébrations cinquantenaires récentes.
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Pettersson, Ingemar. "Handslaget : Svensk industriell forskningspolitik 1940-1980". Doctoral thesis, KTH, Teknik- och vetenskapshistoria, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-104661.

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The thesis follows the emergence of industrial research policy in Sweden from the 1940s to the early 1980s. It reveals political principles and key considerations at stake when a group of state supported industrial research institutes were established and reorganized during the period. The institutes were knowledge producers in industries as paper and pulp, textiles, iron and steel, food, and production engineering. They were closely linked with the technical universities in Stockholm and Gothenburg and their position at the nexus of academe, state policy and industry gave the institutes a central role in managing relations between these domains Two questions are at the core of the analysis: 1. How did political actors define the roles and responsibilities of state and industry for industrially oriented technical re-search? 2. How did they define relations between scientific knowledge production, industrial production and society? A key hypothesis of the study is that the industrial research policy that emerged in the 1940s is to be understood as a “handshake” between an organized industry on the one hand, and the Swedish state on the other. Theoretically, the handshake was an agreement between the government’s "helping hand" and the "visible hand" of industrial organizations. The handshake implied a general agreement on the distri-bution of responsibility for technical-industrial research. Conceptually, the responsi-bility was divided so that the state financed “basic research” whereas industry fi-nanced “applied research”. The latter part of the thesis explains how the handshake was released in the 1960s as the role of the state moved more towards an active and interfering role in the Swedish economy. Formally, and in practice, this meant that the state now took responsibility for applied research, which up until then had been considered an industrial domain.

QC 20121109

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Flavel, Samantha. "Coopering in South Australia, 1900-1940 /". Title page, contents and introduction only, 1990. http://web4.library.adelaide.edu.au/theses/09AR/09arf588.pdf.

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Place, E. M. "Wehrmacht soldiers in Paris, 1940-1944". Thesis, University of Birmingham, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.512074.

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Libros sobre el tema "1940-"

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Nikopoulos, Panagiōtēs. Hēmerologio polemou (1940-1941) & hēmerologio aichmalōsias (1944-1945). Athēna: Morphōtiko Hidryma Ethnikēs Trapezēs, 2019.

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Matveeva, S. G. Repressii i raskulachivanie po Bessarabii (1940-1941, 1944-1945, 1948-1952 gg.). Odessa: Atlant, 2015.

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Johannes, Bandion Wolfgang, Hilge Stephan y Stukhard Cathrine, eds. Erinnern : [1938, 1939, 1940, 1941, 1942, 1943, 1944, 1945] = Remembering= Souvenir = Ricordare = Pomnitʹ: Österreichische Lagergemeinschaft Mauthausen ...]. Wien: Österreichische Lagergemeinschaft Mauthausen, 1998.

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McClure, M. Bloomington, Illinois aviation 1920, 1930, 1940. 2a ed. Bloomington, Ill: M. McClure, 1998.

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Warsaw (Poland). Zarząd mienia m. st. Warszawy. Stołeczny Konserwator Zabytków. Mur getta 1940-1943: Ghetto wall 1940-1943. Warsaw: Stołeczny Konserwator Zabytków, 2008.

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Schryver, August Edmond de. Oorlogsdagboeken 1940-1942. Tielt: Lannoo, 1998.

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Estèbe, Jean. Toulouse, 1940-1944. Paris: Perrin, 1996.

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Fure, Odd-Bjørn. Mellomkrigstid 1920-1940. Oslo: Universitetsforlaget, 1996.

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Olivier, Jacques. Dinant, 1940/1945. Erpe: De Krijger, 2000.

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Rolland, Romain. Briefwechsel 1910-1940. Berlin: Ru tten & Loening, 1987.

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Capítulos de libros sobre el tema "1940-"

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van Dalen, Dirk. "1940 – 1949". En The Selected Correspondence of L.E.J. Brouwer, 399–441. London: Springer London, 2011. http://dx.doi.org/10.1007/978-0-85729-537-8_6.

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Foot, John. "1940–1943". En Italy's Divided Memory, 97–124. New York: Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230101838_5.

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Glauser, Jürg. "Modernismus (1940–1980)". En Skandinavische Literaturgeschichte, 279–342. Stuttgart: J.B. Metzler, 2016. http://dx.doi.org/10.1007/978-3-476-05257-5_7.

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Glauser, Jürg, Annegret Heitmann, Vuokko Hirvonen, Karin Hoff, Malan Marnersdóttir, Stefan Moster, Klaus Müller-Wille et al. "Modernismus (1940–1980)". En Skandinavische Literaturgeschichte, 271–331. Stuttgart: J.B. Metzler, 2006. http://dx.doi.org/10.1007/978-3-476-00037-8_7.

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Meyers, Jeffrey. "Toronto, 1940–1943". En The Enemy, 261–74. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003221890-16.

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Daladier, Edouard. "1940". En Prison Journal 1940–1945, 3–44. New York: Routledge, 2022. http://dx.doi.org/10.4324/9780429303012-2.

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Kiefer, Klaus H. y Liliane Meffre. "1940". En Carl Einstein. Briefwechsel 1904–1940, 616–18. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05683-2_35.

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Glauser, Jürg. "Klassische Moderne (1910–1940)". En Skandinavische Literaturgeschichte, 235–78. Stuttgart: J.B. Metzler, 2016. http://dx.doi.org/10.1007/978-3-476-05257-5_6.

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Waugh, William. "War Service 1940–1946". En John Charnley, 21–31. London: Springer London, 1990. http://dx.doi.org/10.1007/978-1-4471-3159-5_3.

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Wood, Ian S. "National Leader, 1940–1945". En Churchill, 15–31. London: Macmillan Education UK, 2000. http://dx.doi.org/10.1007/978-1-137-08651-8_2.

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Actas de conferencias sobre el tema "1940-"

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Torrent, Horacio. "THE TRES MOMENTOS DEL PROYECTO URBANO EN CHILE. Ciudad y Arquitectura, en el Siglo XX". En Seminario Internacional de Investigación en Urbanismo. Universitat Politècnica de Catalunya, Grup de Recerca en Urbanisme, 2024. http://dx.doi.org/10.5821/siiu.12714.

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The paper presents only partially the development of more extensive research that aims to describe, characterize, and interpret the relationship between modern architecture and the city through the category of the urban project in Chile between 1930 and 1980. It intends to Identify and characterize the relationship between architecture and urban planning, as well as the correspondences between the instruments of planning and those of architecture present in the category of urban project, which were oriented to the development of Chilean cities.The urban project in Chile had at least three critical moments of definition: the first between 1929 and 1940, the second between 1940 and 1960, and the third between 1960 and 1979. The paper aims to show, through a critical historical reading, the institutional conditions, the main arguments, and the paradigmatic cases in the search for relations or articulations between the idea of the plan and the urban project. Keywords: urban design, urban plans, urban instruments, Chile La ponencia presenta parcialmente el desarrollo de una investigación mayor que se propone describir, caracterizar e interpretar la relación entre arquitectura moderna y ciudad, a través de la categoría de proyecto urbano en Chile entre 1930 y 1980. Se propone identificar y caracterizar instrumentos de la arquitectura y el urbanismo, orientado al desarrollo de las ciudades chilenas, así como las correspondencias entre los instrumentos de planificación y los de arquitectura presentes en la categoría de proyecto urbano. El proyecto urbano tuvo en Chile al menos tres momentos clave de definición: el primero entre 1929 y 1940; el segundo entre 1940 y 1960; y el tercero entre 1960 y 1979. La ponencia se propone mostrar a través de una lectura histórico crítica, las condiciones institucionales, los principales argumentos, y los casos paradigmáticos, en la búsqueda de las relaciones o articulaciones entre la idea de plan y el proyecto urbano. Palabras clave: proyecto urbano, planes urbanos, instrumentos urbanos, Chile
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Manoli, Ecaterina. "The collectivization of peasant households in Cahul county". En Latinitate, Romanitate, Românitate. Conferinţa ştiinţifică internaţională, Ediția a 7-a. Moldova State University, 2023. http://dx.doi.org/10.59295/lrr2023.38.

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The collectivization of peasant households in the districts of Cahul County, just like in the other southern districts of the Moldavian SSR, began in the autumn of 1940. In June 1941, there were 18 kolkhozes in the county, comprising 2 789 peasant households. The first collective farms were organized on the former estates of ethnic Germans who left the USSR in the autumn of 1940. Interrupted by the war, and influenced, afterwards, by the famine of 1946- 1947, the process of the collectivization in the south of the Moldavian SSR resumed at an intensive pace in the summer of 1947. The main instrument used for transforming a peasant into a member of the Soviet agricultural cartel was coercion. Enormous tax pressure, arrests and deportations - this was the reality of the villages of Cahul County during the years of collectivization
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Price, Edward. "History of solid rocket motors (1940-1960)". En 34th AIAA/ASME/SAE/ASEE Joint Propulsion Conference and Exhibit. Reston, Virigina: American Institute of Aeronautics and Astronautics, 1998. http://dx.doi.org/10.2514/6.1998-3978.

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Cabral, José Pedro Cabrera. "O pensamento nacionalista na esquerda uruguaia: 1940 – 1970". En IV Congresso Internacional de História. Programa de Pós-Graduação em História e Departamento de História - Universidade Estadual de Maringá - UEM, 2009. http://dx.doi.org/10.4025/4cih.pphuem.422.

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Bruģe, Zoja. "Pašvaldību būvnoteikumi Latvijā 1920.–1940.: prasības būvprojekta apstiprināšanai". En Latvijas Universitātes 80. starptautiskā zinātniskā konference. LU Akadēmiskais apgāds, 2022. http://dx.doi.org/10.22364/juzk.80.34.

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The article considers the legal aspects of construction law in Latvia in 1920–1940, describing the requirements of the local government building rules concerning the building plan (construction project, building design) approval process. Local government building rules determined requirements for building plan. Execution of these requirements was a precondition for approving the construction plan.
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Krissandi, Apri Damai Sagita, Andayani Andayani y Atikah Anindyarini. "Novels of Children's Literature in Vorstenlanden 1910-1940". En Proceedings of the 2nd International Conference of Humanities and Social Science, ICHSS 2022, 17 December 2022, Surakarta, Central Java, Indonesia. EAI, 2023. http://dx.doi.org/10.4108/eai.17-12-2022.2333026.

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Temin, Wilma Ruth y Roberto Temin. "CATÁLOGOS ESTRELA: CAPAS DOS ANOS 1940 E 1950". En 12º Congresso Brasileiro de Pesquisa e Desenvolvimento em Design. São Paulo: Editora Blucher, 2016. http://dx.doi.org/10.5151/despro-ped2016-0056.

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Altyna, Shoydonova. "TRAINING OF MONGOLIAN STUDENTS IN BURYATIA (1920-1940-IES)". En Archives in history. History in archives. Ottisk, 2018. http://dx.doi.org/10.32363/978-5-6041443-5-0-2018-188-193.

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PEREIRA BARBOSA, ELIZABETE. "ESTRATEGIAS DE EDUCACAO NO RECONCAVO DA BAHIA - 1920-1940". En XIV Colóquio Internacional "Educação e Contemporaneidade". Grupo de Estudos e Pesquisas "Educação e Contemporaneidade", 2020. http://dx.doi.org/10.29380/2020.14.01.21.

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Baldano, M. N. y S. V. Kirichenko. "IMPROVEMENT OF THE EDUCATION SYSTEM OF MONGOLIA (1940-1960)". En Россия и Монголия в ХХ-XXI вв.: к 100-летию монгольской революции и установления дипломатических отношений. Новосибирск: Сибирское отделение РАН, 2021. http://dx.doi.org/10.53954/9785604607886_7.

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Informes sobre el tema "1940-"

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Loprinzi, Colleen. Hispanic migrant labor in Oregon, 1940-1990. Portland State University Library, enero de 2000. http://dx.doi.org/10.15760/etd.6181.

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Story, Madison y Adam Smith. Fort Hunter Liggett : a history and analysis. Engineer Research and Development Center (U.S.), enero de 2023. http://dx.doi.org/10.21079/11681/46340.

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The US Congress codified the National Historic Preservation Act of 1966 (NHPA), the nation’s most effective cultural resources legislation to date, mostly through establishing the National Register of Historic Places (NRHP). The NHPA requires Federal agencies to address their cultural resources, which are defined as any prehistoric or historic district, site, building, structure, or object. Section 110 of the NHPA requires Federal agencies to inventory and evaluate their cultural resources, and Section 106 requires them to determine the effect of Federal undertakings on those potentially eligible for the NRHP. Fort Hunter Liggett is located on California’s Central Coast within Monterey County. The fort has been used as a training facility for large-scale maneuvers and live-fire exercises since its establishment as a US Army training facility in 1941. The periods of significance for Criterion A are: from 1769 to 1833, relating to the founding and development of Mission San Antonio de Padua; from 1834 to 1923, relating to Euro-American land grants and ranchos; from 1923 to 1940, relating to Hearst’s purchase of the property and subsequent development; from 1940 to 1945, relating to the establishment of the Hunter Liggett Military Reservation (HLMR) and activities related to WWII; from 1959 to 1970, relating to the establishment and buildup of CDEC; and from 1975 to 1980, relating to HLMR’s redesignation as Fort Hunter Liggett and associated development. This report provides a comprehensive historic context for ranges, features, and buildings at Fort Hunter Liggett in support of Section 110 of the NHPA.
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Costa, Dora y Matthew Kahn. Changes in the Value of Life: 1940-1980. Cambridge, MA: National Bureau of Economic Research, diciembre de 2002. http://dx.doi.org/10.3386/w9396.

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Rudenko, Irina. The Russian-German Exiles in Kazakhstan: 1940 1990 Migrations. Portland State University Library, enero de 2016. http://dx.doi.org/10.15760/honors.271.

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Finney, Robert T. History of the Air Corps Tactical School 1920-1940. Fort Belvoir, VA: Defense Technical Information Center, enero de 1998. http://dx.doi.org/10.21236/ada432954.

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Boustan, Leah Platt y Robert Margo. White Suburbanization and African-American Home Ownership, 1940-1980. Cambridge, MA: National Bureau of Economic Research, enero de 2011. http://dx.doi.org/10.3386/w16702.

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Reuss, Robert. Surprise and Deception in the Early War Years, 1940-1942. Fort Belvoir, VA: Defense Technical Information Center, abril de 1993. http://dx.doi.org/10.21236/ada265486.

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Collins, William y Robert Margo. Race and the Value of Owner-Occupied Housing, 1940-1990. Cambridge, MA: National Bureau of Economic Research, junio de 2000. http://dx.doi.org/10.3386/w7749.

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Avella, Mauricio. Antecedentes históricos de la deuda colombiana : la renegociacion de la deuda externa de Colombia en los 1930 y 1940. Tercera Ronda: 1944-1949. Bogotá, Colombia: Banco de la República, octubre de 2004. http://dx.doi.org/10.32468/be.310.

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Jacobsen, Mark. Fifty Years of Research and Development on Point Loma, 1940-1990,. Fort Belvoir, VA: Defense Technical Information Center, enero de 1990. http://dx.doi.org/10.21236/ada297575.

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