Tesis sobre el tema "1937-1948"
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Reeh, Tina Alice Bonne. "The Church of England and Britain's Cold War, 1937-1948". Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:2c197863-2037-4cf9-af48-590f5694abea.
Texto completoFrancis, Rosemary. "Muriel Heagney and the Council of Action for Equal Pay : 1937-1948 /". Connect to thesis, 1989. http://eprints.unimelb.edu.au/archive/00000718.
Texto completoSoubigou, Alain. "Thomas Garrigue Masaryk (1850-1937) : Biographie intellectuelle et politique". Paris 1, 1999. http://www.theses.fr/1999PA010547.
Texto completoThomas Garrigue Masaryk (1850-1937) became a philosophy professor in Vienna's and Pragues universities. As a former specialist of Plato and soon of Comte, he tought idealistic humanism. In the 1880's, in the manuscripts affair, he claimed that truth is always better than lies for people. He engaged against antisemitism in the so-called Hilsner's affair. As a member of the Autrian Parliament, he fought against Vienna's anti-slav policy and tried to avoid World War 1. During this war, he went to exile to build Czecho-Slovakian organisation and army. From Paris and London (1915-1917), he went to Russia (1917) and to the United States (1918) to convince politicians to support his project of an independent Czechoslovakia. With the help of the president Wilson, Masaryk succeed and Czechoslovakia was born the 28th of October 1918. Elected president in 1918 and again in 1920, 1927 and 1934, Masaryk had to deal with three great problems : -how to integrate in this new democratic project some special citizens : Germans, Slovaks, women and jews ? - How to find a balance between a democratic humanism and geostrategy ? - How to built a new state with some strong democratic institutions but also with the anticonformistic touch of Masaryk ? This PhD is an intellectual and political biography and examines the simple question : did Masaryk as a president achieved to realize his intellectual projects he built before WW1 ?
Costa, Helio da. "Em busca da memoria : organização no local de trabalho, partido e sindicato em São Paulo, 1943-1953". [s.n.], 1993. http://repositorio.unicamp.br/jspui/handle/REPOSIP/279089.
Texto completoDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: Não informado
Abstract: Not informed
Mestrado
Mestre em História
Aquino, Arthur de 1982. "A controvérsia do planejamento econômico e a consolidação do projeto industrialista (1943-1945) = liberalismo e desenvolvimento em luta pela hegemonia". [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281622.
Texto completoDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
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Resumo: Essa dissertação discorre sobre os efeitos que a 'Controvérsia' entre Roberto Simonsen e Eugênio Gudin tiveram na consolidação do projeto político industrialista. O célebre debate entre eles ocorreu em dois momentos: em 1943, na Comissão de Redação do I Congresso Brasileiro de Economia; e entre 1944-1945 durante o debate travado na Comissão de Planejamento Econômico. Planejamento, protecionismo, atividades econômicas do Estado, pobreza, e industrialização, foram os principais temas discutidos nesses espaços de tomada de decisão, e mesmo o momento é crítico, em vista do Estado Novo em vias de desagregação e a perspectiva do fim da II Guerra Mundial. Defende-se aqui que o debate consistiu numa disputa pela hegemonia entre dois projetos de nação concorrentes
Abstract: This dissertation concerns about the effects nettle by 'Controversy' between Roberto Simonsen and Eugênio Gudin has been in industrialist political project's consolidation. The renowned debate between they has been in two moments: in 1943, in the Editorship Comission of I Congresso Brasileiro de Economia; and between 1944-1945 until the debate maked in the Comissão de Planejamento Econômico. Planning, protectionism, States' economic actives, poverty, and industrialization, was be the main issues discussed on this policy-making arenas, and in fact the moment is critical, because of the Estado Novo in straightened circumstances and end' perspective of II World War. I argue with the debate concerns in hegemony struggle between two nations' project competitors
Mestrado
Ciencia Politica
Mestre em Ciência Política
Gondouin, Sandra. "La réinvention des mythes dans la poésie contemporaine d'Amérique centrale : Luz Méndez de la Vega (1919), Claribel Alegría (1924), Ana María Rodas (1937), Gioconda Belli (1948), Luz Lescure (1951) et Amanda castro (1962-2010)". Thesis, Aix-Marseille 1, 2011. http://www.theses.fr/2011AIX10202/document.
Texto completoThe literature of Central America – and in particular the contemporary works of the female poets in this region – is a little-studied subject. We therefore wished to help develop this field of research by examining the lyrical work of six women writers from Central America. In this corpus, published from 1948 to the present day, the reinvention of myths is, to our minds, especially significant. In order to tackle this subject, we shall first unravel the threads of these poets’ lives from the fabric of the contemporary history and literature of Central America. We shall then attempt to characterise the types of myths found in their poems – age-old tales (Amerindian, Greek and Biblical) as well as « newborn » myths that are the fruit of stereotyped and images (the Archetypal Female or the « macho » male). Through textual analysis and a theoretical approach based on rewriting and myth criticism, we shall study the way these myths are dealt with according to where they come from and their advisory value regarding women. We shall then consider the way in which the reinvention of myths is part of the poetic depiction of the life cycle from creation (the genesis of the world, of human life; the birth of a child, of a poem) to death. Finally, we shall analyse how the status of women and men is redefined through the prismatic distortion of the myth – by breaking down the dichotomy between the commendable woman (Penelope, the angel in the house) and the femme fatale or « fallen woman » (Eve, Medea, the prostitute), or praising female heroism through new myths (such as the wild woman) – with a view to breaking new ground in male-female relationships
Deenapanray-Chappard, Anuradha. "Etude littéraire comparée de quatre écrivains Mauriciens en situation plurilingue". Paris 13, 2007. http://www.theses.fr/2007PA131041.
Texto completoEmerging literatures using French or Creole as in the case of Mauritian literature undergo continuous change. We have chosen to study the interactions between languages/identities and literatures as they seem to constitute the common denominator of contemporary literary production in relation with work of four Mauritian writers : Ananda Devi Anenden (French), Lindsey Collen (English/ Mauritian Creole), Abhimanyu Unnuth (Hindi/Bhojpuri) and Dev Virahsawmy (Mauritian Creole/English). The aim of the study is not to undertake an inventory of literatures using French as a medium of creation in the Indian Ocean. Our objective is to show that the multilingual and multicultural Mauritian literatures emerge as counter forces using words, discourses and letters as their major creative energy. How does a writer chose a literary language? Of what identities and literatures are we talking about? Is it possible to build a Mauritian identity or entity by transcending the literary sphere which seems to be the unique space where one can manage differences and build an imaginary homeland?
Nickles, Kimberly. "Stratégies subversives pour la survie : la littérature contemporaine des amérindiens : une étude comparative des oeuvres inter-tribales, pan-tribales, aborigènes et post-coloniales". Nice, 2002. http://www.theses.fr/2002NICE2031.
Texto completoA comparative study of Native American, aboriginal and post-colonial literature demonstrating the subversive strategies employed by these authors for the survival of their voice and their community. On a pan-tribal level, the study examines the complex interrelationship between the land, the stories and the people which forms the base of Native American literature. On an aboriginal level, in Ceremony by Leslie Marmon Silko and Potiki by Patricia Grace, certain characters serve as the link between realism and myth, tying the present both to the past and to a mythical present. In works by two Anishinaabe authors, Gerald Vizenor and Louise Erdrich, the trickster plays an integral part in the interpretation of chance and luck by each author. Finally, on a post-colonial level, the interrelation between history, fiction and myth are explored through two interpretations of Billy the Kid in The Ancient Child by N. Scott Momaday and Billy the Kid by Michael Ondaatje
Palamartchuk, Ana Paula. "Os novos barbaros : escritores e comunismo no Brasil (1928-1948)". [s.n.], 2003. http://repositorio.unicamp.br/jspui/handle/REPOSIP/280096.
Texto completoTese (doutorado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
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Resumo: O objetivo desta tese é compreender a aproximação dos escritores brasileiros com o movimento comunista, entendido como um conjunto de idéias difusas ligadas à União Soviética, à Internacional Comunista e aos partidos comunistas nacionais, entre 1928 e 1948. O recorte cronológico leva em conta, por um lado, os momentos de "eventos históricos", nos quais há maior visibilidade da aproximação dos intelectuais com o Partido Comunista do Brasil- Seção Brasileira da Internacional Comunista e, por outro, as temáticas da "cultura" que organizam as diferentes intervenções sociais dos escritores e que fornecem outros aspectos dessa aproximação mais difusa e menos orgânica. Essa abordagem permite desviar o olhar da "linha política oficial" do PCB ou da IC em relação aos escritores, direcionando-o para suas temáticas próprias como profissionais e produtores de uma literatura. Uma matriz obreirista da identidade comunista acabou se traduzindo na arrogância e na desconfiança da direção do partido em relação aos intelectuais de uma forma geral, o que resultou numa quase imobilidade vertical deles nos aparelhos de direção. Através da descrição problematizada de Astrojildo Pereira, Caio Prado Júnior, Jorge Amado e Graciliano, procura-se observar a simpatia com a qual recebiam as experiências da União Soviética, a sedução pelo comunismo, a aproximação com o Partido Comunista, as suas relações entre si e com outros intelectuais, as suas produções. Procura-se também indagar as formas como o partido os recebeu e enquadrou ao longo de duas décadas, como se posicionou face à criação intelectual e à sua intervenção política e social
Abstract: This thesis focuses on the involvement of Brazilian writers with the communist movement, understood as a set of diffuse ideas related to the Soviet Union, to the Communist International and to national communist parties, between 1928 and 1948. This period encompasses crucial historical moments of the relationship between intellectuals and the Communist Party of Brazil (Brazilian Section of the Communist International). It also permits an examination of" cultural" themes related to their social interventions that provide other diffuse and less organic aspects of this relationship. This approach allows us to avoid the official political trends of the Communist Party and the Communist International. Instead, it aims at crediting the writers as professionals and producers of a specific literature. By those years, an arrogant and distrustful attitude of the party leadership towards intellectuals in general resulted in their virtual immobilization in the directive apparatus. Through a critical description of the experiences of Astrojildo Pereira, Caio Prado Júnior, Jorge Amado, and Graciliano Ramos, this thesis investigates their empathy towards the Soviet Union experiences, their seduction by communism, their involvement in the Communist Party, their relationship with other intellectuals, as well as their intellectual production itself It also discusses how the Communist Party dealt with them throughout those two decades
Doutorado
Doutor em História
Chiaradia, Kátia 1978. "Ao amigo Franckie, do seu Lobato : estudo da correspondencia entre Monteiro Lobato e Charles Franckie (1934-37) e sua presença em O Escandalo do Petroleo (1936) e O Poço do Visconde (1937)". [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270298.
Texto completoDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
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Resumo: Durante o período de 1934 a 1937, estreitaram-se as relações entre Monteiro Lobato e o suíço Karl Werner Franke, engenheiro do petróleo que, imigrado em junho de 1920, passa a chamar-se Charles Frankie. Lobato e Frankie trocaram nesse período de três anos mais de cem missivas1 além de alguns documentos técnicos relacionados à exploração do petróleo brasileiro. Nessas cartas, Lobato, além de se familiarizar com alguns termos técnicosgeológicos da exploração petrolífera, faz críticas contundentes ao Código de Minas de 1934 e ao "atraso brasileiro" e protagoniza a história das primeiras companhias petrolíferas do Brasil. Em outros momentos da correspondência, entram em discussão questões acerca da parceria na tradução e prefaciação de A luta pelo Petróleo, de Essad Bey, Lobato e Franckie discutem literatura e seus aspectos, como os requisitos para uma boa tradução, ou os critérios para um livro bem editado e bem distribuído. Os exemplares d'A luta são tidos, por ambos, como propulsores de uma nova Era para as pesquisas petrolíferas. Acabei A Luta do Petróleo. O editor daqui pagará 500 marcos ao editor alemão, de direitos, e nós daremos nosso trabalho de tradução de graça em troca de 1000 exemplares para distribuirmos pelo congresso federal e estadual e mais gente do governo que não tem a menor idéia do que seja o petróleo. Vou agora fazer o meu prefácio. Você fará o seu - e num apêndice porei no fim a Lei de Minas, precedida duma introdução maquiavélica em que se foi a Standart que mandou fazer aquela lei cheia de embaraços, para que ela pudesse sossegadamente ir adaptando as terras petrolíferas até o dia em que entenda-se em explorar petróleo.2 Aí então cairá a Lei de Minas atual, que se terá aproveitado a ela, e virá uma nova que a favoreça. ... O livro é que vai abrir os olhos dessa gente, mostrando a significação do petróleo. Ninguém sabe. Este país é uma burrada imensa...(...) Fundação de companhias, críticas a uma legislação falha e a busca de uma que privilegie os interesses nacionais da exploração do petróleo, relações cotidianas de perfuração, implicações políticas de um livro: é disso basicamente que se ocupam tais cartas, representativas dessa parceria "político-ideológicoliterária". A dissertação em questão estuda o cruzamento dessa correspondência entre Lobato e Frankie com a ficção O poço do visconde e a prosa crítica sóciopolítica de O Escândalo do Petróleo, apontando semelhanças e divergências na abordagem do mesmo tema por diferentes gêneros
Abstract: The years from 1934 to 1937 made closer the relationship between Monteiro Lobato and the Swiss oil engineer Karl Werner Frankie, who immigrated in June of 1920, changing his name to Charles Frankie. Lobato and Frankie sent each other more than a hundred mails4 in this period of three years, further than technical documents about the Brazilian oil exploration. In these letters, Lobato uses technical terms of the oil exploration to strongly criticize the National Mining Code of 1934 and the "Brazilian delay", being part of the history of the first oil companies of Brazil. In other moments of their contact, they debated about their partnership to translate and make a foreword for Flüssiges Gold, by Essad Bey. Lobato and Frankie discussed literature and it aspects, as the requirements for a good translation or the caracteristics of a well published book. The copies of Flüssiges Gold are, for both, of great importance to begin a new Age for the oil researches. I finished Flüssiges Gold. The publisher from here will pay 500 marks to the german publisher, for the rights. We will have as payment for our work of translation 1000 copies to distribute to the national congress, the state congress and more people from the government who don't have any idea of what is the oil. Now I will do my foreword. You will do yours - and in an appendix I will put the Mining Code, preceded by a machiavellian introduction, which will bring the Standart as responsible for that confuse law, interested in smoothly adapt the oil lands, until the day when people start to explore oil.5 Then the Mining Code will fall, and it will brings up a better one. ... The book will open the eyes of these people, showing them the meaning of the oil. Nobody knows it.This country is a great foolish...(...) Foundation of companies, critics to a legislation filled with fails and the search for one which privileges national interests of oil exploration, daily drills, and political implications of a book: these are basically the subjects of these letters, which represent this political, ideological and literary partnership. This dissertation studies the relation between the letters of Lobato and Frankie with the fiction O poço do visconde and political and social prose O Escândalo do Petróleo, pointing aspects in agreement or not of these different approaches of the same subject
Mestrado
Literatura Brasileira
Mestre em Teoria e História Literária
Carpentras, Fabien. "Le cinéma comme moyen de contestation de l'"idéologie dominante" : vers une relecture du sens accordé à l’utilisation de la technique du plan-séquence dans le cinéma japonais à travers la mise en perspective d’une partie de la trajectoire cinématographique de Sômai Shinji 相米慎二 et de son passé d’activiste politique". Thesis, Lyon 3, 2013. http://www.theses.fr/2013LYO30056.
Texto completoThe present work, while examining the biographical trajectory of Japanese filmmaker Sômai Shinji from his past in the Japanese New Left to his first movies made in the 80s, is aimed at being a critical study of the significance regarding the use of the technique called “one scene-one shot” generally admitted in the context of Japanese cinema. The one scene-one shot is a method of mise-en-scène considered by several non-Japanese authors, like Noël Burch or Donald Richie, to be “essentially” Japanese because of what they think to be similarities with methods of representation usually found in kabuki theatre and Heian paintings. While we enhance the functions of protest and resistance this technique plays in the aesthetic of Sômai Shinji-who was an activist of the Japanese Fourth International from 1967 to 1971-films, we assess that the argument regarding the one scene-one shot as a method of filming particular to the Japanese sensibility-indeed, an expression of “Japaneseness”-is at best to be reconsidered. Sômai, because of his political past, was a filmmaker constantly struggling with the values of what we call the “dominant ideology”. His work cannot properly be understood unless we put the notions of conflicts and contradictions at the core of our analysis, departing from the traditionally peaceful and homogenous image that certain discourses usually express regarding the Japanese people. Beyond a reexamination of the significance traditionally given to the use of the one scene-one shot in the context of Japanese cinema-to which we associate filmmakers such as Mizoguchi Kenji and Sone Chûsei-, this dissertation questions the images of the nation, expressed through audiovisual means, as a homogenous and fixed community
Ramiandrarivo, Njaka Tsitohaina. "La littérature malgache d’expression française, une littérature en exil, une littérature de l’exil, une littérature des exilés". Thesis, Paris 3, 2010. http://www.theses.fr/2010PA030022/document.
Texto completoMany Malagasy French speaking authors live in exile and make their personal experience their topic ; their personal experience represents a cultural itinerary arising from their bilingualism and their will to escape from regimentation due to insularity. Their personal experience provides to their text the achieved work character, combining their will to meet the other and their will to look for themselves, therefore revealing their depths, their inmost being to the universe. Writing is perceived and experienced as a cathartic action probably against self distraction but chiefly against the distraction of the environment which has been submitted, offered and revealed to the author. This purpose may appear utopian, nevertheless it appears essential for the one who foresees literary creation as a sword assailing the weaknesses of reality in order to get closer, foresee and make the characteristics of his ideal world. This creation occurs obviously with the complicity of the author imaginary double, this dark twin [« jumeau sombre »] by which Mr Faulkner refers to the narrator. From all this it emerges a difficulty to live with the other, a coexistence that forewarns a splitting and assimilating phenomena tending to highlight the space and psychology of protagonists: the complexity and dialectic of the character intermixing rebellion and submission, heroism and apathy finally reveals the common itinerary and individual background of the author who decides to draw his romantic inspiration from the decadent reality. In short if the Malagasy French language literature is deeply rooted into Malagasy culture, it also offers a writing allowing to meet and interact with the other and therefore makes the French language an open-minded language
Jun-hung, Cheng y 陳俊宏. "The Foreign Assistance of U.S.A in China:1937-1948". Thesis, 1995. http://ndltd.ncl.edu.tw/handle/02501650333556919572.
Texto completoDu, Toit Karen S. "The Jewish question and Verwoerd: editorship of the die Transvaler 1937-1948". Thesis, 2019. https://hdl.handle.net/10539/29313.
Texto completoThe 1930s and 40s marked a tumultuous political period in South Africa. Central political players and their respective parties, whether government, opposition, extra-parliamentary or other all jostled for power. Socio-economic and political events locally and on a global scale merged with religionationalistic ideology to mobilise Afrikaners into a collective and to form a maelstrom within which antisemitism flared up in the country. This rise of antisemitism created a serious ‘Jewish Question’ in South Africa and is the entry point for this research paper which takes a closer look at the reasons for the content of the opinion piece that Verwoerd, as editor of this Nationalist Party paper, penned in the first edition of Die Transvaler in October 1937, namely the ‘Nationalist viewpoint on the Jewish Question: the solution’ which effectively championed economic antisemitism. It also looks more in depth at the media libel case between Verwoerd and The Star and finds that there were multiple instances of falsification of news in the court case that found Verwoerd guilty of promoting Nazi propaganda and making his paper a tool for the Nazis during the Second World War. The outcome of this research directly links Dr. H.F. Verwoerd’s negative portrayal of the Jewish Question in Die Transvaler with the intent to mobilise Afrikaner Nationalism in the lead up to the 1948 elections.
NG (2020)
KEE, YUE HUI y 紀月慧. "A Study on the Localization of Malaysian Chinese Spoken Drama (1937-1948), with an Extended Study on the Contemporary Dramas in Taiwan". Thesis, 2015. http://ndltd.ncl.edu.tw/handle/vdffbm.
Texto completoRay, Montana. "Performance as Translation in the Americas: Ana Mendieta's Feminist Ethnographies, 1973-81". Thesis, 2021. https://doi.org/10.7916/d8-kzwv-v408.
Texto completoWielenga, Corianne. "The dialogue between Christianity and postmodernism in selected postmodern novels". Thesis, 2004. http://hdl.handle.net/10413/2594.
Texto completoThesis (M.A.)-University of KwaZulu-Natal, Pietermaritzburg, 2004.
Monteiro, Luis Miguel Oliveira de Aguiar. "Entre a terra e o mar: registos fotográficos do porto de pesca da Ericeira". Doctoral thesis, 2020. http://hdl.handle.net/10451/46107.
Texto completo