Bibliografías temáticas / 1908-1978

Literatura académica sobre el tema "1908-1978"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 20 de febrero de 2023

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Artículos de revistas sobre el tema "1908-1978"

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Revista Biomédica, Comité Editorial. "Alfredo Lleras Pizarro 1908 - 1978". Biomédica 17, n.º 1 (1 de marzo de 1997): 17. http://dx.doi.org/10.7705/biomedica.v17i1.932.

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Mikhno, O. "Oleksandr Grygorovych Dzeverin (1908-1978): strokes to the scientific portrait". Research and educational studies, n.º 4 (2020): 33–44. http://dx.doi.org/10.32405/2663-5739-2020-4-33-44.

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Мерзон, Г. И. "Артем Исаакович Алиханян (1908-1978). Научный портрет". История науки и техники, n.º 5 (2009): 30–35.

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Roulleau-Simonnot, Nathalie. "André Hermant, un architecte-muséographe (1908-1978)". Histoire de l'art 47, n.º 1 (2000): 63–74. http://dx.doi.org/10.3406/hista.2000.2904.

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Asatryan, H. M. y T. G. Hambardzumyan. "Artem Isaak Alikhanian (1908–1978) (Biographic Sketch)". Journal of Contemporary Physics (Armenian Academy of Sciences) 44, n.º 5 (3 de septiembre de 2009): 209–16. http://dx.doi.org/10.3103/s1068337209050016.

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Blankenship, Jane. "Marie Hochmuth Nichols (1908–1978): a retrospective". Review of Communication 4, n.º 1-2 (enero de 2004): 75–85. http://dx.doi.org/10.1080/1535859042000250295.

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Waldron, Tony. "Crooked Timber: The life of Calvin Wells (1908–1978)". Journal of Medical Biography 22, n.º 2 (16 de septiembre de 2013): 82–89. http://dx.doi.org/10.1177/0967772013479734.

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BARNICH, RUTH, MARIA CRISTINA GAMBI y DIETER FIEGE. "Revision of the genus Polyeunoa McIntosh, 1885 (Polychaeta, Polynoidae)". Zootaxa 3523, n.º 1 (23 de octubre de 2012): 25. http://dx.doi.org/10.11646/zootaxa.3523.1.3.

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Long-bodied polynoids, like Polyeunoa laevis McIntosh, 1885 and similar species which are often associated with cold-water corals, are regularly reported from Antarctic, Subantarctic and adjacent cold-temperate waters. The taxonomy ofthese species is confused and has been subject to various discussions in the past. For the revision presented here weexamined the available type material and additional specimens of the following species: Polynoe antarctica Kinberg,1858, Polyeunoa laevis McIntosh, 1885, Enipo rhombigera Ehlers, 1908, Hololepidella flynni Benham, 1921, Polyeunoedubia Hartmann-Schröder, 1965, Polyeunoa monroi Averincev, 1978, and Polynoe thouarellicola Hartmann-Schröder,1989. As a result we consider Polyeunoa laevis McIntosh, 1885, Parapolyeunoa flynni (Benham, 1921) n. comb., andNeopolynoe antarctica (Kinberg, 1858) n. comb. as valid species. Enipo rhombigera Ehlers, 1908, Polyeunoe dubiaHartmann-Schröder, 1965, and Polynoe thouarellicola Hartmann-Schröder, 1989 are junior synonyms of Polyeunoalaevis. Polyeunoa monroi Averincev, 1978 is a junior synonym of Hololepidella flynni Benham, 1921 for which the newgenus Parapolyeunoa n. gen. is erected. Polynoe antarctica Kinberg, 1858 is transferred to the genus NeopolynoeLoshamn, 1981 and represents the third known species within this genus. Three comprehensive tables illustrating the distinctive characters of the considered genera and species are given to facilitate the identification of the valid species.Keywordstaxonomy, Polyeunoa, Parapolyeunoa n. gen., Neopolynoe, Southern Ocean, SOAP workshop, cold-water corals
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9

Salamon, Mariusz A., Michat Zatoń y Przemysław Gorzelak. "Syzygial brachials from the upper Muschelkalk (Middle Triassic, Ladinian) of Poland and their implication for an early origin of comatulid crinoids". Journal of Paleontology 82, n.º 3 (mayo de 2008): 634–37. http://dx.doi.org/10.1666/06-108.1.

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According to Ubaghs (1978), syzygies are brachial articulations in which radiating ridges and furrows on the two joint faces oppose each other rather than interlock as in symplexies. Cryptosyzygies differ from syzygies by having very short ridges that may be replaced by rows of tubercles or granules, with a tendency toward irregular arrangement and disappearance. Among Triassic crinoids, only representatives of the orders Isocrinida Sieverts-Doreck, 1952 and Comatulida Clark, 1908 had cryptosyzygial or syzygial brachial articulation, respectively. According to Rasmussen (1978), among Isocrinidae the articulations of primibrachial 1 and 2 and secundibrachial 1 and 2 were cryptosyzygial or synarthrial (but see also comments in Simms, 1988a). Among Comatulida, syzygial articulations generally occur between brachials 3 and 4 and in more distal arm parts.
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10

Aslanbeigui, Nahid. "Foxwell's Aims and Pigou's Military Service: A Malicious Episode?" Journal of the History of Economic Thought 14, n.º 1 (1992): 96–109. http://dx.doi.org/10.1017/s1053837200004429.

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The appointment of Arthur Cecil Pigou as Alfred Marshall's successor has generated some interest among historians of economic thought (Coase 1972; Coats 1971; and Jones 1978). All agree that the 1908 election was highly political, affected by Marshall's intense efforts to manipulate the process in favor of Pigou and against Herbert S. Foxwell. T. W. Jones sheds light on “the lengths to which Marshall felt able to go in his support of Pigou and, in particular, the manner in which this impinged on one of the electors in 1908, J. N. Keynes” (Jones 1978, p. 235). This is interesting in the wake of John Neville Keynes's many conflicting roles: he was an elector, a friend of Foxwell, and father of John Maynard Keynes, who had failed to secure a Fellowship at King's College earlier that year. Regardless of the motives behind Marshall's maneuvers or the manner in which he accomplished his objective, the outcome of the election left Foxwell extremely, but understandably, disappointed and embittered. Some of this disappointment and bitterness must have been felt toward Marshall's successor, Pigou, of whom Foxwell did not think very highly to begin with. On different occasions, Foxwell had thought Pigou to be “an extreme agitator on a side not popular either here [Cambridge] or among influential people in the country”; “the last Economist I wish to see in any position where he could influence economic study. He has ruined it at Cambridge where complaints are incessant”; and “worse than useless”.
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Tesis sobre el tema "1908-1978"

1

Roulleau, Nathalie. "André Hermant, architecte et urbanisme". Aix-Marseille 1, 1998. http://www.theses.fr/1998AIX10052.

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Andre hermant debute sa carriere au milieu des annees trente au moment ou les avant-gardes modernistes rivalisent avec les tendances fortes d'un retour a l'academisme et au regionalisme. Des sa sortie de l'ecole speciale d'architecture, hermant montre une franche predisposition pour le modernisme. Jusqu'a la guerre, il se consacre presque exclusivement a la conception de stands et de pavillons d'expositions mais contribue aussi activement, par ses ecrits et ses fonctions de directeur technique, a faire de l'architecture d'aujourd'hui une revue d'avant-garde. Pendant la guerre, l'architecte choisit d'assumer la direction officieuse d'une nouvelle revue, techniques et architecture jusqu'en 1945. Brouille depuis lors avec les membres de l'architecture d'aujourd'hui, hermant perd des relations precieuses et cesse pratiquement de publier. Les chantiers de reconstruction lui offrent enfin la possibilite de construire : au havre sous la direction d'auguste perret, puis a beauvais et a troyes. Tres interesse par la question du logement collectif, hermant montre qu'il adhere aussi aux theories de le corbusier, notamment par ses conceptions urbanistiques. Dans les annees cinquante, il cherche a redonner un second souffle a l'union des artistes modernes en creant l'association formes utiles mais il s'engage dans des debats houleux qui lui feront quitter l'idee de permettre a tous d'acceder a un interieur fonctionnel, de bon gout et bon marche. Il s'oriente donc vers les musees ou sa capacite a agencer les espaces d'expositions dans un esprit radicalement nouveau lui vaudra de nombreuses commandes jusque dans les annees soixante-dix. Andre hermant est un architecte et un urbaniste qui s'inspire clairement de perret et de le corbusier mais dont les oeuvres et la pensee depassent le strict clivage des ecoles dans le but de realiser une synthese de la modernite
Andre hermant began his career in the middle of the thirties, the period when the modernists avant-garde architects competed with the strong tendencies of a return to academism and regionalism. Graduated from + l'ecole speciale d'architecture ;, hermant clearly displayed his interest for the modernism. Before the war, he devoted his time almost exclusively to creating stands for exhibitions but also contributed actively with essays and technical management to the review l'architecture d'aujourd'hui, thereby making this magazine a journal of the architectural avant-garde. During the war, hermant chose to take the unofficial management of a new journal, techniques et architecture, until 1945. Having thus got into conflict with the editorial staff of l'architecture d'aujourd'hui, hermant lost precious relations and practically gave up publishing. The reconstruction after the war gave him finally the opportunity to work as an architect : in le havre, he joined the staff of auguste perret, and after that in beauvais and in troyes. Very interested in designing collective housing, hermant showed that he was a follower of le corbusier, especially in his town planning projects. During the fifties, hermant sought to resuscitate the + union des artistes modernes ; by forming the association + formes utiles ;. However, he took part in agitated debates, witch made him at last give up his ideas about allowing everyone to have a good functional housing, both in good taste and not expensive. He then turned himself to the museums where his capacity to create exhibition-rooms in a new radical spirit, gave him numerous commissions until the seventies. Andre hermant was an architect and town planner who is inspired by perret and le corbusier, but whose works and thoughts went beyond the strict adaptation of the established schools in his endeavour to achieve a synthesis of modernism
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2

Sy, Mamadou samba. "El hadj Mahmoudou Bâ, (1908-1978), créateur des écoles Al-Falah, modernisateur de l’enseignement en Afrique de l’ouest et centrale". Thesis, Paris 8, 2015. http://www.theses.fr/2015PA080137.

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Elhadj Mahmoudou Bâ, berger et illettré jusqu'à l'âge de seize ans, rompt avec le métier de pâtre au profit de l'école Coranique où, en quatre ans d'étude, il mémorisa le Coran entier. Assoiffé de savoir, il se rendit chez un marabout Maure avec qui, en quatre ans d'études, il obtint sa maitrise en Coran, et s'expatria en Arabie Saoudite pour poursuivre ses études qu'il parachèvera six ans plus tard, par un diplôme le plus élevé en science islamique. Érudit, imprégné des idées progressistes, il décida en 1940 de rentrer en Afrique afin de retirer son peuple de l'ignorance. Sur le terrain, il se heurta à des obstacles majeurs, du fait du colon et du marabout magicien, qui se sentant menacés par sa réforme, s'allièrent pour lui barrer le chemin, en vain. Convaincu que seul le savoir libère, Mahmoudou Bâ créa son école moderne à Djeol, son village natal, en 1941, et en fit de même dans toute l'Afrique Occidentale Française(AOF). En 1962, devenu responsable de l'enseignement arabe en Mauritanie, il put contrôler ses écoles nationales et internationales qui ont, empiriquement, contribué au rayonnement de la civilisation universelle, au recul de l'ignorance et au désenclavement culturel de l'Afrique de l'Ouest et centrale
Elhadj Mamadou Bâ, illiterate shepherd too the age of sixteen, breaks with the shepherd trade in favor of Koranic school where after four years of study, he memorized the entire Quran. Thirsty of knowledge, he went with a Moorish marabout with whom in four years of study, he obtained his master's degree in Quran and expatriated in Saudi Arabia for further studies that will complete six years later by a diploma, the highest in Islamic science. Scholar imbued with progressive ideas, he decided in 1940 to return to Africa to withdraw his people of ignorance. On the field, he met with major obstacles, since the colon and the magician marabout, feeling threatened by his reform, allied to bar his way, in vain. Convinced that only knowledge liberates, Mahmoudou Bâ created his modern school in Djeol, his hometown in 1941 and did the same in all French West Africa (AOF). In 1962, he became responsible for teaching Arabic in Mauritania; he could control his national and international schools that have contributed to the influence of universal civilization, the decline of ignorance and cultural opening up of West and Central, Africa
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Souza, Camila Maria Bueno [UNESP]. "Ziembinski – o encenador dos tempos modernos: a construção de uma trajetória na crítica de Décio de Almeida Prado (1950-1959)". Universidade Estadual Paulista (UNESP), 2014. http://hdl.handle.net/11449/115796.

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Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)
Asociación de Universidades Grupo Montevideo (AUGM)
Na primeira metade do século XX, em meio às transformações que permeavam o contexto nacional e mundial, a cultura brasileira passou por um processo de atualização liderado por personalidades que marcaram a história nacional. Os desdobramentos da Segunda Guerra Mundial impulsionaram ou a vinda para o Brasil de artistas estrangeiros, como Ziembinski, que desempenhou papel importante no movimento de atualização estética que se anunciava desde a década de 1920. A trajetória de Ziembinski acabou por se confundir com a própria história do moderno teatro brasileiro, uma vez que ele envolveu-se nos principais projetos das décadas de 1940 e 1950. O objetivo desta pesquisa é analisar como se deu a sua legitimação na cena nacional, tanto pela crítica de Décio de Almeida Prado, outro expoente da crítica teatral e um renovador da sua prática entre nós, quanto pelo depoimento de seus contemporâneos
In the first half of the twentieth century, with the changes that permeated the national and global context, brazilian culture has undergone an upgrade process led by personalities that defined national history. The consequences of World War II boosted the arrival to Brazil from foreign artists such as Ziembinski, which played an important role in the movement of aesthetic update that was announced since the 1920s. Ziembinski's path is usually confused with theater modern history itself since he was involved in major projects of the 1940s and 1950s. The purpose of this research is to analyze how was its legitimacy on the national scene, both by critics of Décio de Almeida Prado, another exponent of dramatic criticism and a renewing of their practice among us, as well as the testimony of his contemporaries
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4

Hayes, Kalmia Joy. "Thematic integrity in filmic versions of E.M. Forster's novels". Thesis, Rhodes University, 1998. http://hdl.handle.net/10962/d1002261.

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This study discusses the extent to which Charles Sturridge's Where Angels Fear to Tread, Merchant Ivory's Howards End, and David Lean's A Passage to India have aimed at, and succeeded in, exploring the thematic concerns of E.M. Forster's novels. A brief introductory chapter explains the motivation behind this research, and the choice of critical methodologies used. It concludes with an outline of some of the problems confronting film-makers wishing to explore the concerns of novels. The first chapter, which is devoted to Where Angels Fear to Tread, reveals that while Sturridge is "faithful" to Forster's novel at a superficial level, basing most of his scenes on, and taking most of his dialogue directly from, the text, he does not explore Forster's themes. The facility with which film tells stories proves to be a treacherous trap for Sturridge. His version of Where Angels Fear to Tread is totally vacuous because he failed to develop anything beyond the story -- Forster's "tapeworm" of time (Aspects of the NoyeI41). The causality that Forster calls plot seemed beyond Sturridge's comprehension, leaving his film little more than an endless progression of "and then[s]" (Forster, Aspects 87). Characters are not given their full weight; symbols and leitmotifs are overlooked; the allegorical elements he did recognize, he failed to understand, and thus misplaced, so that the epiphanic moments of the novel are lost. There is no possibility of thematic concerns emerging from a film in which plot, characterization, symbol and rhythm are ignored. Sturridge's apparent inability to understand his source is in stark contrast to Merchant Ivory's sensitivity to Howards End, and their evident familiarity with literary criticism on the work. Chapter two explores the way in which their adaptation smooths out putative flaws in characterization and plot, and uses filmic rhythm and camera work to suggest comments made by the novel's narrator. Almost wholly successful in developing the novel's themes, Merchant Ivory's Howards End does not, however, successfully explore the spiritual dimensions of Forster's novel. Film is a medium capable of great subtlety, but its strength lies in its ability to capture the seen; the unseen tends to evade its grasp. It is in dealing with the unseen that Lean's A Passage to India misses greatness, for in virtually every other respect his version of Forster's masterpiece is superb. Chapter three explores Lean's creative and flexible approach to adaptation, his acute sensitivity to the differing demands of film and novel, and his confident technical mastery. It also explores, however, the emptiness at the heart of his film, an emptiness that is the result of his trivialization of the spiritual concerns of Forster's novel.
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Flores, Eiliko Lutz Pfeiffer. "Os dedos do tecelão : formação, representação e o romance brasileiro do século XX". reponame:Repositório Institucional da UnB, 2012. http://repositorio.unb.br/handle/10482/13830.

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Tese (doutorado)—Universidade de Brasília, Departamento de Teoria Literária e Literaturas, 2012.
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Este estudo apresenta um diálogo entre obras de escritores brasileiros atuantes na década de setenta, durante a ditadura militar brasileira pós-64, e livros de escritores anteriores cujas obras estão situadas no âmbito do século XX. Procura-se expor a relação produtiva, intrínseca à sua realização estética, formal e temática, que esses romances estabelecem entre si, e seu significado amplo em termos de crítica e historiografia literária. Os escritores abordados são: Machado de Assis, Graciliano Ramos, Guimarães Rosa, Clarice Lispector, Antonio Callado, Osman Lins e João Ubaldo Ribeiro. A base teórica fundamental para o estudo dessas relações está baseada na obra de Erich Auerbach e de estudiosos brasileiros, como Antonio Candido. _______________________________________________________________________________________ ABSTRACT
This study presents a dialogue between works of Brazilian writers working in the seventies, during the post-64 military dictatorship, and previous books by writers whose works are located within the twentieth century. It seeks to expose the productive relationship, intrinsic to their aesthetic, formal and thematic achievement, that these novels establish amongst themselves and the broader significance of this relationship in terms of criticism and literary historiography. The writers addressed are Machado de Assis, Graciliano Ramos, Guimarães Rosa, Clarice Lispector, Antonio Callado, Osman Lins and João Ubaldo Ribeiro. The fundamental theoretical basis for the study of these relationships is based on the work of Erich Auerbach and Brazilian scholars such as Antonio Candido.
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Kalck, Xavier. "L'expérience de la langue chez les poètes objectivistes". Paris 4, 2007. http://www.theses.fr/2007PA040174.

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La présente recherche a pour centre l’Objectivisme, considéré comme le lieu à partir duquel penser les enjeux théoriques et formels liés pour la poésie américaine et anglaise à ce que l’on appelle le modernisme. Mouvement fondateur du début de l’entre-deux-guerres, l’Objectivisme regroupe d’abord les poètes américains Louis Zukofsky, Charles Reznikoff, George Oppen, Carl Rakosi, et Lorine Niedecker, ainsi que le poète anglais Basil Bunting. Nous y ajoutons William Carlos Williams, à la fois un prédécesseur et un compagnon de ce mouvement. C’est à la lumière du retour que l’Objectivisme opère sur les fondements de la poétique, et des nouveaux outils que par conséquence il demande d’inventer pour le comprendre, qu’il faut chercher le sens de cette recherche qui se propose donc d’élaborer les outils et de forger les clés essentielles à l’approche de cette poésie. Il s’agit de tirer les conclusions des redéfinitions, réappropriations et diverses manipulations que les poètes Objectivistes ont opérées sur les notions aussi essentielles que celle de la voix et du statut du sujet parlant dans le poème, celle du rythme et de la nature graphique du poème comme induisant une possible métrique nouvelle, et par conséquent celle du signe en poétique à l’intérieur d’une relation renouvelée à la langue et à l’expérience qui en est faite du point de vue de la lecture du texte
This research aims at understanding Objectivist poets and poetics, considered as the nexus from which to analyse the theoretical and formal questions that matter to English and American modernist poetry. As a groundbreaking movement taking place in the thirties, Objectivism first gathers American poets such as Louis Zukofsky, Charles Reznikoff, George Oppen, Carl Rakosi and Lorine Niedecker, as well as English poet Basil Bunting. We choose to add to these the name of William Carlos Williams, both their predecessor and a long-time companion. The meaning of this work lies in the Objectivists going back to the basis of a poetics, and hence the need for new tools required to understand their texts. We propose to help develop a thinking enabling the reader to enter this specific poetical field, by analysing the new definitions, the various manipulations and the interplay with tradition that the Objectivists have produced. Their innovations concern such essential notions such as the poetic voice and its relation to the speaking subject in the poem; rhythm and the graphic quality of the written text as inducing a possibly new prosody; and the logic of the sign within the frame of a transformed experience of language and speech, from the point of view of the reading of the text
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Feyeux, Anaïs. "Photographier l'après-guerre : la reconstruction du champ photographique en Allemagne de l'Ouest entre 1945 et le début des années soixante". Paris 1, 2012. http://www.theses.fr/2012PA010700.

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La reconstruction du champ photographique en Allemagne de l'Ouest entre 1945 et le début des années soixante témoigne des bouleversements qui ont affecté le pays après le traumatisme nazi. En 1945, la photographie a ses fondements détruits. Les structures étatiques - de la production industrielle aux groupes amateurs - sont anéanties par les troupes alliées. Dans un élan de résistance à la main-mise étrangère, les Allemands redéfinissent les contours de la pratique photographique. Celle-ci se construit autour d'évènements - foires, expositions, prix - et d'organismes - magazines, sociétés, écoles - qui agglomèrent les différents acteurs : industriels, professionnels et amateurs. Grâce à ces organes de référence communs, c'est un véritable champ uni et autonome qui émerge. La photographie n'est plus considérée selon l'utilisation propagandiste des années trente quarante, ou la dépendance qu'elle pourrait nourrir vis-à-vis des beaux- arts. Car c'est bien sur les spécificités du médium que se construit le développement du champ photographique dans ces années. Se situant à la jonction des trois pôles quiparcourent la société de la jeune RFA - industrie de pointe, loisirs et culture --, la photographie devient le miroir à petit échelle de ces « longues années cinquante ». L'Allemagne retrouve son rôle-phare sur la scène photographique internationale. La présente étude s'est attachée aux théories - "fotoform", "Subjektive Fotograjie", "Totale Photographie" - et développements esthétiques des photographes professionnels - Otto Steinert ou Chargesheimer -, mais aussi aux enjeux sociologique, économique et politique entourant ce projet, autour notamment d'Agfa et de la foire photokina.
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Hersey, Shane J. "Endangered by desire : T.G.H. Strehlow and the inexplicable vagaries of private passion". Thesis, View thesis, 2006. http://handle.uws.edu.au:8081/1959.7/19524.

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This thesis is about the depth of colonisation through translation. I develop an analytic framework that explores colonisation and translation using the trope of romantic love and an experimental textual construction incorporating translation and historical reconstruction. Utilising both the first and the final drafts of “Chapter X, Songs of Human Beauty and Love-charms” in Songs of Central Australia, by T. Strehlow, I show how that text, written over thirty years and comprised of nine drafts, can be described as a translation mediated by the colonising syntax and grammar. My interest lies in developing a novel textual technique to attempt to illustrate this problem so as to allow an insight into the perspective of a colonised person. This has involved a re-examination of translation as something other than a transtemporal structure predicated on direct equivalence, understanding it instead as something that fictionalises and reinvents the language that it purports to represent. It begins by establishing an understanding of the historical context in which the translated text is situated, from both objective and personal viewpoints, and then foregrounds the grammatical perspective of the argument. Utilising the techniques and processes of multiple translation, Internet-based translation software, creative writing and historical reconstruction, it continues to consider the role of imagination and begins the construction of a visceral argument whereby the reader is encouraged to experience a cognitive shift similar to that understood by the colonised other, which is revealed in a fictional autobiography written by an imagined other. It concludes by considering the coloniser within the same context, using, as an example T. Strehlow, who had a unique understanding of the Arrernte language. Tracking his extensive alterations, revisions and excisions within his drafts of Chapter X, this thesis traces a textual history of change, theorising that the translator, no matter how "authentic", is as much translated by the text as she or he is a translator of the text.
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9

Gardette, Philippe. "Spécularité et psychanalyse : recherches à partir de la "Lecon III" de Pierre Legendre : ou la représentation au centre de la cure psychanalytique". Thesis, Montpellier 3, 2012. http://www.theses.fr/2012MON30029.

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Le psychanalyste Pierre Legendre propose une vision structuraliste du rapport de l'homme à l'image. Notre projet est de partir de cette réflexion fondatrice pour ensuite l'enrichir du concept de dynamisme -en se fondant sur des cultures autres qu'occidentales – qui viendra se substituer à celui de structure. Plus généralement, notre travail a pour objet de déconstruire certains stéréotypes liés à la relation entre l'homme et l'image dans le souci de restaurer une vision psychanalytique englobant la relation éthique (de 'je' à l'autre), sociale (de 'je' aux autres) et spirituelle (de 'je' au Tout Autre)qui correspond à une vision plus holistique de la cure psychanalytique mais sans la trahir
Pierre Legendre adopts a structuralist point of view in his studies. Our project is to establish – with the help of different cultures – a position more dynamics to deconstruct three sorts of stereotypes : – First, the stereotype as an obstacle between me and the others (social dimension) ; – the stereotype as a hitch between me and the Other (spiritual dimension) ; – and, finally, stereotype as an obstacle between me and me. As we can see, this question is deeply ethical and concerns the roots of the psychoanalysis
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10

Hersey, Shane J., University of Western Sydney, College of Arts y School of Communication Arts. "Endangered by desire : T.G.H. Strehlow and the inexplicable vagaries of private passion". 2006. http://handle.uws.edu.au:8081/1959.7/19524.

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This thesis is about the depth of colonisation through translation. I develop an analytic framework that explores colonisation and translation using the trope of romantic love and an experimental textual construction incorporating translation and historical reconstruction. Utilising both the first and the final drafts of “Chapter X, Songs of Human Beauty and Love-charms” in Songs of Central Australia, by T. Strehlow, I show how that text, written over thirty years and comprised of nine drafts, can be described as a translation mediated by the colonising syntax and grammar. My interest lies in developing a novel textual technique to attempt to illustrate this problem so as to allow an insight into the perspective of a colonised person. This has involved a re-examination of translation as something other than a transtemporal structure predicated on direct equivalence, understanding it instead as something that fictionalises and reinvents the language that it purports to represent. It begins by establishing an understanding of the historical context in which the translated text is situated, from both objective and personal viewpoints, and then foregrounds the grammatical perspective of the argument. Utilising the techniques and processes of multiple translation, Internet-based translation software, creative writing and historical reconstruction, it continues to consider the role of imagination and begins the construction of a visceral argument whereby the reader is encouraged to experience a cognitive shift similar to that understood by the colonised other, which is revealed in a fictional autobiography written by an imagined other. It concludes by considering the coloniser within the same context, using, as an example T. Strehlow, who had a unique understanding of the Arrernte language. Tracking his extensive alterations, revisions and excisions within his drafts of Chapter X, this thesis traces a textual history of change, theorising that the translator, no matter how "authentic", is as much translated by the text as she or he is a translator of the text.
Doctor of Philosophy (PhD)
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Libros sobre el tema "1908-1978"

1

Vila, Marco Aurelio. Temps viscut: 1908-1978. Barcelona: El Llamp, 1989.

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Gerth, Nobuko. "Between two worlds": Hans Gerth, eine biografie, 1908-1978. Opladen [Germany]: Leske + Budrich, 2002.

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Millesimo di millimetro: I segni del codice visivo Olivetti, 1908-1978. Bologna: Società editrice il Mulino, 2014.

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4

Goethals, Jozef J. Goethals, Tavernier, Vanmaele: The ancestors of August Goethals (torhout 1901-1978) and Elza Tavernier (aarsele 1908-torhout 1985) ; a family history = de voorouders van August Goethals (torhout 1901-1978) en Elza Tavernier (aarsele 1908-torhout 1985) ; een familiegeschiedenis. Baltimore, MD: Gateway Press, 2006.

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Creighton, Roy. 84 Randall Avenue: The lives of Roy and Clara Creighton as told in their letters of 1908-1978. Delmar, N.Y: Roger L. Creighton, 1999.

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6

Manoury, Roland. Jean Ségurel, 1908-1978: Le troubadour de l'accordéon : en souvenir des Bruyères corréziennes ou La légende des Monédières. Egletons: Editions "Lara", 2004.

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Manoury, Roland. Jean Ségurel, 1908-1978: Le troubadour de l'accordéon : en souvenir des Bruyères corréziennes ou La légende des Monédières. Egletons: Editions "Lara", 2004.

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McCulloch, Edith. The prints of Don Freeman: A catalogue raisonné. Charlottesville: Published for the University of Virginia Art Museum by the University Press of Virginia, 1988.

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Carlos, Lozano López Juan, Bareau Juliet Wilson, Beltrán Lloris Miguel y Museo de Zaragoza, eds. La memoria de Goya (1828-1978). [Zaragoza]: Gobierno de Aragon, Departamento de Educación, Cultura y Deporte, 2008.

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Gerth, Nobuko. Between Two Worlds Hans Gerth: Eine Biografie 1908-1978. VS Verlag fur Sozialwissenschaften GmbH, 2013.

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Capítulos de libros sobre el tema "1908-1978"

1

Hickman, B. G. "Gordon, Robert Aaron (1908–1978)". En The New Palgrave Dictionary of Economics, 1–2. London: Palgrave Macmillan UK, 1987. http://dx.doi.org/10.1057/978-1-349-95121-5_1154-1.

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Hickman, B. G. "Gordon, Robert Aaron (1908–1978)". En The New Palgrave Dictionary of Economics, 1–2. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/978-1-349-95121-5_1154-2.

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Hickman, B. G. "Gordon, Robert Aaron (1908–1978)". En The New Palgrave Dictionary of Economics, 5382–83. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-349-95189-5_1154.

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Roberts, Charlotte A. y Keith Manchester. "Calvin Percival Bamfylde Wells (1908–1978)". En The Global History of Paleopathology, 141–46. Oxford University Press, 2012. http://dx.doi.org/10.1093/acprof:osobl/9780195389807.003.0018.

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"No. 29215. United Nations Convention on the carriage of goods by sea, 1978. Concluded at Hamburg on 31 March 1978". En Treaty Series 1908, 454. UN, 2001. http://dx.doi.org/10.18356/9ee272a3-en-fr.

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