Tesis sobre el tema "1893-1972"
Crea una cita precisa en los estilos APA, MLA, Chicago, Harvard y otros
Consulte los 15 mejores tesis para su investigación sobre el tema "1893-1972".
Junto a cada fuente en la lista de referencias hay un botón "Agregar a la bibliografía". Pulsa este botón, y generaremos automáticamente la referencia bibliográfica para la obra elegida en el estilo de cita que necesites: APA, MLA, Harvard, Vancouver, Chicago, etc.
También puede descargar el texto completo de la publicación académica en formato pdf y leer en línea su resumen siempre que esté disponible en los metadatos.
Explore tesis sobre una amplia variedad de disciplinas y organice su bibliografía correctamente.
Milbach, Juliette. "Etre artiste en Union soviétique : le parcours d'Arkadii Plastov (1893-1972) : réalisme, socialisme, nationalité". Thesis, Paris 1, 2014. http://www.theses.fr/2014PA010653.
Texto completoArkadiï Plastov’s career is atypical for an artist in the Soviet system. Born son of icon painter, Arkadiï Plastov grew up in a small village on the Volga. Before becoming one of the most celebrated painters of the Russian rural life, Plastov studied fine arts on the pre-Revolution curriculum in Moscow focusing mainly on sculpture and fully unaware of the Avant-Garde’s esthetic language. He became a prominent painter in the capital in 1935 creating monumental pieces for exhibitions inthe second half of the 1930s, at a time when the socialist-realism style and theory were being developed. After the Second World War, he received the Stalin Prize for depicting the Russian identity in his painting and became a member of the fine art academy. In parallel to his art work for exhibitions and other official requests, he continued to document the life in his village through numerous portraitsof mujiks. In the 1960s when new styles and theories were appearing and questioning the socialistrealism, Plastov stood up to defend a doctrine he and many artists of his generation had embraced. Despite his fame and status, he was often targeted by critics and set aside as a painter of peasant life
Fisher, Bruce Hubert. "The be-all and end-all of teaching, Nova Scotia's provincial examinations in history, 1893-1972". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape3/PQDD_0014/MQ56708.pdf.
Texto completoJoannides, Catherine. "Herméneutique et psychanalyse : traduction des rêves de Freud avec la méthode de Paul Diel". Paris 10, 1985. http://www.theses.fr/1985PA100164.
Texto completoLesclous, René. "Genese et evolution des sites producteurs d'aluminium : essai d'interpretation des choix strategiques de pechiney et de leur mise en oeuvre, 1893-1972". Paris, EHESS, 1997. http://www.theses.fr/1997EHES0011.
Texto completoDeciding on the location of a smelter project is a very critical point for any aluminium company. How did pechiney select its smelters locations ? to have a sound view of this strategic problem, one needs to know the main features of the aluminium smelting business as well as their evolution since 1893, the start-up date of the first smelter, up to 1972, the end of this survey. That is the first part of this thesis. In order to get a clear understandig of the many factors involved in the selection of an aluminium smelting site and of the evolution of the typical location over time, we have presented four examples illustrating the successive phases of development of the aluminium industry, i. E. La praz (1893-1921), champagnier (1922-1939), edea (1945-1958), and the couple eastalco- vlissingen (1959-1972). This study allowed us to determine the critical factors of site selection, which are on the one hand the main components of the smelting cost, i. E. Power and logistics, and on the other hand various potential risks such as politics, exchange rate and custom duties. We have made an evaluation of the performance and life time of these various sites. Eventually we broadly pictured the strategic constraints of the aluminium smelting industry : space as logistics, time as long run and people as an appropriate profile of salient managers
Blain, Jenny. "Deconstructing Martin Boyd : homosocial desire and the transgressive aesthetic". Thesis, The University of Sydney, 1998. http://hdl.handle.net/2123/2760.
Texto completoBlain, Jenny. "Deconstructing Martin Boyd : homosocial desire and the transgressive aesthetic". University of Sydney, 1998. http://hdl.handle.net/2123/2760.
Texto completoFollowing on the proposition that the history of Western thought is importantly constituted by a discourse of male-male pedagogic or pederastic relations stretching in narrative form, according to Allan Bloom, from the Phaedrus to Death in Venice, the deconstructive project of reading 'against the visible grain' has been mobilised in the interests of interrogating and unsettling what can only be defined as homophobic misreadings of Martin Boyd. Critical discursive practice, by the near-uniform imposition of a tacit censorship, has refused by means of erasure, silence and repression to reflect on Boyd from the perspective of sexual definition or same-sex love and desire, presumably in the belief that there are no interpretive consequences. In the process, an hypothesis of Boyd as himself mounting an act of social criticism by surreptitiously contesting conventional and hierarchical typologies of masculinity in the margins of institutionalised and popular hegemonic culture, seems to have escaped inscription in the canonical records. Martin Boyd's 'dividedness', 'doubleness', ambivalences and dichotomies point to a complexity that is not ultimately or ontologically resolvable. The Derridean 'de-sedimentation' modus operandi used here makes no claim to a relevatory hermeneutics of Hegelian essence. It does, however, utilise the various tropes of ambivalence, uncertainty, anxiety and incoherence — aspects of Boyd which may be correlated, perhaps, with his sense of the unheimlich or not being at home with himself or his environment — to reposition him in terms of his psychosexual constitution. In the process, the advocacy of aestheticism and pleasure for which he is recognised is found to be tempered and/or subverted by an overt recourse to the transgressive and 'decadent', elements irretrievably linked to his fetishization of the beautiful male body and his obsessive redeployment of the Hellenic ideal of manly love. The interpretive frameworks applied in the reclamation of the 'different' sensibility Boyd articulates by means of an alternately subtilized and strenuous challenge to sex/gender identity and behavioural norms encompass a field ranging from late nineteenth century theoretical discourse on homosexuality through to the intertextual influences of cultural innovators like Pater and Wilde. It includes reference to the literary strategies devised by Sedgwick to uncover deviance and 'erotic pathways'; it surveys the psychoanalytic hypotheses of Freud and Adler as relevant; and it pays heed to an aesthetics of the religio-erotic.
Viard, Bruno. "Mimesis et Agapè : etude sur le lien social à partir de René Girard, Paul Diel et Pierre Leroux". Aix-Marseille 1, 1990. http://www.theses.fr/1990AIX10018.
Texto completoGilbertson, Michael. "Injury to health : a forensic audit of the Great Lakes Water Quality Agreement (1972-2005) with special reference to congenital Minamata disease". Thesis, University of Stirling, 2006. http://hdl.handle.net/1893/249.
Texto completoFletcher, Martin John. "The view from The Waste Land : how Modernist poetry in England survived the Great War". reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2016. http://hdl.handle.net/10183/149526.
Texto completoT. S. Eliot’s iconic poem The Waste Land, published in 1922, is indisputably the key Modernist poetry text in English. Eliot was living in London at the time of its composition, and although the poem contains numerous literary references, The Waste Land is not thought to have been influenced by the poetry of Eliot’s English contemporaries. On the contrary, the poem is regarded as a radical departure from, and reaction against, the English poetry being written before and throughout the Great War (1914-1918). In this paper, I argue that The Waste Land contains echoes of the work of English poets Harold Monro and Herbert Read, both of whom knew Eliot well. Looking back retrospectively from 1922, with The Waste Land as my exemplary Modernist text and critical starting point, I carry out a reassessment of the English poetry scene from 1910 to 1922, from the pre-war Georgians to the post-war appearance of Eliot’s masterpiece. Both Monro and Read were influenced by Ezra Pound’s radical ‘Imagism’ movement, which formed a central plank in the progressive London poetry scene in the years leading up to the war. I therefore employ both The Waste Land and Pound’s ‘Imagist’ experiments as models of Modernist practice by which to compare and contrast the work of the Georgians (particularly Wilfrid Gibson), the poetry produced during the Great War, and the work of Monro and Read. The guiding principles of my analytical approach are twofold: firstly, in terms of poetic practice, I evaluate the work of Eliot and his contemporaries by comparing their approaches to form, assessing how poetic technique both defines content and offers insight into shifts in cultural values; secondly, my theoretical approach is based on changing concepts of the aesthetic function of poetry, revealing how aesthetic values are historically relative to, and determine, the production and reception of poetry, ultimately exposing how Eliot and Pound’s Modernist experiments are historically related to Romantic aesthetic principles.
Tsopotos, Alexandros. "Entre ironie critique et fascination : les États-Unis dans le regard de quelques cinéastes immigrés : Erich von Stroheim, Ernst Lubitsch, Josef von Sternberg, Michael Curtiz, William Dieterle". Paris 1, 2011. http://www.theses.fr/2011PA010618.
Texto completoDelmas, Fabien. "Rythmes, mouvements et double transfert : De Max Reinhardt à la Kapellmeisterregie hollywoodienne". Thesis, Aix-Marseille, 2012. http://www.theses.fr/2012AIXM3132.
Texto completoSince 1870, European theatre has been in need of a wide range of reforms. A new movement was started with a new generation of theoreticians and scene designers which lead to the emergence of a director. Adolphe Appia, who envisaged directing as a “suggestion of an obtainable dream” established in La Musique et la mise en scene the director's rights in front of the set choreographers. In Berlin in 1905, Max Reinhardt laid down the foundations for a theatrical empire which would later go on to influence German art in the early 1930s. With the aid of new, continuously developing technology, Reinhardt set in stone the concept of scenic orchestration, the Kapellmeisterregie. This thesis is devoted to the development of a comprehensive continuum determined by a principle of intermedial transposition linking theatre to cinema, and Europe to Hollywood. Developing on the concepts of movement and rhythm, this study considers the perpetuation within American cinema in scenic principles developed by Adolphe Appia and Max Reinhardt. As such, the works of William Dieterle, Michael Curtiz, Vincente Minnelli and Otto Preminger appear as hypothetical ramifications with a vision of staging a show in which a Hollywood film would be one of their aims
Gong, Jing-Bao. "Martin Boyd's Anglo-Australian novels : a study of the development of major themes". Master's thesis, 1987. http://hdl.handle.net/1885/139592.
Texto completoHuang, Yu-An y 黃煜安. "The Study of ZHANG LI DE-HE(1893-1972)’s Cross-border Activities and Interpersonal Networks". Thesis, 2018. http://ndltd.ncl.edu.tw/handle/kxsx7f.
Texto completo國立清華大學
台灣文學研究所
106
Entitled “The Study of ZHANG LI DE-HE’s Cross-border Activities and Interpersonal Networks” ,this thesis understands the role and interpersonal relationship network in the community activities through a complete review of ZHANG LI DE-HE and the community activities. Through the network diagram of the interpersonal relationship organized in this paper, the background factors of her extraordinary achievements in her life are explored. Throughout the current research on ZHANG LI DE-HE, we can find that its research perspective mainly focuses on her artistic achievements, life aesthetics or his relationship with the literary and philosophical, and the development of the life process and the expression of poetry in the writer's personal life. However, in addition to his literary achievements, ZHANG LI DE-HE and her ceremonies have also performed quite actively in the fields of horticulture, politics, and social welfare. From her cross-border activities as a starting point to further enlarge the friendships and friends. The network of friends is an important basis for her participation in social activities, and this particularity is also more conspicuous because of her female identity. So the paper begins with its family background to explore how ZHANG LI DE-HE is so active? What kind of capital does the original family and the marriage family give, so that they have the opportunity and interact with the literati community? Secondly, through combing the various community activities in which they participate, explore the background factors of their participation, understand ZHANG LI DE-HE 's role in social activities and how to gradually develop interpersonal relationships and build her own social networks. Finally, the friends in these communities are completely connected in series, and the social network analysis method is used to draw ZHANG LI DE-HE 's interpersonal network map to understand the interpersonal network that supports her enthusiasm in society. In addition to seeing more moods in the face of turbulent society in ZHANG LI DE-HE 's poems, I also tried to use the methods of literary sociology to explore the connections between ZHANG LI DE-HE and the people established in different periods to establish his literary, cultural and social activities. What kind of foundation, and by combing the appearance of friends in the response to poetry, can understand ZHANG LI DE-HE from a more perspective.
HUNG, SHAO-CHI y 洪韶圻. "Researching The Painting Achievement of Ms. Luo Shan Chang Lee Te-Ho (1893-1972) in Period of Taiwan Governor-General Office Exhibitions of Fine Arts (1938-1943)". Thesis, 2017. http://ndltd.ncl.edu.tw/handle/x382xy.
Texto completo國立臺北藝術大學
美術學系碩(博)士班
105
Entitled “Researching The Painting Achievement of Ms. Luo Shan Chang Lee Te-Ho (1893-1972) in Period of Taiwan Governor-General Office Exhibitions of Fine Arts (1938-1943),” this study analyzed Chang Lee’s artistic importance in painting of the Japanese Rule and what her achievements mean to Taiwan’s contemporary painting community, by looking at her personal creative experiences, the focuses and characteristics of the Governor-general Office Fine Arts Exhibition, the regional culture of Luoshan (Chiayi), and Chang Lee’s social status as a much respected lady. Presently, most of the studies on Chang Lee are about her life and painting experiences, praising her works via aspects such as family background, talent in Han poetry, and ethics held as a learned woman. As opposed to such, this study listed the following four highlights, “a Toyoga painter excelling in poetry, calligraphy and painting,” “Chang Lee Te-ho’s artworks displayed at the Taiwan Governor-general Office Fine Arts Exhibition and the era’s wartime characteristics,” “how Chang Lee Te-ho established her reputation in the art and cultural scene during the Japanese Rule and the regional culture of Chiayi (Luoshan),” and “gender awareness in Chang Lee Te-ho’s paintings,” to re-examine Chang Lee Te-ho’s creative experiences and the meaning of her works of the Japanese Rule, and to further conclude her painting achievements. First, the study examined the education which Chang Lee Te-ho received – intellectually and artistically, she was influenced by Han, Japanese and Western cultures. This was for specifically explaining “contemporarity” in Chang Lee’s paintings. Then, considering Chang Lee Te-ho’s knowledge of Han Chinese studies and wartime circumstances, this study analyzed how special the painter was at the Taiwan Governor-general Office Fine Arts Exhibition, and specified the characteristics of her works displayed at that exhibition. Thirdly, the essay delved into how Chang Lee’s reputation grew from “personal” to “regional” and then finally to “island-wide,” and reflected upon the factors which might have enabled her to secure a high social status in Chiayi. The fourth is, Chang Lee Te-ho was first a student, a talented female artist, and then the leader of the Baojia Women’s Group during the Japanese Rule. The essay examined the type of gender awareness which Chang Lee’s paintings express, as the painter’s roles changed, in addition to the femininity she possessed. Lastly, the study made a conclusion on Chang Lee’s achievements in painting, and found a proper position for her in Taiwan’s fine arts history. Through the aforementioned research concentrations and results, the study is expected to gain the following research contributions: (1) Adding “contemporarity” to the studies of “tradition” in Chang Lee Te-ho’s paintings. (2) Exploring more views for the studies of the Toyoga Painting Division of the Taiwan Governor-general Office Fine Arts Exhibition which promoted war paintings during the Japanese Rule. (3) Introducing aspects such as Chiayi’s regional cultural influence to the studies of Taiwan’s contemporary fine arts history. (4) Offering new comparisons to related studies on Taiwanese female painters of the Japanese Rule.
Mortari, Camila 1990. "Caracterização material dos suportes e adesivos de painéis de azulejo do Museu Nacional do Azulejo para a sua intervenção de conservação e restauro". Master's thesis, 2016. http://hdl.handle.net/10451/27963.
Texto completo