Literatura académica sobre el tema "1564-1616 Symbolism"
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Artículos de revistas sobre el tema "1564-1616 Symbolism"
Dinu, Cristina-Mădălina. "A Comparative Study of the Ghost Literary Motif in Snow in Midsummer by Guan Hanqing and Hamlet by Shakespeare". Journal of Foreign Languages and Cultures 5, n.º 1 (28 de junio de 2021): 125–34. http://dx.doi.org/10.53397/hunnu.jflc.202101010.
Texto completoTesis sobre el tema "1564-1616 Symbolism"
Edelman, Charles. "The theatrical and dramatic form of the swordfight in the chronicle plays of Shakespeare". Title page, contents and abstract only, 1988. http://web4.library.adelaide.edu.au/theses/09PH/09phe21.pdf.
Texto completoDufour, Gérard. "L'homme et l'animal dans l'oeuvre de Shakespeare. Essai d'anthropologie littéraire". Paris 4, 1991. http://www.theses.fr/1990PA040144.
Texto completoThe relationship between man and animal plays an essential role in the structuring of Shakespeare's poetic and theatrical universe. The apparent banality of the bestiary is due to the fact it reflects received ideas. Shakespears's animal world which records, to a not insignificant extent, perceptions of reality current at the time of the renaissance, stems largely from a literary tradition and from cultural assumptions embodied in and perpetuated by the everyday language of the time. A discourse made up of several voices, shakespeare's texts bring into play the richness and coherence but also the ambivalence and imprecisions of a set of animal figures which reveal the tensions and contradictions of a world in crisis, a world threatened by violence and disorder. By re-enacting the split between man and animal, the pure and the impure, the domesticated and the wild, animal images make it possible, according to the principale of generalized analogy, to depict the fundamental relationships man has with himself, with woman, with society and with the beyond, and, in this way, to delineate a large variety of roles and dramatic situations
Edelman, Charles. "The theatrical and dramatic form of the swordfight in the chronicle plays of Shakespeare / Charles Edelman". Thesis, 1988. http://hdl.handle.net/2440/18714.
Texto completoLibros sobre el tema "1564-1616 Symbolism"
Shakespeare's visual theatre: Staging the personified characters. Cambrdige, England: Cambridge University Press, 2003.
Buscar texto completoMatthews, Honor. Character and symbol in Shakespeare's plays: A study of certain Christian and pre-christian elements in their structure and Imagery. Cambridge: Cambridge University Press, 2009.
Buscar texto completoThe heart in the age of Shakespeare. New York: Cambridge University Press, 2008.
Buscar texto completoShakespeare and the late moral plays. Lincoln: University of Nebraska Press, 1986.
Buscar texto completoReading the allegorical intertext: Chaucer, Spenser, Shakespeare, Milton. New York: Fordham University Press, 2008.
Buscar texto completoDaly, Peter. Shakespeare's Symbolic Visuality: Shakespeare's Use of Emblem and Iconography. Taylor & Francis Group, 2023.
Buscar texto completoMacphee, Wendy Jean. Secret Meanings in Shakespeare Applied to Stage Performance: The Practice of Esoteric Arcana Exploring the Plays' Mysteries. Sussex Academic Press, 2018.
Buscar texto completoMacphee, Wendy Jean. Secret Meanings in Shakespeare Applied to Stage Performance: The Practice of Esoteric Arcana Exploring the Plays' Mysteries. Sussex Academic Press, 2018.
Buscar texto completoCharacter and Symbol in Shakespeare's Plays: A Study of Certain Christian and Pre-Christian Elements in Their Structure and Imagery. Cambridge University Press, 2010.
Buscar texto completoVaught, Jennifer C. Architectural Rhetoric in Shakespeare and Spenser. Medieval Institute Publications, 2019.
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