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Books on the topic 'Zombie firm'

Author: Grafiati

Published: 9 March 2023

Last updated: 10 March 2023

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1

Fürst, Michael. Untot: Zombie, Film, Theorie. München: Belleville, 2011.

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2

Zombies: The complete guide to the world of the living dead. London: Canary Press, 2010.

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3

Zombies: The complete guide to the world of the living dead. New York: Chartwell Books, 2010.

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4

White zombie: Anatomy of a horror film. Jefferson, N.C: McFarland & Co., 2001.

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5

Raphaël, Colson, and Sévéon Julien, eds. Zombies! Lyon: Moutons électriques, 2009.

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6

Adams, Ted. Resident evil: Fire and ice. La Jolla, Calif: Wildstorm, 2009.

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7

Ted, Adams. Resident evil: Fire and ice. La Jolla, Calif: Wildstorm, 2009.

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8

Thoret, Jean-Baptiste. Politique des zombies: L'Amérique selon George A. Romero. Paris: Ellipses, 2007.

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9

Young, R. G. The encyclopedia of fantastic film: Ali Baba to Zombies. New York: Applause, 1997.

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10

Undead obsessed: Finding meaning in zombies. [Seattle, WA]: Booktrope, 2014.

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11

Gee, Emily. The fire prince. Oxford, UK: Solaris, an imprint of Rebellion Publishing Ltd., 2014.

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12

Wetmore, Kevin J. Back from the dead: Remakes of the Romero zombie films as markers of their times. Jefferson, N.C: McFarland & Company, Inc., Publishers, 2011.

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13

George A. Romero und seine Filme. Bellheim: Kuk, 2010.

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14

Night of the living dead: Behind the scenes of the most terrifying zombie movie ever. New York: Citadel Press, 2010.

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15

The making of George A. Romero's Day of the dead. London: Plexus, 2014.

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16

F, Damji Karim, and Shields M. Bruce, eds. Shields textbook of glaucoma. 6th ed. Philadelphia: Wolters Kluwer Health/Lippincott Williams & Wilkins, 2011.

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17

Dickens, Charles. A Christmas carol: The book of the film. Bath: Parragon, 2009.

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18

Mcdermott, Leeanne. GamePro Presents: Sega Genesis Games Secrets: Greatest Tips. Rocklin: Prima Publishing, 1992.

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19

Barbiero, Francesca, Philipp-Bastian Brutscher, Atanas Kolev, Alexander Popov, and Marcin Wolski. Misallocation of Investment in Europe. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198815815.003.0003.

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Using a pan-European, firm-bank matched data set, we find weak evidence of investment misallocation in Europe. Firms with higher debt overhangs invest significantly less, in particular in sectors that are facing good global growth opportunities. We also find that firms with higher debt overhangs are more likely to invest if they borrow from undercapitalized banks, and this effect is particularly strong in industries facing good global growth opportunities, suggesting a misallocation of investment associated with ‘zombie lending’. Our results are consistent with theories of investment misallocation due to agency problems at firms and at banks.

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20

Schmeink, Lars. 9/11 and the Wasted Lives of Posthuman Zombies. Liverpool University Press, 2017. http://dx.doi.org/10.5949/liverpool/9781781383766.003.0007.

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Chapter 7 returns to the changed social and political realities of the new millennium and the post-9/11 world, connecting global terror with the success of zombie films in mainstream culture. The renaissance of the zombie films can be directly linked to its allegorical depiction of viral, off-scene terror and the dystopian future of a post-apocalyptic world. In analyzing post-9/11 zombie films, especially the Resident Evil-film series and the 28 Days-franchise, the chapter reveals liquid modern anxieties as connected with terrorism and globalization. The films reimagine the zombie in terms of biological disaster – as viral, infectious and unseen – in order to acknowledge the new form of terror emergent in 9/11. In appropriating this biopunk context, contemporary zombie films make available a cultural negotiation of the liquid modern logic of necropolitics (as an extension of biopolitics) and the negation of human and non-human others through technoscientific means. By casting humanity as homines sacri, biopunk zombie films allow for a witnessing of a radical change of the social order. Zombies, in these films, present a possible future that imagines posthuman subjectivity in drastic and extremely jarring imagery, providing contemporary society with biopunk dystopias.

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21

Lindzy, Dominic. Zombie's Perspective : Journey of Discovery the World of a Zombie: A Zombie-Fire. Independently Published, 2021.

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22

The Zombie Film. Hal Leonard Corporation, 2014.

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23

Clasen, Mathias. Fight the Dead, Fear the Living. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190666507.003.0009.

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George A. Romero’s Night of the Living Dead (1968) depicts the futile attempts of a group of people to survive a zombie outbreak by barricading themselves in a farm house. Romero’s film introduced the modern horror zombie, a reanimated, rotting corpse that feeds on the living, travels in hordes, and is contagious. This chapter argues that Romero’s implausible monster is highly effective because it triggers defensive adaptations in human evolutionary psychology, especially adaptations to predators and contagious substances. The zombie’s counterintuitive aspect, its undeath, makes it especially salient. Romero used the figure to probe human reactions to disaster and to paint a vivid picture of the inevitability of conflict and defeat, especially in terms of social, psychological, and organic breakdown. It resonated especially with disillusioned moviegoers at the time of its release, but the film’s monsters and themes continue to engage people because of their evolutionary salience.

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24

Gospel of the Living Dead: George Romero's Visions of Hell on Earth. Baylor University Press, 2006.

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25

Living With Zombies: Society in Apocalypse in Film, Literature and Other Media (Contributions to Zombie Studies). McFarland & Company, 2017.

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26

Zombies: The Complete Guide to the World of the Living Dead. Little, Brown Book Group Limited, 2010.

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27

Rhodes, Gary Don. White Zombie: Anatomy of a Horror Film. McFarland & Company, Inc., Publishers, 2006.

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28

Zombies Az. John Blake, 2012.

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29

Book of the Undead a Zombie Film Guide. Lulu Press, Inc., 2012.

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30

Book of the Undead a Zombie Film Guide. Lulu Press, Inc., 2014.

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31

Oliver, Dan. Zombies A-Z. Blake Publishing, Limited, John, 2011.

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32

Cowboy Hamlets and Zombie Romeos: Shakespeare in Genre Film. Manchester University Press, 2020.

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33

Foeldvary, Kinga. Cowboy Hamlets and Zombie Romeos: Shakespeare in Genre Film. Manchester University Press, 2022.

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34

Földváry, Kinga. Cowboy Hamlets and Zombie Romeos: Shakespeare in Genre Film. Manchester University Press, 2020.

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35

Nius, Ge. Rock - Zombie: Rock It Hard and Hot Like Fire. Independently Published, 2019.

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36

Földváry, Kinga. Cowboy Hamlets and Zombie Romeos: Shakespeare in Genre Film. Manchester University Press, 2020.

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37

Mazatek, Christopher. Apocalypse DZ: Fire, Lightning, and Dollarworld Zombies. Independently Published, 2018.

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38

Hattnher, Álvaro. Zombies Are Everywhere. Edited by Thomas Leitch. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199331000.013.21.

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Inverting the conventional vector in adaptations (literature to film) restores to life texts that, on occasion or for some audiences, might be dead. Chapter 21 demonstrates the ways zombie apocalypse narratives in different media function as constant adaptations created from a collective hypotext formed by the films in George Romero’s Living Dead hexalogy. To embrace this inversion and the myriad possibilities it unleashes within the set of the existing textual architectures requires the extension and transformation of the very concept of adaptation. This transformation involves both a greater inclusion of non-canonical texts and their various textual architectures and a greater willingness to reorient prevailing analyses of adaptation. It also poses the challenge of developing specific analytical tools to deal with the formal specificities presented by the adaptation of those non-canonical texts.

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39

Nakamura, Jun-ichi. Japanese Firms During the Lost Two Decades: The Recovery of Zombie Firms and Entrenchment of Reputable Firms. Springer London, Limited, 2016.

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40

Mazatek, Christopher. Fire, Lightning, and the Zombies of Doctor Prometheus. Independently Published, 2018.

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41

Screening The Undead Vampires And Zombies In Film And Television. I.B.Tauris & Co Ltd, 2013.

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42

Dr Dales Zombie Dictionary The Az Guide To Staying Alive. Allison & Busby, 2011.

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43

Rios, Jimmy. ZOMBIES 2 Malbuch: Zombies 2020 Malbuch Basierend Auf Dem Im Jahr 2020 Disney Veröffentlichten Film. Independently Published, 2020.

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44

Lauro, Sarah J. Transatlantic Zombie: Slavery, Rebellion, and Living Death. Rutgers University Press, 2015.

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45

Lauro, Sarah J. Transatlantic Zombie: Slavery, Rebellion, and Living Death. Rutgers University Press, 2015.

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46

Fire & ash. Simon & Schuster Books for Young Readers, 2013.

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47

Zombies on Film: The Definitive Story of Undead Cinema. Rizzoli Universe Promotional Books, 2016.

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48

The Encyclopedia of Fantastic Film: Ali Baba to Zombies. Applause Books, 2000.

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49

Zombies on Film: The Definitive Story of Undead Cinema. Rizzoli, 2014.

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50

Lauro, Sarah J. The Transatlantic Zombie: Slavery, Rebellion, and Living Death. Rutgers University Press, 2015.

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