Relevant bibliographies by topics / Zhonghua fu shi wen hua zhong xin

Academic literature on the topic 'Zhonghua fu shi wen hua zhong xin'

Author: Grafiati

Published: 26 July 2024

Last updated: 27 July 2024

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Journal articles
Books

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Zhonghua fu shi wen hua zhong xin.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Zhonghua fu shi wen hua zhong xin"

Zhang, Xiaotong. "The character differences in the aesthetics of Zen Buddhism between China and Japan can be seen in the concepts of "qu" and "ji"." Frontiers in Humanities and Social Sciences 4, no. 6 (June 25, 2024): 62–66. http://dx.doi.org/10.54691/a9jsd132.

Full text

Abstract:

The integrity of Chinese culture itself has led to Buddhism being predominantly associated with religion, while in terms of aesthetics, there were numerous theoretical works during the Wei, Jin, Southern and Northern Dynasties in China, with highly active thoughts. Works such as Lu Ji's "Wen Fu," Zhong Rong's "Shi Pin," Liu Xie's "Wen Xin Diao Long," and Xie He's "Gu Hua Pin Lu" emerged as a large body of aesthetic and artistic works. Therefore, the influence of Buddhism on Chinese aesthetic consciousness is prominently represented by the Zen thought influenced by native Daoist philosophy, which also reflects a positive aspect in facing real life. It presents an aesthetic taste of "joy" and "carefree." The core of Chinese aesthetics is not limited to the ethical aspect of Confucian aesthetics, but rather stems from the Daoist concept of "harmony between heaven and man" and the perception of nature. Before the introduction of Buddhism, Japan did not form a complete and systematic aesthetic concept. Moreover, the natural environment of the disaster-prone Japanese archipelago was not superior. With the entry of Buddhism into Japan and its dominance in Japanese culture, a pessimistic attitude towards the world quickly permeated the aesthetic consciousness of Japan, which lacked a conscious ideological system. This difference in aesthetic expression is manifested in the characters of "qu" and "ji" .