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Journal articles on the topic 'Zdeněk'

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Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2024

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1

Riedlová, Kateřina, and Věra Kubicová. "Villas in the "Underground"." Advanced Engineering Forum 12 (November 2014): 55–60. http://dx.doi.org/10.4028/www.scientific.net/aef.12.55.

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The political changes of 1948 brought, among other things, a significant shift in the housing policy. Focus was no longer on living in detached family houses or urban villas so popular prior to 1948. On the other hand, we can also find architecturally great villa like family houses designed by professional architects. However, construction of these houses was not far from being illegal since everything was done secretly without the slightest possibility of being presented within the professional circles or the public. The investors recruited mainly from social and cultural groups of famous people with original ideas, were not acceptable to the ruling party. Let us name a few: the villa of the famous film director Věra Chytilová in Trója, Prague (1975), Emil Přikryl`s villa; or three villas from the 1950s: Miroslav Zikmund`s (1954), Jiří Hanzelka`s (1956) and Zdeněk Liška`s (1959), designed by Zdeněk Plesník in Zlín. The most remarkable realization of family houses, so different from other contemporary designs, was the one by Ivan Ruller in Brno. Thanks to the used materials, Ruller`s houses have the capacity to age in a natural in way, without losing any of the powerful touches of modernity. In 1968, Ruller`s type of villa was designed for example for Petráček, the director of Chemoprojekt. Its construction was inspired largely by the trend in architecture “new brutalism”. Some of other Ruller`s villas can be found in Ivanovice (1976) and Mokrá Hora (1979). Architect Josef Němec`s own villa (1976) as well as Růžena Žertová`s atrium family house (1981) are just other examples of high-quality houses from and around Brno.

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2

Sebanek, J. "Zdenek Sladky." Biologia plantarum 43, no. 4 (December 1, 2000): 3. http://dx.doi.org/10.1023/a:1017373423900.

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3

Catsky, Jiri. "Zdenek Sestak Septuagenarian!" Biologia plantarum 45, no. 4 (December 1, 2002): I—II. http://dx.doi.org/10.1023/a:1022300908570.

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4

Friedrich, Bretislav, Michael Henchman, and Dudley Herschbach. "Zdenek Herman Festschrift." Journal of Physical Chemistry 99, no. 42 (October 1995): 15317–26. http://dx.doi.org/10.1021/j100042a001.

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5

Löffler, Hans. "Johann Tobias Krebs und Matthias Sojka, zwei Schüler Johann Sebastian Bachs." Bach-Jahrbuch 37 (May 4, 2018): 136–48. http://dx.doi.org/10.13141/bjb.v19482403.

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6

Abraham, Gerald. "The Operas of Zdenek Fibich." 19th-Century Music 9, no. 2 (October 1985): 136–44. http://dx.doi.org/10.1525/ncm.1985.9.2.02a00050.

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7

McLeod, John. "Obituary Zdenek Matejcek October 2004." Australian Journal of Learning Disabilities 10, no. 1 (March 2005): 40. http://dx.doi.org/10.1080/19404150509546786.

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8

Anderle, Josef. "Stanley Zdenek Pech (1924-85)." East Central Europe 13, no. 1 (1986): 115–16. http://dx.doi.org/10.1163/187633086x00053.

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9

Bundesen, L. Q. "Biography of Zdenek P. Bazant." Proceedings of the National Academy of Sciences 101, no. 37 (September 7, 2004): 13397–99. http://dx.doi.org/10.1073/pnas.0405856101.

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10

Lichtenthaler, H. K. "Zdenek Sestak and Photosynthetica, a tribute." Photosynthetica 56, no. 2 (June 1, 2018): 1–6. http://dx.doi.org/10.1007/s11099-018-0811-y.

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11

Bierbaum, Veronica M. "Zdenek Herman – An Ambassador of Science." International Journal of Mass Spectrometry 280, no. 1-3 (February 2009): 1–3. http://dx.doi.org/10.1016/j.ijms.2008.11.009.

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12

Knyrevych, Serhii, and Olha Zubko. "Belarusians on the service of UNR: Oleksandr Maksymovych Zhykhovych (1900-1973). Post scriptum: November’s interrogation in 1953 and the last years of life." Науковий вісник Чернівецького національного університету імені Юрія Федьковича. Історія 1, no. 49 (June 30, 2019): 67–76. http://dx.doi.org/10.31861/hj2019.49.67-76.

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This article contains the material about one of the eleven Belarusian soldiers of the UNR Army, the student of the Ukrainian Economic Academy in Podebrady (CHSR). After surviving the Second World War in Czechoslovakia, Oleksandr Zhykhovych, in 1953 was summoned for questioning by the Czechoslovak-Soviet Committee of State Security, due to his ties to the Ukrainian political emigration of the interwar years. Among the questions, which were interested to the KDB agents, were: the emigration political organizations at the Academy of Economics and their anti-Soviet activities during 1921-1939; employment of Zhykhovych in Khustov Bank and his contacts with the bank employees; the presence of Belarusian political organizations in the environment of the Ukrainian emigration students of the CHSR; personal Zhykhovych’s contribution (as the chief accountant) in the activities of Transcarpathian publishing houses «UNIO» and «Proboiem». This last question was interested to the KDB agents, mostly, since, in the 1950s a brutal war continued between the Soviets and the Ukrainian nationalists. We must note that the first victim of the Soviet-nationalist confrontation personally for Oleksandr Maksymovych Zhykhovych was the arrest (on the eve of his interrogation) of his stepson – Zdenek Nekhanitskyi (10.08.1928). In 1953, he was the head’s assistant of the power plant station named after May 1 in Trshebonitsi (district of Ostrava), a member of the Communist Party of the Czechoslovak Socialist Republic of 1945. It was Zdenek Nekhanitskyi, who suffered a forced arrest, the interrogation of his stepfather and investigation, and handed over to Serhii Knyrevych the interrogation protocol. And today, despite a respectable age, Zdenek Nekhanitskyi is trying to find the most precise answer to the question: how did it happen and why his stepfather, an ethnic Belarusian, spent almost his entire life in the Ukrainian political emigration, both interwar and post-war, and left a remarkable footprint there? Keywords: Oleksandr Maksymovych Zhykhovych, Ukrainian People’s Republic, intermilitary emigration, Second World War, publishing houses «UNIO» and «Proboiem», postwar years, Czechoslovak Socialist Republic

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13

Andres, Jan. "Zdeněk Sýkora and François Morellet: Parallels and Complementarity." Leonardo 47, no. 1 (February 2014): 27–31. http://dx.doi.org/10.1162/leon_a_00702.

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This paper compares and examines in mathematical terms the work of Zdeněk Sýkora and François Morellet devoted to structures and lines. Using concrete examples, the paper demonstrates that, despite many apparent similarities, the artists' approaches are considerably different. A farewell letter by François Morellet to Zdeněk Sýkora, who died on 12 July 2011, is included.

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14

Herschbach, Dudley, Peter Toennies, and Bretislav Friedrich. "Zdeněk Herman." Physics Today 74, no. 8 (August 1, 2021): 59. http://dx.doi.org/10.1063/pt.3.4820.

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15

Dyson, John. "Zdeněk Kopal." Physics Today 47, no. 3 (March 1994): 80. http://dx.doi.org/10.1063/1.2808453.

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16

Sourek, Karel. "Zdeněk Kunc." Surgical Neurology 23, no. 5 (May 1985): 461–63. http://dx.doi.org/10.1016/0090-3019(85)90239-3.

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17

Pustylnik, I. "Zdenek Kopal's binary star legacy international conference." Astronomical & Astrophysical Transactions 23, no. 4 (August 2004): 441–42. http://dx.doi.org/10.1080/10556970410001729553.

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18

Piecewicz, Daniel. "Non-speech information w angielskich i rosyjskich napisach Closed Captions zawartych w serialu Эпидемия. Analiza kontrastywna." Studia Rossica Posnaniensia 48, no. 2 (December 29, 2023): 115–32. http://dx.doi.org/10.14746/strp.2023.48.2.8.

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The article focuses on a specific and little explored branch of audiovisual translation, namely non-speech information (Zdenek, 2015) in the Closed Captions (CC) in the Netflix production series To the lake (Russian title Эпидемия), directed by Pavel Kostomarov. The article attempts to reach a consensus in the terminological dispute between the countries of North America and Oceania (Captions) on the one hand, and the countries of Europe on the other (Subtitles). The decision to use the term “captions” and “captioning” is being justified. The method used in the research is the corpus-driven method, and the contrastive method between the intralingual captions in Russian and the interlingual captions in English. Individual types of non-speech information are compared: Speaker identifier, Language identifier, Sound effects, Paralanguage, Manner of speaking identifiers, Music and Channel identifier (Zdenek, 2015). In addition, some space is devoted to the NSI as non-verbatim. The results show a slight discrepancy in the amount of NSI used (2,020 in the English version and 2,004 in the Russian version). The greatest disproportions are noticed only at the level of individual categories. Differences were noticed, among others, in the level of the originality of data records, i.e. greater synonymy in the English version, especially in the category of Paralanguage and Sound effects. The research opens up a discussion on the condition of captions and improving accessibility in the NSI usage.

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19

Štverák, Michal. "Recenze: Ludmila Javorová – Zdeněk Jančařík: Ty jsi kněz navěky." TEOLOGICKÁ REFLEXE 29, no. 1 (September 1, 2023): 100–102. http://dx.doi.org/10.14712/27880796.2023.1.9.

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20

Przerembski, Zbigniew Jerzy. "Lubomir Tyllner, Zdeněk Vejvoda, „Česka lidova piseň: historie, analyza, typologie”, Praha 2019." Muzyka 66, no. 4 (January 13, 2022): 137–42. http://dx.doi.org/10.36744/m.1077.

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21

Čičmanec, Tomáš. "Frumarová, Kateřina, Tomáš Grygar, Zdeněk Koudelka, Lukáš Potěšil, Olga Pouperová, Radovan Suchánek and Martin Škurek: Administrative Justice. Praha: Leges, 2022. 671 p. ISBN 978-80-7502-611-8." Societas et Iurisprudentia 11, no. 1 (May 2023): 89–93. http://dx.doi.org/10.31262/1339-5467/2023/11/1/89-93.

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22

Richards, Mercedes T., Theodor Pribulla, Ignasi Ribas, David H. Bradstreet, Horst Dreschsel, Carla Maceroni, Joanna Mikolajewska, et al. "DIVISION G COMMISSION 42: CLOSE BINARY STARS." Proceedings of the International Astronomical Union 11, T29A (August 2015): 474–89. http://dx.doi.org/10.1017/s1743921316000922.

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Commission 42 began life as Photometric Double Stars in 1948 at the 7th General Assembly in Zurich, under the presidency of Zdenek Kopal. As early as 1961, then General Secretary Lukas Plaut recommended a merger between C42 and C26, Double Stars, one of the original 32 commissions going back to 1919-22 (first president Aitken, assistant director at Lick). C42 became Close Binary Stars in 1970, at the 14th GA in Brighton (the first one I attended). Table 1 shows the presidents of C42, and vice presidents, from when the office started, through the history of the Commission.

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23

Pallett, Kenneth E. "Consider Leaf Age Photosynthesis during Leaf Development Zdenek Sestak." BioScience 37, no. 10 (November 1987): 743–44. http://dx.doi.org/10.2307/1310488.

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24

Tipton, Peter. "HPLC in Enzymatic Analysis. Edward F. Rossomando , Zdenek Deyl." Quarterly Review of Biology 74, no. 2 (June 1999): 220. http://dx.doi.org/10.1086/393092.

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25

Opatrný, Josef. "Zdeněk Kalkus, Kuba, Skrytá perla Karibiku." IBERO-AMERICANA PRAGENSIA 48, no. 2 (August 2, 2022): 119–20. http://dx.doi.org/10.14712/24647063.2022.11.

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26

Továrek, Michal. "Zdeněk Nebřenský, Marx, Engels, Beatles. Myšlenkový svět polských a československých vysokoškoláků, 1956–1968." AUC HISTORIA UNIVERSITATIS CAROLINAE PRAGENSIS 61, no. 2 (August 2, 2022): 119–21. http://dx.doi.org/10.14712/23365730.2022.11.

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27

Doucha, T. "After prof. Zdeněk Sokol." Agricultural Economics (Zemědělská ekonomika) 48, No. 3 (February 29, 2012): 138. http://dx.doi.org/10.17221/5463-agricecon.

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28

Vičarová, Eva. "Zdeněk Fibich and Olomouc." Musicologica Olomucensia 12, no. 1 (December 11, 2010): 343–53. http://dx.doi.org/10.5507/mo.2010.038.

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29

Brom, Vlastimil. "Professor Zdeněk Masařík gestorben." Brünner Beiträge zur Germanistik und Nordistik, no. 2 (2016): 7–18. http://dx.doi.org/10.5817/bbgn2016-2-1.

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30

Ettler, V. "Zdeněk Johan (1935–2016)." European Journal of Mineralogy 28, no. 3 (September 23, 2016): 697–98. http://dx.doi.org/10.1127/ejm/2016/0028-2548.

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31

Gingerich, Owen. "ZDENĚK HORSKÝ (1929–1988)." Journal for the History of Astronomy 19, no. 3 (August 1988): 215. http://dx.doi.org/10.1177/002182868801900308.

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32

Kůs, Evčen. "Professor Zdeněk Veselovský gestorben." Der Zoologische Garten 77, no. 1 (July 2007): 49–51. http://dx.doi.org/10.1016/j.zoolgart.2007.06.005.

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33

Macek, Karel. "Zdeněk Deyl (1934–2005)." Journal of Chromatography A 1069, no. 2 (April 2005): 153–54. http://dx.doi.org/10.1016/j.chroma.2005.02.076.

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34

Hušek, Mirek, and Jan Pelant. "Zdeněk Frolík 1933–1989." Topology and its Applications 44, no. 1-3 (May 1992): 11–17. http://dx.doi.org/10.1016/0166-8641(92)90074-a.

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35

Macek, Karel. "Zdeněk Deyl (1934–2005)." Journal of Chromatography B 819, no. 1 (May 2005): 1–2. http://dx.doi.org/10.1016/j.jchromb.2005.02.006.

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36

Hošek, Pavel. "Zdeněk R. Nešpor, Zdeněk Vojtíšek: Encyklopedie menších křesťanských církví v České republice." CENTRAL EUROPEAN JOURNAL FOR CONTEMPORARY RELIGION 2017, no. 1 (June 23, 2017): 63–64. http://dx.doi.org/10.14712/25704893.2017.4.

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37

Lozada, Pedro W., and Juana Aliaga-Camarena. "Nuevo depositorio para paratipos de la especie Metaphycus zdeneki Noyes & Lozada, 2005 (Hymenoptera: Encyrtidae)." Revista Peruana de Biología 25, no. 1 (February 27, 2018): 047. http://dx.doi.org/10.15381/rpb.v25i1.14348.

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Se designan cuatro paratipos, un macho y tres hembras, de la especie Metaphycus zdeneki Noyes & Lozada, 2005, como depositados en la colección de insectos del Servicio Nacional de Sanidad Agraria (SENASA), Lima, Perú. El holotipo y demás paratipos se encuentran depositados en el Natural History Museum (BMNH), Londres, Inglaterra, y Museo de Historia Natural, UNMSM (MUSM), Lima, Perú.

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38

Brčák, Marek. "Maria-Élizabeth Ducreux, Kultura – zbožnost – symbolická politika. Proměny společnosti ve střední Evropě v 17. a 18. století, Praha 2023." AUC HISTORIA UNIVERSITATIS CAROLINAE PRAGENSIS 63, no. 2 (April 29, 2024): 229–32. http://dx.doi.org/10.14712/23365730.2024.16.

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Book review on Maria-Élizabeth Ducreux, Kultura – zbožnost – symbolická politika. Proměny společnosti ve střední Evropě v 17. a 18. století. Edd. Ivana Čornejová – Zdeněk Hojda, Karolinum, Praha 2023, 422 s., ISBN 978-246-5114-9

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39

Butler, Janine. "Reading Sounds: Close-Captioned Media and Popular Culture, Sean Zdenek." Rhetoric Review 35, no. 3 (June 2016): 277–79. http://dx.doi.org/10.1080/07350198.2016.1179082.

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40

Cooper, Jonathan A. "Cellular Oncogene Activation. George Klein , Noel R. Rose , Zdenek Trnka." Quarterly Review of Biology 64, no. 2 (June 1989): 239. http://dx.doi.org/10.1086/416335.

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41

Mosusova, Nadezda. "Die Korrespondenz zwischen Petar Konjovic (1883-1970) und Zdenek Chalabala (1899-1962)." Muzikologija, no. 2 (2002): 57–105. http://dx.doi.org/10.2298/muz0202057m.

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(nemacki) Slawische Gemeinsamkeit und auch politische Ursachen brachten nach dem Ersten Weltkriege zwei neue Staaten, zusammen, Jugoslawien und Tschechoslowakei. Kulturelle Beziehungen waren sehr lebendig (sie waren auch aktuell vor dem Kriege) auf dem musikalischen Gebiete, in dem Konzertsaal, in der Oper. Besondere Aufmerksamkeit erhob die Oper Kostana (1929) von Petar Konjovic, mit der Premiere in damaligen Jugoslawien in 1931 (Zagreb, Belgrad Ljubljana), die sie auch nach Tschechoslowakei brachte. Nach der Auff?hrung in dem Nationaltheater Brno/Br?nn (ins Tschechisch ?bersetzt von Zdenek Knittl), September 1932, f?r deren Erfolg sich der tschechische Dirigent Zdenek Chalabala sehr engagiert hatte, kam die Oper Kostana in die Sph?re der k?nstlerischen Aufmerksamkeit des Westens (z. B. Universal war sehr interessiert) und dabei auf die Szene des Prager Nationaltheater 1935, auch unter der Leitung von Chalabala. Seine Anstrengungen waren keine blosse H?flichkeit, ?berbieten jedenfalls eine normale zwischenstaatliche Kurtoasie und auch beide Nationaltheater, nich ohne Verdienst dieses Dirigenten stellten ihre beste Besetzungen dem serbischen Tons?tzer zur Verf?gung. Leider verhinderte der Zweite Weltkrieg Kostanas "Drang nach Westen". In der Nachkriegszeit erlebte diese Oper eine Premiere in Bratislava (Slowakei 1948), und noch ein Gastspiel der Belgrader Oper in Warschau (l960). In der Korrespondenz Konjovic - Chalabala handelt sich um die Vorbereitungen der beiden tschechischen Premieren und um die Bearbeitung der Kostana, von Chalabala initiert und von dem Komponisten durchgef?hrt oder autorisiert. Der Briefumtausch dauerte 1932-1940, mit cca 100 Schreiben (hier nur ein Viertel geschildert). Ein Teil der Korrespondenz, die Briefe von Konjovic zu Chalabala, kamen auf private Weise von der Dirigenten Witwe Bela Rosumova (Operns?ngerin, Br?nner Kostana) durch die damalige pensionierte Solistin der Zagreber Oper, Marta Wellar-Rak (?brigens ?bersetzerin ins Deutsch der Texte in den Kompositionen von Konjovic) zu Autorin dieser Pr?sentation. Die Briefe von Konjovic zu Chalabala haben keine Signatur, wie auch die ganze Korrespondenz von Konjovic, die sich wie der komplete Nachlass des Komponisten in dem Musikwissenschaftlichen Institut SANU in Belgrad befindet. Als wichtigste Resultat dieser Zusammenarbeit, entstand, nach beiden Premieren, ein neues Bild der Oper (statt 5 hat Kostana in endg?ltiger Fassung 6 Bilder), dass Konjovic iM Jahren 1936-8 komponierte. Bald nach der Prager Auff?hrung von Kostana bekam Chalabala den Dirigentenpost in dem Nationaltheater der Hauptstadt. In dieser Zeit kam auch wegen der Kostanas Erfolge eine Verehrung des serbischen Komponisten: er wurde zum ausl?ndischen Mitglied der Tschechischen Akademie der Wissenschaften gew?hlt (vorher waren das Igor Stravinsky und Karol Szymanovski). Die Premiere der "neuen" Kostana fand in Belgrader Nationaltheater 1940 statt, leider ohne Zdenek Chalabala als Gast am Pult, was Konjovic eifrig w?nschte. (Statt Chalabala war es Lovro Matacic). In derselben Version wurde die Oper nach dem Kriege in Jugoslawien in Zagreb und Belgrad aufgef?hrt, auch in Slowakei. Die Korrespondenz Chalabala - Konjovic schildert eine interessante musikalische Welt in Mitteleuropa 30-en Jahren, mit heute fast vergessenen Pers?nlichkeiten, wie die hervorragenden tschechischen Operns?nger, auch die serbischen Regisseure, Komponisten, Dramaturgen, Musikwissenschaftler und Herausgeber.

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42

Abraham, Gerald. "The Operas of Zdeněk Fibich." 19th-Century Music 9, no. 2 (1985): 136–44. http://dx.doi.org/10.2307/746579.

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43

Horský, Jan. "Zdeněk Vašíček, Archeologie, historie, minulost." Dějiny - teorie - kritika, no. 1 (December 27, 2022): 107–12. http://dx.doi.org/10.14712/24645370.2448.

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44

Ryška Vajdová, Ivana. "Zdeněk Kratochvíl: Alternativy (dějin) filosofie." Filozofia 79, no. 4 (April 16, 2024): 461–64. http://dx.doi.org/10.31577/filozofia.2024.79.4.9.

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45

Baloun, Pavel, Jan Gruber, Jan Mareš, and Vít Strobach. "Morální kritika namísto diskuse." Dějiny – teorie – kritika, no. 1 (February 11, 2023): 119–25. http://dx.doi.org/10.14712/24645370.2653.

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Odpověď na diskusní příspěvky ZDENĚK R. NEŠPOR, Co chybí české (historické) vědě? Odpověď na „manifest“ čtyř mladých historiků, DTK 8/2012, č. 2, s. 297-304; JIŘÍ HANUŠ, Kritika kritiky neoliberalismu a ahistorických manifestů, DTK 8/2012, č. 1, s. 145-148.

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46

Cseres, Jozef. "Controversies of the Mai 68 Opera in Philosophical Contexts of Actual Opera Production." Slovenske divadlo /The Slovak Theatre 66, no. 2 (June 1, 2018): 195–207. http://dx.doi.org/10.2478/sd-2018-0012.

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Abstract In his paper, the author reveals the poetical controversies of the Mai 68 opera (2008) by Petr Kofroň, Zdenek Plachý and Jiří Šimáček as well as its controversial reception by Czech opera critics. Comparing the poetical principles of the mentioned authors with those applied in stage works by Morton Feldman, Martin Burlas and John Zorn, and arguing with the philosophical concepts of Gilles Deleuze and Félix Guattari and actual concepts of postmodern aesthetics, he outlines the poetical features of current opera production in the context of actual philosophical thought and intermedia aesthetics. In this broader framework, in spite of some defects in staging, he considers Mai 68 a very real and influential contribution to the opera world in Czech Republic and Slovakia, comparable with the contemporary opera works worldwide.

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47

Pelant, Jan, and Petr Simon. "Zdeněk Frolík (March 10, 1933 -- May 3, 1989)." Časopis pro pěstování matematiky 115, no. 3 (1990): 319–29. http://dx.doi.org/10.21136/cpm.1990.118399.

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48

Cupáková, Barbora. "Zdeněk Fibich as a Song Composer?" Musicologica Olomucensia 33, no. 2 (February 22, 2022): 305–20. http://dx.doi.org/10.5507/mo.2021.017.

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Sládek, Ondřej. "Darkening into Loneliness. Zdeněk Kožmín's Bubáčci." Bohemica Olomucensia 14, no. 3 (August 15, 2023): 58–72. http://dx.doi.org/10.5507/bo.2022.032.

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Horský, Jan. "Zdeněk Vašíček, Jak se dělají filosofie." Dějiny – teorie – kritika, no. 1 (February 11, 2023): 159–66. http://dx.doi.org/10.14712/24645370.2657.

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