Relevant bibliographies by topics / Zdeněk

Academic literature on the topic 'Zdeněk'

Author: Grafiati
Published: 25 July 2024
Last updated: 31 July 2024

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Journal articles on the topic "Zdeněk"

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Riedlová, Kateřina, and Věra Kubicová. "Villas in the "Underground"." Advanced Engineering Forum 12 (November 2014): 55–60. http://dx.doi.org/10.4028/www.scientific.net/aef.12.55.

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The political changes of 1948 brought, among other things, a significant shift in the housing policy. Focus was no longer on living in detached family houses or urban villas so popular prior to 1948. On the other hand, we can also find architecturally great villa like family houses designed by professional architects. However, construction of these houses was not far from being illegal since everything was done secretly without the slightest possibility of being presented within the professional circles or the public. The investors recruited mainly from social and cultural groups of famous people with original ideas, were not acceptable to the ruling party. Let us name a few: the villa of the famous film director Věra Chytilová in Trója, Prague (1975), Emil Přikryl`s villa; or three villas from the 1950s: Miroslav Zikmund`s (1954), Jiří Hanzelka`s (1956) and Zdeněk Liška`s (1959), designed by Zdeněk Plesník in Zlín. The most remarkable realization of family houses, so different from other contemporary designs, was the one by Ivan Ruller in Brno. Thanks to the used materials, Ruller`s houses have the capacity to age in a natural in way, without losing any of the powerful touches of modernity. In 1968, Ruller`s type of villa was designed for example for Petráček, the director of Chemoprojekt. Its construction was inspired largely by the trend in architecture “new brutalism”. Some of other Ruller`s villas can be found in Ivanovice (1976) and Mokrá Hora (1979). Architect Josef Němec`s own villa (1976) as well as Růžena Žertová`s atrium family house (1981) are just other examples of high-quality houses from and around Brno.
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Sebanek, J. "Zdenek Sladky." Biologia plantarum 43, no. 4 (December 1, 2000): 3. http://dx.doi.org/10.1023/a:1017373423900.

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Catsky, Jiri. "Zdenek Sestak Septuagenarian!" Biologia plantarum 45, no. 4 (December 1, 2002): I—II. http://dx.doi.org/10.1023/a:1022300908570.

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Friedrich, Bretislav, Michael Henchman, and Dudley Herschbach. "Zdenek Herman Festschrift." Journal of Physical Chemistry 99, no. 42 (October 1995): 15317–26. http://dx.doi.org/10.1021/j100042a001.

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Löffler, Hans. "Johann Tobias Krebs und Matthias Sojka, zwei Schüler Johann Sebastian Bachs." Bach-Jahrbuch 37 (May 4, 2018): 136–48. http://dx.doi.org/10.13141/bjb.v19482403.

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Abraham, Gerald. "The Operas of Zdenek Fibich." 19th-Century Music 9, no. 2 (October 1985): 136–44. http://dx.doi.org/10.1525/ncm.1985.9.2.02a00050.

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McLeod, John. "Obituary Zdenek Matejcek October 2004." Australian Journal of Learning Disabilities 10, no. 1 (March 2005): 40. http://dx.doi.org/10.1080/19404150509546786.

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Anderle, Josef. "Stanley Zdenek Pech (1924-85)." East Central Europe 13, no. 1 (1986): 115–16. http://dx.doi.org/10.1163/187633086x00053.

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Bundesen, L. Q. "Biography of Zdenek P. Bazant." Proceedings of the National Academy of Sciences 101, no. 37 (September 7, 2004): 13397–99. http://dx.doi.org/10.1073/pnas.0405856101.

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Lichtenthaler, H. K. "Zdenek Sestak and Photosynthetica, a tribute." Photosynthetica 56, no. 2 (June 1, 2018): 1–6. http://dx.doi.org/10.1007/s11099-018-0811-y.

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Dissertations / Theses on the topic "Zdeněk"

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Loos, Helmut. "Zdenek Fibichs Musiksprache in seinen Konzertmelodramen: eine Replik auf Vlasta Reittererová." Internationale Arbeitsgemeinschaft für die Musikgeschichte in Mittel- und Osteuropa an der Universität Leipzig, 2012. https://ul.qucosa.de/id/qucosa%3A16080.

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Das Konzertmelodrama hat sich durch seine Geschichte als eigene Kunstgattung erwiesen und in verschiedene Typen von Monodram über das Duodram und Konzertmelodram bis zum Bühnenmelodram ausdifferenziert. Bei böhmischen Komponisten erfreute es sich besonderer Pflege, Georg / Jirí Benda ist als einer der ersten erfolgreichen Schöpferder Gattung berühmt, und František Škroup hat sie als nationale Gattung in tschechischer Sprache eingeführt. Den Höhepunkt dieser Entwicklung bildeten die sechs Konzertmelodramen und sowie die Bühnenmelodramen (die Trilogie Hippodamie) von Zdenek Fibich. Als „die Kulmination des europäischen Melodrams“ ist sie von Jaroslav Jiránek bezeichnet worden.
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Mosusova, Nadežda. "Die Korrespondenz zwischen Petar Konjović (1883 - 1970) und Zdenek Chalabala (1899 - 1962): das Schicksal der Oper Koštana." Internationale Arbeitsgemeinschaft für die Musikgeschichte in Mittel- und Osteuropa an der Universität Leipzig, 2005. https://ul.qucosa.de/id/qucosa%3A15970.

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Die Korrespondenz zwischen Konjović und Chalabala handelt von den Vorbereitungen der beiden tschechischen Premieren sowie der von Chalabala initiierten und von dem Komponisten durchgeführten bzw. autorisierten Neubearbeitung der Koštana. Der Briefwechsel umfasst ca. 100 Schreiben aus den Jahren 1932 bis 1940.
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Zizka, Zdenek [Verfasser]. "Stability of slurry supported tunnel face considering the transient support mechanism during excavation in non-cohesive soil / Zdenek Zizka." Düren : Shaker, 2019. http://d-nb.info/1200808436/34.

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Prudil, Zdeněk Verfasser], and Eva K. [Akademischer Betreuer] [Grebel. "RR Lyrae stars as tracers of substructure and Galactic archaeology / Zdeněk Prudil ; Betreuer: Eva Grebel." Heidelberg : Universitätsbibliothek Heidelberg, 2020. http://nbn-resolving.de/urn:nbn:de:bsz:16-heidok-282952.

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Prudil, Zdeněk [Verfasser], and Eva [Akademischer Betreuer] Grebel. "RR Lyrae stars as tracers of substructure and Galactic archaeology / Zdeněk Prudil ; Betreuer: Eva Grebel." Heidelberg : Universitätsbibliothek Heidelberg, 2020. http://d-nb.info/1209740524/34.

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Miller, Samuel James. "AN ANALYSIS AND CONDUCTOR’S GUIDE TO ZDENĚK LUKÁŠ’ REQUIEM PER CORO MISTO, OP. 252." UKnowledge, 2018. https://uknowledge.uky.edu/music_etds/114.

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Zdeněk Lukáš (1928-2007) was one of the most prolific Czech composers of the 20th century having composed over 300 pieces. His works include a wide array of genres including symphonies, operas, chamber music, and a large amount of choral and vocal music. He was influenced by Czech folklore and music and was self-taught until he was nearly 40 years old. Lukáš began his career as a teacher but later began working for the Czechoslovak Radio Studio in Plzeň where he founded the mixed choir, Česká Píseň (Czech Song), which became quite famous and still enjoys great fame. Requiem per coro misto, op. 252 is considered by many to be Lukáš’s most famous choral work. It was written in 1992 for a cappella SSATB chorus. The piece is divided into seven movements; “Requiem aeternam,” “Dies irae,” “Lacrymosa,” “Offertorium,” “Hostias,” “Sanctus,” and “Agnus Dei.” This document presents an analysis and conductor’s guide of Requiem. The analysis includes an examination of Latin pronunciation employing Germanic Latin when possible and an IPA pronunciation guide and translation of the text. Also included in the analysis is discussion on form, tonality, and development of melody, harmony, and rhythm all of which reveal that Lukáš wrote this piece in a very traditional style. The conductor’s guide points out many of the issues that a choir may face in preparing Requiem. Some of the issues include intonation, range, and dynamics. One specific issue is that although the piece is tonal, there is considerable use of modes and scales that many singers would consider exotic. One such scale is the Hungarian Gypsy which is essentially a harmonic minor scale, but includes a raised fourth degree. Many of the intonation issues that could arise stem from the frequent parallel motion. Lukáš believed that a cappella singing is one of the purest forms of music and that singers should be allowed to sing without regard to any instrumental influence whether it be from the composer or some other source. Requiem exhibits this belief through its challenges and its beauty. The work or its individual movements can be challenging yet accessible to singers of all levels.
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Provazník, Zdeněk [Verfasser], and Bernhard [Akademischer Betreuer] Flörchinger. "Perforationen des Herzens und der großen Gefäße nach kardiovaskulären Interventionen - 5 Jahren Analyse / Zdeněk Provazník ; Betreuer: Bernhard Flörchinger." Regensburg : Universitätsbibliothek Regensburg, 2018. http://d-nb.info/1168009480/34.

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Provazník, Zdeněk [Verfasser], and Bernhard [Akademischer Betreuer] Flörchinger. "Perforationen des Herzens und der großen Gefäße nach kardiovaskulären Interventionen - 5 Jahres Analyse / Zdeněk Provazník ; Betreuer: Bernhard Flörchinger." Regensburg : Universitätsbibliothek Regensburg, 2018. http://d-nb.info/1168903408/34.

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Dunbar, David Arthur, and David Arthur Dunbar. "Symphony No. 1 in F Major, Op. 17, By Zdeněk Fibich: An Amalgamation of Czech and German Musical Styles." Diss., The University of Arizona, 2017. http://hdl.handle.net/10150/626371.

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The purpose of this study is to demonstrate that Symphony No. 1 in F major, Op. 17, by Zdeněk Fibich embodies musical style features associated with both Czech and German composers of the nineteenth century. The identification of these style features is accomplished by comparing and contrasting Fibich's Symphony No. 1 in F major with works by other prominent Czech and German composers whose music was performed and well-known at the time. Particular emphasis is placed on the aural similarities between Fibich's first symphony and that of other composers' works in an effort to show Fibich's unique hybrid compositional style. A second area of focus is the rise in European nationalism during the latter half of the nineteenth century. Due to Fibich's mixed Czech and German heritage, nationalism is explored in order to ascertain what effect, if any, nationalistic bias might have had on the overall reception of Fibich's music and the composer's ability to have his music performed during his lifetime.
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Zizka, Zdenek [Verfasser], Markus [Gutachter] Thewes, and Adam [Gutachter] Bezuijen. "Stability of slurry supported tunnel face considering the transient support mechanism during excavation in non-cohesive soil / Zdenek Zizka ; Gutachter: Markus Thewes, Adam Bezuijen ; Fakultät für Bau- und Umweltingenieurwissenschaften." Bochum : Ruhr-Universität Bochum, 2019. http://d-nb.info/1191481689/34.

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Books on the topic "Zdeněk"

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Jiránek, Jaroslav. Zdeněk Fibich. 2nd ed. Praha: Akademie múzických umění v Praze, 2000.

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Ransdorf, Miloslav. Zdeněk Nejedlý. Praha: Horizont, 1988.

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Prokop, Vladimír. Zdeněk Burian a paleontologie. Praha: Ústřední ústav geologický, 1990.

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Ferstl, Roman. Mladý Zdeněk Kalista, 1900-1919. Benátky nad Jizerou: Město Benátky nad Jizerou, 2000.

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Vostrý, Jaroslav. Zdeněk Štěpánek: Herec a dějiny. Praha: Achát, 1997.

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Peduzzi, Lubomír. Zdeněk Blažek: Obraz života a díla. Brno: Kulturní klub NV v Žarošicích, 1988.

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Prokop, Vladimír. Ilustrátor Zdeněk Burian: Monografie a soupis díla. Praha: Nakl. Ostrov, 1995.

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Procházka, Martin. The Shakespearean scholar Zdeněk Stříbrný - 65 years. (Praha): Československá akademie věd, 1987.

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1945-, Rosenbaum Zdeněk, ed. Zdeněk Rosenbaum, Ladislav Szalai uvádějí Tajná společnost SF. Ostrava: Profil, 1986.

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Janišová, Helena. Zdeněk Ullrich: Příspěvek k dějinám československé sociologie let 1945-1949. Praha: Sociologické nakl., 1998.

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Book chapters on the topic "Zdeněk"

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Zajac, Peter. "Rotrekl, Zdeněk." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_21053-1.

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Grygar, Jiří. "Kopal, Zdeněk." In Biographical Encyclopedia of Astronomers, 1237–38. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4419-9917-7_792.

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Heijden, Petra, Ian T. Durham, İhsan Fazlıoğlu, Narahari Achar, Jürgen Hamel, Adriaan Blaauw, Petra G. Schmidl, et al. "Kopal, Zdeněk." In The Biographical Encyclopedia of Astronomers, 651–52. New York, NY: Springer New York, 2007. http://dx.doi.org/10.1007/978-0-387-30400-7_792.

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Slanařová, Zuzana. "Smoljak, Ladislav / Svěrák, Zdeněk." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_23065-1.

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Anderson, James B. "Quantum Monte Carlo and Zdenek Herman's Enchanted Psiland." In ACS Symposium Series, 209–19. Washington, DC: American Chemical Society, 2012. http://dx.doi.org/10.1021/bk-2012-1094.ch017.

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Kliems, Alfrun. "Rotrekl, Zdeněk: Das lyrische Werk." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_21054-1.

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Slanařová, Zuzana. "Smoljak, Ladislav / Svěrák, Zdeněk: Divadlo Járy Cimrmana." In Kindlers Literatur Lexikon (KLL), 1–3. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_23067-1.

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Van Hamme, Walter, and R. E. Wilson. "Estimation of Light Time Effects for Close Binaries in Triple Systems." In Zdeněk Kopal’s Binary Star Legacy, 121–26. Dordrecht: Springer Netherlands, 2005. http://dx.doi.org/10.1007/1-4020-3875-5_13.

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Vaccaro, Todd, and Walter Van Hamme. "The OGLE-TR-56 Star-Planet System." In Zdeněk Kopal’s Binary Star Legacy, 231–34. Dordrecht: Springer Netherlands, 2005. http://dx.doi.org/10.1007/1-4020-3875-5_31.

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De Loore, C., and W. Van Rensbergen. "The Evolution of Massive Close Binaries." In Zdeněk Kopal’s Binary Star Legacy, 337–52. Dordrecht: Springer Netherlands, 2005. http://dx.doi.org/10.1007/1-4020-3875-5_53.

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Conference papers on the topic "Zdeněk"

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DUMITRIU, Leonard. "Šárka, a Legendary Female Character, in Two Lesser Known Czech Operas. Overtures and Compositional Techniques." In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0005.

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The lyrical works of Czech composers from the end of the 19th century and the beginning of the 20th century are very little known, and not just to Romanian musicians. Even when it comes to composers who have gained notoriety, such as Bedřich Smetana, Antonín Dvořák or Leoš Janáček, without consulting a dictionary, we cannot name more than one of their titles: Smetana’s Prodaná nevěsta, Dvořák’s Rusalka and Janáček’s Jenůfa, even though each of them wrote countless other works dedicated to the opera. When we think of composers like Zdeněk Fibich and Otakar Ostrčil, obscurity is almost total. Beyond the fact that this study attempts to make a contribution to the knowledge in this field, other objectives include analyzing the compositional language that two composers embraced in homonymous operas and observing the manner in which they related to the mythology of their people. One of the major characters of the Czech national mythology is called Šárka, a title that both Leoš Janáček and Zdeněk Fibich have attributed to one of their operas. In studying the action of the two stage works, this research also turns to the Czech writers of that period and the manner in which they reflected the fundamental Czech myths in their literary works. Details related to the time of appearance of the operas and, in the case of Zdeněk Fibich, brief but welcome information on his biography and creation are also presented. The original contribution of this study consists in analyzing the overtures of the two homonymous operas in terms of compositional techniques, elements of construction and musical expression and, last but not least, observing the similarities and differences of vision between the two creators.
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Frémontier-Murphy, Camille. "At the Sources of an Artistic Mutation towards Science: the First Years of the Journal Leonardo (1968-1981) as a Forum for the Pioneers of Digital Art." In 28th International Symposium on Electronic Art. Paris: Ecole des arts decoratifs - PSL, 2024. http://dx.doi.org/10.69564/isea2023-8-short-fremontier-murphy-artistic-mutation-towards-science.

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SHORT PAPER. The journal Leonardo was founded in 1968 by Frank Malina, a pioneer of light art in Paris and of aerospace science in the United States. Leonardo encouraged artists to publish their work in the manner of scientists. It was a new initiative developed in the revolutionary context of the 1960s and that allowed artists, scientists, psychologists to exchange on the subjects of art, perceptions, science, society... Many pioneers of digital art took part in the adventure, including Vera Molnar, Zdenek Sykora, Charles Csuri, and the artist-novelist Herbert Franke, who became the advocate of the theories and the protagonists of digital art spread out over the four corners of the planet, just about everywhere a computer could be found. The growing group was defending a more conceptual approach to art, closer to the spectator, a new form of art rooted in Constructivism and that was in symbiosis with society’s mutation towards technology.
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Nedvedova, Marie, and Jaroslav Marek. "Pioneering works in the application of random numbers to digital art and linear programs of Zdeněk Sýkora." In SCCG'16: Spring Conference on Computer Graphics. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2948628.2948637.

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Žofčák, Jakub. "DETERMINING FACTORS OF CZECH FILM ATTENDANCE IN THE YEARS 2003–2017." In 4th International Scientific Conference – EMAN 2020 – Economics and Management: How to Cope With Disrupted Times. Association of Economists and Managers of the Balkans, Belgrade, Serbia, 2020. http://dx.doi.org/10.31410/eman.2020.295.

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The paper analyzes the determining factors affecting Czech film attendance in the years 2003–2017 and places this topic into the context of the information asymmetry faced by film-goers. Using the regression (OLS) model and a unique population-level dataset (415 observations), the hypothesis of a positive relationship between film attendance and audience rating is confirmed. The increase in audience ratings by Czech-Slovak Film Database website’s users by one percentage point is, ceteris paribus, associated with an increase in attendance by 1.8%. Factors which have proven to determine film attendance also include: specific genres; film sequels; casting of a popular actor, actress or director; the personality of the director Zdeněk Troška; the Czech Lion Awards; and a premiere in certain years. In the decision-making process of a viewer who faces information asymmetry one can rely on these determinants as economic signals and on viewer ratings as information from an intermediary.
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