Academic literature on the topic 'Zambia – Religion'

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Journal articles on the topic "Zambia – Religion"

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Sakupapa, Teddy Chalwe. "Ethno-Regionalism, Politics and the Role of Religion in Zambia: Changing Ecumenical Landscapes in a Christian Nation, 2015-2018." Exchange 48, no. 2 (May 2, 2019): 105–26. http://dx.doi.org/10.1163/1572543x-12341517.

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Abstract This contribution explores the interaction between religion and politics in a religiously plural and ethnically multidimensional Zambian context. Given the political salience of both religion and ethnicity in Zambian politics, this research locates an understudied aspect in the discourse on religion and politics in Zambia, namely the multiple relations between religion, ethnicity and politics. It specifically offers a historical-theological analysis of the implications that the political mobilisation of religion has for ecumenism in Zambia since Edgar Chagwa Lungu became the country’s president (2015-2018). Underlining the church-dividing potential of non-theological (doctrinal) factors, the article argues that the ‘political mobilisation of religion’ and the ‘pentecostalisation of Christianity’ in Zambia are reshaping the country’s ecumenical landscapes. Accordingly, this contribution posits the significance of ecumenical consciousness among churches and argues for a contextual ecumenical ecclesiology.
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Prokopenko, Liubov. "Christian Nation in Zambia: from Proclamation to Reset." Uchenie zapiski Instituta Afriki RAN, no. 3 (September 30, 2021): 66–85. http://dx.doi.org/10.31132/2412-5717-2021-56-3-66-85.

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December 2021 marks the 30th anniversary of the proclamation of Zambia a Christian nation. The leader of the Movement for Multi-party Democracy (MMD) party who came to power in 1991, a convinced Christian F. Chiluba, declared Zambia a Christian nation, arguing that Christianity was then professed by more than 70% of the population and that this was supposed to help the country to get rid of corruption and contribute to its prosperity. The article analyzes the reasons of decision to declare Zambia a Christian nation. It is emphasized that political goals prevailed then over religious ones, since the issue of preserving and strengthening power was high on the political agenda of the ruling MMD party. The economic background is also touched upon: as a pragmatic president Chiluba pursued a policy of economic liberalization and counted on financial assistance from Western countries and international donors. The following Christian presidents L. Mwanawasa, R. Banda and M. Sata used limited Christian rhetoric, but they collaborated with the Church with varying degrees of intensity. At the same time, the provision on the Christian nation in the Constitution was preserved. It is noted that the role of the religious factor in politics increased in the early 2010s. The politicization of religion, primarily Christianity, became apparent during the struggle for power led by the leader of the opposition Patriotic Front party Michael Sata, who was supported by some religious leaders. After Edgar Lungu (party Patriotic Front) came to power in 2015, Zambia was re-proclaimed a Christian nation, which was enshrined in the new edition of the 2016 constitution. At the same time, the country began the political rehabilitation of F. Chiluba, who, after leaving the presidency in 2001, was persecuted for corruption. The campaigns for the 2015 presidential elections and for the 2016 general elections have shown the relevance of the discourse on religion and politics in the political process, primarily in its aspect of the multiple relationships between religion, ethnicity and politics. The article shows that the issue of the proclamation of Zambia a Christian nation remains relevant in Zambian society and among African and Western theologians and researchers whose judgments and conclusions are often polar opposite. The author notes that the realities of the socio-political, socio-economic and cultural life in Zambia do not yet indicate the existence of the declared Christian nation. The high level of corruption, poverty, limited rights of some groups of the population do not correspond to Christian ideals and values and have become serious challenges for the modern Zambian society. The article emphasizes that, unlike a number of other countries south of the Sahara, where competition between Christianity and Islam has intensified in recent years, leading, among other things, to bloody conflicts, Zambia survives this conflict along the axis of competition between different directions of Christianity. The ruling PF’s manifesto for the August 2021 general election contains Christian rhetoric. The document states the PF’s commitment to partnership with the Church, which it recognizes as a key partner in the conversion of Zambians into a Christian nation. Further peaceful development of Zambia depends on a balanced internal policy of the authorities aimed at solving complex socio-economic problems in cooperation with representatives of all religions and their confessions.
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Sugishita, Kaori. "Traditional Medicine, Biomedicine and Christianity in Modern Zambia." Africa 79, no. 3 (August 2009): 435–54. http://dx.doi.org/10.3366/e0001972009000904.

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The World Health Organization has recognized ‘traditional medicine’ as ade factoand economical substitute for biomedicine in the developing world. Accordingly, the Zambian government aims to integrate ‘traditional healers’, locally known asng'anga, with their biomedical counterparts in a national health care system. Hence, on the one hand,ng'angaelaborate their practice into ‘herbalism’, which could meet scientific standards and fit into the scope of biomedicine. On the other hand, they continue to deal with affliction by positing the existence of occult agents, such as witchcraft and spirits, at the risk of being criticized for exploiting indigenous beliefs. As a result, manyng'angaassociate themselves with Christianity, the national religion of Zambia, which serves as an official domain of the occult where they take refuge from biomedical rationalization. However, conventional churches, the government and health authorities do not approve of the link between Christianity and traditional medicine; henceng'angaas traditional healers are marginalized in modern, Christian Zambia. Being thus dissociated from the national religion,ng'angaare officially confined to the periphery of national health care, where they submit to the primacy of biomedicine and the workings of state power.
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Klinken, Adriaan van. "Homosexuality, Politics and Pentecostal Nationalism in Zambia." Studies in World Christianity 20, no. 3 (December 2014): 259–81. http://dx.doi.org/10.3366/swc.2014.0095.

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Building upon debates about the politics of nationalism and sexuality in post-colonial Africa, this article highlights the role of religion in shaping nationalist ideologies that seek to regulate homosexuality. It specifically focuses on Pentecostal Christianity in Zambia, where the constitutional declaration of Zambia as a Christian nation has given rise to a form of ‘Pentecostal nationalism’ in which homosexuality is considered to be a threat to the purity of the nation and is associated with the Devil. The article offers an analysis of recent Zambian public debates about homosexuality, focusing on the ways in which the ‘Christian nation’ argument is deployed, primarily in a discourse of anti-homonationalism, but also by a few recent dissident voices. The latter prevent Zambia, and Christianity, from accruing a monolithic depiction as homophobic. Showing that the Zambian case presents a mobilisation against homosexuality that is profoundly shaped by the local configuration in which Christianity defines national identity – and in which Pentecostal-Christian moral concerns and theo-political imaginations shape public debates and politics – the article nuances arguments that explain African controversies regarding homosexuality in terms of exported American culture wars, proposing an alternative reading of these controversies as emerging from conflicting visions of modernity in Africa.1
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MacGaffey, Wyatt, and Karla Poewe. "Religion, Kinship and Economy in Luapula, Zambia." Canadian Journal of African Studies / Revue Canadienne des Études Africaines 26, no. 1 (1992): 168. http://dx.doi.org/10.2307/485422.

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Podolecka, Agnieszka, and Austin M. Cheyeka. "Ng'angas - Zambian Healers-Diviners and their Relationship with Pentecostal Christianity: The Intermingling of Pre-Christian Beliefs and Christianity." Journal for the Study of Religion 34, no. 2 (January 21, 2021): 1–27. http://dx.doi.org/10.17159/2413-3027/2021/v34n2a7.

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The aim of the article is to establish if pre-Christian beliefs in Zambia are influencing the Pentecostal Christianity, and to establish what the healers-diviners' relationship with different Pentecostal churches is. During field studies undertaken by both authors, it has been established that many Bantu speaking people still believe in some aspects of their native religions, especially in the powers of the ancestral spirits. Christianity is the dominant religion in Zambia, but it is far from homogenous. Apart from world religions like Roman Catholicism and Protestantism, there is a plethora of Pentecostal, Charismatic, and grassroot churches, many of them not immune to ancient spirit veneration. People who are believed to cooperate with spirits are called healers-diviners who are believed to be called to their profession by spirits. A great majority is Christian who combines Christianity with their native beliefs. The field studies in 2021 were sponsored by the Polish National Science Centre (Narodowe Centrum Nauki), Poland, project no. 2017/25/N/HS1/02500.
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Mukuka, Bridget N. M. "Rethinking land and religion." Jumuga Journal of Education, Oral Studies, and Human Sciences (JJEOSHS) 1, no. 1 (August 3, 2020): 1–15. http://dx.doi.org/10.35544/jjeoshs.v1i1.21.

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This article is a by-product of a missiological research that examined the power of naming some congregations in the local language, through the concept of culture in the Mutima Walowa wa Makumbi1 Church popularly known as the Mutima Church of Zambia. The article examines how the founder of the Mutima Church acquired land in the name of religion in many parts of the country. Upon the death of the church founder in February 2015, some of the land has been repossessed by either his own relatives or by the Zambian government. To gain ‘ownership’ of the land, the church founder established some congregations across the country which he named under his own Bemba2 cultural worldview. Critically important is the fact that this research wasconducted in six congregations; and strongly indicates that due to lack of proper documentation, some acres of church land have been repossessed by the government and by some relatives of the church founder who donated it a couple of years ago. To make the research valid, thirty church members were interviewed. They comprised of eleven males, nine females, six male youths and four female youths. Data were collected through in-depth interviews, focus group approach, participant observation and document review. Consequently, guided by the feminist narrative methods of inquiry, the article adopts a qualitative approach to answer a key research question: How does the missional policy of the Mutima Church affect some members’ understanding of land and religion in the power of naming? The above discourse is viewed through the lenses of Michel Foucault (1978) and Elisabeth Schussler Fiorenza’s (2009) respectively.
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Ireland, Jerry M. "African Traditional Religion and Pentecostal Churches in Lusaka, Zambia: An Assessment." Journal of Pentecostal Theology 21, no. 2 (2012): 260–77. http://dx.doi.org/10.1163/17455251-02102006.

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This study seeks to discover how African Traditional Religion (ATR) is viewed by Pentecostal church leaders in Lusaka, Zambia. The convenience sample focused on fourteen Pentecostal churches of various denominational affiliations within the city of Lusaka, Zambia. A thirty-one-item survey tool, the Assessment of Traditional Religious Practices (ATRP), was developed and administered to 128 leaders regarding the prevalence of traditional religious practices among their congregants. The ATRP also assessed how these leaders typically respond to concerns related to ATR within their ministerial context. Findings indicated that traditional beliefs and practices continue to persist, though at nominal levels, within these churches. More importantly, a majority of these leaders feel adequately equipped to handle issues related to ATR because they understand their ministerial calling in terms of spiritual empowerment. The study concludes that the challenges presented by ATR regarding Christian discipleship continue to persist in local Pentecostal churches. However, leaders have employed a practical theological understanding of Pentecostalism, allowing them to overcome many of these same challenges.
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Chipalo, Edson, Ikenna Obasi Odii, Lameck Kapupa, Uchenna Kalu Agwu, and Taurai Makwalu. "Medical Male Circumcision and HIV Testing Practices among Men Aged 15 to 59 Years Old: Evidence from Zambia Demographics and Health Survey." Texila International Journal of Public Health 11, no. 4 (December 29, 2023): 241–55. http://dx.doi.org/10.21522/tijph.2013.11.04.art021.

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Medical male circumcision (MMC) and HIV testing have been recommended by the World Health Organization (WHO) as part of a comprehensive approach to HIV prevention. Zambia has integrated MMC with HIV testing interventions. This study examined the syndemic relationship between MMC and HIV testing, as well as sociodemographic characteristics influencing both MMC and HIV testing in Zambia. Data were derived from the 2018 Zambia Demographic and Health Survey (ZDHS), a nationally representative cross-sectional survey conducted among 12,123 men aged 15 to 59 years. Descriptive characteristics were summarized using frequencies and proportions. Two multivariate logistic regression models examined the relationship between independent and dependent variables (HIV testing and MMC alternatively). The results showed that 76.8% of men reported having ever tested for HIV, and 26% performed MMC. The logistic regression results showed that MMC was significantly associated with ever being tested for HIV and vice versa. Sociodemographic characteristics, including province, resident type, age, marital status, education, wealth status, and religion, were also significantly associated with MMC and having tested for HIV among men in Zambia. By and large, this study has identified that both MMC and HIV have an intricate relationship with health benefits to reduce the risk of HIV infections for men in Zambia. There is a need for continuous scaling up the perceived benefits of MMC and HIV testing uptake. In addition, more robust awareness is needed in specific provinces, rural areas, and other sociodemographic variables with lower incidences of MMC and HIV testing practices among men in Zambia. Keywords: HIV testing, Men, Medical male circumcision, Sociodemographic characteristics, Zambia.
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BRODISH, PAUL HENRY. "AN ASSOCIATION BETWEEN ETHNIC DIVERSITY AND HIV PREVALENCE IN SUB-SAHARAN AFRICA." Journal of Biosocial Science 45, no. 6 (January 10, 2013): 853–62. http://dx.doi.org/10.1017/s002193201200082x.

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SummaryThis paper investigates whether ethnic diversity at the Demographic and Health Surveys (DHS) cluster level predicts HIV serostatus in three sub-Saharan African countries (Kenya, Malawi and Zambia), using DHS household survey and HIV biomarker data for men and women aged 15–59 collected since 2006. The analysis relates a binary dependent variable (HIV positive serostatus) and a weighted aggregate predictor variable representing the number of different ethnic groups within a DHS Statistical Enumeration Area (SEA) or cluster, which roughly corresponds to a neighbourhood. Multilevel logistic regression is used to predict HIV prevalence within each SEA, controlling for known demographic, social and behavioural predictors of HIV serostatus. The key finding was that the cluster-level ethnic diversity measure was a significant predictor of HIV serostatus in Malawi and Zambia but not in Kenya. Additional results reflected the heterogeneity of the epidemics: male gender, marriage (Kenya), number of extramarital partners in the past year (Kenya and Malawi, but probably confounded with younger age) and Muslim religion (Zambia) were associated with lower odds of positive HIV serostatus. Condom use at last intercourse (a spurious result probably reflecting endogeneity), STD in the past year, number of lifetime sexual partners, age (Malawi and Zambia), education (Zambia), urban residence (Malawi and Zambia) and employment (Kenya and Malawi) were associated with higher odds of positive serostatus. Future studies might continue to employ multilevel models and incorporate additional, more robust, controls for individual behavioural risk factors and for higher-level social and economic factors, in order to verify and further clarify the association between neighbourhood ethnic diversity and HIV serostatus.
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Dissertations / Theses on the topic "Zambia – Religion"

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Parsons, Elizabeth C. "Provoking the Rocks: A Study of Reality and Meaning on the Zambian Copperbelt." Thesis, University of KwaZulu-Natal, Durban, 2007. http://hdl.handle.net/10413/61.

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Even though the West, or Global North, initiates extensive development policymaking and project activity on the African continent, this study argues that one source of major frustration between different parties entrusted to do the work arises from cognitive differences in their worldviews. These differences affect people's actions and have theological ramifications involving how we all understand meaning and reality. The study employs a case method analyzed through the lens of Alfred Schutz's sociology of knowledge theories and augmented by insights from African scholars to look at basic perceptual differences between Zambians and expatriates working on the Copperbelt Province's mines. After exploring how participants in the study interpreted various experiences, this study concludes that Zambians and expatriates were essentially living in "parallel universes" of meaning regardless of their apparently shared activities and objectives. The study further argues that viewpoints expressed by Zambian participants can be extrapolated into powerful lessons for members of civil society who are concerned about international development and the environment. Such teaching elements could especially help reshape how Americans and other Westerners understand ourselves in relation to physical creation and the cosmos as well as to those from radically different cultures. Lessons learned from the Zambian perspective could also help reinvigorate Western theological thinking, providing much needed critiques of discourses that currently dominate international development policymaking and planning and that determine value principally according to economic strategies and fulfillment of efficient, measurable objectives.
Thesis (Ph.D.)-University of KwaZulu-Natal, 2007.
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Guhrs, Tamara. "Nyau masquerade performance : shifting the imperial gaze." Thesis, Rhodes University, 2000. http://hdl.handle.net/10962/d1002372.

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Nyau Masquerades have been studied by missionaries, anthropologists and religious specialists, but have seldom been documented by theatre and performance specialists. This dissertation argues for the acceptance of Ny au performance as a contemporary world theatre form rooted in tradition. Charting the uneasy relationship between the Nyau and those who have sought to record their performances, the author delineates a vivid dramaturgy of this art form. In doing so, the boundaries of what define theatre as it has traditionally been understood in dominant discourses are made more fluid. Nyau performances have been affected by Colonial processes in varied ways. They were banned by the former government of Northern Rhodesia and severely censored by Catholic Mission teachings in the former Nyasaland. Other forms of vilification have been more subtle. Information about performance in Africa has often been collected and arranged in ways which limit the understanding of these genres. Images of Africa which cluster around the notion of the 'Primitive Other' have enabled a representation of Ny au masking as a superstitious and outdated practice with no relevance for contemporary Africa. This work calls for a new examination of the Nyau, through the lens of local discourse as well as contemporary global understandings of performance. Chapter One examines the issue of primitivism and the ways in which Africa has historically been posited as the exotic Other to Europe. Chapter Two examines the Nyau ih terms of specific dramaturgical elements, adjusting previous misconceptions surrounding the theatr~ forms of Chewa and Nyanja people. Chapter Three is devoted to a discussion of space in ritual theatre and Nyau performance, while Chapter Four explores masking and questions of transformation and liminality. In conclusion, it is seen that the use of the mask is a metaphor for the suspension of rigid boundaries separating subject/object, self/other, ritual/theatre, a suspension which needs to take place before an enriched understanding of performance in Africa can be reached.
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Badenberg, G. Robert. "The body, soul and spirit concept of the Bemba in Zambia : fundamental characteristics of being human of an African ethnic group /." Theological Research Exchange Network (TREN), 1999. http://www.tren.com.

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Holmgren, E. Henry. "Signs and wonders in Africa a biblical perspective in interaction with western missions, African independent churches and African traditional religion, with particular reference to Zambia /." Theological Research Exchange Network (TREN), 1989. http://www.tren.com.

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Hinfelaar, Hugo F. "Religious change among Bemba-speaking women of Zambia." Thesis, University of London, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.319975.

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Hinfelaar, Hugo F. "Bemba-speaking women of Zambia in a century of religious change (1892-1992) /." Leiden : E.J. Brill, 1994. http://catalogue.bnf.fr/ark:/12148/cb375112575.

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Kabonde, Peggy Mulambya. "Gender justice : a theological challenge to the church in Zambia in the 21st century." Master's thesis, University of Cape Town, 2003. http://hdl.handle.net/11427/6043.

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Bibliography: leaves 72-74.
Guided by faith in the love and justice of God for humanity, this paper aims to examine the rhetoric and reality of the question of gender justice in the church in Zambia.
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Chrispin, Mbalazi. "Theological renewal and the role of the church in the social reconstruction of Zambia." Master's thesis, University of Cape Town, 1999. http://hdl.handle.net/11427/9714.

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This study is about the renewal of theology and the role of the church in the social reconstruction of Zambia. It proceeds from the understanding that theology has and always will have a crucial task to perform in Zambia, a nation that professes itself to be Christian. This potential to contribute to public life, unless otherwise, demonstrates that theology is not primarily an abstract talk or a description about God-in-himself. Rather, it is an attempt to reflect critically on, and to express in the most clearest and coherent language possible, what it means to be involved by God in the divine creative and redemptive process of transforming the world into his reign. To examine this question, the study engages an inter-disciplinary theoretical approach, making use of various sources. It has drawn on liberation and post-liberation theories, popular language and sociolinguistics. The thesis examines the context of contemporary Zambia, analysing the social, economic and political situation for the past thirty-four years. This analysis is linked to the ecclesiastical history of Zambia. Particular attention is given to the mainline Protestant Churches. Directed towards bringing to realisation the vision of God's reign on earth today, imperatively, God's reign is defined. The definition sees reign from two dimensions: as a future hope and as earthly utopia. An interpretive link is then made between God's reign and concrete utopia. To root the theological argument, some theological currents operative in Zambia are examined. This analysis is necessary as it serves as part of the strategy to see the typology of theology in Zambia and how, need be, this theology can be renewed. The thesis ends with some theological propositions for re-imaging God's reign on earth today. Although they are not novel suggestions in theological method, to bring attention to these propositions in this study at the dawn of the new millennium, the church and theology in Zambia are offered yet another chance to reconsider their position so that they may live up to the challenge of their existence.
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Silungwe, Samuel. "Confronting poverty and impoverishment : the challenges. : A comparative study of some church responses in South Africa and Zambia." Master's thesis, University of Cape Town, 2001. http://hdl.handle.net/11427/11564.

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Bibliography: leaves 131-139.
'Absolute poverty', wrote Robert McNamara, President of the World Bank, in 1978, is "a condition of life so limited by malnutrition, illiteracy, disease, squalid surroundings, high infant mortality and low life expectancy as to be beneath an reasonable definition of human decency" (Cited in Kevin Watkins 1995:13). That remains a powerful description of the reality experienced by a large segment of the population in the Southern Africa Development Community (SADC). Although this study does not measure poverty directly, the various literature reviewed reveals the nature and extent to which poverty is prevalent in the SADC region.
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Kondolo, Kapembwa. "The spread of the African Independent Churches in postcolonial Southern Africa is a challenge to political and religious authorities : a case of the Lumpa Church in Zambia." Master's thesis, University of Cape Town, 2008. http://hdl.handle.net/11427/10775.

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Includes bibliographical references (leaves 70-80).
The study reflects on the rise and spread of the African Independent Churches in postcolonial Africa. It moves from the perspective that African Independent Churches are both African and Christian (Masondo, 2005:101) "engaged in detailed appropriations of religious resources that can be mobilized in working out the meaningful contours of the world" (Chidester, 1997:11). The major part of the study focuses on the Lumpa Church of Alice Lenshina in Zambia. It traces the founding of the church based on a series of vision by Lenshina.
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Books on the topic "Zambia – Religion"

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Patrick, Carmody Brendan, ed. Religion and education in Zambia. Ndola, Zambia: Mission Press, 2004.

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Poewe, Karla O. Religion, kinship, and economy in Luapula, Zambia. Lewiston, NY: E. Mellen Press, 1989.

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Henze, J. Creative tension: Essays in religion education for the twentieth anniversary of Zambia Association of RE Teachers. Ndola, Zambia: Copperbelt RE Development Unit, 1994.

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Thayer, Scudder, ed. For prayer and profit: The ritual, economic, and social importance of beer in Gwembe District, Zambia, 1950-1982. Stanford, Calif: Stanford University Press, 1988.

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Ben, Henze John, ed. Some basics of religious education in Zambia. Ndola, Zambia: Mission Press, 2007.

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Ben, Henze John, ed. Some basics of religious education in Zambia. Ndola, Zambia: Mission Press, 2007.

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Dillon-Malone, Clive M. Zambian humanism, religion, and social morality. [Zambia: s.n.], 1989.

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Gaspare, Mura, and Catholic Church. Pontificium Consilium pro Cultura., eds. Cultural resources for reconciliation and forgiveness: Acts of the first meeting of Directors of Catholic Cultural Centres in Africa = Ressources culturelles pour la réconciliation et le pardon : actes de la première rencontre des directeurs des Centres culturels catholiques en Afrique : 18-22 April 2006, Lusaka, Zambia. Città del Vaticano: Urbaniana University Press, 2007.

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Haar, Gerrie ter. Spirit of Africa: The healing ministry of Archbishop Milingo of Zambia. Trenton, N.J: Africa World Press, 1992.

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Verbeek, Léon. Le monde des esprits au sud-est du Shaba et au nord de la Zambie: Recueil de textes oraux. Roma: LAS, 1990.

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Book chapters on the topic "Zambia – Religion"

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Cheyeka, Austin. "Religion and political parties in Zambia." In The Routledge Handbook to Religion and Political Parties, 275–86. Title: The Routledge handbook to religion and political parties / edited by Jeffrey Haynes. Other titles: Handbook to religion and political parties Description: Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9781351012478-23.

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Mkandawire, Damon. "Youth and climate change in the United Church of Zambia." In African Perspectives on Religion and Climate Change, 147–59. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003147909-10.

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Mwale, Nelly, Joseph Chita, and Habeenzu Mulunda. "Gender, Religion, Peacebuilding, and Development in Zambia: Doreen Mazuba Malambo’s Trajectory in Peacekeeping Missions." In The Palgrave Handbook of Religion, Peacebuilding, and Development in Africa, 661–82. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-36829-5_37.

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Mwale, Nelly. "Religion and Sustainable Development: The Role of the Zambia Interfaith Networking Group (ZINGO) in Contemporary Times." In Sustainable Development Goals Series, 199–214. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-89807-6_11.

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Mwale, Nelly, and Nicholas Miyoba Haambokoma. "Religion, Food Security, and Climate Change Mitigation: A Case of Luangwa Valley Women of Eastern Zambia." In Sustainable Development Goals Series, 323–38. Cham: Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-50392-4_19.

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Mulambya-Kabonde, Peggy, and Tomaida Milingo. "Earth, Gender and Religion in Zambia: An Eco-Feminist Reading of Sula and Ja, A Novel by Ellen Banda-Aaku." In Ecofeminist Perspectives from African Women Creative Writers, 251–64. Cham: Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-48509-1_15.

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M’fundisi-Holloway, Naar. "Constructing the Identity of Pentecostal/Charismatic Christianity in Zambia: Zambia’s Religious Landscape." In Pentecostal and Charismatic Spiritualities and Civic Engagement in Zambia, 1–33. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-97058-5_1.

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Carmody, Brendan. "Catholic Church and State Relations in Zambian Education: A Contemporary Analysis." In International Handbooks of Religion and Education, 543–62. Dordrecht: Springer Netherlands, 2007. http://dx.doi.org/10.1007/978-1-4020-5776-2_28.

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Silva, Sónia. "Witchcraft and the Gift: Killing and Healing in Northwest Zambia." In The Request and the Gift in Religious and Humanitarian Endeavors, 25–45. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-54244-7_2.

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van Klinken, Adriaan, and Emmanuel Phiri. "The Empire Speaks Back: Zambian Responses to European Union LGBTI Rights Diplomacy." In Public Discourses About Homosexuality and Religion in Europe and Beyond, 309–24. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-56326-4_14.

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Conference papers on the topic "Zambia – Religion"

1

Tavares, Tatiana. "Paradoxical saints: Polyvocality in an interactive AR digital narrative." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.81.

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Abstract:
This artistic, practice-led PhD thesis is concerned with the potentials of polyvocality and interactive digital narrative. The practical project, Saints of Paradox, is constructed as a printed picture book that can be experienced through an Augmented Reality [AR] platform. The fictional story entails a woman who mourns the disappearance of her lover in the 1964 Brazilian coup d’état and lives for 40 years in a room of accumulated memories. IIn each illustration, the user can select three buttons on the tablet device that activates a different version of the story. Three narrators (saints) present interconnected but diverging interpretations of the events shaped by their distinct theological positions. The respective values of compassion, orthodoxy, and pragmatic realism distort details of imagery, sound, movement, and meaning. AR animated vignettes, each backed by a uniquely composed cinematic soundscape, allow characters to populate the luxuriously illustrated world. Candles flicker and burn, snakes curl through breathing flowerbeds, and rooms furnished with the contents of accumulated memories pulsate with mystery. The scanned image reviews an interactive parallax that produces a sense of three-dimensional space, functioning as a technical and conceptual component. Theoretically, the story navigates relationships between the real and the imagined and refers to magical real binary modes of textual representation (Flores, 1955, Champi, 1980; Slemon, 1988, 1995; Spindler, 1993; Zamora and Faris; 1995; Bowers, 2004). Here, meaning negotiates an unreliable, sometimes paradoxical pathway between rational and irrational accounting and polyvocal narration. The dynamics between the book and the AR environments produce a sense of mixed reality (actual and virtual). The narrative experience resides primarily in an unstable virtual world, and the printed book functions as an enigmatic unoccupied vessel. Because of this, we encounter a sense of ontological reversal where the ‘virtual’ answers the ambiguities presented by the ‘real’ (the book). In the work, religious syncretism operates as a reference to Brazilian culture and an artistic device used to communicate a negotiation of different voices and points of view. The strange and somehow congruous forms of European, African, and indigenous influences merge to form the photomontage world of the novel. Fragments of imagery may be considered semiotic markers of cultural and ideological miscegenation and assembled into an ambiguous ‘new real’ state of being that suggests syncretic completeness. Methodologically, the project emanates from a post-positivist, artistic research paradigm (Klein, 2010). It is supported by a heuristic approach (Douglass and Moustakas, 1985) to the discovery and refinement of ideas through indwelling and explicitness. Thus, the research draws upon tacit and explicit knowledge in developing a fictional narrative, structure, and stylistic treatments. A series of research methods were employed to assess the communicative potential of the work. Collaboration with other practitioners enabled high expertise levels and provided an informed platform of exchange and idea progression.
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Tavares, Tatiana. "Santos paradoxais: Polivocidade em uma narrativa digital AR interativa." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.81.g97.

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Esta tese de doutorado artística, conduzida pela prática, está preocupada com os potenciais da polivocidade e da narrativa digital interativa. O projeto prático, Saints of Paradox, é construído como um livro ilustrado impresso, que pode ser vivenciado por meio de uma plataforma de Realidade Aumentada [AR]. A história de ficção envolve uma mulher que chora o desaparecimento de seu amante no golpe militar brasileiro de 1964 e vive por 40 anos em uma sala de memórias acumuladas. Em cada ilustração, o usuário pode selecionar três botões no tablet, que ativa uma versão diferente da história. Três narradores (santos) apresentam interpretações interconectadas, mas divergentes, dos eventos moldados por suas posições teológicas distintas. Os respectivos valores de compaixão, ortodoxia e realismo pragmático distorcem detalhes de imagem, som, movimento e significado. Vinhetas animadas de RA, cada uma apoiada por uma paisagem sonora cinematográfica exclusivamente composta, permitem que os personagens povoem o mundo luxuosamente ilustrado. Velas tremulam e queimam, cobras se enrolam em canteiros de flores que respiram, e quartos mobiliados com o conteúdo das memórias acumuladas pulsam com mistério. A imagem digitalizada analisa uma paralaxe interativa que produz uma sensação de espaço tridimensional, funcionando como um componente técnico e conceitual. Teoricamente, a história navega relações entre o real e o imaginado e refere-se a modos binários reais mágicos de representação textual (Flores, 1955, Champi, 1980; Slemon, 1988, 1995; Spindler, 1993; Zamora e Faris; 1995; Bowers, 2004). Aqui, o significado negocia um caminho não confiável, às vezes paradoxal, entre a contabilidade racional e irracional e a narração polivocal. A dinâmica entre o livro e os ambientes de RA produz uma sensação de realidade mista (real e virtual). A experiência narrativa reside principalmente em um mundo virtual instável, e o livro impresso funciona como uma embarcação enigmática desocupada. Por causa disso, encontramos uma sensação de reversão ontológica em que o “virtual” responde às ambiguidades apresentadas pelo real (o livro). Na obra, o sincretismo religioso funciona como uma referência à cultura brasileira e um dispositivo artístico utilizado para comunicar uma negociação de diferentes vozes e pontos de vista. As formas estranhas e, de alguma forma, congruentes de influências europeias, africanas e indígenas fundem-se para formar o mundo da fotomontagem do romance. Fragmentos de imagens podem ser considerados marcadores semióticos de miscigenação cultural e ideológica e montados em um estado de ser um “novo” ambíguo, que sugere integridade sincrética. Metodologicamente, o projeto emana de um paradigma pós-positivista de pesquisa artística (Klein, 2010). É apoiado por uma abordagem heurística (Douglass e Moustakas, 1985) para a descoberta e o refinamento de ideias por meio da presença e da explicitação. Assim, a pesquisa baseia-se no conhecimento tácito e explícito no desenvolvimento de uma narrativa ficcional, estrutura e tratamentos estilísticos. Uma série de métodos de pesquisa foi empregada para avaliar o potencial comunicativo do trabalho. A colaboração com outros profissionais permitiu altos níveis de experiência e forneceu uma plataforma informada de troca e progressão de ideias.
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3

Tavares, Tatiana. "Santos paradójicos: Polivocalidad en una narrativa digital interactiva de AR." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.81.g96.

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Esta tesis doctoral artística dirigida por la práctica se ocupa de los potenciales de la polivocalidad y la narrativa digital interactiva. El proyecto práctico, Saints of Paradox, está construido como un libro de imágenes impreso que se puede experimentar a través de una plataforma de realidad aumentada (AR). La historia de ficción trata sobre una mujer que lamenta la desaparición de su amante en el golpe de estado brasileño de 1964 y vive durante 40 años en una habitación de recuerdos acumulados. En cada ilustración, el usuario puede seleccionar tres botones en el dispositivo, que activan una versión diferente de la historia. Tres narradores (santos) presentan interpretaciones interconectadas pero divergentes de los eventos moldeados por sus distintas posiciones teológicas. Los valores respectivos de compasión, ortodoxia y realismo pragmático distorsionan los detalles de las imágenes, el sonido, el movimiento y el significado. Las viñetas animadas de AR, cada una respaldada por un paisaje sonoro cinematográfico de composición única, permiten a los personajes poblar el mundo lujosamente ilustrado. Las velas parpadean y arden, las serpientes se enroscan entre los macizos de flores que respiran y las habitaciones amuebladas con el contenido de los recuerdos acumulados palpitan con misterio. La imagen escaneada revisa un paralaje interactivo que produce una sensación de espacio tridimensional, funcionando como un componente técnico y conceptual. En teoría, la historia navega por las relaciones entre lo real y lo imaginario, y se refiere a modos binarios mágicos reales de representación textual (Flores, 1955; Champi, 1980; Slemon, 1988, 1995; Spindler, 1993; Zamora y Faris; 1995; Bowers, 2004). Aquí, el significado negocia un camino poco confiable, a veces paradójico, entre la contabilidad racional e irracional y la narración polivocal. La dinámica entre el libro y los entornos de AR produce una sensación de realidad mixta (real y virtual). La experiencia narrativa reside principalmente en un mundo virtual inestable, y el libro impreso funciona como una vasija enigmática desocupada. Debido a esto, nos encontramos con una sensación de inversión ontológica donde lo “virtual” responde a las ambigüedades presentadas por lo real (el libro). En la obra, el sincretismo religioso opera como una referencia a la cultura brasileña y un dispositivo artístico utilizado para comunicar una negociación de diferentes voces y puntos de vista. Las formas extrañas, y de alguna manera congruentes, de las influencias europeas, africanas e indígenas se fusionan para formar el mundo del fotomontaje de la novela. Los fragmentos de imágenes pueden considerarse marcadores semióticos de mestizaje cultural e ideológico y ensamblarse en un “nuevo estado real” ambiguo del ser que sugiere completitud sincrética. Metodológicamente, el proyecto emana de un paradigma de investigación artística pospositivista (Klein, 2010). Está respaldado por un enfoque heurístico (Douglass y Moustakas, 1985) para el descubrimiento y refinamiento de ideas a través de la permanencia y la explicitación. Por lo tanto, la investigación se basa en el conocimiento tácito y explícito para desarrollar una narrativa, una estructura y tratamientos estilísticos de ficción. Se emplearon una serie de métodos de investigación para evaluar el potencial comunicativo del trabajo. La colaboración con otros profesionales permitió altos niveles de experiencia y proporcionó una plataforma informada de intercambio y progresión de ideas.
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