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Dissertations / Theses on the topic 'Youth cinema'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Oliveira, Sandra Cristina Reis Marques de. "Representations of American youth in Hollywood film in the 1980s." Master's thesis, Universidade de Aveiro, 2008. http://hdl.handle.net/10773/2762.

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Mestrado em Estudos Ingleses<br>O presente trabalho propõe-se examinar diferentes representações da adolescência no cinema de Hollywood, particularmente na década de 80. Esta dissertação inicia a sua análise debruçando-se sobre as representações da adolescência no cinema de Hollywood, no período após a II Guerra Mundial, numa tentativa de determinar alguns acontecimento que afectaram a forma como essas representações evoluíram até ao final da década de 80. Finalmente, uma reflexão sobre os aspectos mais relevantes das representações da adolescência no cinema na época conservadora de Ronald Rea

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2

au, x1999@iinet net, and Christina Lee. "Beyond the Pink:(Post) Youth Iconography in Cinema." Murdoch University, 2005. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20050930.124547.

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Beyond the Pink: (Post) Youth Iconography in Cinema is a project in cultural time travel. It cuts up linear cinematic narratives to develop a hop-scotched history of youth, Generation X and (post) youth culture. I focus upon the pleasures, pedagogies and (un)popular politics of a filmic genre that continues to be dismissed as unworthy of intellectual debate. Accelerated culture and the discourse of celebrity have blurred the crisp divisions between fine art and crude commodity, the meaningful and meaningless, and real and fictive, unsettling the binary logic that assigns importance to certa

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3

Lee, Christina. "Beyond the pink: (post) youth iconography in cinema." Lee, Christina (2005) Beyond the pink: (post) youth iconography in cinema. PhD thesis, Murdoch University, 2005. http://researchrepository.murdoch.edu.au/151/.

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Beyond the Pink: (Post) Youth Iconography in Cinema is a project in cultural time travel. It cuts up linear cinematic narratives to develop a hop-scotched history of youth, Generation X and (post) youth culture. I focus upon the pleasures, pedagogies and (un)popular politics of a filmic genre that continues to be dismissed as unworthy of intellectual debate. Accelerated culture and the discourse of celebrity have blurred the crisp divisions between fine art and crude commodity, the meaningful and meaningless, and real and fictive, unsettling the binary logic that assigns importance to certa

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4

Lee, Christina H. P. "Beyond the pink : (post) youth iconography in cinema /." Access via Murdoch University Digital Theses Project, 2005. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20050930.124547.

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5

Qu, Sheng. "Cinematic History and Multi-Subcultural Analysis: The Representation of Youth Dreams in Chinese Cinema." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1405989442.

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6

Costa, Maria de Oliveira Barra. "Juventude e cinema nos anos 1970: a I Mostra de Juiz de Fora do Cinema Super 8." Universidade Federal de Juiz de Fora (UFJF), 2017. https://repositorio.ufjf.br/jspui/handle/ufjf/4801.

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Submitted by Renata Lopes (renatasil82@gmail.com) on 2017-06-01T14:51:47Z No. of bitstreams: 1 mariadeoliveirabarracosta.pdf: 8045156 bytes, checksum: 4f6ed59e9077758a07401e7775d6589e (MD5)<br>Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2017-06-02T15:56:18Z (GMT) No. of bitstreams: 1 mariadeoliveirabarracosta.pdf: 8045156 bytes, checksum: 4f6ed59e9077758a07401e7775d6589e (MD5)<br>Made available in DSpace on 2017-06-02T15:56:18Z (GMT). No. of bitstreams: 1 mariadeoliveirabarracosta.pdf: 8045156 bytes, checksum: 4f6ed59e9077758a07401e7775d6589e (MD5)

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Bareille, Laurent. "Les représentations du « mauvais garçon » dans le cinéma japonais de 1955 à 2000, ou le questionnement à propos de l’évolution de la société japonaise par ce paradigme." Thesis, Lyon 3, 2015. http://www.theses.fr/2015LYO30016/document.

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Depuis la fin de la guerre la société japonaise connaît d’importants changements, le cinéma japonais traitant de son époque est on pourrait dire comme d’autres formes d’expressions artistiques un indicateur des mœurs, des fluctuations de la société, par le regard personnel d’un auteur. Nous verrons dans notre développement dans lequel nous nous arrêterons plus spécialement sur des œuvres « clé » comment par le prisme du personnage du « mauvais garçon », la vision d’un artiste, en l’occurrence un cinéaste prend le plus souvent racine dans une réalité sociale et générationnelle ; et dans le cas

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8

Chasse, Hilary Marie. "Youth in China: An Analysis of Critical Issues Through Documentary Film." Thesis, Boston College, 2012. http://hdl.handle.net/2345/2969.

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Thesis advisor: Christina Klein<br>The cultural face of modern China is constantly changing, whether through economic reforms, political campaigns, or social values. The ultimate inheritors and current carriers of this society in flux is the current post socialist, post 1989 youth generation. This paper examines the cultural changes that are occurring in China through six documentary films made in the 21st century that focus on youth and young adults as the representatives of the issues that the directors explore. In two films, the issue of the Single Child Policy will be examined in terms of

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Viteck, Cristiano Marlon. "Rebeldia em cena: a juventude transviada no cinema hollywoodiano nas décadas de 1950 e 1960." Universidade Estadual do Oeste do Paraná, 2009. http://tede.unioeste.br:8080/tede/handle/tede/1751.

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Made available in DSpace on 2017-07-10T17:55:50Z (GMT). No. of bitstreams: 1 Cristiano_ Marlon_Viteck.pdf: 7663531 bytes, checksum: f19cc9ce99771dabbdaaeb23f860f4d1 (MD5) Previous issue date: 2009-09-03<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>The concept of teenager, which during the first half of the 20th century was being discussed in the United States, received importance since 1950, when it was definitely noticed that the adolescence constituted a huge cultural and social phenomenon on the American society. A noticeable characteristic from that generation was

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Nóbrega, Thais Zonta de. "Imaginários juvenis: cinema, recepção, mediações e consumo cultural." Pontifícia Universidade Católica de São Paulo, 2015. http://tede2.pucsp.br/handle/handle/2521.

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Made available in DSpace on 2016-04-25T20:21:21Z (GMT). No. of bitstreams: 1 Thais Zonta de Nobrega.pdf: 1462541 bytes, checksum: ab7a7ed92d3646c1f9772ccbabf150da (MD5) Previous issue date: 2015-03-18<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>This investigation have as principal object the reflection through filmic narratives and receivers narratives about the imaginary of today's youth, the 2010s, comparing it with readings of other times, for example, the 1960s and the 1980s, that is, comparing different generational moments. The questions that guide the researc

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Rodrigues, Ana Ligia Muniz. "Trajetórias Imaginadas: representações da juventude negra no cinema brasileiro contemporâneo João Pessoa 2014." Universidade Federal da Paraíba, 2014. http://tede.biblioteca.ufpb.br:8080/handle/tede/7327.

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Made available in DSpace on 2015-05-14T13:27:11Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 2067687 bytes, checksum: 5015ebdee2a9f4e76d39762a63c80ec5 (MD5) Previous issue date: 2014-02-20<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>This work analyzes the representations of the black youth on the contemporary Brazilian cinema from the movie Bróder! (Jeferson De, 2010), considering that racial tensions that have marked the Brazilian society can be understood from film representations. Reviewing the 2000 s productions, the context of the movie production as a

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12

Braghini, Sergio Luis. "Juventude, pós-modernidade e declínio da autoridade paterna: visões do cinema contemporâneo." Pontifícia Universidade Católica de São Paulo, 2011. https://tede2.pucsp.br/handle/handle/3295.

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Made available in DSpace on 2016-04-26T14:53:02Z (GMT). No. of bitstreams: 1 Sergio Luis Braghini.pdf: 824240 bytes, checksum: 04043dd37d30a6e55702c3ea65a26063 (MD5) Previous issue date: 2011-05-23<br>Conselho Nacional de Desenvolvimento Científico e Tecnológico<br>The objective of this work is to study the youth, for what it means to pass the family to the social world, and therefore show traces of social change. Our reflections on youth were located in the reading of social scientists, historians, psychoanalysts, and other authors, books, theses and scientific journals in psychology, socia

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Silva, Ed Anderson Mascarenhas. "Meu nome não é Pixote: a presença do jovem transgressor no cinema brasileiro (1980-2010)." Pontifícia Universidade Católica de São Paulo, 2012. http://tede2.pucsp.br/handle/handle/2342.

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Made available in DSpace on 2016-04-25T20:20:46Z (GMT). No. of bitstreams: 1 Ed Anderson Mascarenhas Silva.pdf: 1400194 bytes, checksum: 3c948a9cc1aaad0e71b14578bad49769 (MD5) Previous issue date: 2012-06-19<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>This master's degree dissertation project faces the challenge of developing a critical view on cultural projects in modern life, encompassing productions and cultural practices, more precisely the movies and the imagination of youth in their cultural and historical relevance. Its purpose is to observe the presence of young

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14

Salim, Diego de Morais. "Pegou a guitarra e foi ao cinema: rock e juventude na filmografia de Lael Rodrigues nos anos 1980." reponame:Repositório Institucional da UFF, 2013. https://appdesenv.uff.br/riuff/handle/1/252.

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Submitted by Maria Dulce (mdulce@ndc.uff.br) on 2014-02-19T20:09:07Z No. of bitstreams: 1 Salim, Diego-Dissert-1980.pdf: 2393292 bytes, checksum: 2658a2a5ee3c7f55fc1e8a0ffb8a077a (MD5)<br>Made available in DSpace on 2014-02-19T20:09:07Z (GMT). No. of bitstreams: 1 Salim, Diego-Dissert-1980.pdf: 2393292 bytes, checksum: 2658a2a5ee3c7f55fc1e8a0ffb8a077a (MD5) Previous issue date: 2013<br>A década de 1980 foi um período de transformações e reconfigurações da vida em sociedade, após um longo tempo de cerceamento das liberdades individuais. Os desafios impostos pela nova realidade questionavam os

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15

Merchant, Zain Farook. "A study on the depiction of drug usage, alcohol consumption and cigarette smoking in movies and its perceived effect on a young audience. A comparative study of American and Indian cinema and their respective Audiences." Scholar Commons, 2013. http://scholarcommons.usf.edu/etd/4826.

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This study analyzes the depiction of drug usage, cigarette smoking and alcohol consumption in movies in terms of character stereotyping and typecasting. Because movies are focused on making money they are being used as marketing tools by alcohol and cigarette conglomerates (Grube, 2004). The study also explores youth perception of such content and tries to determine the behavioral implications or influence of such content on young children. The goal of this research is to analyze the social cognitive influence of movies on the youth and the effects of censorship in movies today. The research c

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16

Noronha, Danielle Parfentieff de. "Cinema, memória e ditadura civil-militar: representações sobre as juventudes em O que é isso, Companheiro? e Batismo de sangue." Pós-Graduação em Antropologia, 2013. https://ri.ufs.br/handle/riufs/3207.

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In this work I analyze the representations about youth from the corresponding period of the civil-military dictatorship in Brazil (1964-1985) in the narratives of contemporary Brazilian cinema, from an ethnography of the films O que é isso Companheiro? (Bruno Barreto, 1997) and Batismo de Sangue (Helvécio Ratton, 2007). I introduce the discussion between fiction and reality in cinema, which can create, modify or reinforce the imaginary about who were that youth, and still build imaginative discourses about the nation in the dictatorial period, and thus reformulate the social memory of that per

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17

Bahmad, Jamal. "Casablanca belongs to us : globalisation, everyday life and postcolonial subjectivity in Moroccan cinema since the 1990s." Thesis, University of Stirling, 2014. http://hdl.handle.net/1893/19847.

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This dissertation examines the representations of Casablanca in Moroccan cinema and their articulation of postcolonial subjectivity since the 1990s. To overcome a deep economic recession and simmering social unrest in the early 1980s, Morocco embarked on a comprehensive programme of structural adjustment policies under the aegis of the International Monetary Fund. Market reforms ushered in novel forms of spatial development and social relations in Moroccan cities over the next decades. In the cultural field, a popular cinema emerged in the early 1990s and has projected the complex structures o

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Teles, Paulo Roberto Alves. "As representações de intolerância e de grupos juvenis no século XXI a partir da produção cinematográfica contemporânea." Pós-Graduação em Sociologia, 2013. https://ri.ufs.br/handle/riufs/6261.

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The film productions related to themes that set the present direct ways or more contained intolerance, were commonplace in the scenario of world cinema. So, the research analyzes the representations of intolerance and fascist practices through cultural production in the 21st century. For this paper were chosen Hooligans (Green Street Hooligans - 2005) by Lexis Alexander and This is England (2006) by Shane Meadows as empirical objects. Given this, awakens our attention the frequency of films produced, which possessed as urban tribes related to theme clearly marked by fascist postures, in additi

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19

Ventura, Comas Alejandro. "Juventud y cine: de los jóvenes rebeldes a los jóvenes virtuales." Doctoral thesis, Universitat Pompeu Fabra, 2018. http://hdl.handle.net/10803/543840.

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La juventud no sólo es una categoría sociológica sino también histórica. A mediados del siglo veinte, cuando la sociedad y la cultura se consolidaron como fenómenos de masas, la juventud quedó establecida como un grupo social particular. En los últimos sesenta años, los cambios en las actitudes y conductas típicas de los jóvenes han sido muy marcados. Se ha producido el tránsito desde un conformismo casi automático (en los años 40 y 50 del siglo pasado), a una rebeldía casi natural (en los 60), para volver a las escenas de apatía y desencanto (en los 80), o al cinismo (en los 90), hasta llegar

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20

Kastler, Benoît. "Des âges au cinéma : la culture cinématographique des jeunes spectateurs." Thesis, Lyon, 2017. http://www.theses.fr/2017LYSE3063.

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Ma thèse s’intitule « Des âges au cinéma : la culture cinématographique des jeunes spectateurs ». Elle se consacre à l’étude de la socialisation au septième art sous la perspective privilégiée de l’âge, variable déterminante, sans néanmoins réduire la recherche à une analyse uni-factorielle.Pour mieux comprendre l’action de la variable d’âge, nous la décomposons dans une première partie en traitant de notions connexes essentielles ; l’individu, la mémoire, les interrelations sociales, le temps et le corps. L’âge n’est plus entrevu au singulier : il laisse place à une pluralité d’âges que l’on

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21

Schmidt, Matthew P. "Coming of age in American cinema: Modern youth films as genre." 2002. https://scholarworks.umass.edu/dissertations/AAI3056276.

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An examination of fictional feature films produced in the United States between the mid-1950s to the end of the 1990s. The author argues that youth films comprise a genre of late twentieth-century American cinema, and that they reconstitute significant narrative and thematic characteristics of the novelistic Bildungsroman and its modern literary variants, the childhood initiation tale and the coming-of-age or the rites-of-passage story. The genre of modern youth films includes not only teen entertainments but also social problem films and more personal, quasi-autobiographical works by modern d

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Shary, Timothy Matthew. "Generation multiplex: The image of youth in American cinema, 1981-1996." 1998. https://scholarworks.umass.edu/dissertations/AAI9841922.

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An examination of the representation of young characters (aged 12 to 20) in fictional feature films made in the United States between 1981 and 1996. The author argues that youth films constitute a legitimate genre of cinema study, and that five subgenres of the youth genre have been prominent during the 1980s and 1990s: school, delinquency, horror, science, and love/sex films. These subgenres, through their various codes and motifs, engender particular images of youth over time and under certain circumstances, yielding a complex structure of teenage identities and styles. The character types w

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23

Benson, Michon Anita. "From the Ride'n'Tie to Ryde-or-Die: A pedagogy of survival in Black youth popular cultural forms." Thesis, 2008. http://hdl.handle.net/1911/22263.

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This dissertation investigates key similarities between l9th-century slave accounts and what I call "hip-hop captivity narratives." As a corrective to the negative attention accorded hip-hop, in general, my project identifies particular aspects of slave authors' literary strategies that urban hip-hop artists reinvent in their own music and filmmaking works. My primary goal is to position hip-hop texts as the most recent arrivals in a long-standing African American tradition of instructional, survivalist literature. Such a goal closes two gulfs: one, between "the literary academy" and "the stre

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24

Cain, Bailey Knickerbocker. "The new curators : bloggers, fans and classic cinema on Tumblr." Thesis, 2014. http://hdl.handle.net/2152/26536.

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This study examines the role of social media in maintaining interest in classic cinema in today’s media culture. Ethnographic analyses and case studies were performed within a robust classic cinema fan network on the social media blogging site Tumblr. The practices of these bloggers and their online platform are framed against the traditional structure of the curator and museum, indicating that they serve many of the cultural functions attributed to these institutions. This study further demonstrates that these Tumblr networks serve as a resource for young people to discover, share, and create

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Tremblay, Olivier. "La jeunesse comme enjeu politique au cinéma états-unien contemporain : pour une polis audiovisuelle." Thèse, 2015. http://hdl.handle.net/1866/13498.

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Cette recherche s’intéresse aux propriétés politiques du médium audiovisuel, et plus spécifiquement de la pratique cinématographique, devant un problème concret : la marginalisation de la jeunesse dans la société américaine contemporaine, symptomatique d’une perte d’espoir en l’avenir. Guidé par la théorie politique de Hannah Arendt, l’argumentaire consiste d’abord en deux analyses filmiques : une première de Kids (1995), réalisé par Larry Clark, porte sur l’invisibilité sociale de la jeunesse et la faculté du médium audiovisuel à confronter le spectateur. La seconde se penche sur le pouvoir s

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Liu, Chin-I., and 劉駿逸. "On Taiwan New Cinema as The Anti-colonization/Pro-canonization Dilemma: Aspects of Youth Generation, Film Festivals, and Long Take." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/81036421311066153488.

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碩士<br>國立交通大學<br>傳播研究所<br>102<br>Taiwan New Cinema occupies an important cultural and historical status, which also fascinates the Western since 1986 when discovered by international film critics, festival directors, and film historians. Both film scholars at home and abroad tend to believe that Taiwan New Cinema associates with Taiwan’s democratization process by analyzing various aspects of politic, economy, and aesthetic of Taiwan New Cinema which represents the resistance to Hollywood movies and the struggling againt Kuomintang’s Chinese colonial attempts. However, regardless of specific h

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Cunha, Raquel Pacheco Mello. "Cinema e Educação. Estudos de caso no Brasil e em Portugal." Doctoral thesis, 2016. http://hdl.handle.net/10362/18469.

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O interesse político da EU pela literacia cinematográfica, a nova Lei do Cinema e Audiovisual e a criação do plano Nacional de Cinema (PNC) em Portugal, a nova Lei Cristovam Buarque de Cinema no Brasil juntamente com nossa experiencia no campo, contribuíram para identificarmos a necessidade de que fosse desenvolvida uma investigação mais profunda na área da literacia mediática, com o foco voltado para o campo do cinema e educação. Ao longo deste trabalho pesquisamos o campo do cinema e educação, levando em consideração as realidades de Brasil e Portugal, num esforço de sistematização, clarifi

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Natálio, Carlos Eduardo Ribeiro Mendes. "A persistência do cinemático a partir da noção de Phármakon." Doctoral thesis, 2019. http://hdl.handle.net/10362/116361.

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Num contexto de fusão e dispersão das lógicas de funcionamento do cinema por todo um conjunto de dispositivos, realidades técnicas e diversos gestos de criação e manipulação, procuramos abordar a persistência do cinemático a partir da ambiguidade fundamental presente no quase-conceito de phármakon, trabalhado a partir de Platão e Jacques Derrida. Para uma melhor compreensão da natureza da ambiguidade de um phármakon cinemático, lançámos igualmente mão de alguns pontos fundamentais do trabalho sobre os objetos técnicos e o movimento de individuação de Gilbert Simondon. Numa segunda parte, e ten

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Harper, Rowena. "Frontier mythology in the American teen film." 2009. http://hdl.handle.net/2440/56952.

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This thesis examines representations of youth in the American “teen film”. As a critical category, the teen film is still developing, but it has been defined by a number of critics as being—ostensibly—about and for youth.¹ This thesis engages with teen film literature to test the meaning of these terms. As a genre that is precariously positioned between parent culture and youth audiences, teen film’s narratives are always negotiated and the degree to which it is about and for youth is debatable. I argue that rather than being about and for youth in simple terms, the teen film deploys narrative

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Nelson, Elissa Helen. "Teen films of the 1980s : genre, new Hollywood, and generation X." Thesis, 2011. http://hdl.handle.net/2152/ETD-UT-2011-05-2692.

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Teen films from the 1980s are a part of the zeitgeist, but there is very little we actually understand about how they can be qualified and defined, and about the phenomenon of their prolific production, box office success, and cultural relevance. Gaining greater insights about these issues is essential for recognizing the significance of a specific group of films and the ways they address concerns of how teens come of age, but is also important for learning about the films’ historical and industrial contexts of production. Asking the questions why these kinds of films, why at this time, and

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Cadete, Andreia Vilas Boas. "Projeto “Até…”: o empreendedorismo cultural jovem e a aprendizagem em contexto académico." Master's thesis, 2014. http://hdl.handle.net/10071/9028.

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Trabalho de projeto<br>Atualmente, verifica-se uma tendência para incitar o empreendedorismo cultural jovem e a criatividade, por serem considerados potenciais catalisadores do desenvolvimento socio-económico. No entanto, é necessário clarificar tais conceitos e suportar esta afirmação em diagnósticos prospetivos e estudos de casos ou comparativos. Nesse sentido, este trabalho pretendeu contribuir para o debate académico sobre a produção cultural jovem, em especial na indústria cinematográfica Portuguesa (atualmente caracterizada por projetos indie, i.e. alternativos, e com potencial de serem

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