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Books on the topic 'Yolngu people'

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Author: Grafiati

Published: 10 December 2022

Last updated: 28 January 2023

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1

Milkayngu, Mununggurr, ed. Yolngu mali: Aboriginal spirit. Ringwood, Vic., Australia: Viking, 2001.

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2

1917-1994, Burrumarra David, ed. The whale and the cross: Conversation with David Burrumarra MBE. Darwin: Historical Society of the Northern Territory, 1994.

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3

Cooke, Michael. Seeing Yolngu, seeing mathematics. Batchelor, N.T: Batchelor College, 1991.

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4

Williams, Nancy M. The Yolngu and their land: A system of land tenure and the fight for its recognition. Canberra: Australian Institute of Aboriginal Studies, 1986.

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5

Williams, Nancy M. The Yolngu and their land: A system of land tenure and the fight for its recognition. Stanford, Calif: Stanford University Press, 1986.

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6

Hillert, Margaret. At the beach: For the earliest reader. Boulder, CO: Starfall, 2006.

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7

The universe of the Warramirri: Art, medicine, and religion in Arnhem Land. Kensington, NSW, Australia: New South Wales University Press, 1993.

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8

Marika, Wandjuk. Wandjuk Marika: Life story. St. Lucia, Qld., Australia: University of Queensland Press, 1995.

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9

Dewar, Mickey. The " Black War" in Arnhem Land: Missionaries and the Yolngu 1908-1940. Darwin: Australian National University, North Australia Research Unit, 1992.

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10

Why warriors lie down & die: Towards an understanding of why the Aboriginal people of Arnhem Land face the greatest crisis in health and education since European contact : djambatj mala. Darwin, NT: Aboriginal Resource & Development Services Inc, 2000.

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11

The natural world of the "Yoln̳u" the Aboriginal people of North East Arnhem Land. [O'Connor, A.C.T.]: Restoration House, 1999.

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12

McIntosh, Ian. Aboriginal reconciliation and the Dreaming: Warramiri Yolngu and the quest for equality. Boston: Allyn and Bacon, 2000.

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13

Knowledge and secrecy in an aboriginal religion. Oxford: Clarendon Press, 1994.

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14

Why warriors lie down & die: Towards an understanding of why the Aboriginal people of Arnhem Land face the greatest crisis in health and education since European contact : djambatj mala. Nhulumbuy, Northern Territory: Why Warriors Pty Ltd., 2013.

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15

Schebeck, Bernhard. Dialect and social groupings in Northeast Arnheim [i.e. Arnhem] Land. Muenchen: LINCOM Europa, 2001.

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16

Watson, Helen. Singing the land, signing the land: A portfolio of exhibits. Geelong, Vic: Deakin University, 1989.

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17

Man of all seasons. North Ryde, NSW, Australia: Angus & Robertson Publishers, 1989.

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18

McMillan, Andrew. An intruder's guide to East Arnhem Land. Nightcliff, N.T: Niblock Pub., 2007.

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19

Art Gallery of New South Wales, Queensland Art Gallery, and Gallery of Modern Art (Brisbane, Qld.), eds. Yirrkala drawings. Sydney: Art Gallery of NSW in association with Buku-Larrnggay Mulka and the University of Western Australia, 2013.

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20

Clarke, Bernard A. Larrpan ga buduyurr: The spear and the cloud. Tranmere, S. Aust: BA Clarke, 2010.

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21

Cawte, John. Healers of Arnhem Land. Sydney: UNSW Press, 1996.

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22

group), Yothu Yindi (Musical. Freedom. Burbank, CA: Mushroom International, 1994.

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23

Egan, Ted. Justice all their own: The Caledon Bay and Woodah Island killings, 1932-1933. Carlton South, Vic., Australia: Melbourne University Press, 1996.

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24

Ancestral connections: Art and an aboriginal system of knowledge. Chicago: University of Chicago Press, 1991.

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25

1937-, Lee Richard B., and Daly Richard Heywood 1942-, eds. The Cambridge encyclopedia of hunters and gatherers. Cambridge, U.K: Cambridge University Press, 1999.

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26

Defending whose country?: Indigenous soldiers in the Pacific war. Lincoln: University of Nebraska Press, 2012.

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27

Judith, Ryan, ed. Spirit in land: Bark paintings from Arnhem Land in the National Gallery of Victoria. [Melbourne, Vic.]: The Gallery, 1990.

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28

İpek Yolu Uluslararası Halk Edebiyatı Sempozyumu (1993 Ankara, Turkey). İpek Yolu Uluslararası Halk Edebiyatı Sempozyumu bildirileri: 1-7 Temmuz 1993, Ankara. Ankara: T.C. Kültür Bakanlığı, 1995.

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29

Magowan, Fiona. Mission Music as a Mode of Intercultural Transmission, Charisma, and Memory in Northern Australia. Edited by Jonathan Dueck and Suzel Ana Reily. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199859993.013.001.

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This article, focuses on the durability of Methodist “mission music” among the Yolngu, an Australian Indigenous people, and addresses questions of musical transfer between missionaries and Yolngu over fifty years that have shaped their Christian music politics. “Mission music” is marked as a genre by its association with the early missionaries among the Yolngu, their processes of teaching and transmission and its articulation with some aspects of Yolngu ritual performance practices. Today, mission music is performed together with an array of contemporary Christian musics reflecting its ongoing importance as a local, transnational and international currency. Magowan shows how hymnody has persisted for Yolngu as a musical mode of remembering and celebrating the past, illustrated first in early dialogic approaches to music teaching and choral training, and later recaptured in choral performances for the 50th anniversary festival of a Yolngu mission. She argues that “mission music,” in spite of its introduced, non-local origins, has become an experiential, rhythmical and textual sign of the “local” as it is adopted and used by the Yolngu. Choral singing is shown to be a means of embodying mission memories and facilitating local charismatic leadership, in turn, transforming Yolngu-missionary relationships over time. Ongoing work with missionary evangelists and frequent travel to foreign mission fields have also created new arenas for intercultural dialogue, leading to increasing complexity in Yolngu relationships embodied in Christian performance.

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30

Keen, Ian. Knowledge and Secrecy in an Aboriginal Religion. Oxford University Press Australia & New Zealand, 1998.

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31

Songman. Viking Children's Books, 1995.

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32

Morphy, Howard. Ancestral Connections: Art and an Aboriginal System of Knowledge. University Of Chicago Press, 1992.

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33

Morphy, Howard. Ancestral Connections: Art and an Aboriginal System of Knowledge. University Of Chicago Press, 1992.

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34

Lloyd, Kate, Sarah Wright, Laklak Burarrwanga, Ritjilili Ganambarr, and Sandie Suchet-Pearson. Welcome to My Country. Allen & Unwin, 2013.

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35

(Editor), Hetti Perkins, Margie West (Editor), and Theresa Willsteed (Editor), eds. One Sun One Moon: Aboriginal Art in Australia. Art Gallery of New South Wales, 2007.

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36

Conway, Rebecca, ed. Djalkiri. Sydney University Press, 2021. http://dx.doi.org/10.30722/sup.9781743327272.

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Djalkiri are “footprints" – ancestral imprints on the landscape that provide the Yolŋu people of eastern Arnhem Land with their philosophical foundations. This book describes how Yolŋu artists and communities keep these foundations strong, and how they have worked with museums to develop a collaborative, community-led approach to the collection and display of their artwork. It includes contributions from Yolŋu elders and artists as well as Indigenous and non-Indigenous historians and curators. Together they explore how the relationship between communities and museums has changed over time. From the early 20th century, anthropologists and other collectors acquired artworks and objects and took photographs in Arnhem Land that became part of collections at the University of Sydney. Later generations of Yolŋu have sought out these materials and, with museum curators, proposed a new type of relationship, based on a deeper respect for Yolŋu intellectual frameworks and a commitment to their central role in curation. This book tells some of their stories.

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37

Shimmering Screens: Making Media in an Aboriginal Community (Visible Evidence). Univ Of Minnesota Press, 2006.

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38

Deger, Jennifer. Shimmering Screens: Making Media in an Aboriginal Community (Visible Evidence). Univ Of Minnesota Press, 2006.

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39

Ryan, Judith. Spirit in Land: Bark Paintings from Arnhem Land. National Gallery of Victoria, 2002.

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40

Ipek Yolu Uluslararasi Halk Edebiyati Sempozyumu bildirileri: 1-7 Temmuz 1993, Ankara (Seminer kongre bildiri dizisi). T.C. Kultur Bakanligi, 1995.

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