Academic literature on the topic 'Yōki (1947)'

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Books on the topic "Yōki (1947)"

1

1932-, Itō Takashi, ed. Yōgi, taiho, jinmon. 8th ed. Tōkyō: Chūō Kōron Shinsha, 2008.

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Ikegami, Tsukasa. Shinjuwan: Junigatsu Yōka no shūsen. 8th ed. Tōkyō: Kadokawa Shoten, 2002.

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Kōda, Yōji. Kōda Yōji ten: Koda Yoji exhibition 1987. Ōme-shi: Ōme Shiritsu Bijutsukan, 1987.

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Kawabata, Kazuko. Taiga no nagare no yōni: Chūgoku Jinmin Kaihōgun to tomo ni ayunda seishun. Tōkyo: Kōyō Shuppansha, 1999.

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5

Watkins, Yoko Kawashima. Takebayashi haruka tōku: Nihonjin shōjo Yōko no sensō taikenki. Tōkyō: Hāto Shuppan, 2013.

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Nihon Shakaitō (1945- ). Chūō Hombu. Soshiki kaikaku no gutaiteki kōsō, un ei yōkō, Nihon Shakaitō no kiyaku. Tōkyō: Nihon Shakaitō Chūō Hombu Soshikikyoku, 1988.

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Book chapters on the topic "Yōki (1947)"

1

Coates, Jennifer. "Women in the Public Sphere." In Making Icons. Hong Kong University Press, 2017. http://dx.doi.org/10.5790/hongkong/9789888208999.003.0006.

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Chapter 5 analyses positive motifs related to hope and healing in the characterization of nurse and schoolteacher roles. This positive affect contrasts with the threatening representation of young women in the public sphere embodied by the ‘modern girl,’ or moga character. The second part of this chapter contextualizes this post-war character in relation to the pre-war moga, making a case for the post-war gangsters molls played by Mihara Yōko as a post-war equivalent. Case studies include One Wonderful Sunday (Subarashiki nichiyōbi, Kurosawa Akira, 1947), Drunken Angel (Yoidore tenshi, Kurosawa Akira, 1948), Twenty Four Eyes (Nijushi no hitomi, Kinoshita Keisuke, 1954), and the Line series (Ishii Teruo, 1958-1961).
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"Burakumin Protest: The Incident at Yōka High School." In Education and Schooling in Japan since 1945, 217–32. Routledge, 2014. http://dx.doi.org/10.4324/9781315052038-17.

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