Journal articles on the topic 'Yiddish Literary and Dramatic Society'
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Reiser, Daniel. "The Sanctification of Yiddish among Hasidim." AJS Review 44, no. 1 (January 31, 2020): 163–81. http://dx.doi.org/10.1017/s036400941900093x.
Full textLederhendler, Eli. "Against the Tide: The American Hebrew Yearbook, 1930–1949." AJS Review 17, no. 1 (1992): 51–82. http://dx.doi.org/10.1017/s0364009400011958.
Full textYeghiazarian, Torange. "Dramatic Defiance in Tehran." TDR/The Drama Review 56, no. 1 (March 2012): 77–92. http://dx.doi.org/10.1162/dram_a_00144.
Full textAbramson, Glenda. "Israeli Drama and the Bible: Kings on the Stage." AJS Review 28, no. 1 (April 2004): 63–82. http://dx.doi.org/10.1017/s0364009404000054.
Full textSaad Mansour, Dalia. "Antigone's Law: A Contemporary Dramatic Egyptian Version." British Journal of Translation, Linguistics and Literature 3, no. 1 (February 20, 2023): 50–51. http://dx.doi.org/10.54848/bjtll.v3i1.53.
Full textTang, Ziqing. "The Thematic Interpretation of Robert Brownings Renaissance Dramatic Monologue." Communications in Humanities Research 19, no. 1 (December 7, 2023): 141–47. http://dx.doi.org/10.54254/2753-7064/19/20231219.
Full textHurrell, Janet. "THE COLLECTIVE ADMINISTRATION OF LITERARY AND DRAMATIC RIGHTS — AUTHORS' LICENSING AND COLLECTING SOCIETY (ALCS)." Library Management 9, no. 3 (March 1988): 22–24. http://dx.doi.org/10.1108/eb054907.
Full textMenke, Timm, and Carol Anne Costabile-Heming. "Intertextual Exile. Volker. Braun's Dramatic Re-Vision of GDR Society." German Quarterly 72, no. 2 (1999): 208. http://dx.doi.org/10.2307/408393.
Full textSenthil Kumar.S and Puthiyarasu.P. "Women in the Drama of Girish Karnad With Reference Yayati & Hayavadana." INTERNATIONAL JOURNAL OF SCIENCE TECHNOLOGY AND HUMANITIES 2, no. 2 (October 30, 2015): 55–58. http://dx.doi.org/10.26524/ijsth55.
Full textKellman, Steven. "Multilingual Literature of the United States." Polylinguality and Transcultural Practices 19, no. 1 (March 16, 2022): 19–27. http://dx.doi.org/10.22363/2618-897x-2022-19-1-19-27.
Full textOdoh, Onyeka, Chinasa Abonyi, and Thomas-Michael Emeka Chukwumezie. "Rainmaking in Igbo Communities as a Preliterary Category of Possible Dramatic Forms." Research in African Literatures 54, no. 1 (March 2023): 126–37. http://dx.doi.org/10.2979/ral.2023.a915643.
Full textEliasberg, Galina. "The Russian-Jewish New York, the Balfour Declaration and the Revolution in Russia in Leon Kobrin's Play Back to Your People!" Judaic-Slavic Journal, no. 1 (2018): 25–43. http://dx.doi.org/10.31168/2658-3364.2018.1.2.2.
Full textRibak, Gil. "“The Jew Usually Left Those Crimes to Esau”: The Jewish Responses to Accusations about Jewish Criminality in New York, 1908–1913." AJS Review 38, no. 1 (April 2014): 1–28. http://dx.doi.org/10.1017/s0364009414000014.
Full textHoltzman, Avner. "Vilna as a Centre of Hebrew Literature: The Journal Hazman." Colloquia 48 (December 30, 2021): 211–26. http://dx.doi.org/10.51554/coll.21.48.13.
Full textMallon, Clara. "(Post)Dramatic Strategies: Performing Difference in Pat Kinevane’s Solo Theatre." Irish University Review 51, no. 2 (November 2021): 329–42. http://dx.doi.org/10.3366/iur.2021.0522.
Full textMehla, Anjila Singh. "The Self in Society: Exploring Cultural Embeddedness in Gloria Naylor’s Fiction." IRA-International Journal of Management & Social Sciences (ISSN 2455-2267) 7, no. 2 (June 10, 2017): 329. http://dx.doi.org/10.21013/jmss.v7.n2.p24.
Full textMartens, Britta. "Dramatic Monologue, Detective Fiction, and the Search for Meaning." Nineteenth-Century Literature 66, no. 2 (September 1, 2011): 195–218. http://dx.doi.org/10.1525/ncl.2011.66.2.195.
Full textBozedean, Corina. "Pleading for a History of Romanian Translation. The Dramatic Text." Acta Marisiensis. Philologia 2, no. 1 (September 1, 2020): 1–5. http://dx.doi.org/10.2478/amph-2022-0022.
Full textHamadi, Lutfi. "The Main Dramatic Features of Melodrama: A Dramatic Study of Maria Martin and Sweeney Todd And Their Traces In Modern Soap Operas." European Scientific Journal, ESJ 13, no. 26 (September 30, 2017): 122. http://dx.doi.org/10.19044/esj.2017.v13n26p122.
Full textSolomon, Diana. "Sancho Panza in Eighteenth-Century English Theater: Disrupting the Path of the English Knight-Errant." Eighteenth-Century Life 46, no. 3 (September 1, 2022): 123–43. http://dx.doi.org/10.1215/00982601-9955364.
Full textGómez, Miguel. "Del drama a la poesía y viceversa. La piedra oscura de Alberto Conejero como muestra de transmisión generacional de valores humanos." Acotaciones. Revista de Investigación y Creación Teatral 1, no. 50 (June 28, 2023): 239–60. http://dx.doi.org/10.32621/acotaciones.2023.50.08.
Full textRebihić, Nehrudin. "Poetry and Dramatic Work of Alija Nametak." Društvene i humanističke studije (Online) 8, no. 2(23) (December 30, 2022): 241–58. http://dx.doi.org/10.51558/2490-3647.2023.8.2.241.
Full textSanders, Norman, Richard A. Levin, William C. Carroll, J. A. Bryant, and Robert Ornstein. "Love and Society in Shakespearean Comedy: A Study of Dramatic Form and Content." Shakespeare Quarterly 39, no. 1 (1988): 98. http://dx.doi.org/10.2307/2870593.
Full textDiaz, Noelia. "Gendered Violence and Neoliberal Desaparecidos in Luis Cano’s Socavón." Modern Drama 64, no. 4 (December 1, 2021): 458–77. http://dx.doi.org/10.3138/md.64-4-1104.
Full textWilkins, John. "The Young of Athens: Religion and Society inHerakleidaiof Euripides." Classical Quarterly 40, no. 2 (December 1990): 329–39. http://dx.doi.org/10.1017/s0009838800042919.
Full textBaumgarten, Jean. "Ahuva Belkin. The Purimshpil, Studies in Jewish Folk Theater. Jerusalem: Bialik Institute, 2002. 287 pp. (Hebrew)." AJS Review 29, no. 2 (November 2005): 404–5. http://dx.doi.org/10.1017/s0364009405430172.
Full textAlexander, Catherine, and Catherine Alexander. "Shakespeare and War: a reflection on instances of dramatic production, appropriation, and celebration." Exchanges: The Interdisciplinary Research Journal 1, no. 2 (March 30, 2014): 279–96. http://dx.doi.org/10.31273/eirj.v1i2.93.
Full textShteinbuk, Feliks, and Yulia Gordiienko. "Homoeroticism vs Homoaesthetics in the Literary Works of Oles Ulianenko." Przestrzenie Teorii, no. 39 (January 5, 2024): 221–39. http://dx.doi.org/10.14746/pt.2023.39.11.
Full textTOMA, Florin. "THE CONVENTIONAL APPROACH OF DRAMATIC SITUATIONS TO THE DISADVANTAGE OF THE ORGANIC APPROACH FROM A HUMAN PERSPECTIVE." International Multidisciplinary Scientific Conference on the Dialogue between Sciences & Arts, Religion & Education 4, no. 1 (December 7, 2020): 123–28. http://dx.doi.org/10.26520/mcdsare.2020.4.123-128.
Full textAnderson, Timothy. "There’s Something about Murray: Victorian Literary Societies and Alfred Forman’s Translation of Richard Wagner’s Der Ring des Nibelungen." Modern Language Quarterly 82, no. 3 (September 1, 2021): 281–313. http://dx.doi.org/10.1215/00267929-9090280.
Full textProśniak, Anna. "“Sardoodledom” on the English Stage: T. W. Robertson and the Assimilation of Well-Made Play into the English Theatre." Text Matters, no. 10 (November 24, 2020): 446–59. http://dx.doi.org/10.18778/2083-2931.10.25.
Full textToxambayeva, Aiman, Aivar Kadyrov, and Talgat Kabyshev. "THE IMAGE OF KHANS, SULTANS AND HEROES IN THE DRAMATIC WORKS OF RAHIMZHAN OTARBAYEV." Bulletin of the Eurasian Humanities Institute, Philology Series, no. 3 (September 30, 2023): 242–59. http://dx.doi.org/10.55808/1999-4214.2023-3.17.
Full textZHIYENBAYEV, Yerlan, and Shakhida JUMABAYEVA. "Literary Analysis of Sharof Boshbekov’s Comedy «The Iron Woman»." Turkology 3, no. 107 (October 20, 2021): 44–56. http://dx.doi.org/10.47526/turkology.v3i107.726.
Full textStruk, Ivanna Mykhaylivna. "Paremias as Means of Implementation of the Category of Intertextuality in the Dramatic Text of Bukovyna Writers." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu. Serìâ: Fìlologìâ 14, no. 24 (2021): 149–57. http://dx.doi.org/10.34079/2226-3055-2021-14-24-149-157.
Full textZHIYENBAYEV, Yerlan, and Shakhida JUMABAYEVA. "Literary Analysis of Sharof Boshbekov‟s Comedy «The Iron Woman»." Turkology 107, no. 3 (September 30, 2021): 44–56. http://dx.doi.org/10.47526/turkology.v3i107.728.
Full textÖzcan, Duygu Beste Başer. "Shattering Normalcy: Disability and Queerness in Tennessee Williams’s One Arm." Modern Drama 66, no. 1 (March 1, 2023): 48–70. http://dx.doi.org/10.3138/md-66-1-1251.
Full textAbassilov, А. "SOCIOLINGUISTIC CONCEPTS OF K.MUKHAMEDZHANOV." BULLETIN Series of Philological Sciences 74, no. 4 (December 9, 2020): 11–15. http://dx.doi.org/10.51889/2020-4.1728-7804.01.
Full textCAULFIELD, MARY P. "Inseparable and No Longer Subsequent: The Relocation and Representation of Women in Irish Theatre Practices." Theatre Research International 36, no. 3 (August 30, 2011): 276–77. http://dx.doi.org/10.1017/s0307883311000514.
Full textSliti, Adel. "Carol Ann Duffy's ‘Standing Female Nude’." Critical Survey 35, no. 3 (September 1, 2023): 1–16. http://dx.doi.org/10.3167/cs.2023.350301.
Full textBalan, Mihaela-Georgiana. "Dostoevskian Literary Poliphony as Lyrical-Theatrical Hypostasis of Sergey Prokofiev’s Opera The Gambler." Artes. Journal of Musicology 21, no. 1 (March 1, 2020): 19–35. http://dx.doi.org/10.2478/ajm-2020-0002.
Full textDavidko, Natalya. "Violence in the History of England's Christianity: A Study on the Basis of Religious and Literary Discourse." Athens Journal of History 10, no. 3 (May 7, 2024): 213–50. http://dx.doi.org/10.30958/ajhis.10-3-3.
Full textPopovic Karic, Pol. "Los embaucadores enredados en Pedro Páramo." Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 43, no. 2 (September 17, 2008): 273–85. http://dx.doi.org/10.1075/rro.43.2.08kar.
Full textBerry, Ralph. "Love and Society in Shakespearean Comedy: A Study of Dramatic Form and Content. Richard A. Levin." Modern Philology 84, no. 4 (May 1987): 426–29. http://dx.doi.org/10.1086/391579.
Full textNorets, Maxim V., and Olga B. Elkan. "Artistic means of representation of sociocultural issues in the works of Thomas Bernhard." Philological Sciences. Scientific Essays of Higher Education 1, no. 6 (November 2021): 121–26. http://dx.doi.org/10.20339/phs.6-21.121.
Full textUrtiaga, Rosa. "9/11 and the Power of the Network Society in Alejandro González Iñárritu’s Babel." Miscelánea: A Journal of English and American Studies 50 (December 19, 2014): 99–114. http://dx.doi.org/10.26754/ojs_misc/mj.20148783.
Full textBheacháin, Caoilfhionn Ní. "‘It was then I knew life’: Political Critique and Moral Debate in Teresa Deevy's Temporal Powers (1932)." Irish University Review 50, no. 2 (November 2020): 337–55. http://dx.doi.org/10.3366/iur.2020.0474.
Full textIroh, Emmanuel O. "Adaptation of drama to storytelling for classroom teaching: the modern training institute, Uyo experiment." UJAH: Unizik Journal of Arts and Humanities 23, no. 1 (August 31, 2022): 263–86. http://dx.doi.org/10.4314/ujah.v23i1.10.
Full textFulkerson, Laurel. "Staging a Mutiny: Competitive Roleplaying on the Rhine (Annals 1.31-51)." Ramus 35, no. 2 (2006): 169–92. http://dx.doi.org/10.1017/s0048671x00000862.
Full textZdunkiewicz, Lech. "Three Layers of Metaphors in Ross Macdonald’s "Black Money"." Text Matters, no. 9 (December 30, 2019): 259–70. http://dx.doi.org/10.18778/2083-2931.09.16.
Full textHatley, Barbara. "Contemporary Indonesian Theatre in the Regions: Stage Idiom and Social Referentiality." Theatre Research International 19, no. 1 (1994): 17–28. http://dx.doi.org/10.1017/s0307883300018782.
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