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Books on the topic 'Xenophon Hellenica'

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Author: Grafiati

Published: 10 December 2022

Last updated: 29 January 2023

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1

Xenophon. The Hellenica (Greek history) of Xenophon of Athens. Lewiston, N.Y: Edwin Mellen Press, 2006.

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2

The failings of empire: A reading of Xenophon Hellenica 2.3.11-7.5.27. Stuttgart: F. Steiner, 1993.

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3

Xenophon and the history of his times. London: Routledge, 1995.

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4

The character of Xenophon's Hellenica. London: Duckworth, 1989.

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5

Gray, Vivienne. The character of Xenophon's Hellenica. Baltimore: The Johns Hopkins' University Press, 1989.

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6

John, Marincola, and Strassler Robert B. 1937-, eds. The Landmark Xenophon's Hellenika: A new translation. New York: Pantheon Books, 2009.

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7

Unzeitgemässe Feldherren: Der Hipparch als Prototyp des erfolgreichen Feldherrn in Xenophons Hellenika. Gutenberg: Computus Druck Satz & Verlag, 2011.

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8

Buijs, Michel. Clause combining in ancient Greek narrative discourse: The distribution of subclauses and participial clauses in Xenophon's Hellenica & Anabasis. [Leiden: M. Buijs, 2003.

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9

Xenophon. Hellenica: Hellenica. BiblioBazaar, 2007.

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10

Xenophon and Charles E. Bennett. Xenophon Hellenica, Books 5-7. Kessinger Publishing, LLC, 2009.

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11

Xenophon. Hellenica. IndyPublish.com, 2002.

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12

Xenophon. Hellenica. Kessinger Publishing, 2004.

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13

Xenophon. Hellenica. Hard Press, 2006.

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14

Xenophon. Hellenica. IndyPublish.com, 2002.

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15

Krentz, Peter. Xenophon: Hellenica I-Ii.3.10 (Classical Texts). Aris & Phillips, 1990.

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16

Xenophon. Hellenica (Large Print Edition): Hellenica (Large Print Edition). BiblioBazaar, 2007.

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17

Hellenica (Large Print). www.ReadHowYouWant.com, 2006.

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18

Xenophon. Hellenica (Dodo Press). Dodo Press, 2007.

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19

Underhill, George Edward. Commentary with Introduction and Appendix on the Hellenica of Xenophon. Creative Media Partners, LLC, 2018.

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20

Underhill, George Edward. Commentary with Introduction and Appendix on the Hellenica of Xenophon. Creative Media Partners, LLC, 2018.

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21

Underhill, George Edward. A Commentary with Introduction and Appendix on the Hellenica of Xenophon. Franklin Classics Trade Press, 2018.

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22

A Commentary with Introduction and Appendix on the Hellenica of Xenophon. Franklin Classics, 2018.

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23

Ludwig, Paul. Xenophon as a Socratic Reader of Thucydides. Edited by Sara Forsdyke, Edith Foster, and Ryan Balot. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199340385.013.38.

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Xenophon’s “continuation” of Thucydides’ history opens up a perspective on realism as it is found in the speeches and deeds of Thucydides’ Athenians. The Hellenica and, to a lesser extent, the Anabasis enter into a dialogue with Thucydides about realism and the problematic way in which its theory has an impact on practice. Xenophon’s morality contains surprisingly realistic elements, and his peculiar combination of ethics and politics highlights Thucydides’ own intense interest in the morality and piety of his characters as they struggle with the claims of natural necessity. Moral agency is shown to depend on morale. The perception of necessity sometimes destroys, sometimes raises morale.

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24

Dillery, John. Xenophon and the History of His Times. Taylor & Francis Group, 2002.

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25

Dillery, John. Xenophon and the History of His Times. Taylor & Francis Group, 2002.

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26

Dillery, John. Xenophon and the History of His Times. Taylor & Francis Group, 1995.

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27

Atack, Carol. “Cyrus appeared both great and good”. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190649890.003.0005.

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In this chapter, Atack argues that Xenophon’s depiction of the performance of kingship by Cyrus (Cyropaedia), Agesilaus (Hellenica, Agesilaus), and other kings contains an evaluative model that explores alternative techniques a ruler can use to persuade others to be ruled. By deploying frameworks of performativity and spectacle derived from Judith Butler and Guy Debord respectively, this chapter analyses these narratives of kingship and connects them to other Greek political and ethical concerns about the role of the outstanding individual within society, linking Xenophon more closely to both Plato and Aristotle as a political and ethical theorist. Yet Xenophon’s orientation toward performativity also pulls him in the direction of analysts of status and structure. In its performative aspects Xenophon’s kingship begins to look like gender, equally established through performance and with a troubled relationship to essence.

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28

Gray, Vivienne. Thucydides and His Continuators. Edited by Sara Forsdyke, Edith Foster, and Ryan Balot. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199340385.013.41.

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This chapter discusses the ways in which later historians completed the unfinished history of Thucydides. Cratippus (the author of the Hellenica Oxyrhynchia), Xenophon and Theopompus all wrote completions of Thucydides. They also attached continuations to their completions, going well beyond the endpoint Thucydides envisaged at 5.26. This chapter mentions the continuations only where relevant, however, choosing instead to focus on the completions because they are our first receptions of Thucydides. It considers the ways in which they did or did not imitate their great predecessor and how in other ways they might have engaged with his narrative. Xenophon’s completion is the main focus because it is the only one that is fully extant.

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29

Clause Combining in Ancient Greek Narrative Disourse: The Distribution of Subclauses and Participial Clauses in Xenophon's Hellenica and Anabasis (Mnemosyne, ... Bibliotheca Classica Batava Supplementum). Brill Academic Publishers, 2005.

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30

Krentz, Peter. Xenophon: Hellenika II.3.11 - IV.2.8. Liverpool University Press, 1995. http://dx.doi.org/10.3828/liverpool/9780856686429.001.0001.

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The second part of the Hellenika, covering the decade after the end of the Peloponnesian War, is Xenophon at his best. It unfolds in a series of discrete, often dramatic, episodes: The Thirty at Athens, the campaigns of Thibron and Derkylidas in Asia Minor, the Spartan War against Elis, the accession of King Agesilaos, the conspiracy of Kinadon, the campaigns of Agesilaos in Asia Minor, the outbreak of war against Sparta in Greece, and Agesilaos' recall. It includes several of Xenophon's best speeches, some of his wittiest dialogue, and several choice turns of phrase. This edition follows the pattern of the Hellenika III.3.10 (Warminster 1989). The commentary tries both to interpret the text and to assess its historical accuracy. Throughout the book uses the rest of Xenophon's works to throw light on the Hellenika. The edition presents Greek text with facing-page translation.

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31

Xenophon. Xenophon's Hellenica: Selections. Creative Media Partners, LLC, 2018.

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32

Krentz, Peter. Xenophon: Hellenika I-II.3.10. Liverpool University Press, 1989. http://dx.doi.org/10.3828/liverpool/9780856684647.001.0001.

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The Peloponnesian War, according to Thucydides, was the result of the growth of Athenian power. Beginning with the battle of Abydos in 411, this edition covers the Ionian or Dekeleian War, whose end in 404 also brings to a close the Peloponnesian War as a whole. The narrative is all the more valuable for the fact that Xenophon is likely to have been present at a number of the events described. In his very first sentence he mentions a naval battle in which the Athenians are defeated, and in doing so heralds their eventual defeat in the war. It is a tale of decline, and of expansionism gone awry.

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33

Banderet, Albert. Untersuchungen Zu Xenophons Hellenika. Vieweg Verlag, Friedr, & Sohn Verlagsgesellschaft mbH, 2013.

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34

The Landmark Xenophons Hellenika. Anchor Books, 2010.

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35

Strassler, R. B., Robert B. Strassler, and John Marincola. Landmark Xenophon's Hellenika. Quercus, 2011.

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36

Laves, August. Kritische Beiträge Zu Xenophons Hellenika. Creative Media Partners, LLC, 2018.

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37

Krentz, Peter. Xenophon: Hellenika Ii.3.11-IV (Classical Texts,). Aris & Phillips, 1995.

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38

Krentz, Peter. Xenophon: Hellenika I-II 3.10 (Classical Texts). Aris & Phillips, 1990.

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39

Krentz, Peter. Xenophon: Hellenika Ii.3.11-IV .2.8 (Classical Texts). Aris & Phillips, 1995.

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40

Grosser, Richard. Zur Charakteristik der Epitome Von Xenophons Hellenika. Creative Media Partners, LLC, 2018.

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41

Morgan, J. R. Chariton and Xenophon of Ephesus. Edited by Daniel S. Richter and William A. Johnson. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199837472.013.20.

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This chapter discusses the novels of Chariton and Xenophon of Ephesus. Both are engaged with central concerns of the Second Sophistic, in particular that of elite Greek identity. Chariton’s novel (composed in the second century and connected with the sophist Dionysius of Miletus) demonstrates the same empathetic recreation of the classical past as sophistic declamation, and defines the Greekness of his protagonists in antithesis to a Persia configured to enable the exploration of the contemporary accommodation of the Greek elite to Rome. In his vision, paideia is a central constituent of Hellenic identity, enacted through an important third character, who represents an older erotic paradigm in contrast to the romantic heroes. Xenophon’s novel (probably an epitome), on the other hand, uses a contemporary setting to explore the nightmare of the loss of social status and control over one’s own person.

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42

Buijs, Michel. Clause Combining in Ancient Greek Narrative Discourse: The Distribution of Subclauses and Participial Clauses in Xenophon's Hellenica and Anabasis. Ebsco Publishing, 2005.

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