Relevant bibliographies by topics / Wyvern Collection

Academic literature on the topic 'Wyvern Collection'

Author: Grafiati
Published: 26 July 2024
Last updated: 28 July 2024

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Journal articles on the topic "Wyvern Collection"

1

Reeve, Matthew. "The Wyvern Collection: Medieval and Renaissance Sculpture and Metalwork." Journal of the British Archaeological Association 172, no. 1 (January 1, 2019): 182–84. http://dx.doi.org/10.1080/00681288.2019.1652997.

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Palladino, Adrien. "Marco Aimone, The Wyvern Collection. Byzantine and Sasanian Silver, Enamels and Works of Art. With contributions by Erica Cruickshank Dodd, Rika Gyselen, Peter Northoven, and Jack Ogden. London / New York: Thames & Hudson, 2020." Convivium 8, no. 2 (July 2021): 186–88. http://dx.doi.org/10.1484/j.convi.5.131123.

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Diaz Pascual, Lucia. "THE HERALDRY OF THE DE BOHUN EARLS." Antiquaries Journal 100 (June 25, 2020): 141–64. http://dx.doi.org/10.1017/s0003581520000049.

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This paper analyses the evidence relating to the heraldry used by the patriarchs of the de Bohun family (1066–1373) as preserved in seal impressions, rolls of arms, manuscripts, wills, inventories and personal objects held in private collections. It traces the development of the family’s coat of arms, as well as the adoption and use by the de Bohun earls of various heraldic symbols (such as the swan, the trefoil, the leopard and the wyvern) to serve as a reminder of the family’s glorious ancestry and its many royal and noble marital alliances. By analysing the unique heraldry adopted by each de Bohun earl, this paper concludes that the family’s noble identity evolved over several generations and that the choice of heraldic symbols by each earl was highly individual, providing a unique insight into their sense of identity and personal values, as well as their desire to ensure family memory.
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4

Hill, Marguerite. ""Lions and wyvens and dolphins, oh my!": Jessie Mitchell Elmslie's Arts and Crafts furniture." Architectural History Aotearoa 20 (December 4, 2023): 58–68. http://dx.doi.org/10.26686/aha.v20.8713.

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Jessie Mitchell Elmslie was in her early twenties when she carved an intricate and highly decorative oak and kauri sideboard. The 2.5 metre high sideboard is dripping with Arts and Crafts iconography, including wyverns, lions and a Green Man with a flowing beard. Elmslie also incorporated copper tooling into her design, with beaten copper handles and repousse heraldic dolphins. Elmslie's father, Dr Rev John Elmslie, was the minister at St Paul's Presbyterian Church in Christchurch and one of his parishioners taught Elmslie to carve. She produced at least two large pieces of furniture during the 1890s: the sideboard now in the collection of Canterbury Museum and a walnut settle in the collection of Te Papa Tongarewa Museum of New Zealand.Woodcarving became popular with New Zealand women during the late nineteenth and early twentieth centuries. The Arts and Crafts movement, along with the establishment of art and design schools from the 1870s, meant that women were able to engage in practices formerly reserved for men. This paper will look at Elmslie and her work in the context of Arts and Crafts practice in New Zealand and consider the work of another talented carver, Evelyn Vaile.
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5

North, Christopher. "Explaining the Circumstances." Ecozon@: European Journal of Literature, Culture and Environment 1, no. 1 (April 26, 2010). http://dx.doi.org/10.37536/ecozona.2010.1.1.341.

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Christopher North with his wife Marisa run the Almassera Vella Arts Centre in a mountain village near Alicante, Spain (www,oldolivepress.com).He facilitates poetry readings , writing workshops and 7 day residential courses in the Spring and Autumn. His pamphlet collection 'A Mesh of Wires '(Smith Doorstop 1999) was shortlisted for the Forward Prize, he had a third place in the National (1995) and recently won the Silver Wyvern at the ‘Poetry on the Lake' Festival in Italy. His first full collection ‘Explaining the Circumstances’ was published by Oversteps Books in February 2010 (www.overstepsbooks.com). The poem he has gracefully allowed us to include in this issue, is the title poem in this collection. A planned bi-lingual joint collection with the poet Terry Gifford ‘The Other Side of Aguilar’ is due for publication later this year.
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Books on the topic "Wyvern Collection"

1

Davenport, Tanner. Wyvern Fun: A Collection of Songs. Independently Published, 2018.

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2

Gerry, Kathryn, Lepine, Ayla, Perkinson, Stephen. New Views of the Middle Ages: Highlights from the Wyvern Collection. Scala Arts Publishers Inc., 2020.

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3

The Wyvern Collection: Medieval and Renaissance Sculpture and Metalwork. Thames & Hudson, 2018.

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4

Wyvern Collection: Medieval and Later Ivory Carvings and Small Sculpture. Thames & Hudson, Limited, 2019.

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5

Wyvern Collection: Medieval and Renaissance Enamels and Other Works of Art. Thames & Hudson, 2021.

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6

Wyvern Collection: Byzantine and Sasanian Silver, Enamels and Works of Art. Thames & Hudson, 2020.

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7

Williams, Keith, Bet McCallum, Roy Canning, Ann Prescott, Roddie McKenzie, Gavin Cameron, George C. Robertson, Anita Petrie, and Rhoda Neville. The Scientific Muse: Poems for Robert Duncan Milne. University of Dundee, 2021. http://dx.doi.org/10.20933/100001224.

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Welcome to the sixth collection by Wyvern Poets, in collaboration with the University of Dundee. This booklet for Dundee’s Being Human festival programme on the theme of ‘Renewal’ celebrates the life and work of Cupar-born Robert Duncan Milne (1844-99). Milne published around sixty Science Fiction stories (some multi-part or novella length), mostly in the Argonaut and the San Francisco Examiner between 1879 and 1899. He pioneered SF themes such as climate catastrophe, cryogenics, molecular re-engineering of the body, personality transfer, scientific terrorism and drone warfare, remote surveillance and telecommunications, satellite phones and technologies for visual time travel which anticipate cinema and TV. Scotland appears to punch below its weight in relation to early science fiction, yet Milne is an extraordinary lost presence who slipped through the cracks of the canon by a series of historical accidents - until now.
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8

Williams, Keith, ed. Travels in Scottland: Poems for Walter Scott @250. University of Dundee, 2021. http://dx.doi.org/10.20933/100001227.

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Welcome to the fifth collection by Wyvern Poets, in collaboration with the University of Dundee. 2021 marks the 250th anniversary of the birth of Sir Walter Scott (1771-1832), father of the historical novel and, effectively, of a new kind of mass ‘time travel’. Scott’s prolific output exported an image of his homeland with global appeal, if not always scrupulous authenticity. Stuart Kelly’s 2011 biography, Scott-land, is subtitled The Man Who Invented a Nation, perhaps without too much exaggeration. Scott’s antiquarian vision transformed a turbulent past into a pre-industrial landscape for the Romantic imagination, virtually overwhelming its place of origin or at least melding with it, as he rapidly became one the best-selling authors on earth. John Davidson’s ‘The Salvation of Nature’ (1891), fantasised a future Scotland bought out by an entertainment conglomerate. The World’s Pleasance Company, Ltd. demolishes anything built after 1700, ‘rewilding’ Scotland into a kind of neo-medieval theme park re-staging the past for tourists. Davidson’s story was both satirical exaggeration and backhanded tribute to Scott’s work for bringing history to life in a certain form. Hence this collection considers the many ways in which Scott’s evocative, but also problematic reimagining of his homeland remains relevant to our time and beyond.
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